List of drawings by Rembrandt


The following is a list of drawings by Rembrandt that are generally accepted as autograph.
ImageTitleYearTechniqueDimensionsGalleryCommentary
Old Man Reading a Bookc. 1628??Kupferstichkabinett BerlinThe drawing is related to the painting W27
Study of the legs of a seated womanc. 1628Chalk22.6 x 17.6 cmRijksmuseum AmsterdamThe drawing is related to the painting W37
The Raising of the Cross1628-1629Black chalk, heightened with white, framing lines in pencil and with the pen and brown ink19.3 x 14.8 cmMuseum Boijmans Van Beuningen, RotterdamThe drawing is related to the painting W106
Two Sitting Figuresc. 1628-1629Black chalk19.3 x 14.8 cmMuseum Boijmans Van Beuningen, RotterdamThe drawing is related to the painting W23
Three Scribesc. 1628-1629Pen, brush22.6 x 17.6 cmRijksmuseum AmsterdamThe drawing is related to the painting W23
Old Man with Outspread Armsc. 1628-1629??Kupferstichkabinett, DresdenThe drawing is related to the etching B095
Study for Judas Returning the Thirty Pieces of Silverc. 1628-1629??Private collectionThe drawing is related to the painting W23
Standing Beggar in Lost Profilec. 1628-1629Pen29.4 x 17 cmRijksmuseum AmsterdamThe drawing is related to the etching B162
Self-portrait with Open Mouthc. 1628-1629Pen and brown ink with grey wash; ruled framing lines in the same brown ink12.7 x 9.5 cmBritish Museum, LondonThe drawing is related to the etching B013
Self-portraitc. 1629Pen12.7 x 9.4 cmRijksmuseum AmsterdamThe drawing is related to the etching B338
St. Paul in Meditationc. 1629??Musée du Louvre, ParisIndented for transfer to the etching B149
Diana at the Bathc. 1629Black chalk with some light brown wash18.1 x 16.4 cmBritish Museum, LondonIndented for transfer to the etching B201
Seated Old Man1630Red chalk on laid paper15.7 x 14.7 cmNational Gallery of Art, WashingtonInscribed R 1630
The Entombment of Christ1630Red chalk, corrected with white28.2 x 20.4 cmBritish Museum, LondonInscribed 1630
Kneeling Manc. 1630Red and black chalk20.6 x 16.1 cmMusée du Louvre, ParisRelated to lost painting reproduced in a print dated 1631 by Jan van Vliet
Seated Old Manc. 1630Red and black chalk14.5 x 14.3 cmNationalmuseum, StockholmThe drawing is related to the etching B325
Bearded Old Man Seated in an Armchair1631Red chalk on paper25 x 17 cmPrivate collection, New YorkSigned with the monogram RHL and dated 1631
Old Man Seated in an Armchair1631Red chalk, frame line: pencil22.7 x 14.7 cmTeylers Museum, HaarlemInscribed RHL 1631
Old Man with Clasped Hands, Seated in an Armchairc. 1631??Kupferstichkabinett BerlinIndented for transfer to the etching B291
Bust of a Bearded Old Manc. 1631Red chalk, slightly touched with white chalk11.4 x 9.1 cmMusée du Louvre, ParisThe drawing is related to the etching B315
Violin Player and Womanc. 1631??Kupferstichkabinett BerlinThe drawing is related to the etching B138
Lying Naked Womanc. 1632Black and white chalk on paper19.5 x 23.4 cmNationalmuseum, StockholmThe drawing is related to the painting W130
Old Man Leaning on a Stick1632–1635Pen and brown ink13.5 x 7.8 cmMetropolitan Museum of Art, New YorkThe drawing is related to the etching B133
Study for Drunk Lot1633Black chalk on paper25.1 x 18.9 cmStädel, Frankfurt am MainInscribed Rembrandt f. / 1633
Portrait of Saskia as a Bride1633Silver pen on white-grounded parchment18.5 x 10.6 cmKupferstichkabinett BerlinInscribed dit is near mijn huisvrou geconterfeyt / do sy 21 jaer oud was den derden / dach als wij getroudt waeren / den 8 Junijus / 1633
Woman Seated in an Armchairc. 1633??Kunsthalle HamburgConsidered to be a preparatory drawing for the painting W88b
Man Kneelingc. 1633??Städel, Frankfurt am MainThe drawing is related to the etching B111
Entrance of a Cottagec. 1633??Kunsthalle HamburgThe drawing is related to the etching B090
Self-portraitc. 1633??Musée des beaux-arts de MarseilleThe drawing is related to the etching B017
Landscape with Two Cottagesc. 1633Silverpoint on prepared parchment8.2 x 13.3 cmMuseum Boijmans Van Beuningen, RotterdamThe drawing is related to the painting W206
Study for the Painting of St. John the Baptist Preachingc. 1633-1634pen, brown ink and brown wash with white heightenings14.5 × 20.4 cmMusée du Louvre, ParisThe drawing is related to the painting W110
The Preaching of St. John the Baptistc. 1633-1634??Private collectionThe drawing is related to the painting W110
Three Studies of a Bowmanc. 1633-1634??Nationalmuseum, StockholmInscribed on the reverse...lderij 2 - 0 - 0 / 3 - 8 - 0... / 5 - 0 - 0. The drawing is related to the painting W110
Groups of Listenersc. 1633-1634??Kupferstichkabinett BerlinThe drawing is related to the painting W110
Studies for Groups and Figuresc. 1633-1634??Kupferstichkabinett BerlinThe drawing is related to the painting W110
Two Studies of a Woman Seated on the Groundc. 1633-1634??Musée du Louvre, ParisThe drawing is related to the painting W110
Bearded Old Man with a Fur Capc. 1633-1634??Musée du Louvre, ParisThe drawing is related to the painting W110
Two Men in Discussion, a Third Listening to Themc. 1633-1634??Chatsworth HouseThe drawing is related to the painting W110
Sketch of a Bearded Old Man and Three Studies of Headgearc. 1633-1634??Chatsworth HouseThe drawing is related to the painting W110
Portrait of a Man in an Armchair, Seen Through a Frame1634Black and red chalk, pen and wash in bistre, on vellum37.3 x 27.2 cmPrivate collection, New YorkInscribed Rembrandt f. 1634
Bearded Old Man1634??Royal library, the HagueInscribed on pasted strip: Een vroom gemoet acht eer voor goet / Rembrandt / Amsterdam. 1634
Jesus and his Disciples1634Brown pen, gray brush, brown brush, black chalk, red chalk, green chalk, black pen35.7 x 47.8 cmTeylers Museum, HaarlemInscribed Rembrandt f. 1634
Bearded Old Man in a High Fur Capc. 1634-1635Pen and brown ink on10.5 x 9.6 cmMorgan Library, New YorkThe drawing is related to the painting W110
Two Studies of John the Baptistc. 1634-1635red chalk on paper18.2 x 17.4 cmCourtauld Gallery, LondonThe drawing is related to the painting W110
The Last Supper, after Leonardo da Vinci1634–1635Red chalk36.2 x 47.5 cmMetropolitan Museum of Art, New YorkInscribed Rembrandt f.
Two Butchers at Work1635Pen and bistre14.9 x 20 cmStädel, Frankfurt am MainInscribed t vel daer aen ende voorts de rest bysleepende
The Angel Preventing Abraham from Sacrificing his Son, Isaac1635Red chalk over black chalk, with grey wash, on paper prepared with light brown wash19.5 x 14.7 cmBritish Museum, LondonRegarded as a preparatory drawing for the painting W136
The Last Supper, after Leonardo da Vincic. 1635Red chalk, heightened with white, on paper12.5 x 21 cmBritish Museum, LondonInscribed R..b...dt
The Last Supper, after Leonardo da Vinci1635Pen and brown ink, wash, traces of white12.8 x 38.5 cmKupferstichkabinett BerlinInscribed Rembrandt f. 1635
The Baptism of the Eunuchc. 1635??Staatliche Graphische Sammlung MünchenRelated to a lost painting by Rembrandt that was reproduced in a print by his associate Jan van Vliet in 1631
The Lamentation over the Dead Christc. 1635??Kupferstichkabinett BerlinThe drawing is related to the painting W113
Soldiers and Girls Carousingc. 1635??Kupferstichkabinett BerlinThe drawing is related to the painting W135
The Prodigal Son in the Tavernc. 1635??Städel, Frankfurt am MainThe drawing is related to the painting W135
The Naughty Childc. 1635Pen and brown ink on paper, brown wash20,7 x 14,2 cmKupferstichkabinett BerlinThe drawing is related to the painting W137
The Abduction of Ganymedec. 1635Pen and brush in brown18,5 x 16,1 cmKupferstichkabinett, DresdenRegarded as a preparatory drawing for the painting W137
Seated Old Woman, Full Lengthc. 1635??Ossolineum, WrocławThe drawing is related to the painting W173
Man in a Tall Fur Hatc. 1635??Städel, Frankfurt am MainThe drawing is related to the etching B097
The Pancake Womanc. 1635Pen10.8 x 14.4 cmRijksmuseum AmsterdamThe drawing is related to the etching B124
Seated Woman with a Rolled-up Letterc. 1635Pen and brown ink, washes in brown24 x 19 cmNationalmuseum, StockholmThe drawing is related to the etching B340
Four Studies of Saskiac. 1635-1636Pen and brown ink, locally gray wash, corrected with white bodycolour20 x 15 cmMuseum Boijmans Van Beuningen, RotterdamThe drawing is related to the etchings B365, B367, B368
Self-portraitc. 1636??Kupferstichkabinett BerlinThe drawing is related to the etching B019
Susannah and the Eldersc. 1636Sanguine on paper23.5 x 26.4 cmKupferstichkabinett BerlinInscribed on the reverse verkoft syn vaendrager synd – 15 - / een floora verhandelt – 6 -/ ardynandus van sijn werck verhandelt / aen ander werck van sijn voornemen / den Abraham een floorae / Leenderts floorae is verhandelt tegen 5 g
Old Man in a Turban, Drawn Twicec. 1636??Private collectionThe drawing is related to the painting W213
Head of an Oriental in a Turbanc. 1636??Private collectionThe drawing is related to the painting W213
Old Man in a Turbanc. 1636Pen and iron-gall ink on paper tinted with a pale yellow wash17.3 x 13.5 cmNational Gallery of Victoria, MelbourneThe drawing is related to the painting W213
Head of an Oriental in a Turbanc. 1636??Musée du Louvre, ParisThe drawing is related to the painting W213
Studies of a Woman with Two Childrenc. 1636??Peck CollectionInscribed een kindekin met een oudt jack op syn hoofdken
Jacob Being Shown Joseph's Bloody Cloakc. 1635-1637??Kupferstichkabinett BerlinThe drawing is related to the etching B038
Joseph Distributing Corn in Egypt, after Pieter Lastman1637Black chalk31,3 x 46,2 cmAlbertina, ViennaInscribed Rembrandt ft.
An Elephant1637Black chalk on paper23,3 x 35,4 cmAlbertina, ViennaInscribed Rembrandt ft. 1637
Self-Portraitc. 1637Red chalk12.9 x 11.9 cmNational Gallery of Art, WashingtonThe drawing is related to the etching B002
Study of Russian Costumec. 1637??Morgan Library, New YorkInscribed in ongenaeden synden en werden niet geschooren
Studies of Grieving Marysc. 1637Pen in brown and red chalk20.1 x 14.3 cmRijksmuseum AmsterdamInscribed een dijvoot thresoor dat in een fijn harte bewaert wert tot troost harer beleevende siel
Paul and Barnabas at Lystrac. 1637Sanguine29.8 x 44.2 cmMusée Bonnat, BayonneInscribed een vrouw wijst op een jonck kind
The Lamentation at the Foot of the Crossc. 1637Pen and brown ink and brown wash, with red and perhaps some black chalk21.6 x 25.4 cmBritish Museum, LondonThe drawing is related to painting W113
Joseph Telling his Dreamsc. 1637Red chalk18 x 12.5 cmMuseum Boijmans Van Beuningen, RotterdamThe drawing is related to the etching B037
Studies of a Woman Reading and an Orientalc. 1637??Private collectionThe drawing is related to the etching B037
Man Kneeling in Prayer; a Woman's Headс. 1637Red chalk18.3 x 15.8 cmAlbertina, ViennaThe drawing is related to the etchings B098 and B367
Solomon's Idolatryc. 1636-1638Red chalk48.5 x 37.6 cmMusée du Louvre, ParisThe drawing is related to the painting W47
Eve Giving the Apple to Adamc. 1638??Private collectionThe drawing is related to the etching B028
Eve Giving the Apple to Adamc. 1638??Private collectionThe drawing is related to the etching B028
Saskia Sitting up in Bedc. 1638Pen and brush in brown, corrected with opaque white, tinted paper15 x 13.8 cmKupferstichkabinett, DresdenThe drawing is related to the etching B369
Saskia Asleep in Bedc. 1638Pen and brown ink?Ashmolean Museum, OxfordThe drawing is related to the etching B369
Sick Woman Lying in Bed, Probably Saskiac. 1638??Petit Palais, ParisThe drawing is related to the etching B369
Saskia in Bedc. 1635-1640Pen and brown ink8.4 x 10.4 cmBritish Museum, LondonThe drawing is related to the etching B369
Portrait of Titia van Uylenburch1639Pen and brown ink, washes on brown paper17.4 x 14.6 cmNationalmuseum, StockholmInscribed Tijtsija van Ulenburch / 1639
Portrait of Baldassare Castiglione, after Raphael1639Pen and brown ink, white body colour16.3 x 20.7 cmAlbertina, ViennaInscribed de Conten batasar de kastijlijone van raefael / verkoft voor 3500 gulden / het geheel cargesoen tot Luke van Nuffelen heeft gegolden f59456:- Ao 1639
Portrait of a Young Woman Holding Glovesc. 1639Pen and brown iron-gall ink, with brown wash, heightened with white16 x 12.9 cmBritish Museum, LondonRegarded as a preparatory drawing for the painting W184b
Woman in a Rich Dress and a Fur Hat, Seen from Behindc. 1639??Museum der bildenden Künste, LeipzigThe drawing is related to the etching B109
The Artist Drawing from the Modelc. 1639Pen and brown iron-gall ink with brown wash and touched with white, on paper washed brown18.8 x 16.4 cmBritish Museum, LondonThe drawing is related to the etching B192
Study for a Presentation in the Templec. 1639Pen and dark bistre18 x 19 cmAmsterdam MuseumThe drawing is related to the etching B049
Portrait of Cornelis Claesz Anslo1640Red chalk, heightened with white, on paper15.7 x 14 cmBritish Museum, LondonInscribed Rembrandt f. 1640. Indented for transfer to the etching B271
Portrait of Cornelis Claesz Anslo1640Red chalk, pen and wash in bistre, Indian ink, whity body colour24.6 x 20.1 cmMusée du Louvre, ParisInscribed Rembrandt f. 1640
Nude Man Kneelingc. 1640??Musée Bonnat, BayonneThe drawing is related to the etching B092
Sleeping Watchdogc. 1640Pen and brown ink with brush and brown wash, with touches of opaque white watercolor, on cream laid paper14.3 x 16.8 cmMuseum of Fine Arts, BostonThe drawing is related to the etching B158
Three Men Being Beheadedc. 1640Pen and brown ink, corrected with white; framing lines in pen and brown ink15.3 x 22.6 cmBritish Museum, LondonThe drawing is related to the etching B092
Sketch of an Executionerc. 1640Pen15.6 x 20.1 cmRijksmuseum AmsterdamThe drawing is related to the etching B092
Bust of the Emperor Galba1640-1641Pen and bistre14.2 x 9 cmKupferstichkabinett BerlinInscribed.alba
The Entombment of Christc. 1640-1641Pen15.6 x 21 cmRijksmuseum AmsterdamThe drawing is related to the painting W162
The Passeerder Windmill in Amsterdamc. 1640-1641??Formerly Bremen, KunsthalleThe drawing is related to the etching B233
Two Men in Discussion, One in Oriental Dress1641Quill and reed pen in brown ink with corrections in white bodycolour on laid paper22.9 x 18.5 cmCourtauld Gallery, LondonInscribed Rembrandt f. 1641
Christ and the Woman Taken in Adulteryc. 1639-1641??Musée du Louvre, ParisThe drawing is related to the painting W47
Seated Old Woman, Half-lengthc. 1641??Courtauld Gallery, LondonThe drawing is related to the painting W173
A Man Helping a Rider to Mount a Horsec. 1641Pen14.2 x 14.9 cmRijksmuseum AmsterdamThe drawing is related to the painting W153
Windmill on the Bastion Blauwhoofd in Amsterdamc. 1641Oiled charcoal on brown tinted paper, framing lines with the pen in brown ink, gone over in pencil on the right side16.6 x 27.5 cmMuseum Boijmans Van Beuningen, RotterdamThe drawing is related to the etching B233
Studies of an Officer, an Oriental and a Man in High Capc. 1641-1642Pen21.2 x 13.4 cmMusée du Louvre, ParisThe drawing is related to the painting W190
Two Jews in Discussion, Walking1641-1642Black chalk, pen and brown9.7 x 8.4 cmTeylers Museum, HaarlemInscribed …/ …samson/ sijnd troni/ een die een pijl wtreckt over/ … schouder
Figure Studiesc. 1642??Rembrandthuis, AmsterdamThe drawing is related to the etching W120
Two Women Walking c. 1642??Royal Museums of Fine Arts of Belgium, BrusselsThe drawing is related to the etching W120
Cottage Near the Edge of a Wood1644Pen and inks ranging from light to dark brown, brown washes, corrected in white, and touches of red chalk 29.9 x 45.5 cmMetropolitan Museum of Art, New YorkInscribed Rembrandt f. 1644
Satire on Art Criticism1644Pen and brown ink corrected with white15.5 x 20.1 cmMetropolitan Museum of Art, New YorkInscribed den tijd 164 / dees... van d kunst / is.ooting gunst... Houdlos... / i ind. dat...
Jacob's Dreamc. 1644??École des Beaux-Arts, ParisInscribed in ongenaeden synden en werden niet geschooren
Posthumous Portrait of the Preacher Jan Cornelisz. Sylvius1644-1645??National Gallery of Art, WashingtonInscribed den een on … sijden … ofte … /near Chrisstum gaenden
Young Woman Looking out of a Windowc. 1645??Courtauld Gallery, LondonThe drawing is related to the painting W200
Sheet of Studies, with a Woman Teaching a Child to Walkc. 1646Pen and brown ink16 x 16.5 cmNationalmuseum, StockholmThe drawing is related to the etching B194
Jan Cornelisz Sylviusc. 1646Pen and brown ink14 x 11.6 cmNationalmuseum, StockholmThe drawing is related to the etching B280
Jan Cornelisz Sylviusc. 1646Pen and brown ink, with white heightening28.5 x 19.5 cmBritish Museum, LondonThe drawing is related to the etching B280
The Star of the Kings1645-1647Pen and brown ink with brown wash mixed with some white bodycolour; framing line in pen and brown ink.20.4 x 32.3 cm.British Museum, LondonInscribed Rembrandt f.
Jan Six1647??Six Collection, AmsterdamIndented for transfer to the etching B285
Jan Six in Hat1647??Amsterdam MuseumThe drawing is related to the etching B285
Jan Six with a Dog1647Pen and wash? white body colour22 x 17.5 cmSix Collection, AmsterdamThe drawing is related to the etching B285
Study for a Susannac. 1647Black chalk and brush on paper20.3 x 16.4 cmKupferstichkabinett BerlinThe drawing is related to the painting W213
Two Sick Womenc. 1645-1649Pen10.1 x 12.2 cmRijksmuseum AmsterdamThe drawing is related to the etching B074
Head of a Sick Womanc. 1645-1649??Rijksmuseum AmsterdamThe drawing is related to the etching B074
Man Standing, a Cap in his Outstretched Right Handc. 1645-1649??Courtauld Gallery, LondonThe drawing is related to the etching B074
Blind Old Man Guided by a Womanc. 1645-1649??Musée du Louvre, ParisThe drawing is related to the etching B074
Study for the Group of the Sickc. 1645-1649??Kupferstichkabinett BerlinThe drawing is related to the etching B074
Study of a Seated Beggar Woman, Supplicatingc. 1645-1649??Private collectionThe drawing is related to the etching B074
Old Man with a Fur Capc. 1645-1649??Private collectionThe drawing is related to the etching B074
Study for the Hundred-guilder Printc. 1645-1649??Musée du Louvre, ParisThe drawing is related to the etching B074
The Amsteldijk at Meerhuizen, Looking Towards The Little Windmillc. 1649-1650??Musée du Louvre, ParisInscribed on the reverse: Dees tekeningh vertoont de buiten amstelkant / Soo braaf getekent door heer rembrandts eygen hant / PKo.
St. Jerome Reading in an Italian Landscapec. 1650Reed pen and wash25 x 20.7 cmKunsthalle HamburgThe drawing is related to the etching B104
Farm Buildings Near a Canalc. 1650Pen and dark greyish brown ink with greyish brown wash on grey paper11.6 x 12.2 cmBritish Museum, LondonThe drawing is related to the etching B213
Cottage on the Diemerdijk, Looking Eastc. 1650??Ashmolean Museum, OxfordThe drawing is related to the etching B213
Landscape with the House with the Little Towerc. 1650Pen and brown ink, brush and brown wash9.7 x 21.4 cmJ. Paul Getty Museum, Los AngelesThe drawing is related to the etching B235
View of Haarlem with the Saxenburg Estate in the Foregroundc. 1650-1651Pen and brown ink, brown wash, heightened with white8.9 x 15.2 cmMuseum Boijmans Van Beuningen, RotterdamThe drawing is related to the etching B234
Landscape with a Farmhouse and a Hay Barnc. 1650-1652Pen, brown ink and brownish wash on light brown paper8.8 x 17.3 cmNational Gallery of Denmark, CopenhagenThe drawing is related to the etching B224
Farmstead with Adjoining Housec. 1650-1652??Private collectionThe drawing is related to the etching B224
Farmhouse beneath Trees, with a Footbridgec. 1650-1652Reed pen and brown ink, grey wash, some white highlighting on brownish paper15.7 x 18.1 cmFitzwilliam Museum, CambridgeThe drawing is related to the etching B222
Susanna and the Eldersc. 1650-1652Brush20.1 x 18.8 cmRijksmuseum AmsterdamThe drawing is related to the painting W213
Homer Reciting Verses1652??Six Collection, AmsterdamInscribed Rembrandt aen Joannes Sicx. 1652
Minerva in her Study1652??Six Collection, AmsterdamInscribed Rembrandt f. 1652
The Ruins of the Old City Hall in Amsterdam 1652??Rembrandt House Museum, AmsterdamInscribed vand waech afte sien stats huis van Amsteldam doent afgebrandt was den 9 Julij 1652. Rembrandt
View at the Inn Huis te Vraagс. 1652??Present location unknownThe drawing is related to the etching B221
Bust of Andrea Doria1653??Kupferstichkabinett BerlinInscribed ANDREAS D. AVREA Hartog van S genuwa
The Calumny of Apelles, after Mantegnac. 1652-1654Pen and brown ink, with brown wash, on grey-brown prepared paper26.3 x 43.2 cmBritish Museum, LondonInscribed CaLomnia d'apella / Inocenvia / Suspione / Inoracia / acnoni / Insidia / Penitencia / Veritas
River with Trees1654-1655??Musée du Louvre, ParisInscribed on reverse etsen witten tarpentyn oly / toe de helft tarpentyn / tesaemen in een glaesen flesken gedaen en / flesken in suver waeter een ha r laeten kooken
Jupiter with Philemon and Baucis1655??Kupferstichkabinett BerlinInscribed d'ouden filemon onvant mes ind mon en dHaend op de vloer omgeswicht
The Anatomy Lecture of Dr. Jan Deyman1656??Amsterdam MuseumStudy for a frame for the painting W246
Four Orientals Seated under a Treec. 1656Pen and brown ink with brown and grey wash, touched with white and with some scraping-out, on oriental paper prepared with pale brown wash19.4 x 12.4 cmBritish Museum, LondonThe drawing is related to the etching B029
The Emperor Akbar and his Son Selim in Apotheosisc. 1656Pen and brown ink, brown wash, corrected with white bodycolour21.2 x 17.4 cmMuseum Boijmans Van Beuningen, RotterdamThe drawing is related to the etching B029
Christ Comforted by the Angelc. 1657??Kunsthalle HamburgThe drawing is related to the etching B075
The Agony in the Gardenc. 1657Brown ink; brown wash; paper19.6 x 19 cmFitzwilliam Museum, CambridgeThe drawing is related to the etching B075
Lieven Willemsz. van Coppenolc. 1658??Museum of Fine Arts The drawing is related to the etching B282
Christ and the Woman Taken in Adultery1659-1660??Staatliche Graphische Sammlung MünchenInscribed on an attached strip of paper soo jachtich om Christus in zijn antwoordt te verschalken konden schrifterlick antw niet afwachten
The Blind Belisarius Receiving Almsc. 1660??Kupferstichkabinett BerlinInscribed erbarmt u over den armen bellisaro die nochtans wel was in groot aensien door syn manhaftijge daden en door de jalousij is verblindt
Walking Man in a High Capc. 1660Pen14.7 x 6.2 cmRijksmuseum AmsterdamThe drawing is related to the painting W320
Self-portraitс. 1660Pen and black-brown ink, brush in gray, white blush on sepia paper8.2 x 7.1 cmAlbertina, ViennaThe drawing is related to the painting W281
Simeon's Song of Praise1661??Royal library, the HagueInscribed Rembrandt f. 1661
The Conspiracy of Claudius Civilis1661??Staatliche Graphische Sammlung MünchenThe drawing is related to the painting W298
A Child Being Taught to Walkc. 1660-1662Pen and brown ink on brownish-cream paper9.3 x 15.4 cmBritish Museum, LondonInscribed on reverse 'dit voor af te vragen / agen aen ons beijde oft wijt an de Heeren / oede mannen willen laten ver blijben / dan tijssen te vragen of Hij niet een / beijden d schilderien gelieft opgemaeckt te hebben / geen van beijden begerende.'
Three Syndics of the Clothmakers' Guildc. 1661-1662??Kupferstichkabinett BerlinThe drawing is related to the painting W299
Study of a Syndic, Jacob van Loonc. 1661-1662Pen and brush in brown, corrections with white19.5 x 16 cmRijksmuseum AmsterdamThe drawing is related to the painting W299
Study for One of the Syndics, Volckert Jansz.c. 1661-1662Reed pen and brush in brown ink, brown wash, corrected and heightened with white, on cashbook paper22.5 x 17.5 cmMuseum Boijmans Van Beuningen, RotterdamThe drawing is related to the painting W299
Isaac and Rebeccac. 1662??Private collectionThe drawing is related to the painting W312
A coachc. 1660-1663Pen and brown ink with greyish brown wash19.3 x 25.4 cmBritish Museum, LondonThe drawing is related to the painting W303
Homer Dictating to a Scribec. 1663Pen, brush and brown ink, heightened with white14.8 x 17 cmNationalmuseum, StockholmThe drawing is related to the painting W301