List of paintings by Rembrandt


The following is a list of paintings by Rembrandt that are accepted as autograph by the Rembrandt Research Project. For other catalogues raisonnés of Rembrandt, see the "Rembrandt" navigation box below.
ImageTitleYearTechniqueDimensions GalleryNumberCommentary
The Spectacles-pedlar c. 1624Oil on panel21 x 17.8Stedelijk Museum De Lakenhal, Leiden1Hypothetical; one of the series The Senses
The Three Singers c. 1624Oil on panel21.6 x 17.8Leiden Collection2Hypothetical; one of the series The Senses
The Operation c. 1624Oil on panel21.5 x 17.7Leiden Collection3Hypothetical; one of the series The Senses
The Unconscious Patient c. 1624Oil on panel21.5 x 17.7Leiden Collection3AHypothetical; one of the series The Senses
Christ Driving the Money-changers from the Temple1626Oil on panel43.1 x 32Pushkin Museum, Moscow4
The Stoning of St. Stephen1625Oil on panel89.5 x 123.6Musée des beaux-arts de Lyon5
Bust of a Man Wearing a Gorget and Plumed Beret1626Oil on panel40 x 29.4Private collection6
History Painting1626Oil on panel90 x 122Stedelijk Museum De Lakenhal, Leiden7Subject still under discussion
David with the Head of Goliath before Saul1626/1627Oil on panel27.2 x 39.6Kunstmuseum Basel8
The Baptism of the Eunuch1626Oil on panel63.5 x 48Museum Catharijneconvent, Utrecht9The abraded face of Philip has been unsatisfactorily retouched
Balaam and the Ass1626Oil on panel63.2 x 46.5Musée Cognacq-Jay, Paris10
Musical Allegory1626Oil on panel63.4 x 47.6Rijksmuseum Amsterdam11
Tobit Accusing Anna of Stealing the Kid1626Oil on panel40.1 x 29.9Rijksmuseum Amsterdam12
The Flight into Egypt1627Oil on panel27.5 x 24.7Musée des Beaux-Arts de Tours13
The Rich Man from the Parable1627Oil on panel31.7 x 42.5Gemäldegalerie, Berlin14
The apostle Paul in Prison1627Oil on panel72.8 x 60.2Staatsgalerie Stuttgart15There are darkened overpaintings on both sides of the seams of the panel
Simeon in the Templec. 1628Oil on panel55.4 x 43.7Kunsthalle Hamburg16Mary’s cloak has been overpainted by another hand later; it was probably a lighter blue-grey in the original
The Foot Operation1628Oil on panel31.8 x 24.4Private collection17
Rembrandt Laughingc. 1628Oil on copper22.2 x 17.1J. Paul Getty Museum, Los Angeles18
Self-Portrait Study in the Mirror c. 1627/1628Oil on panel42.8 x 33Indianapolis Museum of Art19
Lighting Study in the Mirrorc. 1628Oil on panel22.6 x 18.7Rijksmuseum Amsterdam20
Bust of a Man Wearing a Turbanc. 1628Oil on panel26.7 x 20.3The Kremer collection21
Interior with figures, called La main chaudec. 1628Oil on panel21 x 27National Gallery of Ireland, Dublin22
Judas Repentant, Returning the Pieces of Silver1629Oil on panel79 x 102.3Private collection23
The Painter in his Studio c. 1628Oil on panel24.8 x 31.7Museum of Fine Arts, Boston24
The Supper at Emmaus1629Oil on panel37.4 x 42.3Musée Jacquemart-André, Paris25
An Old Man Asleep by the Fire 1629Oil on panel51.9 x 40.8Sabauda Gallery, Turin26
Two Old Men Disputing 1628Oil on panel72.3 x 59.5National Gallery of Victoria, Melbourne27
The apostle Paul at his Writing Deskc. 1629/1630Oil on panel47.2 x 38Germanisches Nationalmuseum, Nuremberg28The painting is covered with a thick layer of yellowed varnish
Self-portrait with Plumed Beret1629Oil on panel89.7 x 73.5Isabella Stewart Gardner Museum, Boston29
Self-portrait with a Gorgetc. 1629Oil on panel38.2 x 31Germanisches Nationalmuseum, Nuremberg30The painting is covered by a layer of yellowed varnish and shows darkened retouches
Self-portrait Lit from the Left1629Oil on panel15.5 x 12.7Alte Pinakothek, Munich31
Self-portrait with Beret and Gathered Shirt 1630Oil on copper15 x 12.2Nationalmuseum, Stockholm33
Bust of an Old Woman at Prayer c. 1630Oil on copper15.5 x 12.2Residenzgalerie, Salzburg34
Laughing Soldier c. 1630Oil on copper15.3 x 12.2Mauritshuis, The Hague35
Bust of an Old Man1630Oil on panel18.2 x 17.4Private collection36Reduced to an oval form, subsequently made into a rectangle by additions
Samson Betrayed by Delilahc. 1628–1630Oil on panel61.3 x 50.1Gemäldegalerie, Berlin37
David Playing the Harp for King Saulc. 1630Oil on panel62 x 50Städel, Frankfurt am Main38The painting is poorly preserved in the thinner areas
Jeremiah Lamenting the Destruction of Jerusalem1630Oil on panel58.3 x 46.6Rijksmuseum Amsterdam39
St. Peter in Prison1631Oil on panel59.1 x 47.8Israel Museum, Jerusalem40
Andromeda Chained to the Rocksc. 1630Oil on panel34.5 x 25Mauritshuis, The Hague41The painting has been cropped on all sides
The Good Samaritan1630Oil on panel24.2 x 19.8Wallace Collection, London42
Bust of an Old Man Wearing a Fur Cap1629Oil on panel22.2 x 17.7Tyrolean State Museum, Innsbruck43
Oil Study of an Old Man1630Oil on panel24.3 x 20.3Agnes Etherington Art Centre, Kingston44
Oil Study of an Old Manc. 1630Oil on panel19.5 x 16Statens Museum for Kunst, Copenhagen45
Bust of an Old Manc. 1630Oil on panel46.9 x 38.8Mauritshuis, The Hague46
Simeon in the Temple1631Oil on panel60.9 x 47.9Mauritshuis, The Hague47
The Raising of Lazarusc. 1630–1632Oil on panel96.2 x 81.5Los Angeles County Museum of Art48The panel was originally taller
The Abduction of Proserpinac. 1631Oil on panel84.8 x 79.7Gemäldegalerie, Berlin49The panel, which was originally taller, must have been cropped at top and bottom. An ultramarine blue sky was discovered under a greyish overpainting and taken to be the original sky
The Abduction of Europa1632Oil on panel62.2 x 77J. Paul Getty Museum, Los Angeles50
An Old Woman Reading, probably the Prophetess Anna1631Oil on panel59.8 x 47.7Rijksmuseum Amsterdam51
Christ on the Cross1631Oil, transferred from panel to canvas and then stuck on to panel99.9 x 72.6Parish Church, Le Mas d'Agenais52
The Artist in an Oriental Costume, with a Poodle at his Feet1631Oil on panel66.5 x 52Petit Palais, Paris53The dog added in late 1632 or early 1633
Minerva in her Studyc. 1631Oil on panel60.5 x 49Gemäldegalerie, Berlin54
Bust of an Old Man with a Cap and Gold Chainc. 1631Oil on panel59.9 x 51.1Private collection55
Portrait of a Man at a Writing Desk, possibly Jacob Bruyningh1631Oil on canvas104.4 x 91.8Hermitage Museum, Saint Petersburg60The painting originally seems to have been 9 cm taller
A Lady and Gentleman in Black1632Oil on canvas131.5 x 109Stolen from the Isabella Stewart Gardner Museum, Boston61The painting must have been substantially reduced on the left, now showing only part of the original composition; the chair on the left is probably a later addition, apparently intended to balance the composition on this side when the canvas was reduced
Portrait of a Man1632Oil on panel90.8 x 68.57Kunsthistorisches Museum, Vienna62aCompanion piece to 62b
Portrait of a Woman1632Oil on panel90 x 68Kunsthistorisches Museum, Vienna62bRembrandt and workshop. Companion piece to 62a
Portrait of a Man, probably a Member of the Van Beresteyn Family1632Oil on canvas112 x 89Metropolitan Museum of Art, New York63aCompanion piece to 63b
Portrait of a Woman, probably a Member of the Van Beresteyn Family1632Oil on canvas112.5 x 88.8Metropolitan Museum of Art, New York63bRembrandt and workshop. Companion piece to 63a. The woman’s left hand, which originally hung in a lower position, and the table on which it now rests, are probably executed by Rembrandt himself
Portrait of a Man Trimming his Quill1632Oil on canvas101.5 x 81.5Schloss Wilhelmshöhe, Kassel64aCompanion piece to 64b
Portrait of a Woman Seated1632Oil on canvas92 x 71Academy of Fine Arts Vienna64bRembrandt Companion piece to 64a. The painting was cropped on all sides
Portrait of Princess Amalia van Solms1632Oil on canvas69.5 x 54.4Musée Jacquemart-André, Paris65bCompanion piece to 65a: G. van Honthorst, Portrait of Prince Frederik Hendrik of Orange, 1631. The Hague, Huis ten Bosch. The two paintings must originally have had identical surrounds. At a later stage 65b was cropped on all sides. The face has suffered from surface wear
Self-portrait as a Burger1632Oil on panel64.4 x 47.6Burrell Collection, Glasgow66
Portrait of Maurits Huygens1632Oil on panel31.1 x 24.5Hamburger Kunsthalle67
Portrait of Jacques de Gheyn III1632Oil on panel29.9 x 24.9Dulwich Picture Gallery, London68
Self-portrait1632Oil on panel21.8 x 16.3property of M.C.A. since 2005 69
Portrait of Joris de Caullery1632Oil, canvas on panel102.5 x 83.8Fine Arts Museums of San Francisco70
Portrait of a Young Man1632Oil on panel63 x 46Suermondt-Ludwig-Museum, Aachen71
Portrait of Marten Looten1632Oil on panel92.8 x 74.9Los Angeles County Museum of Art72
Portrait of a 40-year-old Man1632Oil on panel75.6 x 52.1Metropolitan Museum of Art, New York73
Portrait of a 39-year-old Woman1632Oil on panel74.5 x 55Nivaagaards Malerisamling74The hand and the booklet were added by another painter
Portrait of a 62-year-old Woman, possibly Aeltje Pietersdr Uylenburgh1632Oil on panel73.5 x 55Museum of Fine Arts, Boston75
The Anatomy Lesson of Dr. Tulp1632Oil on canvas169.5 x 216.5Mauritshuis, The Hague76
Portraits of Jean Pellicorne and his Son Casper1632Oil on canvas155 x 123Wallace Collection, London77aRembrandt and workshop. Companion piece to 77b
Portraits of Susanna van Collen and her Daughter Anna1632Oil on canvas153 x 121Wallace Collection, London77bRembrandt and workshop. Companion piece to 77a
Bust of a Young Woman1632Oil on panel60.6 x 45Leiden Collection78
Bust of a Young Woman in a Cap1632Oil on canvas mounted on panel60.6 x 45Private collection79Originally rectangular and larger on all sides
Half-figure of a Young Woman in Profile with a Fan1632Oil on canvas72.5 x 54.8Nationalmuseum, Stockholm80Reduced on all sides
Bearded Old Man1632Oil on panel66.5 x 51Fogg Museum, Cambridge81
Study of an Old Man with a Gold Chain1632Oil on panel59 x 46.5Schloss Wilhelmshöhe, Kassel82
The Apostle Peter1632Oil on canvas81.3 x 66.2Nationalmuseum, Stockholm83
Knee-length Figure of a Man in an Oriental Dress 1632Oil on panel152.7 x 111.1Metropolitan Museum of Art, New York84
A Scholar Near a Window 1631Oil on panel60.8 x 47.3Nationalmuseum, Stockholm85
Philosopher in Meditation1632Oil on panel28.2 x 34.4Musée du Louvre, Paris86The figure of a woman on the stairs is scarcely visible; possibly a pentimento
Portrait of a Man1638Oil on panel63.5 x 47.3Herzog Anton Ulrich Museum, Braunschweig87aCompanion piece to 87b
Portrait of a Woman1638Oil on panel63 x 48Herzog Anton Ulrich Museum, Braunschweig87bCompanion piece to 87a
Portrait of a Man Rising from his Chair1633Oil on canvas124 x 98.5Taft Museum of Art, Cincinnati88aRembrandt and and his Wife, Griet Jans - Google Art Project.jpg|150pxPortrait of Jan Rijcksen and his Wife Griet Jans1633Oil on canvas111 x 166Royal Collection89
Portrait of Johannes Wtenbogaert1633Oil on canvas123 x 105Rijksmuseum Amsterdam90Rembrandt and workshop. The hands seem to be painted by a member of the workshop
Portrait of Man1633Oil on canvas128.5 x 100.5Schloss Wilhelmshöhe, Kassel91Rembrandt and/or workshop? Originally this portrait was probably full size
Portrait of a Man Wearing a Red Doublet1633Oil on panel63.5 x 50.5Leiden Collection92
Portrait of a Young Woman1633Oil on panel63.5 x 47.5Museum of Fine Arts, Houston93
Bust of Saskia Smiling1633Oil on panel52.5 x 44Staatliche Kunstsammlungen Dresden94
Half-length Portrait of Saskia van Uylenburghc. 1633–1642Oil on panel99.5 x 78.8Schloss Wilhelmshöhe, Kassel95An 18th-century document provides evidence that the painting originally measured c. 128 x 104.5 cm and was rounded above
Self-portrait with Gold Chain1633Oil on panel61 x 48.1Musée du Louvre, Paris96
Self-portrait with Beret and Gold Chain1633Oil on panel70.4 x 54Musée du Louvre, Paris97
Bust of Young Woman1633Oil on panel65 x 48Rijksmuseum Amsterdam98
Man in Oriental Costumec. 1633–1634Oil on canvas98 x 74National Gallery of Art, Washington99Rembrandt and pupil. This work was probably larger on all sides
A Young Woman at her Toilet1633Oil on canvas110.5 x 94.3National Gallery of Canada, Ottawa100
Bellona1633Oil on canvas127 x 97.5Metropolitan Museum of Art, New York101
, Saint Petersburg109Made in preparation for an unfinished printed Passion series
John the Baptist Preachingc. 1633/1634Grisaille, canvas stuck on panel62.7 x 81.1Gemäldegalerie, Berlin110
Christ and his Disciples in Gethsemane1634Drawing on paper. Pen and brown ink with brown and other washes and red and black chalk35.7 x 48.8Teylers Museum, Haarlem111Although executed with drawing materials on paper, in view of its presumed function this work is counted here among Rembrandt’s grisailles in preparation for an unfinished printed Passion series
Ecce Homo1634Grisaille, paper on canvas54.5 x 44.5National Gallery, London112Grisaille in preparation for an unfinished printed Passion series
The Lamentationc. 1633/1634Grisaille, paper on canvas; enlarged by another hand on a panel measuring 31.9 x 26.7 cm31.9 x 26.7National Gallery, London113Grisaille may be fragment of the planned Passion series
The Entombment1633/1634Grisaille, panel32.1 x 40.3Hunterian Museum and Art Gallery, Glasgow114Grisaille may be fragment of the planned Passion series
Portrait of a Young Bachelor1634Oil on panel70 x 52Hermitage Museum, Saint Petersburg115The painting is covered by a layer of yellowed varnish
Portrait of an 83-year Old Woman 1634Oil on panel68.7 x 53.8National Gallery, London116
Portrait of Dirck Jansz Pesser1634Oil on panel71 x 53Los Angeles County Museum of Art117aCompanion piece to 117b
Portret of van Haesje Jacobsdr van Cleyburgh1634Oil on panel71 x 53Rijksmuseum Amsterdam117bCompanion piece to 117a
Portrait of a Man in a Broad-brimmed Hat1634Oil on panel70 x 53Museum of Fine Arts, Boston118aRembrandt and mainly workshop. Companion piece to 118b
Portrait of a Woman1634Oil on panel69.5 x 53Museum of Fine Arts, Boston118bCompanion piece to 118a
Portrait of a 41-year-old Man, possibly Pieter Sijen1633Oil on panel69.3 x 54.8Norton Simon Museum, Pasadena119aCompanion piece to 119b
Portrait of a 40-year-old Woman, possibly Marretje Cornelisdr van Grotewal1634Oil on panel69 x 55Speed Art Museum, Louisville119bCompanion piece to 119a
Portrait of Maerten Soolmans1634Oil on canvas207 x 132.5Joint ownership by Rijksmuseum and The Louvre120aCompanion piece to 120b
Portrait of Oopjen Coppit1634Oil on canvas207 x 132Joint ownership between The Louvre and Rijksmuseum120bCompanion piece to 120a
Portrait of Reverend Johannes Elison1634Oil on canvas173 x 123Museum of Fine Arts, Boston121aCompanion piece to 121b
Portrait of Maria Bockenolle1634Oil on canvas174.5 x 123Museum of Fine Arts, Boston121bCompanion piece to 121a
Oval Self-portrait with Shaded Eyes1634Oil on panel70.8 x 55.2Leiden Collection, New York122
Self-portrait in a Cap and Fur-trimmed Cloak1634Oil on panel58.3 x 47.5Gemäldegalerie, Berlin123The painting is covered by a layer of yellowed varnish
Cupid Blowing a Soap Bubble1634Oil on canvas75 x 92.62Liechtenstein Museum, Vienna124
Flora1634Oil on canvas125 x 101Hermitage Museum, Saint Petersburg125
The Descent from the Cross1634Oil on canvas159.3 x 116.4Hermitage Museum, Saint Petersburg126
The Incredulity of Thomas1634Oil on panel53 x 50Pushkin Museum, Moscow127
Sophonisba Receiving the Poisoned Cup1634Oil on canvas142 x 153Museo del Prado, Madrid128
A Scholar, Seated at a Table with Books1634Oil on canvas145 x 134National Gallery in Prague129
Diana Bathing with her Nymphs, with the Stories of Actaeon and Callisto1634Oil on panel73.5 x 93.5Museum Wasserburg, Anholt130
The Flight into Egypt1634Oil on panel52 x 40.1Private collection130A
The Holy Family1634Oil on canvas195 x 132Alte Pinakothek, Munich131The painting was originally probably wider than it is today
Portrait of Philips Lucasz1635Oil on panel79.5 x 58.9National Gallery, London132aRembrandt and workshop. Companion piece to 132b
Portrait of Petronella Buys1635Oil on panel78.8 x 65.3private collection132bRembrandt and workshop. Companion piece to 132a
Portrait of a Man in a Slouched Hat and Bandoleer1635Oil on canvas78.5 x 65.7Kawamura Memorial DIC Museum of Art, Sakura133aRembrandt and/or workshop. Companion piece to 133b. The painting suffered severely when it was transferred from panel to canvas in 1929 and also from overcleaning. Originally rectangular and possibly also larger below
Portrait of a Young Woman1635Oil on panel78 x 65Cleveland Museum of Art133bRembrandt and mainly workshop. Companion piece to 133a. The painting has suffered severely from overcleaning. Originally rectangular and possibly also larger below
Self-portrait wearing a white feathered bonnet1635Oil on canvas90.5 x 71.8Buckland Abbey134Rembrandt
Self-portrait as the Prodigal Son in the Tavern1635Oil on canvas161 x 131Staatliche Kunstsammlungen Dresden135The reconstruction of the stretcher on the basis of the X-ray shows just how much the painting was reduced in size. The paint surface of the lower part of the remaining fragment suffered badly, such that it had to be repainted
Abraham's Sacrifice1635Oil on canvas193.5 x 132.8Hermitage Museum, Saint Petersburg136The painting is covered by a layer of yellowed varnish
The Rape of Ganymede1635Oil on canvas177 x 130Staatliche Kunstsammlungen Dresden137
Flora1635Oil on canvas123.5 x 97.5National Gallery, London138
Minerva1635Oil on canvas137 x 116Leiden Collection, New York139
Samson Threatening his Father-in-lawc. 1635Oil on canvas159 x 131Gemäldegalerie, Berlin140
Bust of a Man in Oriental Dress1635Oil on panel72 x 54.5Rijksmuseum Amsterdam141
Bust of a Bearded Old man in Fanciful Costume1635Oil on panel72.5 x 62.1Royal Collection142
Belshazzar’s Feast1635Oil on canvas167.6 x 209.2National Gallery, London143On the basis of the pattern of cusping, it may be concluded that the painting was tilted to the left by later hands and cut to shape accordingly. This is also apparent from the edge of the table and the stream of wine poured from the jug by the woman on the right
Susanna Bathing1636Oil on panel47.2 x 38.6Mauritshuis, The Hague144
The Ascension1636Oil on canvas93 x 68.7Alte Pinakothek, Munich145Part of the Passion series for Frederik Hendrik
Self-portrait Transformed into a ‘tronie’c. 1633–1636Oil on panel56 x 47Gemäldegalerie, Berlin146
The Standard-Bearer1636Oil on canvas118.8 x 96.8Collection of Elie de Rothschild, Paris147
The Blinding of Samson1636Oil on canvas205 x 272Städel, Frankfurt am Main148
Danaëc. 1636 – c. 1643Oil on canvas185 x 203Hermitage Museum, Saint Petersburg149The painting was very badly damaged in 1985
The Angel Raphael Leaving Tobit and his Family1637Oil on panel66 x 52Musée du Louvre, Paris150
The Parable of the Labourers in the Vineyard1637Oil on panel31 x 42Hermitage Museum, Saint Petersburg151The paint of the figures to the right have suffered from blanching
River Landscape with Ruinsc. 1637 – c. 1645Oil on panel67 x 87.5Schloss Wilhelmshöhe, Kassel152The mill together with its immediate surroundings was originally placed in a flat Dutch landscape. Rembrandt transformed it into classical mountainous landscape around 1645
The Concord of the State1637Oil on panel74.6 x 101Museum Boijmans Van Beuningen, Rotterdam153Grisaille serving as a design for a political print which was never realized
Self-portrait1637Oil on panel64 x 49Wallace Collection, London154The painting originally was larger and rectangular. The upper corners of the background are digitally reconstructed
A Polish Nobleman1637Oil on panel96.7 x 66.1National Gallery of Art, Washington155
Portrait of the Preacher Eleazar Swalmius1637Oil on canvas132 x 109Royal Museum of Fine Arts Antwerp156
Bust of a Man with Plumed Cap1637Oil on panel62.5 x 47Mauritshuis, The Hague157
The Risen Christ Appearing to Mary Magdalene1638Oil on panel61 x 49.5Royal Collection158
Landscape with the Good Samaritan1638Oil on panel46.5 x 66Czartoryski Museum, Kraków159
The Wedding of Samson1638Oil on canvas126 x 175Staatliche Kunstsammlungen Dresden160
Woman with a Mirror1638Oil on panel23.9 x 32.5Hermitage Museum, Saint Petersburg161
The Entombment1635–1639Oil on canvas92.6 x 68.9Alte Pinakothek, Munich162Part of the Passion series for Frederik Hendrik
The Resurrection1639Oil on canvas92.9 x 67Alte Pinakothek, Munich163Part of the Passion series for Frederik Hendrik
King Uzziah Stricken with Leprosyc. 1639/1640Oil on panel102.8 x 78.8Chatsworth House164Covered with a disturbing layer of yellowed varnish. The dark patches in Uzziah’s face are probably painted indications of his leprosy
Two Dead Peacocks and a Girl1639Oil on canvas145 x 135.5Rijksmuseum Amsterdam165
A Dead Bittern1639Oil on panel120.7 x 88.3Staatliche Kunstsammlungen Dresden166The painting is covered by a layer of yellowed varnish
Portrait of a Man Holding a Hatc. 1640Oil on panel81.4 x 71.4Hammer Museum, Los Angeles167The panel has been trimmed on all sides. It belonged to a batch of equally large poplar panels, which makes it possible to speculate about the original size of the painting
Portrait of a Man Standing, possibly Andries de Graeff1639Oil on canvas200 x 124.2Schloss Wilhelmshöhe, Kassel168
Portrait of Aletta Adriaensdr1639Oil on panel64.7 x 55.3Museum Boijmans Van Beuningen, Rotterdam169The heavily damaged fingers were reconstructed during a restoration in the 1960s
Self-portrait1640Oil on panel80.5 x 62.8Musée du Louvre, Paris170Rembrandt and workshop? Adaption of an earlier self-portrait
Bust of Young Womanc. 1640Oil on panel60.5 x 49National Gallery of Art, Washington171
Self-portraitc. 1639Oil on panel63 x 50.1Norton Simon Museum, Pasadena172
The Holy Family with St Anne1640Oil on panel40.6 x 34Musée du Louvre, Paris173The painting is covered by a layer of yellowed varnish
The Visitation1640Oil on panel56.5 x 47.8Detroit Institute of Arts174
Landscape with a Stone Bridgec. 1638/1640Oil on canvas29.5 x 42.5Rijksmuseum Amsterdam175
Mountain Landscape with Approaching Storm1640Oil on panel52 x 72Herzog Anton Ulrich Museum, Braunschweig176
Portrait of Herman Doomer1640Oil on panel75.2 x 55.3Metropolitan Museum of Art, New York177aCompanion piece to 177b
Portrait of Baertje Martens1640Oil on panel75.1 x 55.9Hermitage Museum, Saint Petersburg177bCompanion piece to 177a
Self-portraitc. 1640Oil on panel72.2 x 58.3Thyssen-Bornemisza Museum, Madrid178The panel was slightly cropped later; the roughly blocked out hand was revealed during a restoration. Originally it must have been painted out by Rembrandt himself
Self-Portrait at the Age of 341640Oil on canvas93 x 80National Gallery, London179
Portrait of a Woman, possibly Anna Wijmer1641Oil on panel99.5 x 81.5Six Foundation, Amsterdam180
Saskia as a Flora1641Oil on panel98.5 x 82.5Staatliche Kunstsammlungen Dresden181The paint is covered by a disturbing yellowed layer of varnish
Oil Study of a Woman Lit Obliquely from Behind1640Oil on panel46.5 x 37.5Leiden Collection, New York182
Portrait of the Mennonite Preacher Cornelius Claesz Anslo and his Wife Aaltje Gerritsdr Shouten1641Oil on canvas176 x 210Gemäldegalerie, Berlin183
Portrait of Maria Trip1641Oil on canvas107 x 82Rijksmuseum Amsterdam184bRembrandt and the painter of 184a. Companion piece to 184a: Rembrandt workshop, Portrait of a man. 1641. Private collection
A Scholar at a Writing Desk1641Oil on panel104 x 76Royal Castle, Warsaw185
Girl in Fanciful Costume in a Picture Frame1641Oil on panel104 x 76Royal Castle, Warsaw186
Portrait of Nicolas van Bambeeck in a Picture Frame1641Oil on canvas108.8 x 83.3Royal Museums of Fine Arts of Belgium, Brussels187aCompanion piece to 187b
Portrait of Agatha Bas in a Picture Frame1641Oil on canvas104 x 82Royal Collection187bCompanion piece to 187a
David’s Parting from Jonathan1642Oil on panel73 x 61Hermitage Museum, Saint Petersburg188
Self-Portrait1642Oil on panel69.9 x 58.4Royal Collection189The costume and the hand are largely overpainted by a much later hand
The Company of Captain Frans Banning Cocq and Lieutenant Willem van Ruytenburch 1642Oil on canvas363 x 438Rijksmuseum Amsterdam190Actually: ‘The painting in the great hall of the Kloveniers Doelen in which the young Lord of Purmerland as Captain, gives the order to his Lieutenant, the Lord of Vlaerdingen to march off his Company of Citizens’, as the painting is called in the family album of Frans Banninck Cocq. The painting has been cropped on all four sides
Portrait of a Man with a Hawk1643Oil on canvas114 x 97.3Private collection191aRembrandt and workshop. Companion piece to 191b
Portrait of a Woman with a Fan1643Oil on canvas114.5 x 98Private collection191bRembrandt and workshop. Companion piece to 191a
An Old Man in Rich Costume 1643Oil on panel72.5 x 58.5Woburn Abbey192Possibly companion piece to 193. The series of curved cracks in the panel and paintlayer are typical for paintings on mahogany panels
Bust of a Woman 1643Oil on panel72 x 59Gemäldegalerie, Berlin193Possibly companion piece to 192. The darker parts of the costume were originally lighter and more colourful
Sarah Waiting for Tobias1643Oil on canvas81.2 x 67.9National Gallery of Scotland, Edinburgh194
Portrait of a Man with a Steel Gorget1644Oil on canvas94.3 x 77.8Metropolitan Museum of Art, New York195Cropped along the bottom edge
Christ and the Woman Taken in Adultery1644Oil on panel83.8 x 65.4National Gallery, London196
A Weeping Womanc. 1644Oil on panel21.3 x 16.8Detroit Institute of Arts197Oil sketch in preparation for 196
The Holy Family with Angels1645Oil on canvas117 x 91Hermitage Museum, Saint Petersburg198Strips of canvas of considerable width are missing on the side and top edges
Self-portrait with Beret and Red Cloakc. 1645/1648Oil on panel73.5 x 59.6Staatliche Kunsthalle Karlsruhe199The size of this painting has been altered several times, as has its format
Girl Leaning on a Stone Window Sill1645Oil on canvas81.6 x 66Dulwich Picture Gallery, London200
Tobit and Anna1645Oil on panel20 x 27Gemäldegalerie, Berlin201
Joseph's Dream in the Stable at Bethlehem1645Oil on panel20.7 x 27.8Gemäldegalerie, Berlin202
Old Man with Fur Coat1645Oil on panel110 x 82Gemäldegalerie, Berlin203The painting was probably cropped on all sides. It may well have had the same size as 204
Old Man with a Stick1645Oil on canvas128 x 112Museu Calouste Gulbenkian, Lisbon204
Landscape with a Castle1645Oil on panel44.5 x 70Musée du Louvre, Paris205Unfinished
The Millc. 1645Oil on canvas87.6 x 105.6National Gallery of Art, Washington206In the painting in its present state the mill is tilted forward
Winter Landscape1646Oil on panel17 x 23Schloss Wilhelmshöhe, Kassel207
Abraham Serving the Three Angels1646Oil on panel16 x 21Private Collection208
The Holy Family with Painted Frame and Curtain1646Oil on panel46.8 x 68.4Schloss Wilhelmshöhe, Kassel209Rembrandt or pupil. The painting is covered by a layer of yellowed varnish
The Prophetess Anna in the Temple1650 or c. 1646Oil on panel40.5 x 31.5National Gallery of Scotland, Edinburgh210The painting is covered by a layer of yellowed varnish
The Nativity1646Oil on canvas92 x 71Alte Pinakothek, Munich211aPart of the Passion series for Frederik Hendrik. 211b. Studio copy after a lost Circumcision, in or after 1646. Braunschweig, Herzog Anton Ulrich Museum
Saul and Davidc. 1645 and c. 1652Oil on canvas130 x 164.5Mauritshuis, The Hague212The painting originally was considerable larger. A vertical strip, wide c. 20 cm is missing to the left of David’s harp. Along the bottom the painting was c. 18 cm larger. The top right square piece of canvas above David was replaced by a fragment of a seventeenth-century painting and overpainted
Susanna and the Eldersc. 1638–1647Oil on panel76.6 x 92.8Gemäldegalerie, Berlin213The painting is covered by a layer of yellowed varnish
Nocturnal Landscape with the Holy Family1647Oil on panel33.8 x 47.8National Gallery of Ireland, Dublin214
Preparatory Oil Sketch for the Etched Portrait of Dr Ephraim Buenoc. 1647Oil on panel19 x 15Rijksmuseum Amsterdam215
Portrait of a Man Reading by Candlelight1648Oil on canvas66.5 x 58Clark Art Institute, Williamstown216
Oil Study of Christc. 1648Oil on panel25 x 20Gemäldegalerie, Berlin217aThe only surviving copy of Head of Christ by the master's hand.
Oil Study of Christ1648Oil on panel25.5 x 20.1Louvre Abu Dhabi, United Arab Emirates217bRembrandt or workshop. Companion piece to 217a
The Supper at Emmaus1648Oil on panel68 x 65Musée du Louvre, Paris218The panel, whose grain runs horizontally, may have extended further on the left where there could have been a window
Christ Appearing to Mary Magdalene, ‘Noli me tangere’1650 or slightly laterOil on canvas65 x 79Herzog Anton Ulrich Museum, Braunschweig219The painting is in an extremely bad condition and shows disturbing blanching in places
Girl at a Window1651Oil on canvas78 x 63Nationalmuseum, Stockholm220
An Old Man in an Armchair1652Oil on canvas111 x 88National Gallery, London221Probably by Rembrandt
An Old Man in Fanciful Costume1651Oil on canvas78.5 x 67.5Chatsworth House222The painting was originally taller. It is covered by a disturbing layer of yellowed varnish
Hendrickje with Fur Wrapc. 1652Oil on canvas103.3 x 86.5National Gallery, London223
The So-called Large Vienna Self-portrait with Beret1652Oil on canvas112.1 x 81Kunsthistorisches Museum, Vienna224The painting has been cropped both at top left and bottom. It is covered by a disturbing layer of yellowed varnish
Portrait of a Manc. 1651Oil on canvas92.5 x 73.5Faringdon Collection, Oxfordshire225
Portrait of Nicolaes Bruyningh1652Oil on canvas106.8 x 91.5Schloss Wilhelmshöhe, Kassel226The painting is covered by a layer of yellowed varnish
Half-figure of a Bearded Man with Beretc. 1653Oil on canvas78 x 66.5National Gallery, London227
Aristotle with a Bust of Homer1653Oil on canvas141.8 x 134.4Metropolitan Museum of Art, New York228The painting was larger at both top and bottom. The original proportions of the canvas were 4:3
A Woman Wading in a Pool 1654Oil on panel61.8 x 47National Gallery, London229
Oil Study of an Old Man with a Red Hatc. 1654Oil on canvas52.4 x 37Gemäldegalerie, Berlin230The painting is covered by a disturbing layer of darkened varnish
Bathsheba at her Toilet1654Oil on canvas142 x 142Musée du Louvre, Paris231The canvas was originally considerably higher and wider at the left. Strips are missing from the bottom and right. In the process of changing the format of the painting the remaining part with the figures was slightly tilted to the left
Woman at an Open Half-doorc. 1654Oil on canvas88.5 x 67Gemäldegalerie, Berlin232The painting is covered by a disturbing layer of yellowed varnish
Portrait of Jan Six1654Oil on canvas112 x 102Six Foundation, Amsterdam233
The Standard-Bearer 1654Oil on canvas138 x 113Metropolitan Museum of Art, New York234
Self-portrait1654Oil on canvas72 x 58.5Schloss Wilhelmshöhe, Kassel235aCompanion piece to 235b
Portrait of Hendrickje Stoffelsc. 1654Oil on canvas72 x 60Musée du Louvre, Paris235bCompanion piece to 235a
The Polish Riderc. 1655Oil on canvas116.8 x 134.9Frick Collection, New York236Partly unfinished, locally completed by later hand. At least 8–10 cm of the canvas are missing at the right. Along the bottom a strip of c. 10 cm was lost at some stage and subsequently replaced by a reconstruction painted by the restorer William Suhr
Joseph Accused by Potiphar’s Wife1655Oil on canvas110 x 87Gemäldegalerie, Berlin237With possible additions by another hand. The figure of Joseph and the left part of the pillow seem to have been added by a later hand on the basis of a rough underpainting by Rembrandt
Oil Sketch of an Old Manc. 1655Oil on panel23 x 18Private collection238
Man in Armourc. 1655Oil on canvas137.5 x 104.5Kelvingrove Art Gallery and Museum, Glasgow239The canvas has been enlarged on all four sides
Slaughtered Ox1655Oil on panel95.5 x 69Musée du Louvre, Paris240
Old Woman Reading 1655Oil on canvas79 x 65Drumlanrig Castle, Thornhill241
Titus at a Desk1655Oil on canvas77 x 63Museum Boijmans Van Beuningen, Rotterdam242
Unfinished Portrait of a Boyc. 1656Oil on canvas65 x 56Norton Simon Museum, Pasadena243
Man with Beret and Tabard 1656Oil on canvas115 x 88.3Toledo Museum of Art244The painting must originally have extended considerably further to the right
Jacob Blessing the Sons of Joseph1656Oil on canvas175 x 210.5Schloss Wilhelmshöhe, Kassel245
The Anatomy Lesson of Dr. Jan Deyman1656Oil on canvas100 x 134Amsterdam Museum246Fragment that survived a fire. Blisters and traces of other fire-damage are still visible along the upper edge and in the hands of the dissector, Dr Deyman
Young Man Seated at a Tablec. 1656Oil on canvas109.9 x 89.5National Gallery of Art, Washington247
Portrait of a Gentleman with a Pair of Glovesc. 1656Oil on canvas99.5 x 82.5National Gallery of Art, Washington248aCompanion piece to 248b. The painting seems to be a fragment of a full-size portrait
Portrait of a Lady with an Ostrich Feather Fanc. 1656Oil on canvas99.5 x 83National Gallery of Art, Washington248bCompanion piece to 248a
Portrait of a Man, possibly Arnout Tholincx1656Oil on canvas76 x 63Musée Jacquemart-André, Paris249
Portrait of poet Jeremias de Decker1656Oil on panel71 x 56Hermitage Museum, Saint Petersburg250
Venus and Cupidc. 1657Oil on canvas110 x 88Musée du Louvre, Paris251Possibly part of a tripartite series with 252 and 253. The canvas has been cropped on all sides
Junoc. 1657–1665Oil on canvas127 x 106Hammer Museum, Los Angeles252Possibly part of a tripartite series with 251 and 253
Pallas Athenec. 1657Oil on canvas118 x 91Museu Calouste Gulbenkian, Lisbon253Rembrandt and pupil. Possibly part of a tripartite series with 251 and 252. The canvas has been reduced at the left and bottom
The Apostle Paul at his Writing Desk1657Oil on canvas129 x 102National Gallery of Art, Washington254Rembrandt and workshop
The Apostle Bartholomew1657Oil on canvas122.7 x 99.5Timken Museum of Art, San Diego255
The So-called Small Vienna Self-portraitc. 1657Oil on panel48.9 x 40.2Kunsthistorisches Museum, Vienna256Serious overcleaning and related overpaintings are evident in the shaded part of the face and in the costume. The painting appears to be a fragment of a considerably larger self-portrait
Portrait of Titus van Rijn1657Oil on canvas67.3 x 55.2Wallace Collection, London257The figure may have been placed before a larger, rather lively background
Portrait of Catharina Hooghsaet1657Oil on canvas123.5 x 95Penrhyn Castle, Gwynedd258
Portrait of an Unknown Scholar 1658Oil on canvas108 x 85Metropolitan Museum of Art, New York259
Preparatory Oil Sketch for the Etched Portrait of Lieven Willemsz van CoppenolIn or before 1658Oil on panel35.6 x 28Metropolitan Museum of Art, New York260See etching B283
Portrait of a Man with Arms Akimbo1658Oil on canvas107.4 x 87Agnes Etherington Art Centre, Kingston261
The Risen Christc. 1658Oil on canvas81 x 64Alte Pinakothek, Munich262The painting was not originally oval
Portrait of Dirck van Osc. 1658Oil on canvas113.5 x 88.7Joslyn Art Museum, Omaha263
Self-portrait1658Oil on canvas131 x 102Frick Collection, New York264
Philemon and Baucis1658Oil, transferred from panel to gauze and then stuck on a new panel54.5 x 68.5National Gallery of Art, Washington265
Tobit and Anna1659Oil on canvas41.8 x 54.6Museum Boijmans Van Beuningen, Rotterdam266
Moses Smashes the Stone Tablets with the Covenant1659Oil on canvas168.5 x 136.5Gemäldegalerie, Berlin267Unfinished
Jacob Wrestling with the Angelc. 1659Oil on canvas137 x 116Gemäldegalerie, Berlin268The painting must have been cropped on all sides. A piece of the same canvas bearing Rembrandt’s signature is stuck on the lower right corner. Many of the contours have been strengthened by a later hand
Posthumous Portrait of Saskia van Uylenburgh as Florac. 1660Oil on canvas100 x 91.8Metropolitan Museum of Art, New York269Rembrandt
Portrait of a Man as the Apostle Paul1659Oil on canvas102 x 85.5National Gallery, London270
Oil Sketch for 272c. 1659Oil on canvas68.5 x 55.5Statens Museum for Kunst, Copenhagen271
‘Portrait Historié’ of an Unknown Gentleman as St Bavoc. 1659Oil on canvas98.5 x 79Gothenburg Museum of Art272
Self-portrait1657/1659Oil on canvas50 x 42.5National Gallery of Scotland, Edinburgh273
Self Portrait with Beret and Turned-Up Collar1659Oil on canvas84.4 x 66National Gallery of Art, Washington274
Self-portraitc. 1659Oil on canvas30.7 x 24.3Musée Granet, Aix-en-Provence275Unfinished
Lighting Study with an Old Man as a Model1659Oil on panel38.1 x 26.8Agnes Etherington Art Centre, Kingston276
Lighting Study with Hendrickje Stoffels in a Silk Gown as a Modelc. 1659Oil on panel72.5 x 51.5Städel, Frankfurt am Main277A narrow strip is missing along the left side, a consequence of woodworm attack. The painting is covered with a yellowed varnish
Hendrickje Stoffelsc. 1660Oil on canvas78.4 x 68.9Metropolitan Museum of Art, New York278The painting is in a badly overcleaned and abraded condition
Titus van Rijn as St Francisc. 1660Oil on canvas79.5 x 67.5Rijksmuseum Amsterdam279
A Smiling Young Man 1660Oil on canvas81.5 x 78.5Baltimore Museum of Art280
Self-portrait at an Easel1660Oil on canvas110.9 x 90.6Musée du Louvre, Paris281
Rembrandt: Self Portrait1660Oil on canvas81 x 67.6Metropolitan Museum of Art, New York282
Assuerus, Haman, and EstherBetween c. 1655 and 1665Oil on canvas71.5 x 93Pushkin Museum, Moscow283
The Denial of Peter1660Oil on canvas154 x 169Rijksmuseum Amsterdam284The canvas was reduced on the right. 286 was painted on part of the trimmed piece
Lighting Study of an Old Man in Profilec. 1661Oil on panel24.8 x 19.1Agnes Etherington Art Centre, Kingston285Probably painted in preparation for 286
The Circumcision in the Stable1661Oil on canvas56.5 x 75National Gallery of Art, Washington286
The Virgin of Sorrow1661Oil on canvas107 x 81Musée départemental d'Art ancien et contemporain, Epinal287
Titus Posing for a Study of an Angelc. 1661Oil on panel40.6 x 34.9Detroit Institute of Arts288Possibly painted in preparation for 289
St. Matthew and the Angel1661Oil on canvas96 x 81Musée du Louvre, Paris289Part of a series with 290–294
The Apostle Bartholomew1661Oil on canvas87.5 x 75J. Paul Getty Museum, Los Angeles290Part of a series with 289, 291–294
The Apostle Simon1661Oil on canvas98.5 x 79Kunsthaus Zürich291Part of a series with 289, 290 and 292–294
The Apostle James the Greater1661Oil on canvas92.1 x 74.9Whereabouts unknown292Part of a series with 289–291 and 293, 294
The Apostle James the Less, or Christ with a Staff1661Oil on canvas94.5 x 81.5Metropolitan Museum of Art, New York293Part of a series with 289–292 and 294
Self-portrait as the Apostle Paul1661Oil on canvas93.2 x 79.1Rijksmuseum Amsterdam294Part of a series with 289–293
Two Moors1661Oil on canvas77.8 x 64.5Mauritshuis, The Hague295The paint surface is severely worn. The painting has been cropped to the right and bottom
The Small Margaretha de Geer1661Oil on canvas73.5 x 60.7National Gallery, London296Sketch for 297b
Portrait of Jacob Tripc. 1661Oil on canvas130.5 x 97National Gallery, London297aCompanion piece to 297b
Portrait of Margaretha de Geerc. 1661Oil on canvas130.5 x 97National Gallery, London297bCompanion piece to 297a
The Conspiracy of the Batavians under Claudius Civilisc. 1661–1662Oil on canvas196 x 309Nationalmuseum, Stockholm298Fragment
Portrait of the Syndics of the Amsterdam Clothmakers’ Guild, known as the ‘Staalmeesters’1662Oil on canvas191.5 x 279Rijksmuseum Amsterdam299
Portrait of a Young Manc. 1662Oil on canvas80 x 64.7Nelson-Atkins Museum of Art, Kansas City300
Homer Dictating his Verses1663Oil on canvas108 x 82.4Mauritshuis, The Hague301Made as part of a tripartite series with 228 and a lost Alexander the Great. In the right lower corner part of the manuscript, fingertips with pen and rim of the inkwell of a scribe
Self-portrait as the Laughing Zeuxis while Painting an Old Woman1663Oil on canvas82.5 x 65Wallraf-Richartz Museum, Cologne302Cropped on all four sides; the upper left and right corners are later additions
Equestrian Portrait of Frederick Rihel1663Oil on canvas294.5 x 241National Gallery, London303Rembrandt and workshop. The horse is painted by a different painter, possibly Titus van Rijn
Bust of a Bearded Young Man with a Skullcap1663Oil on canvas65.8 x 57.5Kimbell Art Museum, Fort Worth304
Portrait of a Woman with a Lapdogc. 1665Oil on canvas81 x 64Art Gallery of Ontario, Toronto305The originally more differentiated background is overpainted with black
Old Man in an Armchair, possibly a portrait of Jan Amos Comeniusc. 1665Oil on canvas104 x 86Uffizi, Florence306Covered with remnants of darkened varnish
Titus Reading c. 1660/1665Oil on canvas70.5 x 64Kunsthistorisches Museum, Vienna307
Portrait of Gerard de Lairesse1665Oil on canvas112 x 87Metropolitan Museum of Art, New York308
Portrait of Jan Boursse, Sitting by a Stovec. 1666Oil on panel47 x 40.5Museum Oskar Reinhart ‘Am Römerholz’, Winterthur309Probably painted in preparation of an unrealized etched portrait. The painting has suffered heavily from overcleaning and wear and is covered with a thick layer of yellowed varnish
A Presumed Sketch for the Male Sitter in the ‘Jewish Bride’mid-1660sOil on panel38.4 x 31.1Metropolitan Museum of Art, New York310
Portrait of a Man with a Magnifying Glass, possibly Pieter Haaringh1665Oil on canvas91.4 x 74.3Metropolitan Museum of Art, New York311aCompanion piece to 311b
Portrait of a Woman with a Carnation, possibly Lysbet Jansdr Delft1665Oil on canvas92.1 x 74.6Metropolitan Museum of Art, New York311bCompanion piece to 311a
‘Portrait Historié’ of a Couple as Isaac and Rebecca c. 1665Oil on canvas121.5 x 166.5Rijksmuseum Amsterdam312Originally the painting was larger
Family Portraitc. 1665Oil on canvas126 x 167Herzog Anton Ulrich Museum, Braunschweig313
Lucretia1666Oil on canvas111 x 95Minneapolis Institute of Arts314Both hands have been overpainted by a later painter
Portrait of a White-haired Man1667Oil on canvas108.9 x 92.7National Gallery of Victoria, Melbourne315
Portrait of an Elderly Man Seated, possibly Pieter de la Tombe1667Oil on canvas81.9 x 67.7Mauritshuis, The Hague316
Portrait of Titus van Rijn1668Oil on canvas72 x 56Musée du Louvre, Paris317Companion piece to 318?
Portrait of a Young Woman, possibly Magdalena van Loo1668Oil on canvas56 x 47Montreal Museum of Fine Arts318Companion piece to 317? Cropped on all four sides
Self Portrait with Two Circlesc. 1665/1669Oil on canvas114.3 x 94Kenwood House, London319Unfinished
The Return of the Prodigal Sonc. 1660/1665Oil on canvas262 x 206Hermitage Museum, Saint Petersburg320Rembrandt and other hand. A 10 cm wide strip has been added or replaced along the right edge
Self-Portrait at the Age of 631669Oil on canvas86 x 70.5National Gallery, London321
Self-portrait with Beret1669Oil on canvas71 x 54Uffizi, Florence322Strips of c. 15 cm may have been removed on all four sides as early as the seventeenth century to accommodate the painting in an assemblage of self-portraits owned by the Medici family. The painting is now almost hidden behind a strongly discoloured or tinted layer of varnish under which there also seem to be extensive overpaintings
Self-portrait1669Oil on canvas63.5 x 57.8Mauritshuis, The Hague323A strip of c. 10 cm is missing from the bottom
Simeon’s Song of Praise1669Oil on canvas98.5 x 79.5Nationalmuseum, Stockholm324This painting remained unfinished in his studio after Rembrandt’s death. The woman was probably added later by another hand. Still later, the painting was so crudely treated that it is now a ruin