Little Women (opera)


Little Women is the first opera written by American composer Mark Adamo to his own libretto after Louisa May Alcott's 1868-69 tale of growing up in New England after the American Civil War, Little Women. The opera also includes text by John Bunyan, Johann Wolfgang von Goethe, and Alcott herself.

Performance history

Commissioned by the Opera Studio of Houston Grand Opera, then under the guidance of General Director David Gockley, Little Women was first performed on March 13, 1998 in a smaller scale production. The success of this first production prompted Gockley to pronounce it "destined to be an American classic" and scheduled the opera for a mainstage premiere of ten performances in March 2000 — making it the first of HGO's twenty-some commissions to be so revived.
G. Schirmer published the opera in May 1998; National Public Radio broadcast the recording of the premiere the following September; and there have been more than 35 distinct productions, professional and academic, domestic and international, since the world premiere, ranging from established American stages, to newer, more progressive companies from American summer festivals, to international venues, and to conservatories
The American television premiere took place on August 29, 2001 on PBS's Great Performances, and the world premiere recording of the HGO production was released on Ondine on August 28, 2001.
Little Women had its Australian premiere in May 2007 at the Adelaide Festival. The opera premiered in Israel in July 2008, in Tel Aviv. Little Women had its European Premiere in Bruges, Belgium on August 1, 2009. The performers were participants in the Intermezzo Foundation's Young Artist Program. The Canadian premiere took place on January 30, 2010, performed by the Calgary Opera.http://www.musicsalesclassical.com/composer/work/23697

Critical reaction

While some critics have argued that the score's reach exceeds its grasp — Opera News suggests that "the nontonal pages never quite mesh with the arias' flights of aching, Bernsteinian lyricism" — critical consensus has largely followed that of John Rockwell of The New York Times, who, on the occasion of the March 2003 New York City Opera premiere, called Little Women a "masterpiece".

Roles