List of compositions by Ludwig van Beethoven

The compositions of Ludwig van Beethoven consist of 722 works written over forty-five years, from his earliest work in 1782 when he was only twelve years old and still in Bonn, till his last work just before his death in Vienna in 1827. Beethoven composed in all the main genres of classical music, including symphonies, concertos, string quartets, piano sonatas and one opera. His works range from requiring a solo performer to needing a large orchestra and chorus to perform.
Beethoven straddled both the Classical and Romantic periods, working in genres associated with Wolfgang Amadeus Mozart and his teacher Joseph Haydn such as the piano concerto, string quartet and symphony, while on the other hand providing the groundwork for other Romantic composers such as Hector Berlioz and Franz Liszt with programmatic works such as his Pastoral Symphony and Piano Sonata "Les Adieux". Beethoven's work is typically divided into three periods: the "Early" period, where Beethoven composed in the "Viennese" style; the "Middle" or "Heroic" period, where his work is characterised by struggle and heroism, such as in the Eroica Symphony, the Fifth Symphony, the Appassionata Sonata and in his sole opera Fidelio; and the "Late" period, marked by intense personal expression and an emotional and intellectual profundity. Although his output dropped drastically in his later years, this period saw the composition of masterpieces such as the late string quartets, the final five piano sonatas, the Diabelli Variations, the Missa Solemnis and the Ninth Symphony.
Beethoven's works are classified by both genre and various numbering systems. The best-known numbering system for Beethoven's works is that by opus number, assigned by Beethoven's publishers during his lifetime. Only 172 of Beethoven's works have opus numbers, divided among 138 opus numbers. Many works that were unpublished or else published without opus numbers have been assigned either "WoO", Hess or Biamonti numbers. For example, the short piano piece "Für Elise", is more fully known as the "Bagatelle in A minor, WoO 59 ". Some works are also commonly referred to by their nicknames, such as the Kreutzer Violin Sonata, or the Archduke Piano Trio.
As well as these numbering systems, works are also often identified by their number within their genre. For example, the 14th string quartet, published as Opus 131, may be referenced either as "String Quartet No. 14" or "the Opus 131 String Quartet". The listings below include all of these relevant identifiers. While other catalogues of Beethoven's works exist, the numbers here represent the most commonly used.

List of works by genre

Beethoven's works are published in several editions, the first of these was Ludwig van Beethovens Werke: Vollständige kritisch durchgesehene überall berechtigte Ausgabe published between 1862 and 1865 with a supplemental volume in 1888 by Breitkopf & Härtel, commonly known as the "Beethoven Gesamtausgabe" . While this was a landmark achievement at the time, the limitations of this edition soon became apparent. Between 1959 and 1971 Willy Hess prepared a supplemental edition, Beethoven: Sämtliche Werke: Supplemente zur Gesamtausgabe, containing works that were not in the Gesamtausgabe.
Since 1961 the Beethoven Archive has been publishing a new scholarly–critical Complete Edition of Beethoven's works, Beethoven: Werke: neue Ausgabe sämtlicher Werke . However, only 42 of the projected 56 volumes have been published so far. As this edition has not been published in full there are works without an NA designation.
Legend for publications – p: parts s: full score vs: vocal score

Orchestral music

Beethoven wrote nine symphonies, nine concertos, and a variety of other orchestral music, ranging from overtures and incidental music for theatrical productions to other miscellaneous "occasional" works, written for a particular occasion. Of the concertos, seven are widely known ; the other two are an early piano concerto and an arrangement of the Violin Concerto for piano and orchestra.

Symphonies

Beethoven is believed to have intended to write a Tenth Symphony in the last year of his life; a performing version of possible sketches was assembled by Barry Cooper.

Concertos

No.	Title, key	Composition, first performance	Publication	Dedication, remarks	GA	NA
WoO 4	Piano Concerto No. 0, E	1784	s: GA	survives only in pf score	xxv/310	iii/5
WoO 5	Violin Concerto, fragment, C	1790–92	Vienna, 1879	part of 1st movt only; 1st edn ded. Gerhard von Breuning	HS iii
	Oboe Concerto, lost, F	?1792–3		sent to Bonn from Vienna in late 1793; a few sketches survive
Op. 19	Piano Concerto No. 2, B	begun c1788, rev. 1794–5, 1798; 29 March 1795	p: Leipzig, 1801	Carl Nicklas von Nickelsberg; score frag. rejected from early version, HS iii	ix/66	iii/2
	cadenza for first movement	1809	GA		ix/70a	vii/7
Op. 15	Piano Concerto No. 1, C	1795, rev. 1800; 18 Dec 1795	p: Vienna, 1801	Princess Barbara Odescalchi	ix/65	iii/2
	3 cadenzas for first movement	1809	GA		ix/70a	vii/7
Op. 37	Piano Concerto No. 3, c	?1800–03; 5 April 1803	p: Vienna, 1804	Prince Louis Ferdinand of Prussia	ix/67	iii/2
	cadenza for first movement	1809	GA		ix/70a	vii/7
Op. 56	Triple Concerto for violin, cello, and piano, C	1804–7; May 1808	p: Vienna, 1807	Prince Lobkowitz	ix/70	iii/1
Op. 58	Piano Concerto No. 4, G	1804–6/7; 22 Dec 1808	p: Vienna, 1808	Archduke Rudolph of Austria	ix/68	iii/3
	2 cadenzas for first movement, cadenza for finale	?1809	GA		ix/70a	vii/7
	cadenza for first movement, 2 cadenzas for finale	?1809	NA		HSx	vii/7
Op. 61	Violin Concerto, D	1806; 23 Dec 1806	p: Vienna, 1808; London, 1810	Stephan von Breuning	iv/29; HSx	iii/4
Op. 61a	Beethoven's arrangement of Opus 61 for piano, D	1807	p: Vienna, 1808; London, 1810	Julie von Breuning	ix/73	iii/5
	Cadenza for first movement, cadenza for finale	?1809	GA		ix/70a	vii/7
	2 cadenzas for finale	?1809	NA		HSx	vii/7
Op. 73	Piano Concerto No. 5, E	1809; 28 Nov 1811	p: London, 1810; Leipzig, 1811	Archduke Rudolph	ix/69	iii/3

Other works for soloist and orchestra

No.	Title, key	Composition, first performance	Publication	Dedication, remarks	GA	NA
	Romance Cantabile	?1786	Wiesbaden, 1952	intended as slow movement of larger work	HS iii
WoO 6	Rondo for Piano and Orchestra, B	1793	p: Vienna, 1829	orig. finale of op.19; solo part completed by Carl Czerny for 1st edn	ix/72; HS iii	iii/5
Op. 50	Romance for Violin and Orchestra No. 2, F	c1798; ? Nov 1798	p: Vienna, 1805		iv/31	iii/4
Op. 40	Romance for Violin and Orchestra No. 1, G	1801–02	p: Leipzig, 1803		iv/30	iii/4
Op. 80	Choral Fantasy, c	1808, rev. 1809; 22 Dec 1808	p: London, 1810; Leipzig, 1811	Maximilian Joseph, King of Bavaria;	HS xix/71	x/2

Overtures and incidental music

No.	Title, key	Composition, first performance	Publication	Dedication, remarks	GA	NA
WoO 1	Ritterballet	1790–91; Bonn, 6 March 1791	pf: Leipzig and Winterthur, 1872; s: GA		xxv/286; HS viii	ii/2
Op. 43	The Creatures of Prometheus	1800–01; Burgtheater, Vienna, 28 March 1801	for pf: Vienna, 1801; p: Leipzig, 1804 ; s: GA	Princess Christiane von Lichnowsky	ii/11; HX viii	ii/2
Op. 62	Coriolan Overture, c	1807; March 1807	p: Vienna, 1808	Heinrich Joseph von Collin	iii/18	ii/1
Op. 138	Leonore Overture "No. 1", C	1807; 7 Feb 1828	s, p: Vienna, 1838		iii/19	ix/1
Op. 72a	Leonore Overture "No. 2", C	1804–5; Theater an der Wien, Vienna, 20 Nov 1805	s: HS		HS ii. xi-xiii	ix/1
Op. 72b	Leonore Overture "No. 3", C	1805–6; Theater an der Wien, 29 March 1806	s: HS		HS xi–xiii	ix/1
Op. 84	Egmont	1809–10; 15 June 1810	p: Leipzig, 1810 , Leipzig, 1812 ; vs: Leipzig, 1812 ; s: Leipzig, 1831		ii/12, iii/27; HS v	ix/7
Op. 113	The Ruins of Athens	1811: 10 Feb 1812	s: Vienna, 1823 , Vienna, 1846 ,	ded. König Friedrich Wilhelm IV of Prussia	xx/207, iii/28	x/8
Op. 117	King Stephen	1811; 10 Feb 1812	s: Vienna, 1826 , GA		xx/207b, iii/23	ix/8
WoO 2a	Triumphal March, for Tarpeja, C	1813; 26 March 1813	p: Vienna, 1840; s: GA		ii/14	ix/7
WoO 2b	Introduction to Act 2, for Leonore, 1805 version	1813; 26 March 1813	s: Mainz, 1938		HS iv
Op. 91	Wellington's Victory	1813; 8 Dec 1813	s, p: Vienna, 1816; for pf: London and Vienna, 1816	Prince Regent of England	ii/10; HS viii	ii/1
Op. 115	Zur Namensfeier, C	1814–15; 25 Dec 1815	s, p: Vienna, 1825	Prince Antoni Radziwiłł	iii/22	ii/1
WoO 96	Leonore Prohaska	1815	s: GA		xxv/272	ix/7
Op. 124	The Consecration of the House, C	1822; Josefstadt-Theater, 3 Oct 1822	s: Mainz, 1825	Prince Nikolay Golitsïn	iii/24	ii/1
	Wo sich die Pulse, chorus for The Consecration of the House		s:GA		xxv/266	ix/8
WoO 3	Gratulations-Menuet, E	1822; 3 Nov 1822	p: Vienna, 1832	written for Carl Friedrich Hensler, ded. Karl Holz	ii/13	ii/3

Chamber music

Beethoven wrote 16 string quartets and numerous other forms of chamber music, including piano trios, string trios, and sonatas for violin and cello with piano, as well as works with wind instruments.

Chamber music for strings

String quartets

No.	Title, key	Composition, first performance	Publication	Dedication, remarks	GA	NA
Op. 18/3	String Quartet No. 3, D	1798–9	Vienna, 1801	Prince Lobkowitz	vi/39	vi/3
Op. 18/1	String Quartet No. 1, F	1799	Vienna, 1801	Prince Lobkowitz	vi/37	vi/3
Op. 18/2	String Quartet No. 2, G	1799	Vienna, 1801	Prince Lobkowitz	vi/38	vi/3
Op. 18/5	String Quartet No. 5, A	1799	Vienna, 1801	Prince Lobkowitz	vi/41	vi/3
Op. 18/4	String Quartet No. 4, c	1799	Vienna, 1801	Prince Lobkowitz	vi/40	vi/3
Op. 18/6	String Quartet No. 6, B	1800	Vienna, 1801	Prince Lobkowitz	vi/42	vi/3
Op. 59/1	String Quartet No. 7, F	1806	Vienna, 1808	Count Razumovsky	vi/43	vi/4
Op. 59/2	String Quartet No. 8, e	1806	Vienna, 1808	Count Razumovsky	vi/44	vi/4
	String Quartet No. 9, C	1806	Vienna, 1808	Count Razumovsky	vi/45	vi/4
Op. 74	String Quartet No. 10, E	1809	London and Leipzig, 1810	Prince Lobkowitz	vi/46	vi/4
Op. 95	String Quartet No. 11, f	1810–11; May 1814	Vienna, 1816	Nikolaus Zmeskall von Domanovecz	vi/47	vi/4
Op. 127	String Quartet No. 12, E	1824–5; 6 March 1825	Mainz, 1826	Prince Golitsïn	vi/48	vi/5
Op. 132	String Quartet No. 15, a	1825; 6 Nov 1825	Paris and Berlin, 1826	Prince Golitsïn	vi/51	vi/5
Op. 130	String Quartet No. 13, B	1825–6; 21 March 1826; 22 April 1827	Vienna, 1827	Prince Golitsïn	vi/49	vi/5
Op. 133	Große Fuge, B	1825–6; 21 March 1826	Vienna, 1827	Archduke Rudolph; original ending of Op. 130	vi/53	vi/5
Op. 131	String Quartet No. 14, c	1825–6	Mainz, 1827	Baron Joseph von Stutterheim	vi/50	vi/5
Op. 135	String Quartet No. 16, F	1826; 23 March 1828	Berlin and Paris, 1827	Johann Wolfmayer	vi/52	vi/5

Other chamber music for strings

No.	Title, key	Composition, first performance	Publication	Dedication, remarks	GA	NA
	Minuet for String Quartet, A	1790–2	HS		HS vi	KB vi/4
Op. 3	Opus 3: String Trio No. 1, E	before 1794	Vienna, 1796		vii/54	vi/6
Op. 4	String Quintet, E	1795	Vienna, 1796	thoroughly recomposed version of Octet Op. 103	v/36	vi/2
WoO 32	Duo for Viola and Cello, "mit zwei obligaten Augengläsern"	1796–7	1st movt: Leipzig, 1912; minuet: Frankfurt, London and New York, 1952	probably written for Zmeskall von Domanovecz	HS vi	vi/6
Op. 8	Serenade for string trio, "String Trio No. 2", D	1796-7	Vienna, 1797		vii/58	vi/6
Op. 9/1	String Trio No. 3, G	1797–8	Vienna, 1798	Count Johann Georg von Browne	vii/55	vi/6
Op. 9/2	String Trio No. 4, D	1797–8	Vienna, 1798	Count Johann Georg von Browne	vii/56	vi/6
Op. 9/3	String Trio No. 5, c	1797–8	Vienna, 1798	Count Johann Georg von Browne	vii/57	vi/6
Op. 29	String Quintet, C	1801	Leipzig, 1802	Count Fries	v/34	vi/2
Hess 34	String Quartet, F	1801–2	Vienna, 1802	Baroness Josefine von Braun; arrangement of Piano Sonata No. 9	HS vi	vi/3
Op. 104	String Quintet, c	1817; 10 Dec 1818	Vienna and London, 1819	arr. of Piano Trio Op. 1/3; arr. corrected by Beethoven, but largely the work of Kaufmann	v/36a	vi/2
Hess 40	Prelude for string quintet, d	1817	SMz, xcv		HS vi	vi/2
Op. 137	Fugue for String Quintet, D	Nov 1817	Vienna, 1827		v/35	vi/2
WoO 34	Duet for two violins, A	April 1822	T. von Frimmel: Ludwig van Beethoven	Alexandre Boucher	HS vi
Hess 41	String Quintet, C	1826–7	Vienna, 1838	survives only in piano transcr., WoO 62	HS viii

Chamber music with piano

Solo instrument and piano

No.	Title, key	Composition, first performance	Publication	Dedication, remarks	GA	NA
Hess 46	Violin Sonata, fragment, A	c1790–2	HS	authenticity no longer in doubt	HS ix
Anh 4	Flute Sonata, B	?c1790–2	Leipzig, 1906	Manuscript copy found among Beethoven's papers after his death, authenticity not certain	HS ix
WoO 40	Variations for violin and piano on Se vuol ballare from Mozart's The Marriage of Figaro, F	1792-3	Vienna, 1793	Eleonore von Breuning	xii/103	v/2
WoO 41	Rondo for violin and piano, G	1793–4	Bonn, 1808		xii/102	v/2
WoO 43a	Sonatina for mandolin and piano, c	1796	Grove1	probably written for Countess Josephine de Clary	xxv/295	v/4
WoO 43b	Adagio for mandolin and piano, E	1796	GA	probably for Countess de Clary	xxv/296	v/4
WoO 44a	Sonatina for mandolin and piano, C	1796	Der Merker, iii	probably for Countess de Clary	HS ix	v/4
WoO 44b	Andante and Variations for mandolin and piano, D	1796	Sudetendeutsches Musikarchiv, no.1	probably for Countess de Clary	HS ix	v/4
Op. 5/1	Cello Sonata No. 1, F	1796	Vienna, 1797	Friedrich Wilhelm II of Prussia	xiii/105	v/3
Op. 5/2	Cello Sonata No. 2, g	1796	Vienna, 1797	Friedrich Wilhelm II of Prussia	xiii/106	v/3
WoO 45	Variations for cello and piano on "See the counquering hero comes" from Handel's Judas Maccabaeus, G	1796	Vienna, 1797	Princess Christiane von Lichnowsky	xiii/110	v/3
Op. 66	Variations for cello and piano on "Ein Mädchen oder Weibchen" from Mozart's The Magic Flute, F	?1796	Vienna, 1798		xiii/111	v/3
Op. 12/1	Violin Sonata No. 1, D	1798	Vienna, 1799	Antonio Salieri	xii/92	v/1
Op. 12/2	Violin Sonata No. 2, A	1798	Vienna, 1799	Antonio Salieri	xii/93	v/1
Op. 12/3	Violin Sonata No. 3, E	1798	Vienna, 1799	Antonio Salieri	xii/94	v/1
Op. 17	Horn Sonata, F	1800; 18 April 1800	Vienna, 1801	Baroness Josefine von Braun	xiv/112	v/4
Op. 23	Violin Sonata No. 4, a	1800	Vienna, 1801	Count Fries	xii/95	v/1
Op. 24	Violin Sonata No. 5, F	1800–01	Vienna, 1801	Count Fries	xii/96	v/1
WoO 46	Variations for cello and piano on "Bei Männern, welche Liebe fühlen" from Mozart's The Magic Flute'', E	1801	Vienna, 1802	Count von Browne	xiii/111a	v/3
Op. 30/1	Violin Sonata No. 6, A	1801–2	Vienna, 1803	Alexander I, Tsar of Russia	xii/97	v/2
Op. 30/2	Violin Sonata No. 7, c	1801–2	Vienna, 1803	Alexander I, Tsar of Russia	xii/98	v/2
Op. 30/3	Violin Sonata No. 8, G	1801–2	Vienna, 1803	Alexander I, Tsar of Russia	xii/99	v/2
Op. 47	Violin Sonata No. 9, A	1802–3; 24 May 1803	Bonn and London, 1805	written for George P. Bridgetower, ded. Rodolphe Kreutzer	xii/100	v/2
Op. 41	Serenade for flute and piano, D	1803	Liepzig, 1803	arr. of Serenade op.25; arr. approved and corrected by Beethoven but largely the work of someone else	HS ix
Op. 42	Notturno for viola and piano, D	1803	Leipzig, 1804	arr. of Serenade op.8; arr. approved and corrected by Beethoven but largely the work of someone else	HS ix
Op. 69	Cello Sonata No. 3, A	1807	Leipzig, 1809	Baron Ignaz von Gleichenstein	xiii/107	v/3
Op. 96	Violin Sonata No. 10, G	1812, probably rev. 1814–15; 29 Dec 1812 Vienna, 1801	Vienna and London, 1816	written for Pierre Rode, ded. Archduke Rudolph	xii/101	v/2
Op. 102/1	Cello Sonata No. 4, C	1815	Bonn, 1817	Countesss Marie Erdödy	xiii/108	v/3
	Cello Sonata No. 5, D	1815	Bonn, 1817	Countess Erdödy	xiii/109	v/3
Op. 105	Six National Airs with Variations for flute and piano	1818–9	London, Edinburgh and Vienna, 1819		xiv/113–4	v/4
Op. 107	Ten National Airs with Variations for flute and piano	1818–9	London and Edinburgh, 1819 ; Bonn and Cologne, 1820		xiv/115–9	v/4

Piano Trios

No.	Title, key	Composition, first performance	Publication	Dedication, remarks	GA	NA
WoO 38	Piano Trio, E	?1791	Frankfurt, 1830		xi/86	iv/3
Hess 48	Allegretto, E	?1791	Frankfurt, 1830		xi/86	iv/3
Op. 1/1	Piano Trio No. 1, E	before 1794	Vienna, 1795	Prince Lichnowsky	xi/79
Op. 1/2	Piano Trio No. 2, G	1794–5	Vienna, 1795	Prince Lichnowsky	xi/80
Op. 1/3	Piano Trio No. 3, c	1794–5	Vienna, 1795	Prince Lichnowsky	xi/81
Op. 44	Variations on an original theme, E	1792	Leipzig, 1804		xi/88	iv/3
	Variations on Wenzel Müller's ‘Ich bin der Schneider Kakadu’,, G	?1803, rev. 1816	Vienna and London, 1824		xi/87	iv/3
Op. 70/1	Piano Trio No. 5, D	1808	Leipzig, 1809	Countess Erdödy	xi/82
Op. 70/2	Piano Trio No. 6, E	1808	Leipzig, 1809	Countess Erdödy	xi/83
Op. 97	Piano Trio No. 7, B	1810–11; 11 April 1814	Vienna and London, 1816	Archduke Rudolph	xi/84
WoO 39	Allegretto for piano trio, B	June 1812	Frankfurt, 1830	Maximiliane Brentano	xi/85	iv/3

Other chamber music with piano

No.	Title, key	Composition, first performance	Publication	Dedication, remarks	GA	NA
	Piano Quartet No. 1, E	1785	Vienna, 1828		x/75	iv/1
WoO 36/2	Piano Quartet No. 2, D	1785	Vienna, 1828		x/76	iv/1
WoO 36/3	Piano Quartet No. 3, C	1785	Vienna, 1828		x/77	iv/1
WoO 37	Trio for piano, flute and bassoon, G	1786	GA		xxv/294	iv/3
Op. 16	Quintet for piano and winds, E	1796; 6 April 1797	Vienna, 1801	Prince Joseph zu Schwarzenberg	x/74	iv/1
Op. 16b	Piano Quartet, E		Vienna, 1801	arr. of Op. 16; authenticity affirmed in Wegeler and Ries	x/78	iv/1
Op. 11	Trio for clarinet, cello and piano, , B	1797	Vienna, 1798	Countess Maria Wilhelmine von Thun	xi/89
Op. 38	Trio for clarinet, cello and piano, E	1802–3	Vienna, 1805	Professor Johann Adam Schmidt; arr. of Septet Op. 20	xi/91	iv/3

Chamber music for winds

Solo piano music

In addition to the 32 celebrated sonatas, Beethoven's work for solo piano includes many one-movement pieces, more than twenty sets of variations, most unpublished in his lifetime or published without opus number, and over thirty bagatelles, including the well-known "Für Elise".

Piano sonatas

No.	Title, key	Composition, first performance	Publication	Dedication, remarks	GA	NA
WoO 47/1	Three early Kurfürstensonatas, No. 1, E	?1783	Speyer, 1783	Archbishop Maximilian Friedrich, Elector of Cologne	xvi/156
WoO 47/2	Three early Kurfürstensonatas, No. 2, f	?1783	Speyer, 1783	Archbishop Maximilian Friedrich, Elector of Cologne	xvi/157
	Three early Kurfürstensonatas, No. 3, D	?1783	Speyer, 1783	Archbishop Maximilian Friedrich, Elector of Cologne	xvi/158
WoO 50	Piano Sonata, F	c1790–2	Munich and Duisburg, 1950	Franz Gerhard Wegeler; facs. pubd in L. Schmidt: Beethoven-Briefe	HS ix
Op. 2/1	Piano Sonata No. 1, f	1793–5	Vienna, 1796	Joseph Haydn	xvi/124	vii/2
Op. 2/2	Piano Sonata No. 2, A	1794–5	Vienna, 1796	Joseph Haydn	xvi/125	vii/2
Op. 2/3	Piano Sonata No. 3, C	1794–5	Vienna, 1796	Joseph Haydn	xvi/126	vii/2
Op. 49/1	Piano Sonata No. 19, g	?1797	Vienna, 1805		xvi/142	vii/3
Op. 49/2	Piano Sonata No. 20, G	1795–6	Vienna, 1805		xvi/143	vii/3
Op. 7	Piano Sonata No. 4, E	1797–8	Vienna, 1798	Countess Barbara von Keglevics	xvi/127	vii/2
Op. 10/1	Piano Sonata No. 5, c	?1795–7	Vienna, 1798	Countess Anna Margaret von Browne	xvi/128	vii/2
Op. 10/2	Piano Sonata No. 6, F	1796–7	Vienna, 1798	Countess von Browne	xvi/129	vii/2
Op. 10/3	Piano Sonata No. 7, D	1797–8	Vienna, 1798	Countess von Browne	xvi/130	vii/2
WoO 51	Piano Sonata, fragment, C	1797–8	Frankfurt, 1830	Eleonore von Breuning; completed by Ferdinand Ries	xvi/159
Op. 13	Piano Sonata No. 8, c	1797–8	Vienna, 1799	Prince Lichnowsky	xvi/131	vii/2
Op. 14/1	Piano Sonata No. 9, E	1798	Vienna, 1799	Baroness Josefine von Braun	xvi/132	vii/2
Op. 14/2	Piano Sonata No. 10, G	?1799	Vienna, 1799	Baroness Josefine von Braun	xvi/133	vii/2
Op. 22	Piano Sonata No. 11, B	1800	Liepzig, 1802	Count von Braun	xvi/134	vii/2
Op. 26	Piano Sonata No. 12, A	1800–01	Vienna, 1802	Prince Lichnowsky	xvi/135	vii/2
Op. 27/1	Piano Sonata No. 13, E	1801	Vienna, 1802	Princess Josephine von Liechtenstein	xvi/136	vii/3
Op. 27/2	Piano Sonata No. 14, c	1801	Vienna, 1802	Countess Giulietta Guicciardi	xvi/137	vii/3
Op. 28	Piano Sonata No. 15 D	1801	Vienna, 1802	Joseph von Sonnenfels	xvi/138	vii/3
Op. 31/1	Piano Sonata No. 16, G	1802	Zurich, 1803		xvi/139	vii/3
Op. 31/2	Piano Sonata No. 17, d	1802	Zurich, 1803		xvi/140	vii/3
Op. 31/3	Piano Sonata No. 18, E	1802	Zurich and London, 1804		xvi/141	vii/3
Op. 53	Piano Sonata No. 21, C	1803–4	Vienna, 1805	Count Ferdinand von Waldstein	xvi/144	vii/3
Op. 54	Piano Sonata No. 22, F	1804	Vienna, 1806		xvi/145	vii/3
Op. 57	Piano Sonata No. 23, f	1804–5	Vienna, 1807	Count Franz von Brunsvik	xvi/146	vii/3
Op. 78	Piano Sonata No. 24, F	1809	Liepzig and London, 1810	Countess Therese von Brunsvik	xvi/147
Op. 79	Piano Sonata No. 25, G	1809	Leipzig and London, 1810		xvi/148
Op. 81a	Piano Sonata No. 26, E	1809–10	Leipzig and London, 1811	Archduke Rudolph	xvi/149
Op. 90	Piano Sonata No. 27, e	1814	Vienna, 1815	Count Moritz Lichnowsky	xvi/150
Op. 101	Piano Sonata No. 28, A	1816	Vienna, 1817	Baroness Dorothea Ertmann	xvi/151
Op. 106	Piano Sonata No. 29, B	1817–8	Vienna and London, 1819	Archduke Rudolph	xvi/152
Op. 109	Piano Sonata No. 30, E	1820	Berlin, 1821	Maximiliane Brentano	xvi/153
Op. 110	Piano Sonata No. 31, A	1821–2	Paris, Berlin, Vienna, 1822; London 1823		xvi/154
Op. 111	Piano Sonata No. 32, c	1821–2	Paris, Berlin, Vienna and London, 1823	Archduke Rudolph; London edn ded. Antonie Brentano	xvi/155

Piano variations

No.	Title, key	Composition, first performance	Publication	Dedication, remarks	GA	NA
WoO 63	Nine variations on a march by Ernst Christoph Dressler, c	1782	Mannheim, 1782–3	Countess Felice von Wolf-Metternich; First published composition	xvii/166	vii/5
WoO 65	Twenty-four variations on Vincenzo Righini's aria "Vieni amore", D	c1790–1	Mainz, 1791; Vienna, 1802	Countess Maria Anna Hortensia von Hatzfeld	xvii/178	vii/5
WoO 66	Thirteen variations on the aria "Es war einmal ein alter Mann" from Carl Ditters von Dittersdorf's opera Das rote Käppchen, A	1792	Bonn, 1793		xvii/175	vii/5
WoO 64	Six variations on a Swiss song for piano or harp, F	c1790–2	Bonn, ?1798		xvii/177	vii/5
WoO 68	Twelve variations on the "Menuet a la Viganò" from Jakob Haibel's ballet Le nozze disturbate, C	1795	Vienna, 1796		xvii/169	vii/5
WoO 69	Nine variations on "Quant'è più bello" from Giovanni Paisiello's opera La Molinara, A	1795	Vienna, 1795	Prince Lichnowsky	xvii/167	vii/5
WoO 70	Six variations on "Nel cor più non mi sento" from Giovanni Paisiello's opera La Molinara, G	1795	Vienna, 1796		xvii/168	vii/5
WoO 72	Eight variations on "Une fièvre brûlante" from André Grétry's opera Richard Cœur-de-Lion, C	?1795	Vienna, 1798		xvii/171	vii/5
WoO 71	Twelve variations on the Russian dance from Paul Wranitzky's ballet Das Waldmädchen, A	1796–7	Vienna, 1797	Countess von Browne	xvii/170	vii/5
WoO 73	Ten variations on "La stessa, la stessissima" from Antonio Salieri's opera Falstaff, B	1799	Vienna, 1799	Countess von Keglevics	xvii/172	vii/5
WoO 76	Eight variations on "Tändeln und scherzen" from Franz Xaver Süssmayr's opera Soliman II, F	1799	Vienna, 1799	Countess von Browne	xvii/174	vii/5
WoO 75	Seven variations on "Kind, willst du ruhig schlafen" from Peter Winter's opera Das unterbrochene Opferfest, F	1799	Vienna, 1799		xvii/173	vii/5
	Six easy variations on an original theme, G	1800	Vienna, 1800		xvii/176	vii/5
Op. 34	Six variations on an original theme, F	1802	Leipzig, 1803	Princess Odescalchi	xvii/162	vii/5
Op. 35	Fifteen variations and a fugue on an original theme, E	1802	Leipzig, 1803	Count Moritz Lichnowsky	xvii/163	vii/5
WoO 78	Seven variations on "God Save the King", C	1802–3	Vienna, 1804		xvii/179	vii/5
WoO 79	Five variations on "Rule, Britannia!", D	1803	Vienna, 1804		xvii/180	vii/5
WoO 80	Thirty-two variations on an original theme, c	1806	Vienna, 1807		xvii/181	vii/5
Op. 76	Six variations on an original theme, D	1809	Leipzig and London, 1810	Franz Oliva	xvii/164	vii/5
Op. 120	Thirty-three variations on a waltz by Diabelli, C	1819-23	Vienna, 1823	Antonie Brentano	xvii/165	vii/5

Shorter piano pieces

No.	Title, key	Composition, first performance	Publication	Dedication, remarks	GA	NA
WoO 48	Rondo, C	1783	H.P. Bossler: Blumenlese für Klavierliebhaber, ii		HS ix
WoO 49	Rondo, A	?1783	H.P. Bossler: Neue Blumenlese für Klavierliebhaber, ii		xviii/196
Op. 39	Two preludes through all twelve major keys for piano or organ	?1789	Leipzig, 1803		xviii/184
WoO 81	Allemande, A	c1793, rev. 1822	GA		xxv/307
Op. 129	Rondo a capriccio, G	1795	Vienna, 1828	autograph completed by unknown ed., 1828	xviii/191
Hess 64	Fugue, C	1795	MT, xcvi		HS ix
WoO 52	Presto, c	c1795, rev. 1798 and 1822	GA	Originally intended for Sonata Op.10/1	xxv/297/1
WoO 53	Allegretto, c	1796–7	GA	Originally intended for Sonata Op.10/1	xxv/299
Hess 69	Allegretto, c	c1795–6, rev. 1822	HS	probably orig. intended for Sonata op.10/1	HS ix
Op. 51/1	Rondos, C,	c1796–7	London and Leipzig, 1810	Prince Lobkowitz	vi/46
Op. 51/2	Rondos, G	c1798	Vienna, 1802	Countess Henriette Lichnowsky	xviii/186
Op. 33	Seven Bagatelles	1801–2;	Vienna and London, 1803		xviii/183
WoO 54	Lustig-Traurig, C	?1802	GA		xxv/300
WoO 55	Prelude, f	c1803	Vienna, 1805		xviii/195
WoO 56	Allegretto, C	1803, rev. 1822	GA	Originally intended for sonata Op. 53	xxv/297/2
WoO 57	Andante, F	1803	Vienna, 1805	Originally intended for sonata Op. 53	xviii/192
WoO 82	Minuet, E	c1803	Vienna, 1805		xviii/193
Op. 77	Fantasia, g	1809	Leipzig and London, 1810	Count Franz von Brunsvik	xviii/187
WoO 59	Für Elise, a	1808–10	L. Nohl: Neue Briefe Beethovens		xxv/298
Op. 89	Polonaise, C	1814	Vienna, 1815	Empress Elisabeth Alexeyerna of Russia	xviii/188
WoO 60	Bagatelle, B	1818	Berliner allgemeine musikalische Zeitung, i		xxv/301
Hess 65	"Concert Finale", C	1820–1	in F. Starke, ed.: Wiener Piano-Forte-Schule, iii	arr. of coda to finale of Piano Concerto No. 3	HS ix
WoO 61	Allegretto, b	1821	Robitschek: Deutscher Kunst- und Musikzeitung	Ferdinand Piringer	HS ix
Op. 119	Eleven Bagatelles	1820–2	nos.7–11 in F. Starke, ed.: Wiener Piano-Forte-Schule, iii ; all 11, London, 1823		xviii/189
Op. 126	Six Bagatelles	1824	Mainz, 1825		xviii/190
WoO 84	Waltz, E	1824	Vienna, 1824	Friedrich Demmer	xxv/303
	Allegretto quasi andante, g	1825	NZM, cxvii	Sarah Burney Payne	HS ix
WoO 85	Waltz, D	1825	Vienna, 1825	Duchess Sophie of Austria	xxv/304
WoO 86	Ecossaise, E	1825	Vienna, 1825	Duchess Sophie of Austria	xxv/305

Piano four hands

No.	Title, key	Composition, first performance	Publication	Dedication, remarks	GA	NA
	Eight Variations on a Theme by Count Waldstein, C	?1792	Bonn, 1794		xv/122	vii/1
Op. 6	Sonata for Piano, Four Hands, D	1796-7	Vienna, 1797		xv/120	vii/1
WoO 74	Six Variations on Beethoven's "Ich denke dein", D	1799, 1803	Vienna, 1805	Countess Therese von Brunsvik and Josephine Deym	xv/123	vii/1
Op. 45	Three marches	1803	Vienna, 1804	Princess Maria Esterházy	xv/121	vii/1
	Fugue for Piano, four hands, B	1826	Vienna, 1827	Archduke Rudolph; arr. of Große Fuge Op. 133	HS viii	vii/1

Vocal music

While he completed only one opera, Beethoven wrote vocal music throughout his life, including two Mass settings, other works for chorus and orchestra, arias, duets, art songs, and true song cycles.

Operas

No.	Title	Composition, first performance	Publication	Dedication, remarks	GA	NA
WoO 91	Two arias for Umlauf's Singspiel Die schöne Schusterin	?1795–6	s:GA		xxv/270	x/3
	Vestas Feuer, fragment	1803	s: Wiesbaden, 1953		HS xiii
Op. 72	Fidelio	1st version, 1804–5; Theater an der Wien, Vienna, 20 Nov 1805	vs: Leipzig, 1905; s: HS		HS ii. xi–xiii
		2nd version, 1805–6; Theater an der Wien, 29 March 1806	vs: Leipzig, 1810; s: HS		HS xi–xiii
		final version, 1814; Kärntnertor, Vienna, 23 May 1814	vs: Vienna, 1814; s: Paris, 1826, Bonn, 1847		xx/206
WoO 94	Germania, finale of Die gute Nachricht	1814; Kärntnertor, 11 April 1814	vs: Vienna, 1814; s: GA		xx/207d	ix/7
WoO 97	Es ist vollbracht, finale of Die Ehrenpforten	1815; Kärntnertor, 15 July 1815	vs: Vienna, 1815; s: GA		xx/207c	ix/7

Choral works with orchestra

No.	Title, key	Composition, first performance	Publication	Dedication, remarks	GA	NA
WoO 87	Funeral cantata on the Death of Emperor Joseph II	March 1790	GA		xxv/264	x/1
WoO 88	Cantata on the accession of Emperor Leopold II	Sept–Oct 1790	GA		xxv/265	x/1
Op. 85	Christus am Ölberge	1803, rev. 1804; 5 April 1803	Leipzig, 1811		xix/205	viii/1
Op. 86	Mass in C major	1807; 13 Sept 1807	Leipzig, 1812	Prince Ferdinand Kinsky	xix/204	viii/2
WoO 95	Chor auf die verbündeten Fürsten "Ihr weisen Gründer"	Sept 1814	GA	for Congress of Vienna	xxv/267	x/2
Op. 136	Der glorreiche Augenblick	1814; 29 Nov 1814	Vienna, 1837	for Congress of Vienna	xxi/208	x/1
Op. 112	Meeresstille und glückliche Fahrt	1814–5; 25 Dec 1815	Vienna, 1822	Johann Wolfgang von Goethe	xxi/209	x/2
Op. 123	Missa solemnis, D	1819–23; 7 April 1824	Mainz, 1827	Archduke Rudolph	xxi/203	viii/3
	Opferlied "Die Flamme lodert"	1822; 23 Dec 1822	GA		xxv/268
	Opferlied, 2nd version	1824	Mainz, 1824		xxii/212	x/2
Op. 122	Bundeslied "In allen guten Stunden"	1823–4	Mainz, 1825		xxii/213	x/2

Other choral works

No.	Title	Composition, first performance	Publication	Dedication, remarks	GA	NA
WoO 102	Abschiedsgesang "Die Stunde schlägt", for male voices	1814	GA	Leopold Weiss; at the request of Mathias Tuscher	xxv/273
WoO 103	Cantata campestre "Un lieto brindisi", for four voices and piano	1814; 24 June 1814	Jb der Literarischen Vereinigung Winterthur 1945	Giovanni Malfatti	HS v	xii/1
WoO 104	Gesang der Mönche "Rasch tritt der Tod", from Wilhelm Tell, for two tenors and bass	1817	NZM, vi	in memory of Franz Sales Kandler and Wenzel Krumpholz	xxiii/255
WoO 105	Hochzeitslied "Auf Freunde, singt dem Gott der Ehen", for tenor, chorus and piano	1819	Der Bär 1927 for tenor; London, 1858 for male solo	Anna Giannatasio del Rio	HS v	xii/1
	Birthday Cantata for Prince Lobkowitz "Es lebe unser theurer Fürst", for soprano, chorus and piano	April 1823	L. Nohl: Neue Briefe Beethovens	Prince Lobkowitz	xxv/274	xii/1

Solo voices and orchestra

No.	Title	Composition, first performance	Publication	Dedication, remarks	GA	NA
WoO 89	Prüfung des Küssens, aria for bass	c1790–2	GA		xxv/269/1	x/3
WoO 90	Mit Mädeln sich vertragen, aria for bass	c1790–2	GA		xxv/269/2	x/3
WoO 92	Primo amore, scena and aria for soprano	c1790–2	GA		xxv/271	x/3
Op. 65	Ah! perfido, scena and aria for soprano	early 1796	p, vs: Leipzig, 1805; s: GA;	Countess Josephine de Clary, for soprano, alto, tenor, bass and string quartet	July 1814	Vienna, 1814	Baron Johann von Pasqualati	xxii/214	x/2

Songs

No.	Title	Composition, first performance	Publication	Dedication, remarks	GA	NA
WoO 107	Schilderung eines Mädchens	?1783	H.P. Bossler: Blumenlese für Klavierliebhaber, ii		xxiii/228	xii/1
WoO 108	An einen Säugling	?1784	H.P. Bossler: Neue Blumenlese für Klavierliebhaber, ii		xxiii/229	xii/1
WoO 110	Elegie auf den Tod eines Pudels	?c1790	?GA		xxv/284	xii/1
WoO 113	Klage	c1790	GA		xxv/283	xii/1
	Traute Henriette	c1790-2	ÖMz, iv		HS v	xii/1
Op. 52	Eight Songs	1790–6	Vienna, 1805		xxiii/218	xii/1
WoO 111	Punschlied	c1791	L. Schiedermair: Der junge Beethoven		HS v	xii/1
WoO 109	Trinklied	c1792	GA		xxv/282	xii/1
WoO 112	An Laura	c1792	G. Kinsky: Musik historisches Museum von Wilhelm Heyer in Cöln: Katalog, iv		HS v	xii/1
WoO 114	Selbstgespräch	c1792	GA		xxv/275	xii/1
WoO 115	An Minna	c1792	GA		xxv/280	xii/1
WoO 117	Der freie Mann	1792, rev. 1794	Bonn, 1808		xxiii/232; HS v	xii/1
WoO 116	Que le temps dure					xii/1
Hess 129		?early 1794	Die Musik, i	1st version of WoO 116	HS v
Hess 130		?1794	GA	2nd version of WoO 116	HS v
WoO 119	O care selve	c1794	GA		xxv/279	xii/1
WoO 126	Opferlied	1794–5, rev. 1801–2	Bonn, 1808		xxiii/233; HS v	xii/1
WoO 118	Two Songs	1794–5	Vienna, 1837		xxiii/253	xii/1
Op. 46	Adelaide	1794–5	Vienna, 1797	Friedrich von Matthisson	xxiii/216	xii/1
WoO 123	Zärtliche Liebe	c1795	Vienna, 1803		xxiii/249	xii/1
WoO 124	La partenza	c1795-6	Vienna, 1803		xxiii/251	xii/1
WoO 121	Abschiedsgesang an Wiens Bürger	1796	Vienna, 1796	Obrist Wachtmeister von Kövesdy	xxiii/230	xii/1
WoO 122	Kriegslied der Österreicher	1797	Vienna, 1797		xxiii/231	xii/1
WoO 125	La tiranna	1798–9	London, 1799	ded. Mrs Tschoffen	HS v	xii/1
WoO 128	Plaisir d'aimer	1798–9	Die Musik, i		HS v	xii/1
WoO 127	Neue Liebe, neues Leben	1798–9	Bonn, 1808		HS v	xii/1
WoO 74	Ich denke dein
Op. 48	Six Songs	c1801 – early 1802	Vienna, 1803	Count von Browne	xxiii/217	xii/1
WoO 120	Man strebt die Flamme zu verhehlen	c1802	GA	Frau von Weissenthurn	xxv/278	xii/1
WoO 129	Der Wachtelschlag	1803	Vienna, 1804	Count von Browne	xxiii/234	xii/1
Op. 88	Das Glück der Freundschaft	1803	Vienna, 1803		xxiii/222	xii/1
Op. 32	An die Hoffnung	1805	Vienna, 1805	for Josephine Deym	xxiii/215	xii/1
WoO 130	Gedenke mein	?1804–5, rev. 1819–20	Vienna, 1844		xxv/281	xii/1
WoO 132	Als die Geliebte sich trennen wollte	1806	AMZ, xii		xxiii/235	xii/1
WoO 133	In questa tomba oscura	1806–7	Vienna, 1808	ded. Prince Lobkowitz	xxiii/252	xii/1
WoO 134	Sehnsucht	1807–8	Vienna, 1810		xxiii/250	xii/1
WoO 136	Andenken	1805	Leipzig and London 1810	for Josephine Deym	xxiii/248	xii/1
WoO 137	Lied aus der Ferne	1809	Leipzig and London, 1810		xxiii/236	xii/1
WoO 138	Der Jüngling in der Fremde	1809	Vienna, 1810	ded. Archduke Rudolph	xxiii/237	xii/1
WoO 139	Der Liebende	1809	Vienna and London, 1810	ded. Archduke Rudolph	xxiii/238	xii/1
Op. 75	Six Songs	1809	Leipzig and London, 1810	Princess Caroline Kinsky	xxiii/219	xii/1
Op. 82	Four Ariettas and a Duet	?1809	Leipzig and London, 1811		xxiii/220	xii/1
Op. 83	Three Songs	1810	Leipzig, 1811	Princess Caroline Kinsky	xxiii/221	xii/1
WoO 140	An die Geliebte	Dec 1811, rev. 1814	1st version: Augsburg, c1826; 2nd version: Friedensblätter		xxiii/243a	xii/1
WoO 141	Der Gesang der Nachtigall	May 1813	GA		xxv/227	xii/1
WoO 142	Der Bardengeist	Nov 1813	Erichson: Musen-Almanach für das Jahr 1814		xxiii/241	xii/1
Op. 94	An die Hoffnung	1813-5	Vienna, 1816	Princess Kinsky	xxiii/223	xii/1
WoO 143	Des Kriegers Abschied	1814	Vienna, 1815	ded. Caroline von Bernath	xxiii/240	xii/1
WoO 144	Merkenstein	1814	Selam: ein Almanach für Freunde des Mannigfaltigen auf das Schaltjahr 1816		xxv/276	xii/1
Op. 100	Merkenstein	1814	Vienna, 1816	Count Joseph Karl von Dietrichstein	xxiii/226	xii/1
WoO 135	Die laute Klage	?c1815	Vienna, 1837		xxiii/254	xii/1
WoO 145	Das Geheimnis	1815	Wiener Zeitschrift für Kunst, Literatur, Theater und Mode, i		xxiii/245	xii/1
WoO 146	Sehnsucht	early 1816	Vienna, 1816		xxiii/239	xii/1
Op. 98	An die ferne Geliebte	1816	Vienna, 1816	Prince Lobkowitz	xxiii/224	xii/1
Op. 99	Der Mann von Wort	?May 1816	Vienna, 1816		xxiii/225	xii/1
WoO 147	Ruf von Berge	Dec 1816	Gedichte von Friedrich Treitschke		xxiii/242	xii/1
WoO 148	So oder so	1817	Wiener Zeitschrift für Kunst, ii		xxiii/224	xii/1
WoO 149	Resignation	1817	Wiener Zeitschrift für Kunst, iii		xxiii/246	xii/1
WoO 150	Abendlied unterm gestirnten Himmel	March 1820	Wiener Zeitschrift für Kunst, v		xxiii/247	xii/1
Op. 128	Der Kuss	Nov–Dec 1822	Mainz, 1825		xxiii/227	xii/1
WoO 151	Der edle Mensche sei hülfreich und gut	Jan 1823	G. Lange: Musikgeschichtliches''	Baroness Cäcilie von Eskeles	HS v

Folksongs

No.	Title	Composition, first performance	Publication	Dedication, remarks	GA	NA
WoO 152	Twenty-five Irish Songs	1810–2	London and Edinburgh, 1814		xxiv/261
WoO 153	Twenty Irish songs	1810-5	London and Edinburgh, 1814 , 1816 ; GA		xxiv/262
WoO 154	Twelve Irish songs	1812–3	; GA		xxiv/258
WoO 155	Twenty-six Welsh songs	1809	London and Edinburgh, 1817		xxiii/219	xi/1
Op. 108	Twenty-five Scottish Songs	1815–8	London and Edinburgh, 1818		xxiv/257	xi/1
WoO 156	Twelve Scottish songs	1815–9	London and Edinburgh, 1822 , 1824–5 , 1839 , 1841 , 1822 , 1824–5 , 1839 ); GA		xxiv/259	xi/1, xi/3
WoO 158a	Twenty-three songs of various nationality	1816–7	Die Musik, ii , J. Schmidt-Görg: Unbekannte Manuskripte zu Beethovens weltlicher und geistlicher Gesangsmusik , complete		HS xiv	xi/3
WoO 158b	Seven British songs	1813–7			HS xiv	xi/1, xi/3
WoO 158c	Six songs of various nationality	1817–20			HS xiv	xi/1, xi/3
Hess 168	Air français	1817			HS xiv	xi/3
	Two Austrian folksongs	1820	Niederrheinische Musikzeitung, xiii			xi/3

Wind Band

No.	Title, key	Composition, first performance	Publication	Dedication, remarks	GA	NA
WoO 18	March No. 1 for Military Band Yorckscher Marsch, F	1809, rev. 1810	pf red.: Prague, ?1809; s: Berlin, 1818–19	Archduke Anton of Austria	xxv/287/1; HS iv; HS Viii	ii/4
	Trio to WoO 18, B	c1822	HS		HS iv	ii/4
WoO 19	March No 2. for Military Band, F	1810	pf red.: Vienna, 1810	Archduke Anton of Austria	xxv/287/2; HS iv	ii/4
	Trio to WoO 19, f	c1822	HS		HS iv	ii/4
WoO 21	Polonaise for Military Band, D	1810	GA		xxv/289	ii/4
WoO 22	Ecossaise for Military Band, D	1810	GA		xxv/290	ii/4
WoO 23	Ecossaise for Military Band, G	c1810	pf red. in Czerny's Musikalisches Pfennig-Magazin, i	only a piano arrangement by Carl Czerny is extant	xxv/306	ii/4
WoO 24	March for Military Band, D	1816	pf red.: Vienna, 1827		ii/15	ii/4
	March for Military Band, C	c1810	GA		xxv/288; HS iv	ii/4
	Trio to WoO 20, F	c1822			xxv/288	ii/4

Collections of dances

No.	Title	Composition, first performance	Publication	Dedication, remarks	GA	NA
WoO 7	Twelve Minuets for orchestra	1795	Vienna, 1795		ii/16	ii/3
WoO 8	Twelve German Dances for orchestra	1795	Vienna, 1795		ii/17	ii/3
WoO 9	Six minuets for two violins and double bass	?before 1795	Mainz, 1933	authenticity not fully confirmed	HS vi	ii/3
WoO 10	Six Minuets for piano	1795	Vienna, 1796	orchestral version probably existed	xviii/194
	Six German Dances for violin and piano	1796	Vienna, 1814		xxv/308	v/2
WoO 11	Seven Ländler for piano	1799	Vienna, 1799		xviii/198
WoO 13	Twelve German Dances for orchestra	c1792–7	Vienna, Prague and Leipzig, 1929	survives in piano version only	HS viii
WoO 14	Twelve Contredanses for orchestra	c1791–1801	p: Vienna, 1802; s: GA		ii/17a	ii/3
WoO 15	Six Ländler for two violins and double bass	1802	Vienna, 1802; s: GA		xxv/291	ii/3
WoO 83	Six Ecossaises for piano	c1806	Vienna, 1807; GA		xxv/302
WoO 17	Eleven "Mödlinger Tänze" for flutes, clarinets, horns, violins and double bass	1819	Leipzig, 1907	probably spurious	HS vii

Canons and musical jokes

No.	Title, key	Composition, first performance	Publication	Dedication, remarks	GA	NA
WoO 159	Im Arm der Liebe, F	c1795	I. von Seyfried: Ludwig van Beethovens Studien im Generalbass	Contrapuntal study for Albrechtsberger	xxiii/256/1	xiii/1
	O Care selve	c1795	Seyfried	Contrapuntal study for Albrechtsberger	HS v	xiii/1
WoO 160/2	Canon, C	c1795	Seyfried	Contrapuntal study for Albrechtsberger	HS v	xiii/1
	Canon	1796–7	J. Kerman, ed.: Ludwig van Beethoven: Autograph Miscellany from circa 1786 to 1799
Hess 276	Herr Graf, ich komme zu fragen	?1797	HS		HS v
WoO 100	Schuppanzigh ist ein Lump	1801	Grove1	for Ignaz Schuppanzigh	HS v
WoO 101	Graf, Graf, Graf, Graf	1802	A.W. Thayer: Chronologisches Vezeichniss der Werke Ludwig van Beethoven	for Nikolaus Zmeskall	HS v
Hess 274	Canon, G	1803	N. Fishman: Kniga ėskizov Bėtkhoven za 1802–1806 godï		HS ix
Hess 229	Languisco e moro	1803	Fishman		HS xiv
Hess 275	Canon, A	1803	HS		HS
WoO 162	Ta ta ta...lieber Mälzel			spurious: apparently written by Anton Schindler	HS vii
WoO 161	Ewig dein, C	?c1811	AMZ, new series, i		xxiii/256/14
WoO 163	Kurz ist der Schmerz, f	Nov 1813	NZM, xi,	for Friedrich Naue	xxiii/256/3a
WoO 199	Ich bin der Herr von zu, D	1814		for Archduke Rudolph
WoO 164	Freundschaft ist die Quelle, C	Sept 1814	GA		xxv/285/2
WoO 165	Glück zum neuen Jahr, E	Jan 1815	Vienna, 1816	for Baron von Pasqualati	xxiii/256/16
WoO 166	Kurz ist der Schmerz, F	March 1815	GA	for Louis Spohr	xxiii/256/3b
WoO 167	Brauchle, Linke, C	c1815	Thayer, 1865	for Johann Xaver Brauchle and Joseph Linke	HS v
WoO 168/1	Lerne schweigen, f	Jan 1816	Wiener allgemeine musikalische Zeitung, i	for Charles Neate	xxiii/256/5
WoO 168/2	Rede, rede, F	Jan 1816	GA	for Charles Neate	xxiii/256/4
WoO 169	Ich küsse Sie, C	Jan 1816	Die Jahrenszeien, xii/3	for Anna Milder-Hauptmann	HS v
WoO 170	Ars longa, vita brevis, C	April 1816	L. Nohl: Neue Briefe Beethovens	for Johann Nepomuk Hummel	HS v
WoO 171	Glück fehl’ dir vor allem, G	1817	T. von Frimmel: Neue Beethoveniana	for Anna Giannatasio del Rio	HS v
WoO 172	Ich bitt' dich schrreib' mir die Es-Scala auf, E	?c1818	GA	for Vincenz Hauschka	xxiii/256/15
WoO 201	Ich bin bereit! Amen, C	1818		for Vincenz Hauschka
WoO 173	Hol'euch der Teufel!, B	sum. 1819	Thayer	for Sigmund Anton Steiner	HS v
WoO 174	Glaube und hoffe	Sept 1819	L. Nohl: Briefe Beethovens	for Maurice Schlesinger	xxv/285/3
WoO 176	Glück zum neuen Jahr!, F	Dec 1819	GA	for Countess Erdödy	xxiii/256/6
WoO 179	Alles Gute! alles Schöne, C	Dec 1819	Nohl	for Archduke Rudolph	xxiii/256/7
Hess 300	Liebe mich, werter Weissenbach	? Jan 1820	J. Schmidt-Görg, ed.: Drei Skizzenbücher zur Missa Solemnis, i	for Aloys Weissenbach
Hess 301	Wähner... es sei kein Wahn	? Jan 1820	J. Schmidt-Görg, ed.: Drei Skizzenbücher zur Missa Solemnis, i	Friedrich Wähner
WoO 175	Sankt Petrus war ein Fels; Bernardus war ein Sankt	? Jan 1820	Thayer	for Carl Peters and Carl Bernard	HS v
WoO 180	Hoffman, sei ja kein Hofmann, C	March 1820	Caecilia, i		xxiii/256/8
WoO 177	Bester Magistrat, Ihr friert, E	c1820	D. MacArdle and L. Misch: New Beethoven Letters		HS v
WoO 178	Signor Abate, B	?c1820	GA	for the Abbé Maximilian Stadler	xxiii/256/13
WoO 181/1	Gedenket heute an Baden, C	c1820	GA		xxv/285/4
WoO 181/2	Gehabt euch wohl, C	c1820	Festschrift Arnold Scherings		HS v
WoO 181/3	Tugent ist kein leerer Name	c1820			HS v
WoO 182	O Tobias, d	Sept 1821	AMZ, new series, i	for Tobias Haslinger	xxiii/256/9
WoO 183	Berster Herr Graf, Sie sind ein Schaf!, F	Feb 1823	Mf, vii	for Count Moritz Lichnowsky	HS v
WoO 184	Falstafferel, lass' dich sehen!, G	April 1823	Die Musik, ii	for Schuppanzigh	HS v
WoO 185	Edel sei der Mensch, E	? May 1823	Wiener Zeitschrift für Kunst, viii	for Louis Schlösser	xxiii/256/10
Hess 263	Te solo adoro	?1824	HS	for Carlos Evasio Soliva	HS v
Hess 264	Te solo adoro	?1824	HS	for Carlos Evasio Soliva	HS v
WoO 186	Te solo adoro	June 1824	GA	for Carlos Evasio Soliva	xxv/285/1
WoO 187	Schwenke dich ohne Schwänke!, F	Nov 1824	Caecilia, i/7	for Carl Schwänke	xxiii/256/11
WoO 188	Gott ist eine fest Burg, B	Jan 1825	F. Prelinger: Beethovens sämtliche Briefe, iv	for Oberst von Düsterlohe	HS v
WoO 203	Das Schöne zu dem Guten	1825	L. Rellstab: Garten und Wald, iv	for Ludwig Rellstab	HS v
WoO 189	Doktor, sperrt das Tor dem Tod, C	May 1825	Nohl	for Anton Braunhofer	HS v
WoO 190	Ich war hier, Doktor, C	June 1825	?HS	for Anton Braunhofer	HS v
WoO 35	Canon, A	Aug 1825	Nohl	for Otto de Boer	HS vi
WoO 191	Kühl, nicht lau, B	Sept 1825	Seyfried	for Friedrich Kuhlau	xxiii/256/12
WoO 192	Ars longa, vita brevis, F	Sept 1825	Thayer	for Sir George Smart	HS v
WoO 194	Si non per portas, per muros, F	Sept 1825	Marx, ii	for Maurice Schlesinger	xxiii/256/17
WoO 195	Freu' dich des Lebens, C	Dec 1825	GA	for Theodor Molt	xxv/285/5
WoO 193	Ars longa, vita brevis, C	?c1825	facsimile in auction catalogue no. 120 of Henrici		HS v
	Bester Magistrat	?April 1826	unpublished, appears in the sketchbook 'Autograph 24'
WoO 196	Es muss sein, F	?July 1826	A.W. Thayer: Ludwig van Beethovens Leben'', ed. H. Riemann, v	for "Hofkriegsagent" Dembscher	HS v
Hess 277	Esel aller Esel	?Sept 1826	HS		HS v
WoO 197	Da ist das Werk, C	Sept 1826	Zürich, 1949	for Holz	HS v
WoO 198	Wir irren allesamt	Dec 1826	Nohl	for Holz	HS v

Miscellaneous

No.	Title, key	Composition, first performance	Publication	Dedication, remarks	GA	NA
WoO 31	Fugue for organ, D	1783	GA		xxv/309
	Various dances, kbd exercises, entered among sketches for larger works but probably not intended for publication	mostly 1790–8	transcr. selectively in writings of G. Nottebohm: many pubd in Kerman, ed.		HS ix
	Contrapuntal exercises prepared for Haydn and Albrechtsberger	1793–5	Nottebohm: Beethovens Studien, selective transcr.		HS vi, xiv	xiii/1
WoO 33/1	Adagio for mechanical clock, F	1799	Die Musik, i		HS vii	vi/1
WoO 33/2	Scherzo for mechanical clock, G	1799–1800	G. Becking Studien zu Betthovens Personalstil: das Scherzothema		HS vii	vi/1
WoO 33/3	Alegro for mechanical clock, G	?c1799	Ricordiana, iii		HS vii	vi/1
	Allegro for mechanical clock, C	?1794	Mainz, 1940		HS vii	vi/1
WoO 33/5	Minuet for mechanical clock, C	?1794	Mainz, 1940		HS vii	vi/1
Hess 107	Grenadiermarsch for mechanical clock, F	?c1798	Beethoven-Almanach der Deutschen Musikbücherei auf das Jahr 1927	Prince Joseph Johann zu Schwarzenberg	HS vii	vi/1
WoO 99	Exercises in Italian declamation prepared for Salieri	1801–2	Nottebohm ; HS i		HS i	xiii/1
WoO 58	Cadenzas to first movement and finale of Mozart's Piano Concerto No. 20, d	?1809	1st movt: Wiener Zeitschrift für Kunst… ; finale: GA;	written for Ferdinand Ries	ix/70a/11–12	vii/7
WoO 200	Theme for variations by the Archduke Rudolph, with text ‘O Hoffnung’	1818	Vienna, 1819
	Various musical greetings, in letters and diaries

List of works by number

The following is a list of Beethoven's works, sorted by Opus number, followed by works listed as WoO in the Kinsky–Halm Catalogue, and then works listed in the appendix of that catalog, which are given "Anhang" numbers. These are followed by additional works with Hess numbers listed in the catalog of Willy Hess that are not otherwise listed in the Kinsky–Halm Catalogue. Lastly there is works with Biamonti numbers, from the Biamonti Catalogue, an attempt to catalogue everything that Beethoven wrote in chronological order, though there are works that were not known at the time it was compiled. Thus there is no definitive catologue of Beethoven's works to match the Deutsch catalogue for Schubert or the Köchel catalogue for Mozart.

Works with opus numbers

The opus numbers were assigned by publishers to Beethoven's works as they were published. The opus numbers do not include all works that were published in Beethoven's lifetime nor are they in chronological order. For instance, the Octet Op. 103 was written before November 1792, while Op. 102 and Op. 104 were written in 1815 and 1817 respectively.

Op. 1: Three Piano Trios
*No. 1: Piano Trio No. 1 in E major
*No. 2: Piano Trio No. 2 in G major
*No. 3: Piano Trio No. 3 in C minor
Op. 2: Three Piano Sonatas
*No. 1: Piano Sonata No. 1 in F minor
*No. 2: Piano Sonata No. 2 in A major
*No. 3: Piano Sonata No. 3 in C major
Op. 3: String Trio No. 1 in E major
Op. 4: String Quintet
Op. 5: Two Cello Sonatas
*No. 1: Cello Sonata No. 1 in F major
*No. 2: Cello Sonata No. 2 in G minor
Op. 6: Sonata for Piano, Four Hands in D major
Op. 7: Piano Sonata No. 4 in E major
Op. 8: String Trio No. 2 in D major
Op. 9: Three String Trios
*No. 1: String Trio No. 3 in G major
*No. 2: String Trio No. 4 in D major
*No. 3: String Trio No. 5 in C minor
Op. 10: Three Piano Sonatas
*No. 1: Piano Sonata No. 5 in C minor
*No. 2: Piano Sonata No. 6 in F major
*No. 3: Piano Sonata No. 7 in D major
Op. 11: Piano Trio No. 4 in B major , cello
Op. 12: Three Violin Sonatas
*No. 1: Violin Sonata No. 1 in D major
*No. 2: Violin Sonata No. 2 in A major
*No. 3: Violin Sonata No. 3 in E major
Op. 13: Piano Sonata No. 8 in C minor
Op. 14: Two Piano Sonatas
*No. 1: Piano Sonata No. 9 in E major
*No. 2: Piano Sonata No. 10 in G major
Op. 15: Piano Concerto No. 1 in C major
Op. 16: Quintet for Piano and Winds
Op. 17: Horn Sonata in F major
Op. 18: Six String Quartets
*No. 1: String Quartet No. 1 in F major
*No. 2: String Quartet No. 2 in G major
*No. 3: String Quartet No. 3 in D major
*No. 4: String Quartet No. 4 in C minor
*No. 5: String Quartet No. 5 in A major
*No. 6: String Quartet No. 6 in B major
Op. 19: Piano Concerto No. 2 in B major
Op. 20: Septet in E major
Op. 21: Symphony No. 1 in C major
Op. 22: Piano Sonata No. 11 in B major
Op. 23: Violin Sonata No. 4 in A minor
Op. 24: Violin Sonata No. 5 in F major
Op. 25: Serenade for Flute, Violin and Viola in D major
Op. 26: Piano Sonata No. 12 in A major
Op. 27: Two Piano Sonatas
*No. 1: Piano Sonata No. 13 in E major
*No. 2: Piano Sonata No. 14 in C minor
Op. 28: Piano Sonata No. 15 in D major
Op. 29: String Quintet in C major
Op. 30: Three Violin Sonatas
*No. 1: Violin Sonata No. 6 in A major
*No. 2: Violin Sonata No. 7 in C minor
*No. 3: Violin Sonata No. 8 in G major
Op. 31: Three Piano Sonatas
*No. 1: Piano Sonata No. 16 in G major
*No. 2: Piano Sonata No. 17 in D minor
*No. 3: Piano Sonata No. 18 in E major
Op. 32: Song "An die Hoffnung"
Op. 33: Seven Bagatelles for piano
Op. 34: Six variations on an original theme for piano in F major
Op. 35: Fifteen variations and a fugue for piano on an original theme in E major
Op. 36: Symphony No. 2 in D major
Op. 37: Piano Concerto No. 3 in C minor
Op. 38: Piano Trio in E major
Op. 39: Two Preludes through all twelve major keys for piano
Op. 40: Romance for Violin and Orchestra No. 1 in G major
Op. 41: Serenade for Piano and Flute or Violin in D major
Op. 42: Notturno for Viola and Piano in D major
Op. 43: The Creatures of Prometheus, overture and ballet music
Op. 44: Variations on an original theme in E major for piano trio
Op. 45: Three Marches for Piano, 4 hands
Op. 46: Song – "Adelaide"
Op. 47: Violin Sonata No. 9 in A major
Op. 48: Six Songs
Op. 49: Two Piano Sonatas
*No. 1: Piano Sonata No. 19 in G minor
*No. 2: Piano Sonata No. 20 in G major
Op. 50: Romance for Violin and Orchestra No. 2 in F major
Op. 51: Two Rondos for Piano
*No. 1: Rondo in C major
*No. 2: Rondo in G major
Op. 52: Eight Songs
Op. 53: Piano Sonata No. 21 in C major
Op. 54: Piano Sonata No. 22 in F major
Op. 55: Symphony No. 3 in E major
Op. 56: Triple Concerto for violin, cello, and piano in C major
Op. 57: Piano Sonata No. 23 in F minor
Op. 58: Piano Concerto No. 4 in G major
Op. 59: Three String Quartets
*No. 1: String Quartet No. 7 in F major
*No. 2: String Quartet No. 8 in E minor
*No. 3: String Quartet No. 9 in C major
Op. 60: Symphony No. 4 in B major
Op. 61: Violin Concerto in D major
Op. 61a: Piano Transcription of Violin Concerto, Opus 61
Op. 62: Coriolan Overture
Op. 63: Arrangement of String Quintet for Piano Trio
Op. 64: Arrangement of String Trio for Piano and Cello
Op. 65: Aria: "Ah! perfido"
Op. 66: 12 Variations for cello and piano in F major on Mozart's "Ein Mädchen oder Weibchen"
Op. 67: Symphony No. 5 in C minor
Op. 68: Symphony No. 6 in F major
Op. 69: Cello Sonata No. 3 in A major
Op. 70: Two Piano Trios
*No. 1: Piano Trio No. 5 in D major
*No. 2: Piano Trio No. 6 in E major
Op. 71: Wind sextet in E
Op. 72: Fidelio, opera
Op. 72a: Leonore
Op. 72b: Leonore
Op. 73: Piano Concerto No. 5 in E major
Op. 74: String Quartet No. 10 in E major
Op. 75: Six Songs
Op. 76: Six variations on an original theme for piano in D major
Op. 77: Piano Fantasia in G minor
Op. 78: Piano Sonata No. 24 in F major
Op. 79: Piano Sonata No. 25 in G major
Op. 80: "Choral Fantasy"
Op. 81a: Piano Sonata No. 26 in E major
Op. 81b: Sextet in E major
Op. 82: Four Ariettas and a Duet
Op. 83: Three Songs
Op. 84: Egmont, overture and incidental music
Op. 85: Oratorio: Christus am Ölberge
Op. 86: Mass in C major
Op. 87: Trio for two Oboes and English Horn in C major
Op. 88: Song: "Das Glück der Freundschaft"
Op. 89: Polonaise in C major
Op. 90: Piano Sonata No. 27 in E minor
Op. 91: Wellington's Victory
Op. 92: Symphony No. 7 in A major
Op. 93: Symphony No. 8 in F major
Op. 94: Song "An die Hoffnung"
Op. 95: String Quartet No. 11 in F minor
Op. 96: Violin Sonata No. 10 in G major
Op. 97: Piano Trio No. 7 in B major
Op. 98: An die ferne Geliebte, song cycle
Op. 99: Song "Der Mann von Wort"
Op. 100: Song "Merkenstein"
Op. 101: Piano Sonata No. 28 in A major
Op. 102: Two Cello Sonatas
*No. 1: Cello Sonata No. 4 in C major
*No. 2: Cello Sonata No. 5 in D major.
Op. 103: Octet in E
Op. 104: String Quintet
Op. 105: Six sets of variations for Piano and Flute
Op. 106: Piano Sonata No. 29 in B major
Op. 107: Ten National Airs with Variations for Flute and Piano
Op. 108: Twenty-Five Scottish Songs
Op. 109: Piano Sonata No. 30 in E major
Op. 110: Piano Sonata No. 31 in A major
Op. 111: Piano Sonata No. 32 in C minor
Op. 112: Meeresstille und glückliche Fahrt, for chorus and orchestra
Op. 113: Die Ruinen von Athen, overture and incidental music
Op. 114: Die Ruinen von Athen, March and Chorus
Op. 115: Zur Namensfeier, overture
Op. 116: "Tremate, empi tremate", vocal trio with orchestra
Op. 117: König Stephan, overture and incidental music
Op. 118: "Elegischer Gesang" for four voices and string quartet
Op. 119: Eleven new Bagatelles for piano
Op. 120: Thirty-three variations on a waltz by Diabelli for piano in C major
Op. 121a: Kakadu Variations, for Piano Trio
Op. 121b: "Opferlied" for soprano, chorus and orchestra
Op. 122: "Bundeslied" for voices, chorus and wind instruments
Op. 123: Missa solemnis in D major
Op. 124: Die Weihe des Hauses, overture and incidental music
Op. 125: Symphony No. 9 in D minor
Op. 126: Six Bagatelles for piano
Op. 127: String Quartet No. 12 in E major
Op. 128: Song: "Der Kuss"
Op. 129: Rondo à Capriccio for piano in G major
Op. 130: String Quartet No. 13 in B major
Op. 131: String Quartet No. 14 in C minor
Op. 132: String Quartet No. 15 in A minor
Op. 133: Große Fuge in B major for string quartet
Op. 134: Piano arrangement of the Große Fuge, Opus 133
Op. 135: String Quartet No. 16 in F major
Op. 136: Cantata: Der glorreiche Augenblick
Op. 137: Fugue for String Quintet in D major
Op. 138: Leonore, opera
Works with WoO numbers

The numbers and categories used below are from the Kinsky–Halm Catalogue of 1955. WoO is an abbreviation of "Werke ohne Opuszahl", German for "Works without Opus number". While some of these works were published during Beethoven's lifetime but not given opus numbers, for instance the piano variations WoO 80, others like Für Elise WoO 59 were not published until later. Unlike with opus numbers which were assigned depending on when the works were published, WoO numbers were assigned by genre.

Instrumental works: WoO 1–86

Orchestral works

Orchestra alone

WoO 1: Musik zu einem Ritterballett
WoO 2a: Triumphal March for orchestra for 's tragedy Tarpeja
WoO 2b: Introduction to Act II of Leonore
WoO 3: "Gratulations-Menuett", minuet for orchestra

Concertante

WoO 4: Piano Concerto No. 0 in E major
WoO 5: Violin Concerto movement in C major, fragment
WoO 6: Rondo in B major for piano and orchestra, fragment, possibly part of initial version of the Piano Concerto No. 2

Dances

WoO 7: Twelve minuets for orchestra
WoO 8: Twelve German Dances for orchestra
WoO 9: Six minuets for two violins and double bass
WoO 10: Six minuets for orchestra
WoO 11: Seven Ländler for two violins and cello
WoO 12: Twelve minuets for orchestra
WoO 13: Twelve German Dances for orchestra
WoO 14: Twelve contredanses for orchestra
WoO 15: Six Ländler for two violins and double bass
WoO 16: Twelve Écossaises for orchestra
WoO 17: Eleven "Mödlinger Tänze" for seven instruments

Marches and dances for winds

WoO 18: Yorckscher Marsch|March for Military Band "Für die Böhmische Landwehr"
WoO 19: March for Military Band "Pferdemusik"
WoO 20: March for Military Band "Zapfenstreich"
WoO 21: Polonaise for Military Band
WoO 22: Écossaise for Military Band
WoO 23: Écossaise for Military Band
WoO 24: March for Military Band
Chamber works

Without piano

WoO 25: Rondo for wind octet
WoO 26: Duo for two flutes
WoO 27: Three duets for clarinet and bassoon
WoO 28: Variations for two oboes and cor anglais on "Là ci darem la mano" from Mozart's opera Don Giovanni
WoO 29: March for Wind Sextet in B
WoO 30: Three Equale for four trombones; Vocal arrangements of these were performed at Beethoven's funeral
WoO 31: Fugue for organ
WoO 32: Duo for viola and cello, "mit zwei obligaten Augengläsern"
WoO 33: Five pieces for mechanical clock or flute
WoO 34: Duet for two violins
WoO 35: Canon for two violins

With piano

WoO 36: Three piano quartets
WoO 37: Trio for piano, flute, and bassoon in G major
WoO 38: Piano Trio in E major
WoO 39: Allegretto for piano trio in B major
WoO 40: Twelve variations for piano and violin on "Se vuol ballare" from Mozart's The Marriage of Figaro
WoO 41: Rondo for piano and violin in G major
WoO 42: Six German Dances for violin and piano
WoO 43a: Sonatina for mandolin and piano
WoO 43b: Adagio for mandolin and piano
WoO 44a: Sonatina for mandolin and piano
WoO 44b: Andante and variations for mandolin and piano
WoO 45: Twelve Variations for cello and piano on "See, the conqu'ring hero comes" from Handel's Judas Maccabaeus
WoO 46: Seven Variations for cello and piano in E major on "Bei Männern welche Liebe fühlen" from Mozart's The Magic Flute
Piano works for 2 or 4 hands

Sonatas and single-movement works

WoO 47: Three piano sonatas
WoO 48: Rondo for piano in C major
WoO 49: Rondo for piano in A major
WoO 50: Piano Sonata in F major
WoO 51: Piano Sonata in C major completed Ferdinand Ries, 1830
WoO 52: Presto for piano in C minor
WoO 53: Allegretto for piano in C minor
WoO 54: Lustig-Traurig for piano in C major
WoO 55: Prelude for piano in F minor
WoO 56: Allegretto for piano in C major
WoO 57: Andante favori - original middle movement from Piano Sonata No. 21
WoO 58: Cadenzas for 1st and 3rd movements of Mozart's D minor Piano Concerto
WoO 59: Poco moto for piano in A minor
WoO 60: Ziemlich lebhaft for piano in B major )
WoO 61: Allegretto for piano in B minor
WoO 61a: Allegretto quasi andante for piano in G minor
WoO 62: String Quintet in C major

Variations

WoO 63: Nine variations for piano on a march by Ernst Christoph Dressler
WoO 64: Six Variations on a Swiss song for piano or harp
WoO 65: Twenty-four variations for piano on Vincenzo Righini's aria "Venni Amore"
WoO 66: Thirteen variations for piano on the aria "Es war einmal ein alter Mann" from Carl Ditters von Dittersdorf's opera Das rote Käppchen
WoO 67: Eight variations for piano four hands on a theme by Count Waldstein
WoO 68: Twelve variations for piano on the "Menuet a la Vigano" from Jakob Haibel's ballet La nozza disturbate
WoO 69: Nine variations for piano on "Quant'e piu bello" from Giovanni Paisiello's opera La Molinara
WoO 70: Six variations for piano on "Nel cor più non mi sento" from Giovanni Paisiello's opera La Molinara
WoO 71: Twelve variations for piano on the Russian dance from Paul Wranitzky's ballet Das Waldmädchen
WoO 72: Eight variations for piano on "Une Fièvre Brûlante" from André Ernest Modeste Grétry's opera Richard Coeur-de-lion
WoO 73: Ten variations for piano on "La stessa, la stessissima" from Antonio Salieri's opera Falstaff
WoO 74: "Ich denke dein" – song with six variations for piano four hands
WoO 75: Seven variations for piano on "Kind, willst du ruhig schlafen" from Peter Winter's opera Das unterbrochene Opferfest
WoO 76: Eight variations for piano on "Tändeln und scherzen" from Franz Xaver Süssmayr's opera Soliman II
WoO 77: Six easy variations on an original theme for piano
WoO 78: Seven variations for piano on "God Save the King"
WoO 79: Five variations for piano on "Rule Britannia!"
WoO 80: Thirty-two variations on an original theme in C minor for piano

Dances

WoO 81: Allemande for piano in A major
WoO 82: Minuet for piano in E major
WoO 83: Six Écossaises for piano in E major
WoO 84: Waltz for piano in E major
WoO 85: Waltz for piano in D major
WoO 86: Écossaise for piano in E major
Vocal works: WoO 87–205

Cantatas, choruses and arias with orchestra

WoO 87: Cantata on the Death of Emperor Joseph II
WoO 88: Cantata on the Accession of Emperor Leopold II
WoO 89: Aria "Prüfung des Küssens"
WoO 90: Aria "Mit Mädeln sich vertragen"
WoO 91: Two arias for Die Schöne Schusterin
WoO 92: Aria "Primo Amore"
WoO 92a: Aria "No, non turbati"
WoO 93: Duet "Nei giorni tuoi felici"
WoO 94: "Germania," aria with chorus in B major
WoO 95: Chorus for the Congress of Vienna
WoO 96: Incidental Music to Leonore Prohaska
WoO 97: "Es ist vollbracht" for Die Ehrenpforten
WoO 98: "Wo sich die Pulse," chorus for The Consecration of the House

Works for multiple voices with piano accompaniment, or unaccompanied

WoO 99 – Polyphonic songs
*No. 1 Bei labbri che amore
*No. 2 Ma tu tremi
*No. 3 E pur fra le tempeste
*No. 4 Sei mio ben
*No. 5a Giura il nocchier
*No. 5b Giura il nocchier
*No. 5c Giura il nocchier
*No. 6 Ah rammenta
*No. 7 Chi mai di questo core
*No. 8 Scrivo in te
*No. 9 Per te d'amico aprile
*No. 10a Nei campi e nelle selve
*No. 10b Nei campi e nelle selve
*No. 11a Fra tutte le pene
*No. 11b Fra tutte le pene
*No. 11c Fra tutte le pene
*No. 12a Salvo tu vuoi lo sposo
*No. 12b Salvo tu vuoi lo sposo
*No. 13a Quella cetra ah pur tu sei
*No. 13b Quella cetra ah pur tu sei
*No. 13c Quella cetra ah pur tu sei
*No. 14a Gia la notte savvicina
*No. 14b Gia la notte savvicina
*No. 15 Silvio amante disperato
WoO 100: Musical joke for three voices "Lob auf den Dicken"
WoO 101: Musical joke for three voices and chorus "Graf, Graf, liebster Graf"
WoO 102: Chorus for male voices "Abschiedsgesang"
WoO 103: Cantata Un lieto Brindisi
WoO 104: "Gesang der Mönche" from Schiller's Wilhelm Tell for three male voices
WoO 105: Song for solo voice, chorus and piano "Hochzeitslied"
WoO 106: Birthday Cantata for Prince Lobkowitz

Lieder and songs for solo voice and piano

WoO 107–151: Forty-five songs

Folksong arrangements for one or more voices, with piano trio accompaniment

WoO 152: Twenty-five Irish folksongs
WoO 153: Twenty Irish folksongs
WoO 154: Twelve Irish folksongs
WoO 155: Twenty-six Welsh folksongs
WoO 156: Twelve Scottish folksongs
WoO 157: Twelve folksongs of various nationalities
WoO 158a: Twenty-three continental folksongs
WoO 158b: Seven British folksongs
WoO 158c: Six assorted folksongs
WoO 158d: "Air Français"

Vocal canons

WoO 159–198: Forty-three Canons

Musical jokes, quips, and dedications

WoO 199: Musical joke "Ich bin der Herr von zu"
WoO 200: Piano Exercise "O Hoffnung!"
WoO 201: Musical joke "Ich bin bereit!"
WoO 202: Riddle canon "Das Schöne zu dem Guten"
WoO 203: Riddle canon "Das Schöne zu dem Guten"
WoO 204: Musical joke "Holz, Holz, Geigt die Quartette So"
WoO 205: Ten musical quips from Beethoven's letters
Added works: WoO 206–228

The 2014 revision to the Kinsky catalogue, edited by Dorfmüller, Gertsch and Ronge, assigned WoO numbers to a number of works that appear in other listings.

WoO 206: Oboe Concerto in F major
WoO 207: Romance cantabile for soloists and orchestra
WoO 208: Wind Quintet in E
WoO 209: Minuet in A for string quartet
WoO 210: Allegretto for string quartet in B minor
WoO 211: Andante in C major
WoO 212: Anglaise for piano in D major
WoO 213a: Andante in D major
WoO 213b: Finale in G major
WoO 213c: Allegro in A major
WoO 213d: Rondo in A major
WoO 214: Allegretto in C minor
WoO 215: Fugue in C major
WoO 216a: Bagatelle in C major for piano
WoO 216b: Bagatelle in E major
WoO 217: Minuet in F major
WoO 218: Minuet in C major
WoO 219: Waltz or Ländler in C minor
WoO 220: Kriegslied für die verbündeten Heere
WoO 221: Canon, Herr Graf
WoO 222: Canon in A major
WoO 223: Thut auf
WoO 224: Cacatum non est Pictum
WoO 225: Grossen Dank für solche Gnade
WoO 226: Fettlümerl und Bankert haben triumphirt
WoO 227: Musical joke "Esel aller Esel"
WoO 228a: Musical joke "Ah, Tobias"
WoO 228b: Musical joke "Tobias"
Works with Anhang (Anh.) and Unvollendete (Unv.) numbers

These are works from the Appendix of Kinsky's catalog that were attributed to Beethoven at the time the catalog was compiled, but might not have been written by him. The 2014 revision to the Kinsky catalogue, edited by Dorfmüller, Gertsch and Ronge also introduced the category of Unvollendete.

Anh. 1: Symphony in C major
Anh. 2: Six string quartets
Anh. 3: Piano trio in D major
Anh. 4: Sonata for piano and flute in B major
Anh. 5: Two piano sonatinas
#Sonatina in G major
#Sonatina in F major
Anh. 6: Rondo for piano in B major
Anh. 7: Piano concerto in D major
Anh. 8: Three pieces for piano four-hands. Spurious - actually composed by Leopold Anton Koželuch.
Anh. 9: Nine German dances for piano four-hands
Anh. 10: Eight variations on the song "Ich hab'ein kleines Hüttchen nur" for piano in B major
Anh. 11: "Alexandermarsch" for Louis Duport ballet "Der blode Ritter" march for piano in F major
Anh. 12: "Pariser Einzugsmarsch" march for piano in C major.
Anh. 13: Funeral march for piano in F minor.
Anh. 15: "Glaube, Liebe, und Hoffnung" waltz for piano in F major, most known as "Adieu to the piano"
Anh. 16: Four piano waltzes
#"Jubelwalzer" waltz for piano in C major
#"Gertruds Traumwalzer" waltz for piano in B major, most known as "Gertrude's Dream Waltz"
#"Sonnenscheinwalzer" waltz for piano in E major
#"Mondscheinwalzer" waltz for piano in A major
Anh. 17: "Introduction and Waltz " waltz for piano in F major
Anh. 18: "An Sie" or "Nachruf" song in A major
Unv. 1 Symphony in C minor = Hess 298
Unv. 2 Sketches for a symphony in C = Biamonti 73
Unv. 3 Symphony No. 10 = Biamonti 838
Unv. 4 Sketches for a BACH Overture = Biamonti 832
Unv. 5 Concertante in D = Gardi 3
Unv. 6 Piano Concerto #6 in D = Hess 15
Unv. 7 String Quintet movement in D minor = Hess 40
Unv. 8 Duo for Violin and Cello in E-flat = Gardi 2
Unv. 9 Allegretto in E-flat for Piano Trio = Hess 48
Unv. 10 Piano Trio in F minor = Biamonti 637
Unv. 11 Violin Sonata in A = Hess 46
Unv. 12 Fantasia/Piano Sonata in D = Biamonti 213
Unv. 13 Piano Sonata in E-flat
Unv. 14 Variations for Piano in A
Unv. 15 Opera, Vestas Feuer = Hess 115
Unv. 16 Opera, Macbeth = Biamonti 454.
Unv. 17 Cantata, Europens Befreiungsstunde = Hess 317
Unv. 18 Östreich über alles, Song for Chorus and Orchestra, Biamonti 477
Unv. 19 Cantata for voice and piano in B-flat,
Unv. 20 Lamentations of Jeremiah = Gardi 4
Unv. 21 Song, "Traute Henriette" = Hess 151
Unv. 22 Song, "Rastlose Liebe" = Hess 149
Unv. 23 Song, "Heidenröslein" = Hess 150
Works with Hess numbers

Works with Hess number

These works have numbers that were assigned by Willy Hess in his catalogue of Beethoven's works. Many of the works in the Hess catalog also have WoO or Unv. numbers; those entries are not listed here.

Hess 1: Original ending to first movement of Symphony No. 8
Hess 3: Twelve Ecossaise for piano or orchestra
Hess 11: Romance No. 3 for violin & orchestra
Hess 14: Fragment of original version of Piano Concerto No. 2
Hess 16: Original introduction to the Choral Fantasy
Hess 25: String Trio
Hess 28: Movement in A major for string trio
Hess 29–31: Preludes and Fugues for Albrechtsberger
Hess 32: String Quartet in F major
Hess 34: String Quartet arrangement of Opus 14 No. 1
Hess 35: Bach fugue arranged for string quartet
Hess 36: Handel fugue arranged for string quartet
Hess 37: Mozart fugue arranged for piano four hands
Hess 38: Bach fugue arranged for string quartet
Hess 39: String Quintet in F major
Hess 40: Prelude for String Quintet
Hess 44: Adagio ma non troppo for mandolin & harpsichord in E major
Hess 46: Violin Sonata in A major
Hess 47: Allegro con brio in E major for piano trio
Hess 49: Piano Trio in E major
Hess 50: Piano Trio in B major
Hess 52: Piano Sonata in C major
Hess 54: Piano variations on Freudvoll und Liedvoll
Hess 57: Bagatelle in C major
Hess 58: Piano Exercise in B major
Hess 59: Piano Exercise in C
Hess 60: Draft in A for Piano
Hess 63: Arrangement of Christian Friedrich Daniel Schubart's "Kaplied" for piano
Hess 65: Concerto excerpt
Hess 66: Allegretto in C minor
Hess 67: Two German dances for piano
Hess 69: Allegretto for piano in C minor
Hess 70: Adagio for piano in G major
Hess 71: Molto adagio for piano in G major
Hess 72: Variations for piano in A major
Hess 76–83: Cadenzas for Piano
Hess 84: Rondo for piano
Hess 85: Piano cadenza for Op. 61a
Hess 87: Grenadiermarsch for piano
Hess 88: Minuet for piano
Hess 89: Ritterballet for piano
Hess 90: The Creatures of Prometheus for piano
Hess 91–5: Five Songs
Hess 96: Fragment of Symphony No. 7 for piano
Hess 97: Wellington's Victory for two pianos and two cannons
Hess 98: Scherzo for piano
Hess 99: Yorckscher Marsch
Hess 100: Twelve German dances
Hess 101: Twelve Minuets
Hess 102: Nine contredanses
Hess 107: Grenadiermarsch
Hess 108: Wellington's Victory
Hess 110–114: Parts from 'Leonore
Hess 116: Fragment for Solo Voice: "Ritterblatt"
Hess 118: Music for The Consecration of the House
Hess 121–2: Arias from Leonore
Hess 123–47: Songs
Hess 152–207: Folksong settings
Hess 208–232: Italian partsongs
Hess 233–246: Counterpoint exercises
Hess 254: Canon in G major: "Hol dich der Teufel"
Hess 263–4: Two canons
Hess 274: Canons in G major
Hess 296: Little Cadenza for Instrument
Hess 297: Adagio for three horns
Hess 299–305: Sketches for canons
Hess 306–9: Four canons
Hess 310: Prelude in C for Organ
Hess 311–2: Two canons
Hess 313: Song: "Te solo adoro"
Hess 314: Funeral Cantata
Hess 315: Fugue
Hess 316: Quintet
Hess 318–9: String Quintets
Hess 320: Andante for String Quartet in G major
Hess 321–4: Melodies
Hess 325: Piece for piano in D major
Hess 326: Fugue for piano in C major
Hess 327: Two little melodies
Hess 329–30: Sketches
Hess 331: Minuet for piano in B major
Hess 332: Pastorella for String Quartet in D major
Hess 333: Minuet-Scherzo for String Quartet in A major
Hess 334: Draft for String Quartet in A major
Hess 335: Two exercises on the song "Gedenke Mein"
Works with Hess Anhang (Anh.) numbers

These are works included in the appendix of Hess's catalogue that might not be genuine works by Beethoven

Anh. 3: Marches zur großen Wachtparade
Anh. 4: Marsch in geschwinden tempo
Anh. 5: Twelve waltzes for 2 Violins and Bass, with 2 Flutes and 2 Horns ad libitum
Anh. 8: Quintet for Flute, Violin, 2 Violas, and Cello
Anh. 9: Sonata for Violins and Cello
Anh. 10: Andante favori for string quartet
Anh. 17: Adagio and Andante for violin and piano
Anh. 21: Bagatelle "An Laura" for piano
Anh. 22: Funeral March in C Minor
Anh. 38–56: Songs
Anh. 57: Fugue "Dona nobis pacem"
Anh. 58: Bundeslied
Anh. 59: Folksong "As I was wandering"
Anh. 60: Canon in C major
Anh. 61–2: Canons
Anh. 63–4: Canons
Anh. 65: Cantata "Karfreitagskantate"
Anh. 66: Two fragments for chorus
Works with Biamonti numbers

The Italian musicologist Giovanni Biamonti compiled a chronological catalogue Beethoven's entire output known at the time, including sketches and fragments. While most of these works were already included in other catalogues, there were some that had been missed by earlier compilers. This list does not include works with opus, WoO or Hess numbers, nor does it include sketches.

Bia 15: Song "Der Arme Componist"
Bia 16: Cello part to the Lost Cadenza for Leopold Cantata WoO 88
Bia 43: Song "Meine Mutter fragt mich immer: trinkst du?"
Bia 48: Anglaise for piano for G minor
Bia 238: Presto in F major
Bia 249: Minuet for orchestra in D major
Bia 252: Minuet for orchestra in D major
Bia 269: Andante molto for piano in E major
Bia 272: Andante for piano in B major
Bia 274: Andante for String Quartet in C major
Bia 277: Presto for piano in G major
Bia 279: Allegro for piano in C major
Bia 291: Andante, for a symphony
Bia 292: March with variations
Bia 319: Finale for piano
Bia 322: Piece for piano in C minor
Bia 323: Piece for piano
Bia 346: Fuga Antique for piano in C major
Bia 347: Passage for piano through all the keys
Bia 359: Rondo for "all the instruments"
Bia 380: Song "Zur Erde sank die Ruh’ vom Himmel Nieder"
Bia 383: Exercise for piano
Bia 389: Piece viola, cello, horn & double bass
Bia 392: Rondo for piano
Bia 447: Passage for piano
Bia 547: Symphony No. 8 with the original ending of Hess 1
Bia 606: Andante for pizzicati basses with clarinets in B minor
Bia 621: Allemande for piano
Bia 622: Pastorella for piano in C major
Bia 624: Etude, study of prosody on a text of Homer
Bia 632: Song "Die Zufrieddenheit"
Bia 634: German dance for piano trio in F minor
Bia 638: Exercise for piano
Bia 797: Adagio for String Quartet in E major
Bia 811: Canon in C minor
Bia 849: Draft for piano

There were also several projected works by Beethoven, including the operas Alessandro, Memnons Dreiklang, and Bradamante; an oratorio on a text by Meissner, an oratorio "Die Befrieung Jerusalems", and an oratorio "Die Sündflut" with text by Hammer-Purgstall.

Catalogues and bibliographies

Biamonti, Giovanni. Catologo cronologo e tematico delle opere di Beethoven. Torino: ILTE, 1968.

—Encompasses works with and without opus numbers, as well as sketches and fragments, in 849 chronologically arranged entries.

Bruers, Antonio. Beethoven: Catalogo Storico-Critico di Tutte le Opere. Rome: G. Bardi, 1951.
Dorfmüller, Kurt. Beiträge zur Beethoven-Bibliographie: Studien und Materialen zum Werkverzeichnis von Kinsky-Halm. München: G. Henle, 1978
Dorfmüller, Kurt, Gertsch, Norbert and Ronge, Julia. Ludwig van Beethoven Thematisch-bibliographisches Werkverzeichnis. München: G. Henle, 2014..

—Revised and expanded edition of the catalogue of works by Kinsky and Halm.

Green, James. The New Hess Catalog of Beethoven's Works. West Newbury, Vermont: Vance Brook, 2003..

—An English translation of Willy Hess' important 1957 catalogue and study, updated to reflect more recent scholarship.

Haas, Wilhelm. Systematische Ordnung Beethovenscher Melodien. Leipzig: Quelle & Meyer, 1932.
Hess, Willy. Verzeichnis der nicht in der Gesamtausgabe veröffentlichen Werke Ludwig van Beethovens. Wiesbaden: Breitkopf & Härtel, 1957.

—Hess' original study and catalogue; still more widely available in libraries than Green's edition.

Johnson, Douglas, Tyson, Alan and Winter, Robert. The Beethoven Sketchbooks: History, Reconstruction, Inventory. Berkeley : University of California Press, 1985.
Johnson, Douglas and Burnham, Scott G. "Beethoven, Ludwig Van ", ed. L. Macy. Accessed 19 April 2007.

—Includes categorized works list with bibliographical and other information.

Kastner, Emerich and Frimmel, Theodor von. Bibliotheca Beethoveniana. Leipzig: Breitkopf & Härtel, 1925.
Kinsky, Georg and Halm, Hanss. Das Werk Beethovens: thematisch-bibliographisches Verzeichnis seiner sämtlichen vollendeten Kompositionen. München: G. Henle, 1955.

—The standard thematic and bibliographical catalogue of Beethoven's works.

Nottebohm, Gustav. Thematisches Verzeichnis der im Druck erschienenen Werke von Ludwig van Beethoven. Leipzig, Breitkopf & Härtel, 1925. Reprinted Wiesbaden: M. Sändig, 1969.

—Historically important thematic catalogue, by a pioneering 19th Century Beethoven scholar.

Schürmann, Kurt E. Ludwig van Beethoven: alle vertonten und musikalisch bearbeiteten Texte. Münster : Aschendorff, 1980.
Solomon, Maynard. Beethoven. New York: Schirmer, 1977.. pp. 372, 386–391.

—Popular biographical study; includes bibliographical notes and works lists.

Thayer, Alexander Wheelock. Chronologisches Verzeichniss der Werke Ludwig van Beethovens. Berlin: Ferdinand Schneider, 1865.
Tyson, Alan. The Authentic English Editions of Beethoven. London: Faber & Faber, 1963.
Works collections (scores)
Ludwig van Beethovens Werke: Vollständige kritisch durchgesehene überall berechtigte Ausgabe. Leipzig: Breitkopf & Härtel,

vols i-xxiv, 1862-65; vol xxv, 1888.
—Original critical "complete works" edition, commonly known as the Beethoven Gesamtausgabe.

Beethoven: Sämtliche Werke: Supplemente zur Gesamtausgabe, ed. W. Hess. Wiesbaden: Breitkopf & Härtel, 1959.

—Hess's supplement to the 19th century Breitkopf edition.

Beethovens Werke: neue Ausgabe sämtlicher Werke, ed. Joseph Schmidt-Görg, Martin Staehelin, et al. München: G. Henle, 1961 - .

-New critical edition, "herausgaben vom "; 56 volumes in 13 categories, as of January 2009.

Books

Cooper, Barry. Beethoven Compendium: a Guide to Beethoven’s Life and Music. New York: Thames and Hudson, 1991.
Cooper, Barry. The Creation of Beethoven's 35 Piano Sonatas. Oxford: Routledge, 2017.

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