Liu Bannong


Liu Bannong or Liu Fu was a Chinese linguist and poet.

Biography

A native of Jiangsu, he was an important contributor to the influential magazine New Youth during the May Fourth Movement. He began writing poetry in vernacular Chinese in 1917, and was credited with having coined the Chinese feminine pronoun ta, which differs from masculine 他 and neuter 它 only in writing, but not in pronunciation, and which he made use of in his poems. The usage was popularised by the song Jiao Wo Ruhe Bu Xiang Ta, a "pop hit" in the 1930s in China. The lyrics were written by him and the melody by Yuen Ren Chao.
In 1920, he left China to study linguistics abroad, first in London, then in Paris. He gained his PhD at the University of Paris, with research done on Chinese tones. During his time in Paris, he compiled Dunhuang Duosuo, a pioneering work about the Dunhuang manuscripts.
Among his other achievements, Liu was a pioneer in Chinese photography. He called for a photographic style which would be technically advanced but rooted in Chinese tradition. This call was an inspiration to younger photographers such as Lang Jingshan, who established a style of photography which incorporated the aesthetic of Chinese landscape painting.
Liu returned to China in 1925, and began teaching in colleges. He collaborated with Li Jiarui to compile Songyuan Yilai Suzi Pu. Published in 1930, it was a key work in the standardisation of simplified Chinese characters.
In 1933 Liu Bannong conducted an interview with Sai Jinhua. He wrote The Wife of Zhuangyuan: Sai Jinhua, which he called her "true story".
He died of an acute illness after a linguistic field-trip, at the age of 44. Lu Xun wrote a short memoir about Liu after his death.
He was the elder brother of the musicologist Liu Tianhua.