List of 20th-century classical composers
This is a list of composers of 20th-century classical music, sortable by name, year of birth, year of death, nationality, notable works, and remarks. It includes only composers of significant fame and importance. The style of the composer's music is given where possible, bearing in mind that some defy simple classification. Names are listed first by year of birth, then in alphabetical order within each year. The 20th-century is defined by the calendar rather than by any unifying characteristics of musical style or attitude, and is therefore not an era of the same order as the classical or romantic. However, the century can be divided into modern and postmodern eras that overlap and can be defined more by differences in attitude than style.
Name | Year of birth | Year of death | Nationality | Notable 20th-century works | Remarks |
1817 | 1907 | French | Solo de concours no. 7, Op. 224 | Romanticism | |
1822 | 1903 | Italian | |||
1823 | 1903 | German | |||
1824 | 1910 | German | Trio for piano, clarinet and horn in B, Op. 274; String Quartet No. 5, Op. 287 | Romanticism | |
1825 | 1904 | Dutch | Organ music | Romanticism | |
1826 | 1917 | Austrian | |||
1826 | 1913 | Danish | |||
1828 | 1908 | Belgian | Romanticism | ||
1828 | 1907 | French | |||
1828 | 1916 | American | Romanticism | ||
1829 | 1908 | German | Romanticism | ||
1830 | 1915 | Hungarian | Ein Wintermärchen; Aus Jugendtagen | ||
1830 | 1916 | German | |||
1830 | 1913 | German | |||
1831 | 1906 | Dutch Antillean | |||
1831 | 1914 | German | |||
1831 | 1902 | German | Romanticism | ||
1831 | 1907 | Hungarian | |||
1832 | 1924 | German | |||
1833 | 1914 | French | |||
1833 | 1902 | German | |||
1833 | 1913 | Czech | |||
1834 | 1928 | German-Swiss | |||
1834 | 1933 | English | |||
1835 | 1905 | Latvian | |||
1835 | 1909 | Italian | |||
1835 | 1918 | Russian | |||
1835 | 1913 | German | |||
1835 | 1921 | French | |||
1835 | 1916 | Austrian | |||
1836 | 1916 | German | |||
1836 | 1915 | Swedish | |||
1836 | 1918 | American | |||
1837 | 1910 | Russian | Islamey | ||
1837 | 1924 | French | |||
1837 | 1907 | Italian | |||
1837 | 1913 | English | The Prince of Peace | ||
1837 | 1931 | Norwegian | |||
1837 | 1927 | French | |||
1837 | 1920 | American | |||
1837 | 1915 | French | |||
1838 | 1920 | German | Concerto for Clarinet, Viola, and Orchestra in E minor, Op. 88 | Romanticism | |
1838 | 1901 | Belgian | |||
1838 | 1908 | Mexican | |||
1839 | 1916 | German | |||
1839 | 1916 | Czech | Francesca da Rimini, Op. 71; Deux pièces russes, for orchestra, Op. 74 | ||
1839 | 1927 | Swedish | |||
1839 | 1906 | American | |||
1839 | 1901 | German | Organ Sonata No. 20 in F Major, Op. 196; Mass in A Minor, Op. 197 | historicist | |
1840 | 1911 | Norwegian | |||
1840 | 1920 | French | |||
1840 | 1913 | Swedish-German | |||
1840 | 1922 | Norwegian American | |||
1840 | 1918 | German | |||
1841 | 1929 | Swedish | Swedish Masses Nos. 1 and 2 | ||
1841 | 1904 | Czech | Armida, "Zpěv z Lešetínského kováře" | Romanticism, folk-influenced | |
1841 | 1920 | Hungarian | |||
1841 | 1927 | Swiss | |||
1841 | 1918 | French | |||
1841 | 1919 | Austrian | |||
1841 | 1922 | Spanish | |||
1841 | 1914 | Italian | |||
1841 | 1921 | Italian | |||
1842 | 1918 | Italian | Nerone | ||
1842 | 1907 | French | |||
1842 | 1924 | Czech | |||
1842 | 1912 | French | Piano Concerto; Le jongleur de Notre-Dame; Thérèse; Don Quichotte; Cigale | ||
1842 | 1922 | Spanish | |||
Ján Levoslav Bella | 1843 | 1936 | Slovak | ||
1843 | 1902 | French | Nocturne, for piano and orchestra, Op. 51; String Quartet, Op. 52 | ||
Josefina Brdlíková | 1843 | 1910 | Czech | ||
Louis Diémer | 1843 | 1919 | French | ||
1843 | 1907 | Norwegian | Lyrische Stücke, Op. 71; Slåtter, Op. 73; Four Psalms, Op. 74 | ||
1843 | 1923 | Danish | Variations on "Jeg gik mig ud en sommerdag" | ||
1843 | 1915 | Danish | |||
1843 | 1922 | Austrian | |||
1843 | 1913 | Czech | |||
1843 | 1919 | English | |||
George Stephănescu | 1843 | 1925 | Romanian | ||
Eugène Gigout | 1844 | 1925 | French | ||
1844 | 1929 | German | |||
Richard Hofmann | 1844 | 1918 | German | ||
1844 | 1908 | Russian | |||
1844 | 1908 | Spanish | |||
1844 | 1937 | French | |||
1845 | 1926 | Norwegian | |||
1845 | 1915 | German | |||
1845 | 1902 | Romanian | |||
Gabriel Fauré | 1845 | 1924 | French | Prométhée; Pénélope; Masques et bergamasques | |
1845 | 1912 | Belgian-born French | |||
1845 | 1920 | German-born American | |||
1846 | 1926 | Russian | |||
1846 | 1930 | Hungarian | |||
1846 | 1907 | Austrian | |||
1846 | 1922 | Italian | |||
1846 | 1909 | Polish | |||
1846 | 1930 | Italian | |||
Andreas Hallén | 1846 | 1925 | Swedish | Valborgsmässa | Romanticism |
Marie Jaëll | 1846 | 1925 | French | ||
1846 | 1916 | French | |||
1846 | 1932 | German | |||
1846 | 1916 | Italian | |||
1847 | 1909 | Danish | |||
Agathe Backer Grøndahl | 1847 | 1907 | Norwegian | ||
1847 | 1905 | Cuban | |||
1847 | 1922 | Belgian-born French | |||
1847 | 1928 | Romanian | |||
1847 | 1927 | Austrian | Symphony No. 3 in E major, Op. 79; Clarinet Quintet in E major, Op. 102 | ||
1847 | 1917 | German-Polish | |||
1847 | 1935 | Brazilian | |||
Alexander Mackenzie | 1847 | 1935 | Scottish | The Cricket on the Hearth | Romanticism |
Sveinbjörn Sveinbjörnsson | 1847 | 1927 | Icelandic | ||
1847 | 1915 | German | |||
1847 | 1925 | German | |||
1848 | 1912 | English | |||
Henri Duparc | 1848 | 1933 | French | ||
1848 | 1927 | German | |||
František Kmoch | 1848 | 1912 | Czech | ||
1848 | 1915 | Danish | |||
1848 | 1926 | American | |||
1848 | 1918 | English | Jerusalem | ||
1848 | 1909 | Danish | |||
1848 | 1918 | German | |||
1848 | 1924 | Swiss-American | historicist | ||
1849 | 1911 | Cuban | |||
1849 | 1930 | Canadian | |||
Ernesto Köhler | 1849 | 1907 | Italian | ||
1849 | 1935 | Danish | |||
1849 | 1919 | Hungarian | |||
1850 | 1923 | German | |||
1850 | 1937 | Danish | |||
Tomás Bretón | 1850 | 1923 | Spanish | ||
1850 | 1914 | Austrian | |||
1850 | 1941 | Norwegian | |||
1850 | 1907 | Portuguese | |||
Peter Lange-Müller | 1850 | 1926 | Danish | ||
1850 | 1906 | French | |||
1850 | 1903 | Italian | |||
1850 | 1924 | German | |||
1850 | 1922 | Italian | |||
1850 | 1939 | Spanish | |||
1850 | 1922 | Czech | |||
1850 | 1906 | German | |||
1850 | 1918 | Russian | |||
1851 | 1926 | Danish | Symphony No. 4 in D minor, Op. 30 | ||
1851 | 1912 | Belgian | |||
1851 | 1935 | English | |||
Emanuel Chvála | 1851 | 1924 | Czech | ||
1851 | 1921 | French-Italian | |||
1851 | 1923 | Danish | |||
Vincent d'Indy | 1851 | 1931 | French | String Quartet No. 3; Symphony No. 2 in B; Jour d'été à la montagne | |
1851 | 1922 | English | |||
André Wormser | 1851 | 1926 | French | ||
1852 | 1913 | Austrian | Das Damenduell | Romanticism | |
1852 | 1932 | English | Romanticism | ||
1852 | 1935 | British | Miniature Variations for orchestra | Romanticism | |
Alfred Grünfeld | 1852 | 1924 | Austrian | Romanticism | |
1852 | 1909 | Spanish | |||
Hans Huber | 1852 | 1921 | Swiss | Romanticism | |
1852 | 1919 | Swedish | Romanticism | ||
1852 | 1931 | Brazilian | |||
1852 | 1914 | French | |||
Émile Sauret | 1852 | 1920 | French | Romanticism | |
1852 | 1924 | Irish | Six Irish Rhapsodies | Romanticism | |
Teresa Carreño | 1853 | 1917 | Venezuelan | Romanticism | |
1853 | 1937 | American | Romanticism | ||
Hugo Richard Jüngst | 1853 | 1923 | German | Romanticism | |
1853 | 1916 | German | Romanticism | ||
1853 | 1926 | German | Romanticism | ||
1853 | 1911 | French | Romanticism | ||
Jean Louis Nicodé | 1853 | 1919 | Prussian | Romanticism | |
Emil Sjögren | 1853 | 1918 | Swedish | Romanticism | |
1854 | 1943 | Italian | songs and piano works | ||
1854 | 1931 | American | |||
Oscar Fetrás | 1854 | 1931 | German | ||
Gerónimo Giménez | 1854 | 1923 | Spanish | ||
1854 | 1924 | Finnish | |||
1854 | 1921 | German | |||
Leoš Janáček | 1854 | 1928 | Czech | Sinfonietta; Taras Bulba; Káťa Kabanová; The Cunning Little Vixen; The Makropoulos Affair; Glagolitic Mass, 2 string quartets | folk-influenced |
1854 | 1911 | Russian | |||
Heinrich Köselitz | 1854 | 1918 | German | ||
1854 | 1925 | German-Polish | |||
Julie Rivé-King | 1854 | 1937 | American | ||
1854 | 1929 | Austro-Hungarian | |||
1854 | 1932 | American | |||
1854 | 1924 | Dutch | |||
Károly Aggházy | 1855 | 1918 | Hungarian | ||
Jørgen Ditleff Bondesen | 1855 | 1939 | Danish | ||
Heinrich Grünfeld | 1855 | 1931 | Bohemian-Austrian | ||
1855 | 1932 | Danish | |||
Josef Klička | 1855 | 1937 | Czech | ||
1855 | 1940 | Italian-French | |||
1855 | 1914 | Russian | |||
1855 | 1933 | German | Deutsche Messe, Op. 89; Geistliche Chormusik, Op. 90 | ||
Julius Röntgen | 1855 | 1932 | German | ||
1855 | 1931 | German | |||
1855 | 1937 | French-born English | |||
1856 | 1930 | Cuban | |||
1856 | 1930 | Belgian | |||
Kateřina Emingerová | 1856 | 1934 | Czech | ||
1856 | 1918 | Austrian | |||
André Gedalge | 1856 | 1926 | French | ||
1856 | 1945 | Scottish-American | |||
1856 | 1932 | Polish | |||
1856 | 1911 | Austrian | |||
1856 | 1932 | Italian | |||
1856 | 1938 | American | |||
Eduard Schütt | 1856 | 1933 | Russian | ||
1856 | 1941 | Norwegian | Romanticism | ||
George Strong | 1856 | 1948 | American | ||
1856 | 1915 | Russian | String Quartet No. 6 in B major; Piano Quartet in E major; Piano Quintet in G minor | ||
1857 | 1943 | Polish-born American | |||
Berta Bock | 1857 | 1945 | Romanian | ||
1857 | 1934 | French | |||
Cécile Chaminade | 1857 | 1944 | French | Concertino for Flute | |
1857 | 1931 | English | Ode to the North-East Wind | Romanticism | |
1857 | 1910 | German | |||
Árpád Doppler | 1857 | 1927 | Hungarian-German | ||
1857 | 1934 | English | Symphony No. 1; No. 2; Violin Concerto; Cello Concerto; The Dream of Gerontius; Pomp and Circumstance Marches | Romanticism | |
1857 | 1917 | English | |||
1857 | 1924 | Danish | |||
1857 | 1941 | Austrian | |||
1857 | 1919 | Italian | Zingari | verismo | |
František Ondříček | 1857 | 1922 | Czech | ||
Rosalind Ellicott | 1857 | 1924 | English | ||
1857 | 1936 | American | |||
1857 | 1928 | Italian and English | |||
César Thomson | 1857 | 1931 | Belgian | ||
1857 | 1944 | American | |||
1858 | 1941 | German | |||
Heinrich Berté | 1858 | 1924 | Austrian-Hungarian | Der Glücksnarr | |
1858 | 1925 | English | |||
Mélanie Bonis | 1858 | 1937 | French | ||
Isidore de Lara | 1858 | 1935 | English | ||
1858 | 1942 | Norwegian | Violin Concerto in D minor | Romanticism | |
1858 | 1938 | German | |||
Guy d'Hardelot | 1858 | 1936 | French | ||
1858 | 1928 | Danish | |||
Jenő Hubay | 1858 | 1937 | Hungarian | ||
Georges Hüe | 1858 | 1948 | French | ||
Lucien-Léon Guillaume Lambert | 1858 | 1945 | French | ||
1858 | 1913 | American | |||
1858 | 1924 | Italian | La fanciulla del West; Turandot | Romanticism; post-romanticism; verismo | |
1858 | 1940 | Dutch | |||
1858 | 1948 | Slovenian | |||
1858 | 1944 | English | |||
1858 | 1925 | American | |||
Eugène Ysaÿe | 1858 | 1931 | Belgian | ||
1859 | 1935 | Dutch | De wederkomst van Christus | ||
Hedwige Chrétien | 1859 | 1944 | French | ||
1859 | 1927 | American | |||
Teresa Tanco Cordovez de Herrera | 1859 | 1946 | Colombian | ||
1859 | 1939 | Danish | |||
1859 | 1951 | Czech | |||
1859 | 1926 | Catalan | |||
1859 | 1932 | Russian | |||
1859 | 1935 | Canadian | |||
1859 | 1949 | English | |||
1859 | 1924 | Irish-American | The Magic Knight ; The Red Mill ; A Suite of Serenades | ||
1859 | 1935 | Russian | |||
1859 | 1924 | Russian | |||
1859 | 1947 | Finnish | Symphony | ||
1859 | 1924 | Italian | |||
William Reed | 1859 | 1945 | Canadian | ||
1859 | 1938 | Irish | |||
1859 | 1904 | English | |||
Isaac Albéniz | 1860 | 1909 | Spanish | Iberia | Romanticism |
1860 | 1928 | Swedish | |||
1860 | 1956 | French | Julien | ||
1860 | 1935 | Russian | |||
1860 | 1944 | Czech | |||
1860 | 1932 | Italian | |||
1860 | 1942 | Italian | |||
1860 | 1921 | Danish | |||
1860 | 1955 | Romanian | |||
Celeste de Longpré Heckscher | 1860 | 1928 | American | ||
1860 | 1908 | American | |||
1860 | 1903 | Austrian | |||
1860 | 1911 | Austrian | No. 5, No. 6, No. 9, No. 10 in F; Das Lied von der Erde; Kindertotenlieder | Romanticism; modernism | |
1860 | 1941 | Polish | Symphony in B minor, Op. 24 | ||
1860 | 1931 | Dutch | At Dawn Eastermorning for orchestra | ||
Emil von Reznicek | 1860 | 1945 | Austrian | two symphonies | |
William Wallace | 1860 | 1940 | Scottish | ||
1860 | 1944 | German | |||
1861 | 1906 | Russian | Piano Trio no. 2 in F minor, Op. 73 | ||
1861 | 1917 | Greek | |||
1861 | 1911 | German | Symphony No. 2 in B minor, Op. 80; Variations and Fugue on an Original Theme, Op. 97; Serenade for Twelve Winds, Op. 102 | Romanticism | |
1861 | 1925 | Italian | |||
Pierre de Bréville | 1861 | 1949 | French | ||
1861 | 1926 | Russian | |||
1861 | 1915 | English | |||
1861 | 1935 | French-born American | |||
1861 | 1913 | Hungarian | Unser Stammhalter | Romanticism | |
1861 | 1942 | French | |||
Václav Suk | 1861 | 1933 | Czech-born Russian | ||
1861 | 1907 | Austrian | |||
1862 | 1930 | German | |||
1862 | 1950 | English | |||
1862 | 1937 | Georgian | |||
1862 | 1951 | English | Ballets The Dryad, A Dancer's Adventure | ||
1862 | 1933 | Russian | |||
1862 | 1950 | German-born American | Sonata for violin and piano | ||
1862 | 1940 | Belgian | Concerto for Piano and Orchestra No. 1 in C minor, Concerto for Piano and Orchestra No. 2 in B flat minor,Sonata in C minor for 2 Pianos | ||
1862 | 1918 | French | Clair de lune; Syrinx; La mer; Pelléas et Mélisande; Préludes | impressionism | |
1862 | 1934 | English | A Village Romeo and Juliet; On Hearing the First Cuckoo in Spring | impressionism | |
1862 | 1921 | Dutch | |||
Stéphan Elmas | 1862 | 1937 | Armenian | ||
1862 | 1938 | French | |||
1862 | 1936 | English | Merrie England; A Princess of Kensington; Tom Jones | ||
1862 | 1953 | American | |||
1862 | 1946 | American | "I Love You Truly" | ||
1862 | 1932 | British | |||
August Nölck | 1862 | 1928 | German | ||
1862 | 1949 | German | |||
1862 | 1942 | German | |||
1862 | 1952 | Argentine | Poema del Iguazú, nine symphonies | folk-influenced, modernism, impressionism, nationalism, post-Wagnerian | |
1863 | 1941 | German | Cello Concerto | ||
1863 | 1931 | Russian | |||
1863 | 1909 | French | |||
1863 | 1932 | Romanian | |||
Enrique Fernández Arbós | 1863 | 1939 | Spanish | ||
1863 | 1929 | American | |||
1863 | 1949 | American | |||
1863 | 1932 | German | Symphony No. 3 in E minor, Op. 96 | ||
1863 | 1945 | Hungarian | Magyar suite | ||
1863 | 1945 | Italian | Amica | verismo | |
Emánuel Moór | 1863 | 1931 | Hungarian | ||
Cornélie van Oosterzee | 1863 | 1943 | Dutch | ||
1863 | 1919 | American | |||
Gabriel Pierné | 1863 | 1937 | French | Cydalise et le Chèvre-pied; Ramuntcho | |
1863 | 1907 | German | |||
1863 | 1919 | Russian | |||
1863 | 1937 | English | |||
Jāzeps Vītols | 1863 | 1948 | Latvian | ||
Eugen d'Albert | 1864 | 1932 | German, Swiss; Scottish-born | Tiefland | Romanticism |
Hugh Blair | 1864 | 1932 | English | Magnificat; Nunc Dimittis for double choir | |
Hjalmar Borgstrøm | 1864 | 1925 | Norwegian | Piano Concerto in C, Op. 22, Violin Concerto in G major Op. 25, Piano Quintet in F Op. 31, | |
1864 | 1907 | Mexican | |||
1864 | 1907 | American | |||
1864 | 1942 | American | |||
1864 | 1936 | Danish | |||
1864 | 1956 | Russian | |||
1864 | 1933 | German | historicist | ||
1864 | 1935 | Norwegian | Norwegian rhapsodies, three symphonies | Romanticism, French influence | |
1864 | 1927 | Japanese | |||
1864 | 1945 | Italian | |||
1864 | 1920 | Brazilian | |||
1864 | 1955 | French | Le Pays | impressionism | |
1864 | 1949 | German | An Alpine Symphony; Der Rosenkavalier; Oboe Concerto; Salome; Metamorphosen | Romanticism | |
1864 | 1952 | Italian | historicist | ||
1865 | 1937 | Belgian | impressionism | ||
1865 | 1928 | English | |||
Eduardo di Capua | 1865 | 1917 | Italian | ||
1865 | 1935 | French | La Péri | ||
1865 | 1903 | English | |||
1865 | 1942 | Belgian | impressionism | ||
1865 | 1936 | Russian | Symphony No. 4 and No. 5; The Seasons ; Violin Concerto; Saxophone Concerto | Romanticism | |
1865 | 1942 | English | |||
1865 | 1938 | Norwegian | |||
1865 | 1920 | German | |||
Robert Kahn | 1865 | 1951 | German | ||
1865 | 1930 | Finnish | |||
Albéric Magnard | 1865 | 1914 | French | Guercoeur | |
1865 | 1942 | Catalan | |||
1865 | 1931 | Danish | Symphony No. 4; No. 5; Maskarade; Clarinet Concerto | ||
1865 | 1922 | Italian | |||
1865 | 1957 | Finnish | Symphonies No. 2, No. 4, No. 5, No. 7; Violin Concerto; String Quartet in D minor, Voces intimae; Pelléas et Mélisande; Pohjola's Daughter; Luonnotar; The Oceanides; Tapiola; The Tempest | ||
1866 | 1956 | British | |||
1866 | 1914 | Swedish | |||
1866 | 1955 | English | |||
1866 | 1924 | Italian | Fantasia contrappuntistica; Turandot Suite; Piano Concerto | ||
1866 | 1950 | Italian | L'arlesiana; Adriana Lecouvreur | ||
1866 | 1943 | Swiss | |||
1866 | 1901 | Russian | |||
1866 | 1941 | American | Piano Concerto | ||
1866 | 1924 | Canadian | |||
1866 | 1920 | Russian | Yolka, Basni v litzakh | ||
1866 | 1937 | American | |||
1866 | 1925 | French | Gymnopédies; Relâche; Socrate | minimalism, avant-garde, furniture music | |
1866 | 1939 | Austrian | |||
1867 | 1938 | Russian | |||
1867 | 1944 | American | |||
1867 | 1912 | Italian | Piano Trio in D minor | ||
1867 | 1948 | Italian | Siberia; Madame Sans-Gêne; La cena delle beffe | verismo | |
1867 | 1916 | Spanish | Goyescas ; Goyescas | ||
1867 | 1940 | Danish | |||
1867 | 1920 | English | |||
1867 | 1942 | Swedish | Frösöblomster | Romantic nationalism | |
1867 | 1950 | French | Les Bandar-log; Les Heures persanes | eclectic, atonality, twelve-tone technique, serialism, polytonality, quartal and quintal harmony | |
Ferdinand Küchler | 1867 | 1937 | German | ||
1867 | 1972 | American | |||
1867 | 1946 | French | |||
Karel Navrátil | 1867 | 1936 | Czech | ||
Česlovas Sasnauskas | 1867 | 1916 | Lithuanian | ||
1867 | 1950 | Dutch | |||
1867 | 1953 | German | |||
1867 | 1943 | French | |||
1868 | 1946 | British | Omar Khayyám, Hebridean Symphony | Romanticism, often with an exotic flavour | |
1868 | 1936 | German | |||
František Drdla | 1868 | 1944 | Czech | ||
Carl Frühling | 1868 | 1937 | Austrian | Suite in F major, Op. 36 | |
Alberto Jonás | 1868 | 1943 | Spanish | ||
1868 | 1917 | American | Treemonisha | ragtime | |
Frederic Lamond | 1868 | 1948 | Scottish | ||
1868 | 1950 | Norwegian | Valse de Concert Op. 40 | ||
1868 | 1916 | Scottish | |||
1868 | 1948 | Scottish | |||
1868 | 1924 | Finnish | |||
1868 | 1922 | Italian | Csárdás | ||
1868 | 1933 | Dutch-Austrian | |||
1868 | 1952 | Belgian | |||
José Vianna da Motta | 1868 | 1948 | Portuguese | ||
1868 | 1934 | Irish | |||
1868 | 1933 | German | |||
1868 | 1941 | Japanese | |||
1868 | 1944 | Italian | |||
1868 | 1942 | English | |||
Joséphine Boulay | 1869 | 1925 | French | ||
1869 | 1923 | Russian | |||
1869 | 1942 | Russian | |||
1869 | 1941 | British | |||
1869 | 1951 | Danish | |||
Alfred Hill | 1869 | 1960 | Australian | ||
Armas Järnefelt | 1869 | 1958 | Finnish | ||
1869 | 1942 | Russian | |||
John N. Klohr | 1869 | 1956 | American | Billboard March | |
1869 | 1940 | Greek | chamber music | ||
1869 | 1949 | German | Palestrina | post-romanticism | |
1869 | 1926 | Italian | |||
1869 | 1937 | French | Symphony No. 3 and No. 4; Bacchus et Ariane | neoclassicism | |
1869 | 1926 | American | |||
Ludvík Čelanský | 1870 | 1931 | Czech | ||
1870 | 1939 | Dutch | |||
1870 | 1942 | American | |||
1870 | 1938 | Polish | Studies on Chopin's Études; Passacaglia; Triakontameron | ||
1870 | 1927 | Russian | |||
1870 | 1946 | Japanese | Violin Sonata in E-flat major; Violin Sonata in D minor | ||
1870 | 1921 | Russian | |||
1870 | 1946 | Polish | |||
Franz Lehár | 1870 | 1948 | Hungarian | Der Graf von Luxemburg, Der Zarewitsch | operettas |
Vítězslav Novák | 1870 | 1949 | Czech | ||
1870 | 1942 | American | |||
1870 | 1965 | Belgian | |||
1870 | 1954 | Italian | |||
1870 | 1958 | French | La Tragédie de Salomé | ||
1870 | 1934 | Norwegian | Sonata in B minor, Op. 12 | ||
Oscar Straus | 1870 | 1954 | Austrian | Ein Walzertraum; The Chocolate Soldier | |
1870 | 1939 | French | L'Orgue Mystique | ||
1870 | 1937 | French | |||
Ernest Walker | 1870 | 1949 | Indian-born English | ||
1871 | 1958 | Italian | |||
1871 | 1937 | American | |||
1871 | 1916 | Belgian | |||
1871 | 1940 | American | The Mystic Trumpeter | ||
Hélène-Frédérique de Faye-Jozin | 1871 | 1942 | French | ||
1871 | 1942 | German | The Parade of the Tin Soldiers | ||
1871 | 1936 | Swedish | |||
1871 | 1933 | Georgian | Operas Abesalom da Eteri, Daisi, Latavra | ||
1871 | 1938 | Italian | |||
1871 | 1942 | Peruvian | |||
1871 | 1936 | Armenian | |||
1871 | 1927 | Swedish | Symphony No. 2 | Romanticism | |
Alexander von Zemlinsky | 1871 | 1942 | Austrian | Lyric Symphony; String Quartet No. 2; Der Zwerg | post-Romanticism, New Objectivity, neoclassicism |
Hugo Alfvén | 1872 | 1960 | Swedish | Symphony No. 4: From the Outermost Skerries; Midsummer Vigil | Romanticism |
Eyvind Alnæs | 1872 | 1932 | Norwegian | two symphonies, Piano Concerto | |
Frederic Austin | 1872 | 1952 | English | Symphony in E minor | |
Stanislav Binički | 1872 | 1942 | Serbian | Marš na Drinu | |
Henri Büsser | 1872 | 1973 | French | ||
Julius Fučík | 1872 | 1916 | Czech | Entrance of the Gladiators | |
1872 | 1936 | American | |||
1872 | 1948 | Austrian | |||
1872 | 1947 | English | |||
1872 | 1940 | Russian | |||
1872 | 1949 | Catalan Spanish | |||
1872 | 1956 | Italian | Il Giudizio Universale | historicist | |
1872 | 1941 | American | |||
1872 | 1937 | French | |||
1872 | 1934 | German | |||
1872 | 1915 | Russian | The Poem of Ecstasy; '; piano sonatas nos. 4–10 | mysticism | |
1872 | 1956 | Russian | |||
1872 | 1958 | English | A Sea Symphony; A London Symphony; Sinfonia antartica; Fantasia on a Theme by Thomas Tallis; Fantasia on Greensleeves; The Lark Ascending | impressionism, folk-influenced | |
1872 | 1938 | Italian | |||
Emil Votoček | 1872 | 1950 | Czech | ||
1873 | 1963 | Russian | |||
1873 | 1953 | Georgian | |||
1873 | 1946 | English | |||
1873 | 1934 | Croatian | |||
André Bloch | 1873 | 1960 | French | ||
1873 | 1928 | French | Poème for violin and orchestra | ||
1873 | 1968 | Dutch | |||
1873 | 1925 | Austrian | Madame Pompadour | Romanticism | |
1873 | 1953 | Belgian | Symphonie Concertante for organ and orchestra | ||
1873 | 1963 | English | |||
1873 | 1938 | Brazilian | |||
María de las Mercedes Adam de Aróstegui | 1873 | 1957 | Cuban | ||
1873 | 1957 | American | |||
1873 | 1949 | French | |||
1873 | 1940 | Austrian | Romanticism | ||
1873 | 1948 | Spanish | |||
1873 | 1943 | Russian | Piano Concerto No. 2 and No. 3; Rhapsody on a Theme of Paganini; Symphony No. 2; Prelude in C-sharp minor | Romanticism, post-romanticism | |
1873 | 1916 | German | organ music, Variations and Fugue on a Theme by Mozart, Hebbel Requiem | historicism, modernism | |
1873 | 1954 | French | |||
1873 | 1950 | British | |||
1873 | 1945 | Russian | |||
1874 | 1975 | Luxembourgian | |||
1874 | 1947 | English | Symphony | atonality, Romanticism, folk-influenced, impressionism | |
1874 | 1946 | English | |||
1874 | 1948 | English | |||
1874 | 1929 | Italian | Organ Sonata in F, XVI Preludi-Corali for organ | ||
1874 | 1949 | American | ragtime | ||
1874 | 1961 | English | |||
1874 | 1949 | Austrian | |||
1874 | 1947 | Venezuelan/French | Ciboulette | ||
1874 | 1939 | Danish | |||
1874 | 1934 | English | The Planets; Beni Mora; Egdon Heath | ||
1874 | 1954 | American | The Unanswered Question; Central Park in the Dark; Variations on America; Three Places in New England; Concord Sonata | avant-garde, folk-influenced | |
1874 | 1951 | Russian | |||
1874 | 1934 | French | |||
1874 | 1930 | Czech | |||
František Neumann | 1874 | 1929 | Czech | ||
1874 | 1951 | Austrian | Gurre-Lieder; Verklärte Nacht; Variations for Orchestra; Pierrot Lunaire; Five Pieces for Orchestra; Violin Concerto | Romanticism, later expressionism and serialism; founder of the Second Viennese School | |
Josef Suk | 1874 | 1935 | Czech | Asrael Symphony; A Winter's Tale | |
1874 | 1939 | Austrian | The Book with Seven Seals | ||
1875 | 1954 | Italian | |||
Julián Carrillo | 1875 | 1965 | Mexican | Preludio a Colón; Misa de la Restauración dedicada a Juan XXIII | microtonal music |
1875 | 1912 | English | The Song of Hiawatha | ||
Mikalojus Konstantinas Čiurlionis | 1875 | 1911 | Lithuanian | ||
1875 | 1937 | Italian | |||
Reinhold Glière | 1875 | 1956 | Russian | Horn Concerto; The Red Poppy | Romanticism |
Alexander Goldenweiser | 1875 | 1961 | Russian | ||
1875 | 1941 | Bulgarian | |||
1875 | 1959 | English | |||
Jenő Huszka | 1875 | 1960 | Hungarian | ||
1875 | 1962 | Austrian | Caprice Viennois; Liebesfreud; Liebesleid; Schön Rosmarin | ||
1875 | 1968 | French | |||
1875 | 1964 | Turkish | |||
1875 | 1937 | Finnish | |||
Adolf Mišek | 1875 | 1955 | Czech | ||
1875 | 1937 | French | Daphnis et Chloé; Valses nobles et sentimentales; Rapsodie espagnole; Tzigane; Piano Concerto; Bolero; piano music | impressionism, neoclassicism | |
Henriette Renié | 1875 | 1956 | French | ||
1875 | 1938 | English | |||
1876 | 1913 | Italian | |||
Hakon Børresen | 1876 | 1954 | Danish | The Royal Guest | romanticism |
1876 | 1972 | English | Gothic Symphony | ||
1876 | 1962 | French | |||
1876 | 1951 | American | |||
1876 | 1973 | Spanish | |||
Jens Laursøn Emborg | 1876 | 1957 | Danish | ||
1876 | 1946 | Spanish | The Three-Cornered Hat; Nights in the Gardens of Spain | impressionism, neoclassicism | |
1876 | 1957 | Polish-American | |||
Mieczysław Karłowicz | 1876 | 1909 | Polish | Lithuanian Rhapsody, Stanislaw i Anna Oświęcimovie, Smutna opowieść; Symphony in E Minor; Violin Concerto | Romanticism |
1876 | 1944 | Italian | |||
1876 | 1940 | Italian | |||
1876 | 1939 | Danish | |||
1876 | 1962 | French | |||
1876 | 1968 | English | |||
1876 | 1971 | American | Sun-Treader | ||
1876 | 1941 | Russian | The Drunken Moon, Trumpeters, Because of the Ladies | chansonnier, light music, jazz-influenced | |
1876 | 1939 | American | |||
1876 | 1939 | Armenian | |||
1876 | 1948 | Italian | Comic operas | ||
1877 | 1942 | Italian | |||
1877 | 1915 | American | |||
1877 | 1968 | French | |||
1877 | 1952 | Russian | |||
1877 | 1944 | Russian | |||
Ernő Dohnányi | 1877 | 1960 | Hungarian | Variations on a Nursery Tune | Romanticism |
1877 | 1967 | Belgian | |||
1877 | 1957 | Russian | |||
Yevgeny Gunst | 1877 | 1950 | Russian | ||
Jean Huré | 1877 | 1930 | French | ||
1877 | 1936 | Swiss | |||
1877 | 1933 | German | 66 Choral-Improvisationen for organ, Op. 65 | ||
1877 | 1938 | Ukrainian | |||
1877 | 1953 | Dutch | Violin Concerto in B minor, Violin Sonata in A major, Piano Trio in D major | ||
1877 | 1921 | Ukrainian | Shchedryk, Church music, Arrangements of folk songs | A capella choral music | |
1877 | 1953 | English | Songs | ||
Petar Stojanović | 1877 | 1957 | Serbian | ||
1877 | 1949 | Russian | |||
1878 | 1969 | Dutch | |||
1878 | 1960 | English | |||
1878 | 1959 | Swiss | |||
1878 | 1914 | Italian | |||
1878 | 1953 | Spanish | |||
André Caplet | 1878 | 1925 | French | ||
1878 | 1958 | English | Two symphonies | ||
1878 | 1971 | American | |||
Antun Dobronić | 1878 | 1955 | Croatian | ||
1878 | 1914 | French | |||
1878 | 1962 | German | Anneliese | post-romanticism | |
1878 | 1948 | British | |||
1878 | 1936 | Russian-born American | |||
1878 | 1958 | English | |||
1878 | 1952 | Estonian | |||
1878 | 1946 | British | |||
1878 | 1951 | Finnish | |||
1878 | 1935 | Welsh | |||
1878 | 1965 | American | |||
1878 | 1934 | Austrian | Der ferne Klang, Kammersymphonie | modernism, eclectic | |
1879 | 1941 | English | Enter Spring; The Sea | impressionism, later expressionism; mentor of Benjamin Britten | |
1879 | 1965 | Danish | |||
1879 | 1957 | French | Chants d'Auvergne | ||
1879 | 1942 | English | |||
1879 | 1932 | French | |||
1879 | 1961 | French | Quatre poèmes hindous; Sept haï-kaïs | impressionism, oriental-influenced | |
1879 | 1925 | Italian | |||
1879 | 1932 | English | |||
1879 | 1941 | French | |||
1879 | 1944 | French | |||
1879 | 1960 | German | Romanticism | ||
1879 | 1941 | Irish | An Irish Symphony; With the Wild Geese | ||
1879 | 1959 | Croatian | |||
1879 | 1955 | Danish | |||
John Ireland | 1879 | 1962 | English | Piano Concerto in E flat | |
1879 | 1953 | American | |||
1879 | 1940 | Greek | composer for mandolin orchestra | ||
1879 | 1942 | Spanish | El niño judío | ||
1879 | 1979 | Ukrainian | |||
1879 | 1962 | Chilean | |||
1879 | 1959 | French | |||
Joaquín Nin | 1879 | 1949 | Cuban | ||
1879 | 1964 | Austrian | |||
1879 | 1964 | Swedish | Te Deum | ||
Otakar Ostrčil | 1879 | 1935 | Czech | ||
1879 | 1936 | Italian | The Fountains of Rome; The Pines of Rome | impressionism | |
1879 | 1952 | Austrian | |||
1879 | 1939 | Austrian-American | |||
Paul Rung-Keller | 1879 | 1966 | Danish | ||
1879 | 1970 | English | |||
1879 | 1961 | German | |||
1879 | 1951 | French | |||
1879 | 1968 | German | |||
1879 | 1934 | Czech | |||
1879 | 1903 | Japanese | |||
1880 | 1942 | Austrian | |||
1880 | 1959 | American | Schelomo; Suite hébraïque | ||
Edgar Thomas Cook | 1880 | 1953 | English | ||
Clara Edwards | 1880 | 1974 | American | ||
1880 | 1939 | English | A World Requiem | Post-romanticism, Indian influence | |
1880 | 1945 | Czech | |||
Jan Kubelík | 1880 | 1940 | Czech | ||
1880 | 1951 | Russian | 38 Skazki for piano, Piano Concerto No. 3 | Romanticism | |
1880 | 1968 | Italian | Assassinio nella cattedrale | ||
1880 | 1953 | Austrian | |||
Ivan Matetić Ronjgov | 1880 | 1960 | Croatian | ||
James Simon | 1880 | 1944 | German | ||
1880 | 1975 | Austrian | |||
Guillermo Uribe Holguín | 1880 | 1971 | Colombian | ||
1880 | 1960 | American | neoromantic | ||
1880 | 1968 | English | |||
1880 | 1955 | Italian | |||
1881 | 1928 | Italian | |||
Béla Bartók | 1881 | 1945 | Hungarian | Concerto for Orchestra; six string quartets; The Miraculous Mandarin; Piano Concerto No. 1; Piano Concerto No. 2; Piano Concerto No. 3; Music for Strings, Percussion and Celesta; Sonata for Two Pianos and Percussion | neoclassicism, folk-influenced |
1881 | 1964 | German | |||
1881 | 1977 | Canadian | |||
1881 | 1949 | Danish | String Quartet No. 2 | ||
1881 | 1947 | American | |||
1881 | 1957 | Dutch | |||
1881 | 1955 | Romanian | Romanian Rhapsody No. 1, Sonata No. 3 for Violin and Piano, Octet for Strings, String Quartet No. 2, Œdip, Cantabile et Presto for flute and piano | folk-influenced; father of Romanian classical music | |
1881 | 1956 | American | marches | ||
1881 | 1944 | Dutch | Thijl | ||
1881 | 1956 | Danish | |||
1881 | 1966 | Dutch-born American | |||
1881 | 1964 | Norwegian | |||
Axel Jørgensen | 1881 | 1947 | Danish | Romance for Trombone and Piano | |
1881 | 1967 | Swedish | |||
1881 | 1984 | French | |||
Arthur Marshall | 1881 | 1968 | American | ||
1881 | 1950 | Russian | Symphony No. 6, No. 10 and No. 13; Cello Concerto in C minor | Romanticism | |
1881 | 1945 | British | Colonel Bogey | "British March King" | |
Reine Colaço Osorio-Swaab | 1881 | 1971 | Dutch | ||
1881 | 1944 | Russian | |||
1881 | 1949 | Polish-German | Concerto for Violin in A Major; Mandragola; Jugend | Romanticism | |
1881 | 1959 | Czech | |||
1881 | 1948 | German | |||
Emil Ábrányi | 1882 | 1970 | Hungarian | ||
1882 | 1955 | American | |||
1882 | 1960 | Italian-born American | |||
1882 | 1954 | German | Organ Concerto | neotonality | |
1882 | 1961 | Australian | Country Gardens, Londonderry Air, Lincolnshire Posy | folk-influenced | |
1882 | 1964 | American | |||
Herbert Hughes | 1882 | 1937 | Irish | ||
Emmerich Kálmán | 1882 | 1953 | Hungarian | Operettas | |
Zoltán Kodály | 1882 | 1967 | Hungarian | Háry János; Székelyfonó; Psalmus Hungaricus | folk-influenced |
1882 | 1952 | Italian-American | Mokanna – opera; Fantastic Overture; Nocturne for Orchestra; Consolva & The White House – Impressions of Norfolk – Symphonic poems; Divertimento for Flute, Oboe & English Horn; String Quartet | classical | |
1882 | 1964 | French | |||
1882 | 1951 | Cuban | Bolero | ||
1882 | 1952 | English | |||
1882 | 1973 | Italian | |||
1882 | 1964 | Austrian | vocal music | ||
1882 | 1967 | Canadian | |||
Manuel Ponce | 1882 | 1948 | Mexican | Concierto del sur for guitar and orchestra, guitar and piano pieces, songs, and folk-song arrangements | |
John Powell | 1882 | 1963 | American | ||
1882 | 1963 | Estonian | |||
1882 | 1951 | Austrian | |||
1882 | 1959 | Russian | |||
1882 | 1971 | Russian | The Rite of Spring; The Firebird; Petrushka; Pulcinella; The Soldier's Tale; Symphony of Psalms; Symphonies of Wind Instruments; Canticum Sacrum; Threni | neoclassicism, neotonality, later serialism, polystylism | |
1882 | 1937 | Polish | Symphony No. 3 and No. 4; Violin Concerto No. 1 and No. 2 | impressionism, later folk-influenced | |
Joaquín Turina | 1882 | 1949 | Spanish | ||
Ladislav Vycpálek | 1882 | 1969 | Czech | ||
1882 | 1959 | English | |||
1883 | 1931 | American | |||
1883 | 1946 | Russian | |||
1883 | 1962 | Danish | |||
Augustin Barié | 1883 | 1915 | French | ||
1883 | 1953 | English | Symphony No. 2, No. 3, and No. 6; Tintagel | Romanticism, impressionism | |
1883 | 1947 | Italian | |||
1883 | 1968 | French | |||
Édouard Commette | 1883 | 1967 | French | ||
George Dyson | 1883 | 1964 | English | Symphony in G major | |
1883 | 1957 | Russian | |||
1883 | 1959 | Austrian | |||
1883 | 1958 | Spanish | |||
1883 | 1962 | Greek | |||
1883 | 1946 | Danish | |||
1883 | 1951 | Russian | |||
1883 | 1947 | Italian | futurism, noise music | ||
1883 | 1976 | Czech | |||
1883 | 1918 | Finnish | |||
1883 | 1962 | Czech-born Croatian | |||
1883 | 1950 | British | |||
1883 | 1935 | Armenian | |||
1883 | 1953 | Belgian | In convertendo Dominus ; Te Deum | ||
Ludomir Różycki | 1883 | 1953 | Polish | ||
1883 | 1950 | Greek | |||
1883 | 1946 | Russian | |||
1883 | 1968 | Austrian | |||
Peeter Süda | 1883 | 1920 | Estonian | ||
1883 | 1926 | Italian | Serenata 'Rimpianto Op. 6 No. 1 | ||
Edgard Varèse | 1883 | 1965 | French | Amériques; Ionisation; Arcana; Density 21.5 | Musique concrète, Electronic music |
1883 | 1945 | Austrian | Symphony; Six Pieces for Orchestra | twelve-tone technique, serialism, polystylism; pupil of Arnold Schoenberg | |
Bedřich Antonín Wiedermann | 1883 | 1951 | Czech | ||
1883 | 1944 | Italian | |||
1884 | 1982 | Estonian | |||
1884 | 1938 | Dutch | |||
1884 | 1949 | Russian | |||
1884 | 1957 | Czech | |||
1884 | 1961 | English | |||
1884 | 1956 | Australian | Bless This House and other songs | ||
1884 | 1968 | Czech | |||
1884 | 1920 | American | |||
1884 | 1964 | Russian | The Emperor Jones | ||
1884 | 1948 | Lithuanian | |||
Marguerite Béclard d'Harcourt | 1884 | 1964 | French | ||
1884 | 1945 | Dutch | |||
Jurgis Karnavičius | 1884 | 1941 | Lithuanian | ||
1884 | 1948 | Polish | Piano Concerto, Op. 83 | ||
1884 | 1947 | Russian-born American | |||
Ture Rangström | 1884 | 1947 | Swedish | four symphonies | |
1884 | 1957 | Spanish | |||
1884 | 1962 | American | |||
Xiao Youmei | 1884 | 1940 | Chinese | ||
1885 | 1958 | Slovak | |||
Pedro Humberto Allende | 1885 | 1959 | Chilean | ||
Agustín Barrios | 1885 | 1944 | Paraguayan | ||
1885 | 1935 | Austrian | Violin Concerto; Wozzeck; Lyric Suite | serialism, Romanticism, expressionism, polystylism; pupil of Arnold Schoenberg | |
1885 | 1916 | English | |||
1885 | 1951 | French | |||
1885 | 1978 | Romanian | several exceptionally long symphonies | ||
1885 | 1943 | English | |||
1885 | 1918 | English | |||
1885 | 1963 | English | |||
Stevan Hristić | 1885 | 1958 | Serbian | ||
1885 | 1963 | German | |||
1885 | 1957 | Finnish | |||
1885 | 1953 | German | Der Vetter aus Dingsda | ||
1885 | 1963 | Estonian | |||
1885 | 1971 | Italian | |||
1885 | 1951 | Swedish | |||
Dora Pejačević | 1885 | 1923 | Croatian | Symphony in F-sharp Minor, Phantasie Concertante | |
1885 | 1961 | American | Symphony No. 3 | ||
1885 | 1962 | Danish | |||
1885 | 1961 | French | |||
1885 | 1959 | Estonian | |||
1885 | 1930 | English | |||
Paul van Katwijk | 1885 | 1974 | Dutch-American | ||
1885 | 1960 | Hungarian | |||
1885 | 1974 | Austrian | Nine symphonies | ||
Mana-Zucca | 1885 | 1981 | American | ||
1886 | 1943 | Russian | Hebrew Melody | ||
1886 | 1944 | Russian | avant-garde | ||
1886 | 1971 | American | Variations on "Mary Had a Little Lamb" for piano | ||
1886 | 1961 | American | |||
Rebecca Clarke | 1886 | 1979 | English | ||
1886 | 1957 | English | |||
1886 | 1973 | English | |||
1886 | 1951 | American | |||
Marcel Dupré | 1886 | 1971 | French | Organ music | |
Wilhelm Furtwängler | 1886 | 1954 | German | Symphony No. 1 in B minor, Symphony No. 2 in E minor, Symphony No. 3 in C♯ minor, Piano Quintet, Religöser Hymnus, Te Deum for Choir and Orchestra | neoclassicism, folk-influenced, twelve-tone technique |
1886 | 1977 | Belgian-born Swiss | |||
1886 | 1962 | Italian | |||
Jesús Guridi | 1886 | 1961 | Spanish | Sinfonia pirenaica | |
1886 | 1970 | American | |||
1886 | 1966 | Swedish | |||
1886 | 1959 | Belgian | |||
1886 | 1970 | British | |||
1886 | 1979 | French | Mass for the 500th Anniversary of the Death of Joan of Arc | ||
1886 | 1980 | Spanish | |||
1886 | 1957 | Swiss | Penthesilea | ||
1886 | 1959 | Norwegian-American | |||
1886 | 1965 | Japanese | Overture in D major | ||
1886 | 1943 | Italian | Gesù bambino | ||
1887 | 1964 | Dutch | Piano Concerto in D major | ||
1887 | 1974 | Swedish | Symphony No. 6 "Dollar Symphony" | ||
1887 | 1979 | French | |||
1887 | 1968 | Romanian | |||
1887 | 1982 | English | |||
1887 | 1974 | American | quarter tone | ||
1887 | 1970 | Estonian | |||
1887 | 1972 | Italian | |||
1887 | 1962 | English | |||
Oskar Lindberg | 1887 | 1955 | Swedish | ||
1887 | 1947 | Finnish | Symphony No. 1, Symphony No. 2, Symphony No. 3, the opera The Ostrobothnians, the ballet-pantomime Okon Fuoko, and Elegia. | Student of Jean Sibelius, 1908–10. | |
1887 | 1939 | Slovenian | |||
1887 | 1953 | American | |||
1887 | 1942 | Finnish | |||
Anatol Provazník | 1887 | 1950 | Czech | ||
1887 | 1964 | Danish | Operas | ||
Stasys Šimkus | 1887 | 1943 | Lithuanian | ||
1887 | 1915 | German | Romanticism | ||
1887 | 1971 | German | |||
1887 | 1964 | German | 7 symphonies | ||
1887 | 1971 | German | |||
1887 | 1959 | Brazilian | Chôros; Bachianas brasileiras; '; Rudepoêma; | neoclassicism, folk-influenced | |
1888 | 1982 | Russian | |||
1888 | 1972 | American | |||
1888 | 1963 | Uruguayan | |||
1888 | 1963 | Ukrainian | |||
1888 | 1944 | German-American | |||
1888 | 1928 | German | |||
1888 | 1967 | Irish | |||
1888 | 1954 | American | 12 symphonies | ||
1888 | 1918 | Scottish | |||
1888 | 1954 | French | |||
1888 | 1986 | German | |||
1888 | 1973 | Polish | |||
1888 | 1940 | Romanian | |||
Julie Reisserová | 1888 | 1938 | Czech | ||
1888 | 1967 | Spanish | |||
1888 | 1949 | Danish | |||
1888 | 1914 | Russian | |||
Cristòfor Taltabull | 1888 | 1964 | Catalan | ||
1888 | 1967 | Dutch | Seven symphonies | ||
1888 | 1969 | Hungarian-American | |||
1888 | 1987 | Spanish | |||
1889 | 1987 | American | |||
1889 | 1942 | Danish | |||
1889 | 1982 | Danish | |||
1889 | 1918 | American | |||
1889 | 1949 | Romanian | |||
1889 | 1960 | English | |||
1889 | 1971 | American | |||
Václav Kaprál | 1889 | 1947 | Czech | ||
1889 | 1962 | Estonian | |||
Egon Ledeč | 1889 | 1944 | Czech | ||
1889 | 1971 | German | |||
Vilém Petrželka | 1889 | 1969 | Czech | ||
1889 | 1963 | Finnish | |||
1889 | 1977 | Ukrainian | Piano Concerto in F major | ||
1889 | 1952 | Russian | |||
Johannes Andersen | 1890 | 1980 | Danish | ||
1890 | 1979 | English | |||
1890 | 1933 | Soviet Georgian | |||
1890 | 1962 | Russian and Soviet | |||
Luís de Freitas Branco | 1890 | 1955 | Portuguese | ||
Hans Gál | 1890 | 1987 | Austrian | ||
1890 | 1935 | French | |||
1890 | 1937 | English | |||
1890 | 1969 | Norwegian | |||
1890 | 1962 | French | Concertino da camera; Escales | neoclassicism impressionism | |
1890 | 1975 | American | |||
Sándor Jemnitz | 1890 | 1963 | Hungarian | ||
1890 | 1951 | American | |||
Frank Martin | 1890 | 1974 | Swiss | Ballade for flute and piano; Petite symphonie concertante | |
Bohuslav Martinů | 1890 | 1959 | Czech | Double Concerto for Two String Orchestras, Piano, and Timpani, Symphony No. 3, No. 4, and No. 6; operas Julietta and The Greek Passion; Gilgamesh | neoclassicism, folk-influenced |
1890 | 1956 | French | |||
Gösta Nystroem | 1890 | 1966 | Swedish | ||
1890 | 1968 | American | |||
1890 | 1947 | Japanese | |||
Otto Albert Tichý | 1890 | 1973 | Czech | ||
1891 | 1944 | Australian | |||
1891 | 1956 | Armenian | |||
1891 | 1975 | English | A Colour Symphony | ||
1891 | 1966 | English | |||
1891 | 1965 | Canadian | |||
Noël Gallon | 1891 | 1966 | French | ||
1891 | 1975 | French | Pieces for harp; Headed Harp Dept at Fontainebleau & Juilliard | Noted harpist and teacher | |
1891 | 1955 | American | |||
Karel Boleslav Jirák | 1891 | 1972 | Czechoslovak | ||
1891 | 1971 | Romanian | |||
1891 | 1982 | Soviet Russian | |||
1891 | 1988 | Austrian | |||
1891 | 1971 | American | "Barnum and Bailey's Favorite" | Marches | |
Florentina Mallá | 1891 | 1973 | Czech | ||
Federico Moreno Tórroba | 1891 | 1982 | Spanish | classical guitar | |
1891 | 1974 | German | |||
1891 | 1953 | Russian | Romeo and Juliet; The Love for Three Oranges; Classical Symphony; Symphony No. 5 and No. 6; Violin Concerto No. 1 and No. 2; Piano Concerto No. 2 and No. 3; Alexander Nevsky; Lieutenant Kijé; Peter and the Wolf | neoclassicism, Romanticism | |
1891 | 1966 | French | |||
1891 | 1967 | British-French | |||
1891 | 1978 | English | |||
1891 | 1942 | American | |||
1892 | 1960 | Hungarian | operettas | ||
1892 | 1948 | Polish | |||
1892 | 1981 | Dutch | father of Louis Andriessen | ||
1892 | 1982 | American | |||
1892 | 1971 | Dutch | |||
1892 | 1949 | German | |||
1892 | 1942 | Venezuelan | |||
1892 | 1980 | American | |||
1892 | 1965 | Italian | |||
Ferde Grofé | 1892 | 1972 | American | Grand Canyon Suite; Mississippi Suite | |
1892 | 1955 | Finnish | Romanticism | ||
1892 | 1936 | Hungarian-American | |||
1892 | 1986 | Australian | |||
1892 | 1955 | Swiss | Symphony No. 3 "Liturgique"; Pacific 231 | neoclassicism; also a composer of film music: Les Misérables | |
1892 | 1983 | English | Hymnus paradisi | ||
1892 | 1965 | Australian | |||
1892 | 1977 | Australian | |||
1892 | 1974 | Danish | |||
Otakar Jeremiáš | 1892 | 1962 | Czech | ||
Yrjö Kilpinen | 1892 | 1959 | Finnish | neoclassical | |
1892 | 1977 | Austrian | |||
1892 | 1958 | Czech | |||
László Lajtha | 1892 | 1963 | Hungarian | ||
1892 | 1966 | Russian | |||
1892 | 1974 | French | La Création du Monde; Le Bœuf sur le toit | jazz-influenced, neoclassical, polytonal | |
1892 | 1980 | American | |||
1892 | 1954 | Russian | |||
1892 | 1951 | Austrian | |||
1892 | 1985 | Swedish | Violin Concerto | ||
1892 | 1988 | English | Opus clavicembalisticum; Études transcendantes ; Sequentia cyclica super "Dies irae" ex Missa pro defunctis; Piano Symphony No. 2; "Gulistān" – Nocturne for Piano | neoclassical, neoromantic, postimpressionistic | |
1892 | 1983 | French | |||
1893 | 1974 | Belgian | |||
1893 | 1960 | Australian | Jamaican Rhumba | ||
Georges Boulanger | 1893 | 1958 | Romanian | ||
1893 | 1918 | French | |||
1893 | 1986 | Chilean | |||
1893 | 1971 | Czech | |||
1893 | 1942 | Russian | |||
1893 | 1963 | Russian/Soviet | |||
Eugene Aynsley Goossens | 1893 | 1962 | English | ||
1893 | 1982 | English | |||
1893 | 1975 | Armenian | |||
Alois Hába | 1893 | 1973 | Czech | Matka | microtonal |
1893 | 1964 | American | |||
1893 | 1952 | Danish | 16 symphonies, The Music of the Spheres, Antikrist | ||
1893 | 1970 | Austrian | |||
1893 | 1987 | Spanish | piano music | ||
1893 | 1969 | American | The Ballad of Baby Doe, The Devil and Daniel Webster | ||
1893 | 1951 | Welsh | |||
1893 | 2002 | American | Wild Men's Dance, Suicide in an Airplane, 8 piano sonatas, Piano Quintet, 3 String Quartets | avant-garde, later neoromanticism | |
1893 | 1976 | English | Songs | ||
1893 | 1954 | Russian | 3 piano sonatas | Avant-garde | |
1893 | 1968 | American | |||
1893 | 1986 | American | |||
1893 | 1944 | Austrian | |||
1893 | 1963 | Polish | |||
1893 | 1960 | Ukrainian | In memory of the Bolsheviks | avant-garde | |
1894 | 1955 | Belgian | |||
1894 | 1965 | Russian | |||
Krešimir Baranović | 1894 | 1975 | Yugoslav | ||
1894 | 1981 | American | Broadway arrangements; pieces for band | ||
Pavel Bořkovec | 1894 | 1972 | Czech | ||
1894 | 1979 | German | |||
Sabin Drăgoi | 1894 | 1968 | Romanian | Piano Concerto | |
1894 | 1934 | English | |||
1894 | 1939 | Austrian | |||
Žiga Hirschler | 1894 | 1941 | Croatian | ||
1894 | 1926 | American | |||
1894 | 1929 | English | |||
Filip Lazăr | 1894 | 1936 | Romanian | avant-garde | |
1894 | 1950 | English | Symphony in G minor | folk-influenced | |
1894 | 1947 | Dutch | Six Adagios; Piano Concerto | atonality | |
1894 | 1976 | American | The Incredible Flutist ; Symphony No. 2, No. 3, No. 6, and No. 7 | Neoclassicism | |
Władysław Raczkowski | 1894 | 1959 | Polish | ||
1894 | 1942 | Czech | |||
1894 | 1995 | Russian-born American | |||
1894 | 1943 | American | |||
1894 | 1971 | Dutch/American | |||
1894 | 1930 | Anglo-Welsh | Capriol Suite, The Curlew | ||
1894 | 1982 | Austrian-American | |||
Mark Wessel | 1894 | 1973 | American | The King of Babylon; Concertino for Flute or Violin and Orchestra | |
1895 | 1966 | Belgian | |||
Henriëtte Bosmans | 1895 | 1952 | Dutch | ||
1895 | 1940 | Peruvian | |||
1895 | 1978 | Norwegian | |||
Mario Castelnuovo-Tedesco | 1895 | 1968 | Italian | Naomi and Ruth; guitar music | |
Juan José Castro | 1895 | 1968 | Argentine | ||
1895 | 1984 | American | |||
1895 | 1975 | French | |||
1895 | 1977 | Austrian | neoclassical | ||
1895 | 1981 | Austrian | |||
1895 | 1982 | South African-born Australian | |||
1895 | 1982 | Croatian | |||
1895 | 1976 | Croatian | |||
1895 | 1963 | German | Symphonic Metamorphosis of Themes by Carl Maria von Weber; Mathis der Maler; Ludus Tonalis' | neoclassicism, Expressionism | |
1895 | 1984 | English | |||
1895 | 1992 | American | |||
1895 | 1955 | Austrian | |||
1895 | 1963 | Cuban | |||
1895 | 1981 | Swiss | |||
1895 | 1968 | Ukrainian | |||
1895 | 1982 | German | Carmina Burana | polystylism | |
1895 | 1941 | Slovenian | Symphony | ||
1895 | 1984 | English | |||
1895 | 1985 | French | |||
1895 | 1956 | Russian | |||
1895 | 1968 | American | |||
1895 | 1978 | American | 5 symphonies, including Symphony No. 1 "Afro-American"; Troubled Island, A Bayou Legend | folk-influenced; known as "the Dean" of African-American composers | |
Eduard Toldrà | 1895 | 1962 | Spanish | ||
1896 | 1978 | Austrian | Piano Quartet | ||
1896 | 1980 | Danish | |||
František Brož | 1896 | 1962 | Czech | ||
1896 | 1977 | American | |||
1896 | 1958 | German | |||
1896 | 1978 | Argentine | 10 symphonies; 3 piano concertos; chamber music; El Oso | eclectic | |
1896 | 1970 | Spanish | |||
1896 | 1981 | American | 7 symphonies | Romanticism | |
Józef Koffler | 1896 | 1944 | Polish | ||
1896 | 1938 | Ukrainian | Piano concerto | ||
1896 | 1960 | Greek | |||
María Teresa Prieto | 1896 | 1982 | Spanish | ||
1896 | 1987 | French | |||
1896 | 1971 | American | |||
1896 | 1985 | American | 9 symphonies, Violin Concerto, Montezuma | neoclassicism, twelve-tone technique | |
1896 | 1977 | Bulgarian | |||
Bolesław Szabelski | 1896 | 1979 | Polish | ||
1896 | 1986 | British | |||
1896 | 1989 | American | Four Saints in Three Acts, The Mother of Us All; Louisiana Story; also noted critic | folk-influenced, eclectic | |
1896 | 1984 | Swiss | |||
Jaromír Weinberger | 1896 | 1967 | Czech | Schwanda the Bagpiper | |
1897 | 1978 | Soviet Armenian | |||
Břetislav Bakala | 1897 | 1958 | Czech | ||
1897 | 1984 | Israeli | |||
Jørgen Bentzon | 1897 | 1951 | Danish | ||
Gaspar Cassadó | 1897 | 1966 | Spanish | Toccata, Requiebros | |
1897 | 1965 | American | The Tides of Manaunaun, Dynamic Motion | eclectic, experimental | |
Oscar Lorenzo Fernández | 1897 | 1948 | Brazilian | "Batuque" from Malazarte | nationalism |
António Fragoso | 1897 | 1918 | Portuguese | ||
1897 | 1968 | Argentine | |||
1897 | 1943 | Dutch | Modernist | ||
1897 | 1970 | Ukrainian | String Trio | ||
1897 | 1966 | German | |||
1897 | 1978 | American | |||
1897 | 1957 | Austrian | Violin Concerto | also composed film music: Die Tote Stadt | |
György Kósa | 1897 | 1984 | Hungarian | ||
Agustín Lara | 1897 | 1970 | Mexican | Granada | |
1897 | 1953 | German | |||
1897 | 1976 | Italian | |||
Karl Marx | 1897 | 1985 | German | ||
1897 | 1983 | Danish | |||
1897 | 1967 | German | |||
1897 | 1945 | Spanish | Canciones clásicas españolas | ||
1897 | 1966 | American | 2 symphonies, 9 string quartets, Piano Quintet, Concerto concertante for two pianos and orchestra | ||
Jaroslav Řídký | 1897 | 1956 | Czech | ||
Knudåge Riisager | 1897 | 1974 | Denmark | ||
Harald Sæverud | 1897 | 1992 | Norwegian | Peer Gynt, 9 symphonies | |
Pablo Sorozábal | 1897 | 1988 | Spanish | ||
1897 | 1984 | Australian | Violin Concerto Haunted Hills | ||
1897 | 1993 | American | |||
1897 | 1986 | French | |||
1897 | 1973 | Argentine | |||
1898 | 1985 | Russian | folk-influenced | ||
Thomas Armstrong | 1898 | 1994 | English | ||
1898 | 1990 | American | |||
1898 | 1981 | American | |||
1898 | 1981 | American | |||
1898 | 1968 | English | |||
1898 | 1962 | German/Austrian | Auferstanden aus Ruinen | ||
1898 | 1937 | American | Rhapsody in Blue; Piano Concerto; An American in Paris; Porgy and Bess | jazz-influenced; also a composer of popular songs | |
1898 | 1998 | Italian | |||
1898 | 1951 | Danish | |||
1898 | 1979 | American | Symphony No. 3 | neotonality | |
Tibor Harsányi | 1898 | 1954 | Hungarian | ||
1898 | 1976 | Turkish | |||
1898 | 1982 | English | |||
1898 | 1999 | French | |||
1898 | 1974 | Russian | |||
1898 | 1979 | French | |||
1898 | 1985 | French | Krapp, ou, La dernière bande | neoclassicism, serialism, etc.; folk-influenced | |
Günther Ramin | 1898 | 1956 | German | ||
1898 | 1994 | Italian | |||
1898 | 1972 | Italian | |||
María Luisa Sepúlveda | 1898 | 1958 | Chilean | ||
1898 | 1944 | Austrian | |||
1899 | 1995 | Ghanaian | |||
1899 | 1983 | French | |||
1899 | 1922 | English | |||
1899 | 1986 | Romanian | |||
1899 | 1994 | American | |||
Carlos Chávez | 1899 | 1978 | Mexican | Sinfonía de Antígona, Sinfonía india, Symphony No. 6, Toccata for percussion instruments, The Visitors | modernist, primitivist, folk-influenced, neoclassicism, serialist |
1899 | 1973 | English | |||
1899 | 1956 | Irish | |||
Sophie Carmen Eckhardt-Gramatté | 1899 | 1974 | Russian-born Canadian | ||
1899 | 1961 | Egyptian | |||
1899 | 1973 | British | |||
1899 | 1944 | Czech | |||
Eduardo Hernández Moncada | 1899 | 1995 | Mexican | ||
Finn Høffding | 1899 | 1997 | Danish | ||
Albert Huybrechts | 1899 | 1938 | Belgian | ||
Hans Krása | 1899 | 1944 | Czech | ||
1899 | 1962 | Catalan Spanish | |||
Jón Leifs | 1899 | 1968 | Icelandic | Oratorios based on Edda | idiosyncratic orchestration and percussion used to evoke Icelandic natural phenomena |
1899 | 1989 | French | |||
1899 | 1955 | American | |||
1899 | 1970 | American | |||
1899 | 1974 | American | |||
1899 | 1963 | French | Babar the Elephant; Flute Sonata Stabat Mater | neoclassicism | |
1899 | 1940 | Mexican | Janitzio, Homenaje a Federico García Lorca, Sensemayá | nationalist, political music, primitivist, popular-music influence. modernism | |
1899 | 1995 | English | |||
1899 | 1977 | Russian | |||
1899 | 1984 | American | Alleluia; The Testament of Freedom | ||
1899 | 1978 | Bulgarian | 4 piano concertos | folk-influenced | |
1900 | 1975 | Austrian | Lieder: Heiteres Herbarium | Late romantic / progressive | |
1900 | 1939 | Estonian | |||
1900 | 1967 | Danish | |||
1900 | 1959 | American | Ballet mécanique; Symphony No. 4 | avant-garde, modernism, later neoclassical | |
1900 | 1997 | French | Concertino for piano, flute, clarinet, horn, bassoon and chamber orchestra | ||
1900 | 1953 | Russian-American | Christmas Festival Overture, Duo for Clarinet and Viola | ||
1900 | 1955 | Swiss | |||
1900 | 1995 | English | |||
1900 | 1979 | Costa Rican | |||
1900 | 1950 | Danish | |||
1900 | 1990 | American | Appalachian Spring ; Billy the Kid ; Rodeo ; Fanfare for the Common Man; Clarinet Concerto | neoclassical, folk-influenced, jazz-influenced, early twelve-tone, later serialism | |
1900 | 1955 | Russian | |||
1900 | 1936 | French | |||
1900 | 1960 | Belarusian-born American | |||
1900 | 1967 | Russian | |||
1900 | 1970 | Canadian | |||
1900 | 1965 | Russian | |||
1900 | 1967 | Swiss | |||
Michael Head | 1900 | 1976 | British | ||
1900 | 1940 | French | |||
1900 | 1981 | Japanese | |||
1900 | 1961 | Finnish | Sea Pictures; Kalevala Suite | ||
1900 | 1973 | Polish | |||
1900 | 1991 | Austrian | Jonny spielt auf, Karl V | neoclassical, twelve-tone, later serial, neoromantic, eclectic | |
1900 | 1996 | American | |||
1900 | 1964 | Canadian | Tabuh-Tabuhan: Toccata for Orchestra | folk-influenced | |
1900 | 1973 | Russian | Iron Foundry | avant-garde | |
1900 | 1958 | Luxembourger | |||
1900 | 1954 | Austrian | operettas; also composed film music | ||
1900 | 1985 | German | |||
Amadeo Roldán | 1900 | 1939 | Cuban | Rítmicas Nos. 5 and 6 | |
1900 | 1967 | Czech | |||
1900 | 1969 | German | |||
Leo Smit | 1900 | 1943 | Dutch | ||
Marko Tajčević | 1900 | 1984 | Serbian | ||
1900 | 1979 | Hungarian | |||
1900 | 1991 | American | |||
1900 | 1950 | German/American | 2 symphonies; String Quartets; "Die Dreigroschenoper"; Aufstieg und Fall der Stadt Mahagonny; "Mahagonny-Songspiel"; several Broadway musicals | neoclassical | |
David Wynne | 1900 | 1983 | Welsh | ||
1901 | 1969 | Swiss | |||
1901 | 1987 | Belgian | Marieken van Niemeghen ; four symphonies | constructionist, neoclassical, twelve-tone technique | |
Blaž Arnič | 1901 | 1970 | Slovenian | neoromanticism | |
1901 | 1989 | Swiss | |||
1901 | 1953 | American | String Quartet | modernism | |
1901 | 1956 | English | Cello Concerto; songs | neoromantic | |
1901 | 1995 | American | |||
1901 | 1977 | Norwegian | |||
1901 | 1972 | Danish | |||
1901 | 1947 | British | |||
1901 | 1987 | Czechoslovakian | |||
1901 | 1982 | American | |||
1901 | 1985 | Norwegian | |||
1901 | 1966 | Russian-American | |||
1901 | 1988 | Croatian | |||
William McKie | 1901 | 1984 | Australian | ||
1901 | 1953 | Bulgarian | Toccata | ||
1901 | 1974 | American | Daphne of the Dunes, Revelation in the Courthouse Park | microtonal, just intonation, self-built instruments | |
1901 | 1972 | Argentine | twelve-tone technique and serialism | ||
1901 | 1988 | Belgian | |||
1901 | 1992 | Swiss | |||
Joaquín Rodrigo | 1901 | 1999 | Spanish | Concierto de Aranjuez; guitar music | neoclassical, folk music influence |
1901 | 1985 | American | |||
1901 | 1999 | Danish | |||
1901 | 1986 | English | |||
1901 | 1989 | French | |||
1901 | 1971 | French | |||
1901 | 1973 | Dutch | |||
1901 | 1983 | German | |||
Jesús Arámbarri | 1902 | 1960 | Spanish | ||
1902 | 1961 | American | |||
Maurice Duruflé | 1902 | 1986 | French | Requiem; organ music | |
1902 | 1971 | Russian | |||
Evaristo Fernández Blanco | 1902 | 1993 | Spanish | ||
Lūcija Garūta | 1902 | 1977 | Latvian | Piano Concerto | |
Antonio José | 1902 | 1936 | Spanish | ||
Helvi Leiviskä | 1902 | 1982 | Finnish | ||
1902 | 1964 | Italian | |||
1902 | 2000 | Japanese | |||
1902 | 1963 | Russian | The Taming of the Shrew | ||
1902 | 1992 | Ukrainian | |||
1902 | 1969 | Bulgarian | Three concertos for piano and orchestra; Concerto for Violin and Orchestra, Concerto for Cello and Orchestra, Concertino for violin | folk-influenced | |
Jenő Takács | 1902 | 2005 | Austrian | ||
1902 | 1989 | Belgian | |||
1902 | 1952 | Colombian | |||
John Vincent | 1902 | 1977 | American | Consort for Piano and Strings | neoclassical |
1902 | 1983 | English | Symphony No. 1; Violin Concerto; Viola Concerto; Variations on a Theme by Hindemith; Belshazzar's Feast | avant-garde, neoromantic, neoclassical; also a composer of film music | |
1902 | 1984 | American | |||
1902 | 1972 | German | Battle Piece for piano | serial, modernism | |
1903 | 1990 | French | |||
1903 | 1989 | English | Horn Trio | neoclassical, later serial | |
1903 | 1975 | German | |||
1903 | 1987 | American | Two piano concertos; Parade for orchestra | ||
1903 | 1983 | Romanian | |||
1903 | 2000 | Irish | |||
1903 | 1998 | English | |||
1908 | 1942 | German | |||
1903 | 1969 | Russian | both post-tonal style as Dukelsky and in the style of Tin Pan Alley as Duke | ||
André Fleury | 1903 | 1995 | French | ||
1903 | 1966 | Italian | Blennerhassett | neoclassical | |
1903 | 1960 | German | |||
1903 | 1996 | German | |||
Hilding Hallnäs | 1903 | 1984 | Swedish | ||
He Luting | 1903 | 1999 | Chinese | ||
1903 | 1989 | American | |||
1903 | 1986 | Danish | |||
1903 | 1978 | Armenian | Gayane ; Spartacus ; concertos; Masquerade Suite | ||
1903 | 2006 | Ukrainian | |||
1903 | 1967 | Israeli | Symphonic Poem Emek, Opera Dan Hashomer | ||
1903 | 1982 | English | |||
1903 | 1959 | English | |||
Saburō Moroi | 1903 | 1977 | Japanese | ||
Ervin Nyiregyházi | 1903 | 1987 | Hungarian | Romanticism | |
1903 | 1984 | Norwegian | |||
1903 | 1986 | Belgian | |||
1903 | 1938 | Italian | Piedigrotta | ||
1903 | 1999 | British | |||
1903 | 1986 | South African / English | Ploërmel, Quanta, String Trio | ||
Günter Raphael | 1903 | 1960 | German | ||
Luis H. Salgado | 1903 | 1977 | Ecuadorian | Sanjuanito futurista; Eunice; Cumandá | folk-influenced, modernist |
Åke Uddén | 1903 | 1987 | Swedish | ||
1903 | 1986 | Russian | |||
Rudolf Wagner-Régeny | 1903 | 1969 | German | Prometheus | |
1903 | 1946 | English | |||
1904 | 1977 | British | Warsaw Concerto | ||
1904 | 1997 | German | |||
1904 | 1965 | English | |||
1904 | 1986 | Australian | Corroboree | ||
1904 | 1976 | French | |||
1904 | 1970 | Austrian | |||
1904 | 1965 | Scottish | Piano Concerto No. 2 | "Scotland's forgotten composer", nicknamed "MacBartok" | |
1904 | 1972 | Danish | |||
1904 | 1975 | Italian | Il prigioniero ; Il canto sospeso | serialism, electronic music | |
1904 | 1974 | Lithuanian | |||
1904 | 1949 | Japanese | |||
Huang Tzu | 1904 | 1938 | Chinese | In Memoriam | |
1904 | 1987 | Russian | The Comedians | ||
1904 | 1957 | Polish | |||
Iša Krejčí | 1904 | 1968 | Czech | 20 Variations on the Composer s Own Theme in the Style of a Folk Song | neoclassical |
1904 | 2003 | Italian | |||
Gavriil Popov | 1904 | 1972 | Russian | Chamber Symphony; Symphony No. 1 | |
Cemal Reşit Rey | 1904 | 1985 | Turkish | ||
1904 | 2003 | French | |||
1904 | 1969 | Czech | |||
1904 | 1984 | German | |||
1904 | 1949 | Greek | 36 Greek Dances for orchestra; Violin Concerto | twelve-tone, folk music influence, modernism | |
1904 | 1955 | Danish | |||
1904 | 1975 | English | |||
1904 | 1983 | German | |||
1904 | 1964 | Russian | |||
1905 | 1975 | Finnish | |||
1905 | 1985 | English | Lyra Angelica; Elizabethan Dances | neoromantic | |
1905 | 1992 | Russian | Violin Concerto | neoromantic, atonality | |
1905 | 1993 | Turkish Australian | |||
1905 | 1987 | Hungarian-French | |||
Vytautas Bacevičius | 1905 | 1970 | Lithuanian | atonality | |
1905 | 1964 | American | The Cradle Will Rock | political music | |
Eugène Bozza | 1905 | 1991 | French | ||
1905 | 1996 | American | |||
1905 | 1981 | Kazakhstani | |||
1905 | 1972 | Romanian | |||
1905 | 1992 | American | |||
1905 | 1981 | British | |||
1905 | 2000 | Hungarian | |||
1905 | 1963 | German | Concerto funebre; Gesangsszene; Symphony No. 1; Symphony No. 4 | ||
André Hossein | 1905 | 1983 | Iranian | ||
André Jolivet | 1905 | 1974 | French | Flute Concerto No. 1 | |
1905 | 1956 | German | |||
1905 | 1988 | Finnish | |||
1905 | 1951 | English | The Rio Grande | popular music influence, jazz influence | |
Guillaume Landré | 1905 | 1968 | Dutch | ||
1905 | 1942 | English | Concertino for Harpsichord and Strings; Agincourt; Jolly Roger; Music for Strings | neoclassical | |
1905 | 1988 | German | |||
Léon Orthel | 1905 | 1987 | Dutch | ||
1905 | 1971 | English | 3 symphonies; Symphonic Studies | neoclassical | |
1905 | 1996 | Mexican | |||
1905 | 1988 | Italian | Quattro pezzi chiascuno su una nota sola | ||
1905 | 1990 | Israeli | Piano Concerto; String Quartet; numerous piano music, including Pages from the Diary; Five Sketches; Youth Suite; Reflection; Still Life | Polystylism | |
1905 | 1987 | Nigerian | |||
1905 | 1986 | Belgian | |||
1905 | 1998 | English | The Midsummer Marriage; 4 symphonies; A Child of Our Time | ||
1905 | 1982 | Estonian | 11 symphonies | ||
Xian Xinghai | 1905 | 1945 | Chinese | Yellow River Cantata | |
Xiao Shuxian | 1905 | 1991 | Chinese | ||
1905 | 1963 | German | |||
1906 | 2002 | Canadian | |||
Ahn Eak-tai | 1906 | 1965 | Korean | Aegukga | |
1906 | 1978 | Turkish | |||
Daniel Ayala Pérez | 1906 | 1975 | Mexican | Tribu | |
1906 | 1992 | Georgian | |||
1906 | 2001 | German | Ave Maria | ||
Walter Braithwaite | 1906 | 1991 | English | ||
Pierre Capdevielle | 1906 | 1969 | French | ||
1906 | 2004 | Danish | |||
1906 | 1995 | Italian | |||
1906 | 1985 | Croatian | |||
1906 | 2005 | British | |||
1906 | 1985 | American | neoclassical | ||
Volfgangs Dārziņš | 1906 | 1962 | Latvian | ||
1906 | 1959 | French | |||
Antal Doráti | 1906 | 1988 | American | ||
1906 | 1979 | Norwegian | |||
1906 | 1992 | German-Swiss | |||
1906 | 1972 | Turkish | |||
1906 | 1997 | English | |||
Armando José Fernandes | 1906 | 1983 | Portuguese | neoclassical | |
1906 | 1973 | English | |||
1906 | 1968 | Italian | |||
Alejandro García Caturla | 1906 | 1940 | Cuban | ||
Zoltán Gárdonyi | 1906 | 1986 | Hungarian | Psalm 46, organ sonatas, motets | sacred music |
1906 | 1996 | American | modernism | ||
Radamés Gnattali | 1906 | 1988 | Brazilian | ||
1906 | 1989 | Romanian | atonality, twelve-tone technique pupil of Alban Berg & Anton Webern | ||
Willy Hess | 1906 | 1997 | Swiss | ||
1906 | 2003 | Spanish | |||
Tomojirō Ikenouchi | 1906 | 1991 | Japanese | ||
Jānis Ivanovs | 1906 | 1983 | Latvian | neoromantic | |
1906 | 1977 | French | |||
Jaroslav Ježek | 1906 | 1942 | Czech | ||
1906 | 1996 | Estonian | |||
1906 | 1997 | French | |||
1906 | 1972 | American | |||
1906 | 1976 | Ukrainian | |||
1906 | 2002 | American | |||
Fernando Lopes-Graça | 1906 | 1994 | Portuguese | ||
1906 | 1983 | English | |||
1906 | 1978 | Kyrgyzstani | |||
1906 | 1990 | Swiss | neoclassical | ||
1906 | 1984 | Slovak | neoromantic | ||
1906 | 1979 | American | neoclassical | ||
1906 | 1993 | Maltese | |||
1906 | 1991 | Croatian | |||
1906 | 2000 | Slovak | |||
1906 | 1975 | Russian | 15 symphonies, including No. 5, No. 7, No. 9, No. 10, and No. 11; Violin Concerto No. 1; Cello Concerto No. 1; Festive Overture; 15 string quartets, including String Quartet No. 8; Piano Quintet; The Gadfly Suite | modernism, neoclassical, neoromantic, polystylism | |
1906 | 1997 | Portuguese | |||
1906 | 1980 | Ukrainian | |||
1906 | 1996 | American | |||
Teng Yu-hsien | 1906 | 1944 | Taiwanese | ||
1906 | 1973 | German | |||
1906 | 1994 | American | |||
1906 | 1977 | Welsh | |||
1907 | 2005 | American | Toccata for Piano | folk-influenced | |
1907 | 1947 | Armenian | |||
1907 | 1987 | Dutch | |||
Günter Bialas | 1907 | 1995 | German | ||
1907 | 1993 | French | |||
1907 | 2015 | British | |||
Federico Elizalde | 1907 | 1979 | Filipino-Spanish | Concertos, symphonic poems | |
1907 | 1987 | German | Bluthochzeit | ||
1907 | 1967 | Armenian | |||
1907 | 1993 | Brazilian | Dansa brasileira, Pedro Malazarte, Suite IV Centenário | nationalism, neoclassicism, twelve-tone technique | |
Gene Gutchë | 1907 | 2000 | German | ||
1907 | 1969 | German | |||
Karl Höller | 1907 | 1987 | German | ||
1907 | 1984 | British | |||
Jeronimas Kačinskas | 1907 | 2005 | Lithuanian-born American | ||
Walter Kaufmann | 1907 | 1984 | Czech | ||
1907 | 1991 | French | |||
1907 | 1994 | English | Quintet for oboe and strings; 13 string quartets | ||
1907 | 2001 | Japanese | |||
1907 | 1986 | Danish | |||
1907 | 1987 | Polish | |||
1907 | 1989 | Polish | |||
Ödön Pártos | 1907 | 1977 | Hungarian-Israeli | ||
Maria Teresa Pelegrí i Marimón | 1907 | 1995 | Spanish | ||
1907 | 1988 | American | Selections from McGuffey's Reader | ||
1907 | 1953 | Japanese | |||
1907 | 1978 | Dutch | |||
Miklós Rózsa | 1907 | 1995 | Hungarian | folk-influenced | |
1907 | 1957 | Uzbekistani | |||
1907 | 1991 | Turkish | |||
1907 | 1974 | German | |||
1907 | 1978 | American | Short Symphony; The Negro Speaks of Rivers | neoclassical | |
Václav Trojan | 1907 | 1983 | Czech | ||
1907 | 1987 | French | |||
1907 | 1980 | American | |||
1908 | 1999 | Turkish | |||
1908 | 1975 | American | Sleigh Ride; Blue Tango; Jazz Pizzicato; Irish Suite; Suites of Carols | ||
1908 | 1995 | Israeli | |||
Jan Zdeněk Bartoš | 1908 | 1981 | Czech | ||
1908 | 1987 | German | |||
1908 | 2007 | American | |||
1908 | 2012 | American | Variations for Orchestra; A Symphony of Three Orchestras; 5 string quartets | neoclassical, modernist | |
1908 | 2000 | Canadian | |||
1908 | 2002 | French | |||
1908 | 1993 | Estonian | |||
1908 | 1999 | British | |||
1908 | 1987 | Swedish | |||
1908 | 1996 | English | |||
1908 | 1991 | American | |||
1908 | 1994 | German | |||
Miloslav Kabeláč | 1908 | 1979 | Czech | ||
1908 | 1998 | Danish | neoclassical | ||
1908 | 1986 | Swedish | |||
1908 | 2002 | English | |||
1908 | 1976 | Russian | |||
1908 | 1950 | Canadian | |||
1908 | 1992 | French | Turangalila Symphony; Quartet for the End of Time; Vingt regards sur l'enfant-Jésus; Saint François d'Assise | mysticism, postimpressionist | |
1908 | 1970 | Soviet Georgian | |||
1908 | 2005 | German | |||
1908 | 2004 | German | |||
1908 | 1919 | Russian | |||
1908 | 1989 | American | |||
Eugen Suchoň | 1908 | 1993 | Slovak | folk-influenced | |
Jonas Švedas | 1908 | 1971 | Lithuanian | ||
1908 | 1990 | British | |||
1908 | 1981 | Norwegian | folk-influenced | ||
William Wordsworth | 1908 | 1988 | Scottish | ||
1909 | 1991 | Kosovo Albanian | |||
1909 | 2005 | Argentine-Venezuelan | |||
Grażyna Bacewicz | 1909 | 1969 | Polish | String Quartet No. 3 | |
Gunnar Berg | 1909 | 1989 | Danish | Suite for cello | serialism |
1909 | 2002 | American | |||
1909 | 1963 | Romanian | |||
Václav Dobiáš | 1909 | 1978 | Czech | ||
1909 | 1960 | Czech | |||
1909 | 2006 | Polish | |||
1909 | 2007 | German | neoclassicism | ||
1909 | 1982 | South African-Australian | |||
1909 | 1962 | Belgian | 3 symphonies, choral works, songs for voice and piano, a concerto for the piano and chamber works | ||
1909 | 1996 | Danish | 13 symphonies | neoclassicism | |
1909 | 1987 | Italian | |||
Primitivo Lázaro | 1909 | 1997 | Spanish | ||
Ljubica Marić | 1909 | 2003 | Serb | Sounds of Space; Ostinato Super Thema Octoicha; Threshold of Dream | post-modernism |
1909 | 1940 | American | |||
1909 | 1977 | American | |||
1909 | 2006 | Scottish | |||
1909 | 2007 | German | neoclassicism | ||
1909 | 1991 | American | 9 operas; 8 symphonies; Western Suite | ||
1909 | 2004 | Macedonian | |||
Ādolfs Skulte | 1909 | 2000 | Latvian | ||
1909 | 1994 | Polish | |||
1909 | 1987 | American | |||
1909 | 1932 | Azerbaijani | |||
1910 | 1990 | Finnish | |||
1910 | 1981 | American | Adagio for Strings; Violin Concerto; Symphony in One Movement; Vanessa | Romanticism | |
1910 | 1979 | German | |||
1910 | 2001 | German-born American | |||
Miguel Bernal Jiménez | 1910 | 1956 | Mexican | ||
1910 | 1979 | British | light music | ||
1910 | 2003 | Canadian | - | ||
1910 | 1999 | American | |||
1910 | 1977 | French | |||
1910 | 1982 | Mexican | String Quartet No. 2; Tres movimientos para guitarra; Dos piezas dodecafónicas | neoclassical, serial | |
1910 | 1995 | American | |||
Farid El-Atrache | 1910 | 1974 | Syrian-Egyptian | ||
1910 | 1993 | Mexican | Sones de Mariachi | ||
1910 | 1998 | Italian | Adagio attributed to Albinoni | ||
1910 | 1988 | Russian | |||
1910 | 2000 | German-American | |||
1910 | 2001 | Dutch | |||
1910 | 1982 | Tunisian | |||
Jiang Wen-Ye | 1910 | 1983 | Chinese | ||
Otto Joachim | 1910 | 2010 | German-born Canadian | electronic music | |
Charles Jones | 1910 | 1997 | Canadian | ||
1910 | 1963 | Egyptian | |||
1910 | 2009 | Swedish | |||
1910 | 1998 | French | |||
1910 | 1999 | Swiss | Leonore 40/45 ; Concerto for Jazzband and Symphony Orchestra | ||
1910 | 1976 | French | |||
1910 | 1967 | French | |||
1910 | 1966 | Romanian | |||
Herbert Owen Reed | 1910 | 2014 | American | La Fiesta Mexicana | folk-influenced |
William Reed | 1910 | 2002 | English | ||
1910 | 1979 | Czech | |||
1910 | 1995 | French | Musique concrète | ||
1910 | 1972 | German | light music | ||
1910 | 1992 | American | New England Triptych; Symphony No. 6 | ||
Meinrad Schütter | 1910 | 2006 | Swiss | ||
1910 | 2002 | American | |||
1910 | 1971 | English | |||
1910 | 1994 | Swiss-American | |||
1910 | 1995 | Swiss | |||
1910 | 2008 | Israeli | 7 operas; 6 symphonies; 13 concerti | ||
1910 | 2010 | English | |||
1911 | 1940 | French | Litanies | ||
René Amengual | 1911 | 1954 | Chilean | ||
José Ardévol | 1911 | 1981 | Cuban | 3 symphonies | atonality |
1911 | 1959 | English | |||
1911 | 1988 | American | |||
1911 | 1977 | Swiss | |||
Ján Cikker | 1911 | 1989 | Slovak | folk-influenced | |
Gábor Darvas | 1911 | 1985 | Hungarian | electronic music | |
Ding Shande | 1911 | 1995 | Chinese | Long March Symphony | |
1911 | 1974 | American | |||
Roberto García Morillo | 1911 | 2003 | Argentine | ||
1911 | 1982 | French | |||
1911 | 1975 | American | Wuthering Heights | ||
1911 | 2000 | American | 67 numbered symphonies including Mysterious Mountain; And God Created Great Whales ; Fantasy on Japanese Woodprints | ||
1911 | 1986 | Japanese | |||
1911 | 2006 | Dutch | |||
1911 | 2005 | Finnish | |||
Frederick May | 1911 | 1985 | Irish | ||
Robert McBride | 1911 | 2007 | American | ||
1911 | 2007 | Italian | The Medium; The Consul; Amahl and the Night Visitors | ||
Anne-Marie Ørbeck | 1911 | 1996 | Norwegian | ||
1911 | 1980 | Swedish | Barefoot Songs; Symphony No. 9 | ||
Eduard Pütz | 1911 | 2000 | German | ||
1911 | 1968 | German-born British | |||
1911 | 1979 | Italian | |||
1911 | 1962 | Sri Lankan | |||
Endre Szervánszky | 1911 | 1977 | Hungarian | ||
Władysław Szpilman | 1911 | 2000 | Polish | ||
Tan Xiaolin | 1911 | 1948 | Chinese | ||
1911 | 1990 | American | |||
Hans Vogt | 1911 | 1992 | German | Die Stadt hinter dem Strom, Requiem | |
1911 | 1991 | German | |||
Bojan Adamič | 1912 | 1995 | Slovenian | ||
1912 | 1975 | Uzbekistani | |||
1912 | 1996 | American | The Winter's Passed, for oboe and string orchestra; Hampton Beach Overture; Sinfonia da camera | ||
1912 | 2003 | American | |||
1912 | 1992 | American | 4'33"; Sonatas and Interludes | Aleatoric music, extended technique, prepared piano | |
1912 | 1970 | German-born American | |||
1912 | 1971 | French | |||
1912 | 1980 | Dutch | |||
1912 | 1983 | Ukrainian | |||
Jean Françaix | 1912 | 1997 | French | Clarinet Concerto; Two-Piano Concerto | neoclassicism |
Don Gillis | 1912 | 1978 | American | Symphony No. 5½ | |
1912 | 1990 | Australian | |||
1912 | 2000 | Argentine | |||
1912 | 1995 | Canadian | |||
Gisela Hernández | 1912 | 1971 | Cuban | ||
Robert Hughes | 1912 | 2007 | Scottish-born Australian | ||
Daniel Jones | 1912 | 1993 | Welsh | ||
1912 | 2008 | Armenian | |||
Ma Sicong | 1912 | 1987 | Chinese | ||
1912 | 1983 | Ukrainian | |||
1912 | 2008 | Finnish | |||
José Pablo Moncayo | 1912 | 1958 | Mexican | Huapango | |
1912 | 2002 | Spanish | |||
1912 | 1997 | American-Mexican | Studies for player-piano | ||
Nie Er | 1912 | 1935 | Chinese | folk-influenced | |
1912 | 2000 | Canadian | |||
Zoltán Pongrácz | 1912 | 2007 | Hungarian | ||
1912 | 1978 | Russian | Symphony No. 2 | ||
1912 | 1994 | Polish | |||
Jiří Traxler | 1912 | 2011 | Czech | ||
Günter Wand | 1912 | 2002 | German | ||
1913 | 1988 | American | |||
1913 | 2000 | Canadian | |||
1913 | 2003 | Belarusian | In the Forests of Polesie, Nadezhda Durova | Nationalism | |
1913 | 1972 | American | |||
1913 | 2008 | Canadian-American | Orbits, Verticals Ascending, Angels and Devils | spatial music | |
1913 | 1976 | English | War Requiem; Sinfonia da Requiem; Peter Grimes; The Young Person's Guide to the Orchestra; Cello Symphony | Neoclassicism, neotonality | |
1913 | 2000 | American | |||
1913 | 2007 | American | |||
1913 | 2017 | Italian | |||
1913 | 1973 | Scottish | |||
1913 | 1981 | American | Spirituals in Sunshine and Shadow, New England Autumn | folk- and blues-influenced | |
Gyula Dávid | 1913 | 1977 | Hungarian | ||
1913 | 2008 | American | |||
František Domažlický | 1913 | 1997 | Czech | ||
1913 | 1973 | American | |||
1913 | 2010 | Belgian | Elegie voor Bieke | ||
1913 | 2000 | American | |||
1913 | 1996 | American | |||
Raymond Hanson | 1913 | 1976 | Australian | ||
1913 | 1995 | Dutch | |||
1913 | 2000 | Australian | |||
1913 | 2005 | Australian | |||
Jørgen Jersild | 1913 | 2004 | Danish | ||
1913 | 2003 | American | |||
1913 | 2007 | Russian | |||
René Leibowitz | 1913 | 1972 | French | Chamber Concerto for 12 instruments | |
George Lloyd | 1913 | 1998 | English | ||
Witold Lutosławski | 1913 | 1994 | Polish | Concerto for Orchestra; Jeux vénitiens; Musique funebre; Symphony No. 2; Symphony No. 3 | Neoclassicism, folk-influenced, later Aleatoric music |
1913 | 1995 | Georgian | |||
1913 | 1983 | American | |||
1913 | 1992 | French | |||
1913 | 1993 | Belgian | neoclassicism | ||
1913 | 2005 | American | |||
1913 | 1998 | Danish | |||
1913 | 1969 | Romanian | |||
1913 | 1949 | Estonian | |||
1913 | 1946 | Russian | |||
1914 | 1972 | Swedish | Concerto for viola and orchestra | ||
1914 | 2010 | Brazilian | |||
1914 | 2001 | Greek | |||
1914 | 1990 | American | Little Symphony No. 1; Four Pastorales for oboe and chorus | neoclassicism | |
1914 | 1963 | American | Partita for wind quintet; Symphony | serial | |
1914 | 1997 | American | |||
1914 | 1993 | Dutch | |||
1914 | 1994 | American | Piano Concerto; Symphony No. 2 | neoclassical, jazz-influenced | |
Hermann Haller | 1914 | 2002 | Swiss | neoclassical | |
1914 | 1955 | Japanese | |||
1914 | 2006 | Japanese | |||
Dezider Kardoš | 1914 | 1991 | Slovak | folk-influenced | |
Rafael Kubelík | 1914 | 1996 | Czech | ||
1914 | 1984 | American | |||
1914 | 2002 | American | |||
1914 | 1982 | English | |||
1914 | 2003 | Italian | atonality, twelve-tone technique | ||
1914 | 1958 | Indonesian | |||
1914 | 2008 | English | |||
Josef Páleníček | 1914 | 1991 | Czech | ||
1914 | 1991 | Polish | 10 symphonies | ||
1914 | 2001 | Italian | |||
1914 | 1986 | Croatian | |||
1914 | 1992 | English | |||
Josée Vigneron-Ramackers | 1914 | 2002 | Belgian | ||
1915 | 2012 | Israeli | |||
1915 | 1997 | Russian | |||
1915 | 1973 | American | |||
1915 | 2005 | Canadian | |||
David Diamond | 1915 | 2005 | American | Rounds for string orchestra | neoclassicism |
1915 | 2012 | Russian | The Diary of Anne Frank | ||
Alojz Geržinič | 1915 | 2008 | Slovenian | ||
1915 | 1991 | Mongolian | |||
1915 | 2015 | Swedish | |||
Júlia Hajdú | 1915 | 1987 | Hungarian | ||
1915 | 1990 | English | |||
1915 | 2001 | Brazilian | |||
Vítězslava Kaprálová | 1915 | 1940 | Czech | Military Sinfonietta, Op. 11; Partita for Piano and Strings, Op. 20 | |
1915 | 1991 | Brazilian | |||
1915 | 1996 | American | |||
1915 | 1963 | Australian | |||
1915 | 2005 | Chinese-American | |||
1915 | 1994 | Belgian | |||
1915 | 2001 | New Zealander | |||
1915 | 2014 | Norwegian | |||
1915 | 2010 | American | |||
1915 | 2009 | American | |||
1915 | 1987 | American | neoclassicism | ||
1915 | 2003 | Bulgarian | |||
Gösta Schwarck | 1915 | 2012 | Danish | ||
John Serry Sr. | 1915 | 2003 | American | American Rhapsody; Concerto for Free Bass Accordion | symphonic jazz influenced |
1915 | 2003 | American | |||
1915 | 1997 | Spanish | |||
1915 | 1998 | Russian | Piano Sonata | neoromantic | |
1915 | 2010 | American | |||
1915 | 2000 | American | |||
Jan Håkan Åberg | 1916 | 2012 | Swedish | ||
1916 | 2009 | Georgian | |||
1916 | 2011 | Canadian | |||
1916 | 2004 | British | |||
1916 | 2011 | American | Composition for Four Instruments; String Quartet No. 2; All Set; Philomel | serialism, electronic music | |
1916 | 1975 | American | |||
1916 | 1968 | Swedish | Aniara | Swedish modernism | |
1916 | 1976 | Italian | |||
1916 | 2002 | Uzbekistani | |||
1916 | 2013 | French | Timbres, espace, mouvement; Tout un Monde Lointain; The Shadows of Time | neo-impressionism | |
1916 | 2005 | Austrian | |||
1916 | 1981 | American | |||
1916 | 1999 | Finnish | |||
1916 | 1983 | Argentine | Bomarzo; Cinco canciones populares argentinas; Danzas Argentinas | ||
1916 | 1996 | English | |||
1916 | 2014 | Mexican | |||
1916 | 1992 | British | |||
Carin Malmlöf-Forssling | 1916 | 2005 | Swedish | ||
1916 | 1982 | American | |||
1916 | 2005 | Turkmenistani | |||
1916 | 1998 | Uruguayan | |||
1916 | 1995 | Russian | |||
Jan Rychlík | 1916 | 1964 | Czech | ||
1916 | 1944 | German | |||
1916 | 1994 | Russian-born Israeli | |||
1916 | 1983 | British | |||
1916 | 2006 | American | |||
1916 | 1993 | Finnish-Swedish | |||
1916 | 2010 | Italian | |||
1916 | 1983 | South African | |||
1917 | 1995 | Estonian | |||
1917 | 2009 | English | |||
1917 | 2000 | Irish | |||
1917 | 2002 | Italian-Croatian | |||
1917 | 1993 | English | |||
1917 | 2004 | American | |||
1917 | 2008 | Panamanian | |||
1917 | 1994 | American | microtone, xenharmonic | ||
1917 | 1997 | American | twelve tone, extended technique | ||
1917 | 2005 | Canadian | light music | ||
John Gardner | 1917 | 2011 | English | Tomorrow Shall Be My Dancing Day | |
1917 | 2002 | Italian | computer music | ||
1917 | 1997 | Danish | |||
1917 | 2003 | American | Concerto for Violin and Percussion Orchestra; Piano Concerto | ||
Prenkë Jakova | 1917 | 1969 | Albanian | ||
1917 | 1980 | Romanian | |||
Václav Kašlík | 1917 | 1989 | Czech | ||
1917 | 1994 | Greek | |||
1917 | 1986 | Venezuelan | guitar music | ||
1917 | 2003 | Brazilian | |||
1917 | 1972 | American | Symphonies 1, 2 & 3; Violin Concerto; Comedy, Galaxy, Cosmos | ||
1917 | 1950 | Romanian | |||
José Maceda | 1917 | 2004 | Filipino | ||
1917 | 1989 | French | |||
1917 | 2007 | Canadian | |||
1917 | 2012 | Scottish | |||
1917 | 1999 | Australian | |||
Tarateño Rojas | 1917 | 2001 | Bolivian | ||
1917 | 2003 | British | El Polifemo de Oro for guitar | ||
Maj Sønstevold | 1917 | 1996 | Swedish | ||
1917 | 2008 | Belarusian | |||
Robert Ward | 1917 | 2013 | American | Concerto for piano and orchestra | |
1917 | 1985 | American | |||
1917 | 1995 | Korean-German | |||
1918 | 1994 | French | |||
1918 | 2000 | Canadian | |||
Jürg Baur | 1918 | 2010 | German | Concerto romano for oboe and orchestra; Der Roman mit dem Kontrabass | serialism, quotation, neoclassicism |
1918 | 1990 | American | West Side Story; Chichester Psalms; Candide; Serenade; Mass | jazz-influenced and pop-influence; also a composer of popular songs, under pseudonym "Lenny Amber" | |
1918 | 1985 | Canadian | |||
1918 | 2003 | Brazilian | |||
Gayane C'ebotaryan | 1918 | 1998 | Armenian | ||
1918 | 2004 | Romanian | choral | ||
1918 | 2006 | English | |||
1918 | 1992 | English | |||
1918 | 1996 | Austrian | Dantons Tod, Der Besuch der alten Dame, cantata An die Nachgeborenen | eclectic | |
1918 | 1994 | French | |||
1918 | 1982 | Azerbaijani | |||
1918 | 2008 | Cuban | |||
1918 | 2008 | Filipino | |||
1918 | 2006 | Argentine | Música para 5 instrumentos; Concerto for Viola and Orchestra | ||
1918 | 1996 | Greek | |||
Leonard B. Meyer | 1918 | 2007 | American | ||
1918 | 2009 | American | |||
1918 | 1976 | Belgian | |||
1918 | 1970 | Irish | |||
1918 | 1984 | Canadian | |||
1918 | 2005 | American | serialism, later Neoromanticism | ||
1918 | 1991 | English | |||
Jórunn Viðar | 1918 | 2017 | Icelandic | ||
1918 | 1970 | German | Die Soldaten; Musique pour les soupers du Roi Ubi; Tratto; Tempus loquendi | serialism, musical quotation, collage, electronic music, jazz-influenced, eclectic, polystylism | |
István Anhalt | 1919 | 2012 | Hungarian-Canadian | ||
Bülent Arel | 1919 | 1990 | Turkish | electronic music | |
1919 | 2013 | American | |||
Sven-Erik Bäck | 1919 | 1994 | Swedish | ||
1919 | 2005 | English | |||
1919 | 2000 | Danish | |||
1919 | 1995 | Czech | |||
1919 | 1981 | American | |||
Ota Čermák | 1919 | 1963 | Czech | ||
1919 | 2004 | British | |||
1919 | Georgian | ||||
1919 | 1999 | Serbian | |||
1919 | 2014 | Estonian-born Canadian | |||
1919 | 2001 | Danish | |||
1919 | 2008 | Latvian-Canadian | |||
1919 | 2009 | American | |||
1919 | 1945 | Czech | |||
Li Huanzhi | 1919 | 2000 | Chinese | ||
Václav Nelhýbel | 1919 | 1996 | Czech-American | ||
1919 | 2019 | Chilean | |||
Jiří Pauer | 1919 | 2007 | Czech | ||
Qu Xixian | 1919 | 2008 | Chinese | ||
Rezső Sugár | 1919 | 1988 | Hungarian | ||
1919 | 2010 | Estonian-American | |||
1919 | 1995 | Japanese | |||
1919 | 2006 | Russian | |||
1919 | 2017 | American | |||
1919 | 2013 | Italian | eclectic | ||
Mieczysław Weinberg | 1919 | 1996 | Polish | ||
1919 | 1999 | American | |||
1920 | 2012 | Armenian | Trumpet Concerto in A-flat major | avant-garde | |
1920 | 1989 | American | electronic music | ||
José Antonio Bottiroli | 1920 | 1990 | Argentine | ||
1920 | 2012 | American | |||
1920 | 1998 | English | |||
1920 | 1960 | Italian | |||
1920 | 1996 | French | |||
1920 | 2003 | New Zealander | |||
1920 | 1990 | English | |||
1920 | 2007 | Israeli | |||
1920 | 2011 | Soviet and Russian | |||
1920 | 1998 | American | |||
1920 | 2013 | American | |||
1920 | 1974 | German | |||
1920 | 2003 | American | |||
1920 | 1987 | Russian | |||
1920 | 1973 | Italian | Satyricon | avant-garde, electronic music | |
1920 | 2007 | American | |||
1920 | 1989 | Swiss | |||
1920 | 1998 | Cuban | |||
1920 | 1986 | Swiss | |||
1920 | 2013 | American | Symphony for Classical Orchestra | ||
1920 | 1936 | Finnish | Sinfonia piccola | Romanticism | |
Robert Turner | 1920 | 2012 | Canadian | ||
1920 | 1991 | English | |||
Zbyněk Vostřák | 1920 | 1985 | Czech | ||
1921 | 2003 | American | |||
1921 | 2007 | Israeli | |||
1921 | 2006 | English | Symphony No. 5 and No. 7; English Dances | ||
1921 | 1983 | Armenian | |||
1921 | 2014 | American | |||
1921 | 2010 | American | Lizzie Borden | ||
1921 | 1994 | American | Violin Concerto, March with Trumpets | ||
1921 | 1994 | English | |||
1921 | 2011 | French | |||
1921 | 1969 | Swedish | |||
1921 | 1997 | Czech | |||
1921 | 2006 | French | |||
1921 | 1968 | French | |||
1921 | 1990 | Polish | |||
1921 | 1998 | German | |||
1921 | 2017 | Egyptian-born American | electronic music | ||
1921 | 2011 | German | |||
1921 | 2013 | Russian | |||
Fritz Geißler | 1921 | 1984 | German | ||
1921 | 1999 | British | |||
Nazife Güran | 1921 | 1993 | Turkish | ||
1921 | 2014 | British | |||
1921 | 2016 | Czech-American | Music for Prague 1968; Music for Band, Orchestra, Chamber Ensembles | ||
1921 | 2007 | American | neoclassicism | ||
Yoshirō Irino | 1921 | 1980 | Japanese | ||
1921 | 2009 | Japanese | |||
Božidar Kantušer | 1921 | 1999 | American/Slovenian | ||
1921 | 1996 | Finnish | |||
1921 | 2002 | Albanian | |||
1921 | 1957 | American | |||
1921 | 2017 | Swedish | |||
1921 | 2006 | French | |||
1921 | 2019 | Ghanaian | |||
1921 | 2013 | American | |||
Astor Piazzolla | 1921 | 1992 | Argentine | tangos | |
Ariel Ramírez | 1921 | 2010 | Argentine | Misa Criolla | |
Primož Ramovš | 1921 | 1999 | Slovenian | ||
1921 | 2005 | American | |||
1921 | 2002 | American | |||
Robert Simpson | 1921 | 1997 | English | ||
Leo Smit | 1921 | 1999 | American | ||
Vladimír Sommer | 1921 | 1997 | Czech | ||
1921 | 1980 | Czech | |||
İlhan Usmanbaş | 1921 | Turkish | |||
1921 | 1984 | English | |||
1922 | 1991 | Philippine | |||
1922 | 1984 | Azerbaijani | |||
1922 | 1993 | English | |||
1922 | 2008 | English | |||
1922 | 2012 | Japanese | |||
1922 | 2008 | Italian-Norwegian | opera | ||
1922 | 2002 | American | |||
Gérard Calvi | 1922 | 2015 | French | ||
1922 | 2003 | British | |||
1922 | 1964 | Italian | |||
Chen Peixun | 1922 | 2007 | Chinese | ||
Đỗ Nhuận | 1922 | 1991 | Vietnamese | ||
1922 | 1999 | English | |||
1922 | 2009 | German-born American | Baroque Variations, Griffelkin | ||
1922 | 2012 | Dutch | |||
1922 | 1966 | Russian | Sonata Triad for piano, First Concerto for Piano and Orchestra, Second Concerto for Piano and Orchestra, Spanish Fantasy for piano | ||
1922 | 2014 | French | |||
Stefans Grové | 1922 | 2014 | South African | ||
Iain Hamilton | 1922 | 2000 | Scottish | chamber & orchestral works; operas & vocal works | |
1922 | 2002 | English | |||
Ilja Hurník | 1922 | 2013 | Czech | sonata da camera for flute, oboe, cello and harpsichord | |
1922 | 1987 | American | |||
1922 | 2004 | Canadian | |||
1922 | 2014 | American | |||
Otmar Mácha | 1922 | 2006 | Czech | ||
Ester Mägi | 1922 | Estonian | |||
1922 | 2012 | Macedonian | |||
Pierre Petit | 1922 | 2000 | French | ||
1922 | 1999 | American | |||
1922 | 1981 | Polish | |||
1922 | Egyptian | ||||
1922 | 2017 | American | |||
1922 | 2001 | Danish | |||
1922 | 1993 | Italian | Helian di Trakl, Rondeaux per dieci, Blaubart | ||
George Walker | 1922 | 2018 | American | ||
1922 | 2012 | German-born Australian | electronic music | ||
1922 | 2001 | English | |||
James Wilson | 1922 | 2005 | Irish | ||
1922 | 2001 | Greek | Metastaseis | avant-garde, stochastic music | |
Zhu Jian'er | 1922 | 2017 | Chinese | ||
1923 | 1995 | American | |||
1923 | 2006 | American | |||
1923 | 2016 | American | |||
1923 | 1968 | Canadian | |||
1923 | Dutch | ||||
Teresa Borràs i Fornell | 1923 | 2010 | American | ||
1923 | 2004 | English | |||
1923 | 2014 | English | influenced by Sibelius | ||
1923 | 2005 | French | |||
Chou Wen-chung | 1923 | 2019 | Chinese/American | Landscapes | |
1923 | 1953 | Czech | |||
1923 | 1977 | English | |||
1923 | 2008 | Kyrgyzstani | |||
1923 | 1993 | Belgian | Sonata for Two Pianos, Nr. 2 for thirteen instruments, Nr. 5 met zuivere tonen, Aquarius | neoclassicism, serialism, minimalism, postminimalism, mysticism, electronic music | |
1923 | 2012 | Dutch | Canto Ostinato | minimalism | |
Jiří Hudec | 1923 | 1996 | Czech | ||
1923 | 2010 | American | |||
1923 | 1991 | Swedish | |||
György Ligeti | 1923 | 2006 | Hungarian | Atmosphères, Musica ricercata, Lux Aeterna | avant-garde, micropolyphony, polystylism |
1923 | 2016 | German-born, American | |||
1923 | 1983 | American | |||
1923 | 1984 | Serbian | |||
1923 | 1982 | Albanian | |||
1923 | 2006 | American | |||
1923 | 1998 | American | |||
1923 | 1988 | Bulgarian | |||
1923 | 1996 | Spanish | |||
1923 | American | Our Town, 3 symphonies | |||
1923 | 2005 | Bulgarian | |||
1923 | 1994 | English | |||
1923 | 1986 | American | |||
1923 | 2009 | American | |||
1923 | 2016 | Austrian | |||
1923 | 2007 | German | |||
1924 | 2012 | Swiss | |||
1924 | 2005 | German-Chilean | |||
Axel Borup-Jørgensen | 1924 | 2012 | Danish | ||
1924 | 2012 | Brazilian | |||
1924 | 1984 | French | |||
1924 | Belgian | ||||
1924 | 2001 | Japanese | Symphony No. 4, Sonata for flute and piano | atonality | |
1924 | 2013 | British | |||
1924 | 2005 | German | |||
1924 | 2019 | American | |||
1924 | 1994 | American | HPSCHD | computer music, stochastic music | |
1924 | 2003 | American | |||
1924 | 2013 | Norwegian | church music | ||
1924 | 2017 | Swiss | |||
1924 | 2009 | French | |||
1924 | 1977 | American | |||
1924 | 2018 | Croatian | |||
1924 | 2015 | American | |||
1924 | 2003 | Israeli | |||
1924 | 2010 | American | Concerto for String Quartet and Orchestra | ||
1924 | 2015 | Japanese | |||
1924 | 2005 | Italian | |||
1924 | 2009 | English | |||
Krystyna Moszumańska-Nazar | 1924 | 2009 | Polish | ||
1924 | 2008 | French | |||
Luigi Nono | 1924 | 1990 | Italian | Il canto sospeso, Intolleranza 1960, Prometeo | avant-garde |
1924 | 2016 | American | |||
Mikhaïl Nossyrev | 1924 | 1981 | Russian | Modernist | |
1924 | 1979 | American | |||
1924 | 1988 | Portuguese | |||
Ruth Schönthal | 1924 | 2006 | German | ||
Jitka Snížková | 1924 | 1989 | Czech | ||
1924 | 2001 | Austrian-born American | |||
1924 | 1989 | Georgian | |||
1924 | 2015 | English | |||
1924 | 1994 | Bulgarian | |||
1925 | 1989 | Japanese | Rapsodia per orchestra | atonality | |
1925 | 1996 | Dutch | |||
1925 | 2008 | American | electronic music | ||
1925 | 1996 | Russian | |||
1925 | 1994 | American | The Number of Fools | jazz-influenced | |
1925 | 2010 | Chilean | |||
1925 | 1983 | American | Stripsody | avant-garde | |
1925 | 2003 | Italian | Sequenza; Sinfonia | avant-garde, polystylism | |
1925 | 2019 | American | |||
André Boucourechliev | 1925 | 1997 | French | ||
1925 | 2016 | French | Le marteau sans maître; …explosante-fixe…; Répons | avant-garde, serialism, aleatory, polystylism | |
1925 | 2008 | English-Australian | |||
1925 | 2016 | French | |||
1925 | 2011 | Italian | |||
1925 | 2015 | Russian | |||
1925 | 1991 | South African | |||
Jindřich Feld | 1925 | 2007 | Czech | ||
1925 | 2002 | American | |||
Fernando González Casellas | 1925 | 1998 | Argentine | ||
1925 | 2003 | British | New Zealand Suite | best known as a composer of film scores | |
1925 | German | ||||
1925 | 1994 | Greek | |||
1925 | 2009 | Czech | |||
1925 | 2002 | German | |||
1925 | French | ||||
1925 | 2009 | German | |||
1925 | 1965 | Dutch | |||
Włodzimierz Kotoński | 1925 | 2014 | Polish | Concerto per quattro, for piano, harpsichord, guitar, harp, and orchestra | |
1925 | 2008 | American | |||
1925 | 2008 | American | One and Three Quarters | microtonal, jazz-influenced | |
1925 | 1984 | Macedonian | five symphonies, two ballets, two symphonic poems, choral music and songs | ||
1925 | 2019 | French | Cantate pour elle; Dodecameron; Lumina | ||
1925 | American | four operas, two symphonies, choral music | |||
Miroslav Miletić | 1925 | 2018 | Croatian | ||
Nguyễn Văn Quỳ | 1925 | Vietnamese | |||
Julián Orbón | 1925 | 1991 | Spanish/Cuban | Three Symphonic Versions | |
1925 | 1996 | French | |||
Hans-Hubert Schönzeler | 1925 | 1997 | German-born Australian | ||
1925 | 2015 | American | jazz-influence; Third Stream | ||
1925 | 2017 | Russian | |||
1925 | 2009 | American | |||
1925 | 2020 | Chilean-American | |||
1925 | 2008 | American | |||
1925 | 1996 | Russian | |||
1925 | Greek | Symphony No. 7; Kata Saddukaion Pathi | also composer of popular songs and film scores including Zorba the Greek; Serpico | ||
1925 | 1991 | Georgian | |||
Vladimir Vavilov | 1925 | 1973 | Russian | ||
1925 | American | Catharsis Suite for orchestra; Lancaster Overture for orchestra; Catskill Legend for band | |||
1926 | 1959 | Russian | |||
Herbert H. Ágústsson | 1926 | 2017 | Icelandic | ||
1926 | Armenian | ||||
Rodolfo Arízaga | 1926 | 1985 | Argentine | ||
1926 | 1994 | British | Suite for Piano; The Seer | ||
1926 | 2013 | American | |||
1926 | 2011 | Scottish | |||
1926 | 1998 | Venezuelan | |||
1926 | 1995 | English | |||
1926 | 2002 | American | December 1952; Available Forms I & II | open form; graphic notation | |
1926 | 1991 | American | |||
Edwin Carr | 1926 | 2003 | New Zealander | ||
Jacques Castérède | 1926 | 2014 | French | ||
1926 | Austrian | Spiegel | |||
1926 | French | ||||
1926 | 2000 | American | extended technique, improvisation, indeterminacy | ||
1926 | 1988 | Mongolian | |||
1926 | 1970 | Greek | Mysterion, Praxis for 12 | atonality, meta-serialism, improvisation | |
1926 | French | ||||
Manuel Enríquez | 1926 | 1994 | Mexican | ||
Franco Evangelisti | 1926 | 1980 | Italian | Incontri di fasce sonore | electronic music |
1926 | 1987 | American | Rothko Chapel, String Quartet No. 2 | ||
1926 | American | Susannah; Wuthering Heights; Of Mice and Men | |||
1926 | 1993 | American | The Flow of | ||
1926 | 1983 | Swiss | Vespers in Vienna | ||
Čestmír Gregor | 1926 | 2011 | Czech | ||
1926 | 2011 | Austrian-Australian | |||
1926 | 2012 | German | Ondine | polystylism | |
1926 | 2011 | American | |||
Zhun Huang | 1926 | Chinese | |||
Ben Johnston | 1926 | 2019 | American | Sonata for Microtonal Piano; String Quartet No. 4 | microtonal music |
1926 | French | ||||
Werner Kaegi | 1926 | Swiss | electronic music | ||
Melinda Kistétényi | 1926 | 1999 | Hungarian | ||
1926 | German-Dutch | Project 1 | computer music, electronic music | ||
1926 | American | ||||
Oldřich František Korte | 1926 | 2014 | Czech | Concerto Grosso | neo-classicism, expressionist, neo-romantic |
1926 | 2003 | American | |||
György Kurtág | 1926 | Hungarian | Játékok | ||
1926 | Chinese | ||||
John Lambert | 1926 | 1995 | British | ||
Celso Garrido Lecca | 1926 | Peruvian | |||
1926 | 1996 | Dutch | |||
1926 | 2009 | Portuguese | |||
Janez Matičič | 1926 | Slovenian | |||
1926 | 2007 | German | |||
1926 | Romanian | ||||
1926 | 1995 | American | |||
1926 | American | Concerto for Piano and Violas, Cellos and Basses | |||
William Schmidt | 1926 | 2009 | American | ||
William O. Smith | 1926 | 2020 | American | Concerto for Jazz Soloist and Orchestra | jazz-influenced; serialism; avant-garde |
1926 | 1970 | German | |||
1926 | Georgian | ||||
Cornel Trăilescu | 1926 | 2019 | Romanian | ||
1926 | 1996 | American | |||
1926 | 1998 | Romanian | Concerto for violin, cello and orchestra; seven symphonies; eight string quartets | modality | |
1926 | American | ||||
1926 | 2018 | American | |||
1926 | Russian | ||||
1926 | 2018 | American | |||
André Almuró | 1927 | 2009 | French | ||
1927 | 2016 | Sri Lankan | |||
1927 | 2017 | Austrian | |||
John Beckwith | 1927 | Canadian | |||
1927 | 2016 | Romanian | |||
1927 | 1971 | Czech | |||
1927 | 2000 | American | |||
1927 | 1998 | Danish | neoclassicism | ||
1927 | Canadian | ||||
1927 | American | ||||
1927 | American | ||||
1927 | 2000 | Italian | |||
John W. Downey | 1927 | 2004 | American | ||
1927 | 2008 | American | Concerto for Trombone and Orchestra; Concerto for Violin and Orchestra | jazz-influenced, aleatory, electronic music, eclectic | |
1927 | 2017 | French | Symphonie pour un homme seul | musique concrète | |
1927 | Welsh | ||||
1927 | 1997 | English | |||
John Joubert | 1927 | 2019 | English | ||
1927 | 2017 | German | Sinfonia I–III, Song cycles | ||
1927 | 2011 | Brazilian | |||
1927 | 2010 | Czech | |||
1927 | Danish | ||||
1927 | Austrian | ||||
1927 | 1969 | American | |||
Ștefan Niculescu | 1927 | 2010 | Romanian | Ison II | |
1927 | 2013 | French | electronic or acousmatic music | ||
1927 | American | The Face of the Night, the Heart of the Dark | electro-acoustic, and electronic music | ||
1927 | 2001 | Polish | |||
1927 | American | ||||
1927 | American | ||||
Thomas Wilson | 1927 | 2001 | Scottish | ||
Çesk Zadeja | 1927 | 1997 | Albanian | ||
1927 | 2020 | Swiss | |||
Samuel Adler | 1928 | American | |||
1928 | 2012 | Austrian | |||
Ruth Anderson | 1928 | 2019 | American | ||
1928 | 1981 | Polish | |||
Jean Barraqué | 1928 | 1973 | French | Piano Sonata, Chant après chant | serialism |
Lubor Bárta | 1928 | 1972 | Czech | Piano Trio in C Major, Concertino for trombone and piano | |
1928 | 1997 | American | Concerto Grosso for saxophone quartet and band | concert band music | |
1928 | 2017 | American | |||
1928 | 1993 | Russian | |||
1928 | 2013 | French | |||
1928 | French | ||||
1928 | 1996 | American | Windows | ||
Du Mingxin | 1928 | Chinese | |||
1928 | 1995 | American | |||
David Farquhar | 1928 | 2007 | New Zealander | A Unicorn for Christmas, Ring Round the Moon | neoclassicism |
1928 | 1994 | American | Neoclassicism | ||
1928 | Romanian | ||||
1928 | 1994 | Georgia | |||
1928 | American | ||||
1928 | 2000 | Swedish | |||
1928 | 2001 | American | |||
1928 | 2007 | Hungarian | |||
Miloslav Ištvan | 1928 | 1990 | Czech | ||
1928 | American | ||||
1928 | 2010 | Georgian | |||
Kamilló Lendvay | 1928 | 2016 | Hungarian | ||
1928 | 2006 | Dutch | |||
Zdeněk Lukáš | 1928 | 2007 | Czech | ||
1928 | 2020 | Italian | also a composer of film music: Once Upon a Time in America; The Mission; The Good, the Bad and the Ugly; A Fistful of Dollars; Once Upon a Time in the West | ||
1928 | 2010 | German | operas, orchestra, chamber | ||
1928 | Scottish | ||||
Jorge Peña Hen | 1928 | 1973 | Chilean | ||
1928 | Hungarian | ||||
1928 | 2016 | Finnish | Cantus Arcticus; Symphony No. 7 "Angel of Light"; Piano Concerto No. 3 "The Gift of Dreams" | ||
1928 | 2015 | British | |||
1928 | 2007 | German | Kontra-Punkte; Gesang der Jünglinge; Klavierstücke; Gruppen; Kontakte; Hymnen; Stimmung; Mantra; Tierkreis; ', first six operas of the Licht cycle | avant-garde, electronic music, serialism, aleatory, intuitive music, formula composition, polystylism | |
1928 | American | ||||
1928 | 2009 | English-born Australian | |||
1928 | 2013 | Hungarian-Australian | |||
1928 | British | ||||
1928 | 1991 | Albanian | |||
1929 | 1999 | Dutch | |||
1929 | Danish | ||||
1929 | 2006 | Polish | |||
1929 | 2009 | Italian | |||
1929 | 1995 | German | |||
1929 | 1993 | Dutch | |||
1929 | 1989 | Belgian | |||
1929 | Armenian | ||||
1929 | Greek-American | Antigone, Cello Concerto "Shenzhen" | |||
1929 | American | Ancient Voices of Children, Black Angels | extended technique, numerology | ||
1929 | 2001 | Bangladeshi | |||
1929 | 1996 | Russian | L'écume des jours , Requiem, 2 Symphonies, Violin Concerto, Flute Concerto | avant-garde, serialism, extended technique, polystylism, electronic music | |
Frédéric Devreese | 1929 | Belgian | |||
1929 | 2007 | Czech | |||
1929 | Iranian | ||||
1929 | 2005 | French | Presque rien No. 1: "Le Lever du jour au bord de la mer" | electronic music | |
1929 | American | ||||
1929 | 2004 | American | also composer of film scores, Music for Orchestra; Fireworks | ||
1929 | 2008 | Welsh | |||
1929 | Spanish | ||||
1929 | 2011 | American | |||
1929 | 1991 | Polish | |||
1929 | American | neo-classical, musical palindromes | |||
1929 | 2011 | Czech | |||
1929 | 1979 | Russian | |||
1929 | 1988 | English | |||
Miłosz Magin | 1929 | 1999 | Polish | ||
André Mathieu | 1929 | 1968 | Canadian | ||
1929 | 2007 | Japanese | atonality | ||
1929 | 1997 | Japanese | |||
1929 | 2010 | American | |||
1929 | American | Rocky Point Holiday | |||
1929 | Russian | ||||
1929 | 2009 | Belgian | Scambi; Votre Faust; Trois visages à Liège; Couleurs croisées | serialism, aleatory, eclectic, polystylism, electronic music, world music, popular music influence, | |
André Previn | 1929 | 2019 | German/American | A Streetcar Named Desire | |
1929 | 2016 | German | |||
Bogusław Schaeffer | 1929 | 2019 | Polish | ||
1929 | 2014 | Australian | Requiem; Kakadu; Earth Cry; Rites of Passage | ||
1929 | 2019 | Austrian | Trumpet Concerto with strings; Saxofonia; Miró | ||
1929 | 2019 | German | 5 Galgenlieder; Ein Stern aus Jacob | ||
1929 | 2000 | American | |||
1929 | 1994 | Armenian | |||
Lloyd Ultan | 1929 | 1998 | American | ||
1929 | 2011 | American | |||
1929 | 1976 | Japanese | piano concerto | atonality | |
1929 | 2014 | German | |||
1930 | 2017 | American | |||
1930 | 1994 | Israeli | |||
1930 | American | ||||
1930 | 2014 | American | In Memoriam... Kit Carson | electronic music, extended techniques | |
1930 | 2018 | American | Improvisations for Orchestra and Jazz Soloists | electronic music, computer music, jazz-influenced | |
1930 | Croatian | Romanticism, atonality | |||
1930 | French | Suite for flute and jazz piano trio | jazz-influenced | ||
1930 | Belgian | ||||
1930 | Australian | ||||
1930 | American | ||||
John Davison | 1930 | 1999 | American | ||
1930 | 1995 | French | |||
1930 | 2019 | French | |||
1930 | 2000 | Austrian | |||
Cristóbal Halffter | 1930 | Spanish | Líneas y puntos; Don Quixote | eclectic, electronic music | |
1930 | 1996 | British | |||
Ryōhei Hirose | 1930 | 2008 | Japanese | ||
1930 | 1994 | Russian | Symphony No. 3, Concert Piece for piano | ||
1930 | 2014 | English | |||
Günter Kochan | 1930 | 2009 | German | ||
1930 | 2017 | English | Facets of Glass; Rhapsody for Trombone | brass band music | |
1930 | Dutch | ||||
1930 | 2008 | Chinese-born Taiwanese | |||
1930 | Danish | ||||
1930 | 2004 | Finnish | |||
1930 | American | ||||
1930 | English | ||||
1930 | 2018 | German | Mahler-Moment; Maulwerke; Baumzucht | ||
1930 | 2007 | Dutch | |||
1930 | 1996 | Japanese | A Flock Descends into the Pentagonal Garden; Toward the Sea | neo-impressionism | |
1930 | 2010 | Estonian | |||
1930 | 2017 | Estonian | |||
1930 | American | ||||
1930 | 2003 | American | |||
1930 | 1967 | American | neoclassical | ||
1930 | German | ||||
1931 | 2007 | American | |||
1931 | 2020 | Lithuanian | |||
1931 | American | Echoes of Petrarch; Piano Trio No. 2; String Quartet No. 3 | serialism | ||
1931 | Italian | ||||
1931 | 2009 | Maltese | |||
1931 | American | ||||
1931 | 2009 | Canadian | |||
1931 | 2000 | American | |||
1931 | Romanian | ||||
1931 | 2011 | American | |||
1931 | American | ||||
1931 | 2006 | Belgian | serialism, electronic music | ||
1931 | Russian | Offertorium; Music for Flute, Strings, and Percussion | |||
1931 | 2016 | American | |||
1931 | 2012 | Japanese | Viola Concerto "Elegia" | ||
1931 | 2019 | English | |||
1931 | Hungarian | ||||
1931 | 2008 | Argentine / German | Staatstheater; Kantrimiusik; Ludwig van | polystylism | |
1931 | Swiss | ||||
1931 | 1969 | Polish | |||
1931 | Canadian | ||||
1931 | Turkish | ||||
1931 | Belgian | Das Schloss | eclectic | ||
1931 | Australian | ||||
1931 | 2019 | Spanish | |||
1931 | 1997 | Romanian | |||
1931 | 2005 | American | |||
1931 | 2010 | Norwegian | Epitaffio; The Tempest ; Magma | many works include electronics | |
1931 | 2019 | Danish | |||
1931 | 2018 | Slovenian | |||
1931 | Chilean-Israeli | ||||
1931 | Japanese | Fragmente | electronic music, influence of traditional Japanese music | ||
1931 | Japanese | ||||
1931 | 2019 | American | |||
1931 | 2003 | Australian | Mass of Christ the King; The Dawn is at Hand; 7 numbered symphonies; cassations | ||
1932 | American | ||||
1932 | French | ||||
1932 | 1996 | Italian | |||
1932 | 2008 | Danish | fluxus | ||
1932 | 2003 | Dutch | |||
1932 | 2008 | American | electronic music | ||
1932 | Scottish | ||||
1932 | English | Arianna | twelve-tone, later modal, eclectic | ||
1932 | 2016 | Danish | |||
André Hajdu | 1932 | 2016 | Israeli | ||
1932 | 1993 | Egyptian | |||
1932 | Danish | ||||
1932 | 2012 | German | |||
1932 | Czech | ||||
1932 | 2005 | American | Works for Saxophone; works for Double Bass | ||
1932 | 2013 | Polish | Krzesany | holy minimalism; also composer of film music: Dracula | |
Bronius Kutavičius | 1932 | Lithuanian | |||
1932 | 2013 | Bulgarian | |||
1932 | 2000 | American | |||
1932 | 1996 | Dutch | |||
1932 | 2009 | Australian | Voss | avant-garde | |
Per Nørgård | 1932 | Danish | Voyage into the Golden Screen | ||
1932 | 2004 | American | |||
1932 | American | ||||
1932 | 1994 | Latvian-American | |||
1932 | 2010 | American | |||
1932 | Brazilian | ||||
1932 | Russian | Lolita; 2 symphonies; The Carmen Ballet; 6 piano concertos | polystylism | ||
1932 | 2020 | Russian | polystylism | ||
1932 | 1987 | American | |||
1932 | 1990 | American | |||
1932 | Turkish | ||||
Gilles Tremblay | 1932 | 2017 | Canadian | Sonorisation du Pavillon du Québec; Fleuves | electronic music, serialism |
1932 | American | also composer of film scores, The Five Sacred Trees | |||
1932 | English | Symphony; Cello Concerto; Piano Concerto; Violin Concerto No. 1; Scenes from Comus | symphonic serialism | ||
1933 | Spanish-American | 6 symphonies; 6 operas | Avant-garde, later folk-influenced | ||
Easley Blackwood Jr. | 1933 | American | polyrhythm, microtone | ||
Seóirse Bodley | 1933 | Irish | |||
1933 | Australian | ||||
1933 | 2018 | Australian | |||
1933 | Canadian | ||||
1933 | British | modernism | |||
Ramiro Cortés | 1933 | 1984 | American | serialism, atonality | |
1933 | American | ||||
Antón García Abril | 1933 | Spanish | |||
Henryk Górecki | 1933 | 2010 | Polish | Symphony of Sorrowful Songs | holy minimalism |
Don Kay | 1933 | Australian | |||
István Láng | 1933 | Hungarian | |||
1933 | 1970 | Swedish | Neoromanticism | ||
1933 | 1971 | Bangladeshi | |||
1933 | 2012 | American | |||
1933 | 2002 | Swedish | |||
1933 | 2013 | Japanese | |||
1933 | 2009 | British | |||
1933 | 2020 | Polish | Threnody for the Victims of Hiroshima; St. Luke Passion; Polish Requiem; Symphony No. 2: Christmas | avant-garde, extended technique, later neoromanticism, polystylism | |
1933 | French | neo-impressionism | |||
1933 | 2017 | American | avant-garde, atonal, electronic, new music theater | ||
John Sanders | 1933 | 2003 | English | ||
1933 | 2008 | Australian | |||
Tôn-Thất Tiết | 1933 | Vietnamese-French | |||
1933 | 2012 | American | |||
1933 | American | ||||
Xin Huguang | 1933 | 2011 | Chinese | Gada Meilin | |
1934 | 2001 | French | |||
1934 | French | ||||
1934 | Turkish | ||||
1934 | English | The Mask of Orpheus, Silbury Air | |||
1934 | 2013 | Dutch | Pastorale VII; Concerto for Two Violins and Orchestra | serialism, improvisation, musical quotation | |
1934 | American | ||||
1934 | 2017 | English | I heard a Voice; Cello Concerto - Deathwatch; Croquis; Capriccio | ||
1934 | 2019 | American | |||
1934 | 2016 | English | Taverner, Eight Songs for a Mad King, Symphony No. 1, Symphony No. 3, Symphony No. 6, Strathclyde Concertos, Naxos Quartets | ||
1934 | English | ||||
Anthony Gilbert | 1934 | British | |||
1934 | French | ||||
1934 | British | ||||
Jan Klusák | 1934 | Czech | polystylism | ||
1934 | 1991 | French | |||
1934 | 1992 | Welsh | Let the people praise Thee, O God | ||
1934 | German | Judith, Te Deum | |||
1934 | 2019 | Russian | |||
1934 | 2005 | Spanish | |||
1934 | 2015 | Dutch | |||
1934 | 1998 | American | |||
1934 | English | ||||
1934 | American | ||||
1934 | 1996 | British | |||
1934 | 1998 | Russian | 10 symphonies, notably the First Symphony, the Third, Fourth, and Fifth Symphonies; and the Viola and 1st Cello Concertos, First Concerto Grosso, Second and Third String Quartets and the String Trio | polystylism | |
1934 | Spanish | electronic music | |||
Avo Sõmer | 1934 | American | |||
Walter Steffens | 1934 | German | |||
1934 | 2006 | American | |||
1934 | Argentine | ||||
1934 | 1994 | American | |||
1934 | 2013 | French | |||
1934 | American | ||||
Christian Wolff | 1934 | American | Summer, for string quartet; Pebbles, for violin and piano | indeterminacy | |
1934 | 2006 | American | |||
1934 | 2000 | Macedonian | Passacalia; Skherzo; Sonata for Two Pianos; In praise of Ciryl and Methodius | ||
1935 | 2006 | Azerbaijani | |||
1935 | 2004 | Chilean | |||
1935 | 2018 | Greek | |||
1935 | 1976 | Nigerian | |||
Jiří Bárta | 1935 | 2012 | Czech | Concerto for Orchestra | |
Derek Bell | 1935 | 2002 | Irish | ||
1935 | Australian | ||||
Chen Gang | 1935 | Chinese | Butterfly Lovers' Violin Concerto | ||
John Eaton | 1935 | 2015 | American | microtonal music | |
1935 | Italian | ||||
1935 | Australian | ||||
1935 | 2014 | Japanese | |||
1935 | English | ||||
1935 | 1982 | Japanese | |||
Samuel Jones | 1935 | American | |||
Sandor Kalloś | 1935 | Russian | |||
1935 | 2019 | Georgian | 7 symphonies | holy minimalism | |
1935 | 2019 | German | '; ' | ||
1935 | German | Schwankungen am Rand; Gran Torso; Das Mädchen mit den Schwefelhölzern | extended technique | ||
François-Bernard Mâche | 1935 | French | |||
Pierre Mariétan | 1935 | 2003 | Swiss | ||
1935 | French | ||||
1935 | 2009 | English | Odyssey; The World in the Evening | ||
1935 | 2018 | Azerbaijani | |||
1935 | Nigerian | ||||
1935 | 1975 | Colombian | |||
Arvo Pärt | 1935 | Estonian | Tabula Rasa; Fratres; Summa; Cantus In Memoriam Benjamin Britten | holy minimalism, polystylism | |
1935 | American | In C | minimalism | ||
1935 | Finnish | The King Goes Forth to France | |||
1935 | 2003 | Dutch | |||
1935 | Austrian | ||||
1935 | 2018 | Israeli | |||
1935 | 1999 | American | |||
1935 | 2013 | American | |||
1935 | American | ||||
André Tchaikowsky | 1935 | 1982 | Polish | ||
Jiří Teml | 1935 | Czech | |||
Wang Qiang | 1935 | Chinese | |||
1935 | American | The Well-Tuned Piano | minimalism, microtonal music, improvisation, Asian-music influence | ||
Mirjana Živković | 1935 | 2020 | Serbian | ||
1936 | French | serialism, electronic music, also composer of film music | |||
1936 | Armenian | Concerto for Orchestra | |||
1936 | 2012 | English | |||
David Blake | 1936 | British | |||
1936 | 2020 | German-Austrian | viola concerto, cantata Mdia in vita, string quartets | also a violist | |
1936 | American | avant-garde, ambient music | |||
1936 | 1981 | English | Treatise; The Great Learning | serialism, improvisation, aleatory | |
1936 | French | ||||
1936 | French | ||||
Aleksandar Džambazov | 1936 | Macedonian | Rhapsody for Skopje, Seven dance variations for piano and orchestra | ||
Iván Erőd | 1936 | 2019 | Hungarian-Austrian | opera Seidenraupen, song cycle Milchzahnlieder, piano trios | |
1936 | 2011 | Canadian | |||
1936 | British | ||||
Éric Gaudibert | 1936 | 2012 | Swiss | ||
1936 | Belgian | ||||
1936 | American | ||||
1936 | American | ||||
1936 | German | ||||
1936 | 1993 | American | |||
1936 | 1998 | Japanese | |||
1936 | 1999 | Danish | |||
1936 | 2003 | Japanese | |||
1936 | 2007 | Ukrainian | |||
Ladislav Kupkovič | 1936 | 2016 | Slovak | Vier Präparierter Texte | Wandelkonzerte, historicism |
1936 | South Korean | ||||
Gérard Masson | 1936 | French | |||
1936 | 2019 | English | Laudate Pueri Dominum; Requiem of Hope; The Quest | ||
1936 | English | ||||
1936 | Brazilian | ||||
1936 | English | ||||
1936 | German | ||||
1936 | American | Piano Phase; Music for 18 Musicians | minimalism; Neoconservative postmodernism | ||
1936 | German | Lear; Nahe Ferne; Wolkenloses Christfest | |||
1936 | American | ||||
1936 | 2016 | American | Equinox for orchestra | ||
1936 | 2002 | German | |||
1936 | 2013 | American | Concerto, Within the Mirror of Time, for piano and orchestra; Chamber Music VII | ||
John White | 1936 | English | Cello and Tuba Machine; 175 piano sonatas | ||
1936 | 2019 | German | Stephen Climax | ||
1937 | Japanese | ||||
1937 | American | ||||
1937 | 1994 | Azerbaijani | |||
1937 | American | ||||
1937 | South Korean | ||||
1937 | Lithuanian | ||||
1937 | Scottish | ||||
1937 | 2011 | British | |||
1937 | American | ||||
Constança Capdeville | 1937 | 1992 | Portuguese | ||
1937 | Italian | Divara – Wasser und Blut | |||
1937 | Polish | ||||
Miguel Ángel Coria | 1937 | 2016 | Spanish | ||
1937 | 2006 | American | |||
1937 | British | ||||
1937 | American | Child Alice; Final Alice | neoromanticism | ||
1937 | 1990 | Armenian | |||
1937 | Russian | ||||
1937 | 2010 | American | |||
1937 | 2007 | Russian | Concerto for Violin, Piano and Orchestra | ||
1937 | American | Violin Concerto; ; 8 symphonies | minimalism | ||
1937 | Hungarian | ||||
1937 | American | ||||
1937 | 2012 | Dutch | |||
1937 | 2018 | American | |||
1937 | 1992 | Kazakhstani | |||
1937 | 2020 | Russian | |||
Povl Kjøller | 1937 | 1999 | Danish | ||
1937 | 2019 | Argentine | |||
1937 | 2012 | British | |||
Paul Méfano | 1937 | French | |||
1937 | American | ||||
1937 | Austrian | ||||
1937 | 2018 | Swedish | |||
1937 | Romanian | ||||
1937 | 1989 | English | |||
1937 | French | ||||
Jože Privšek | 1937 | 1998 | Slovenian | ||
1937 | 2013 | Italian | |||
1937 | German | Les Chants de la Revolution sont des Chants de l’Amour | |||
1937 | English | ||||
1937 | Ukrainian | Symphony No. 5 | |||
1937 | 2017 | Belarusian | |||
1937 | 2012 | Dutch | |||
1937 | Iranian-Armenian | ||||
Wang Xilin | 1937 | Chinese | folk-influenced | ||
1937 | 2018 | American | |||
1937 | 2016 | English | |||
1937 | American-Israeli | At the End of the Parade; Radiant Inner Light; Piano Concerto | extended techniques, multimedia, postmodern | ||
1938 | 2009 | American | |||
1938 | American | ||||
1938 | Ukrainian-American | ||||
1938 | Dutch-Israeli | ||||
1938 | 1987 | Bahamian | |||
1938 | English | ||||
1938 | 2016 | French | |||
1938 | American | Songs of Experience; Songs of Innocence | |||
1938 | American | ||||
1938 | Australian | ||||
Álvaro Cassuto | 1938 | Portuguese | serialism, neotonality | ||
1938 | American | ' | |||
1938 | American | Music on Open Strings | |||
1938 | American | Symphony No. 2; A Dylan Thomas Trilogy | polystylism, also compose of film music: The Red Violin | ||
1938 | American | For Cornelius; Songs and Views of the Magnetic Garden; Inner Cities | |||
Jean-Claude Éloy | 1938 | French | Electroacoustic music | ||
1938 | Georgian | ||||
1938 | 1984 | American | |||
1938 | American | The Great Gatsby | Neoconservative postmodernism | ||
1938 | Finnish | ||||
1938 | German | Seiltanz | avant-garde, extended techniques | ||
Jacques Hétu | 1938 | 2010 | Canadian | ||
1938 | 2015 | Taiwanese | |||
1938 | 1998 | Ethiopian | The Shepherd Flutist | ||
1938 | 1989 | Bangladeshi | |||
1938 | Polish | ||||
1938 | 2018 | Polish | |||
1938 | 2015 | American | |||
1938 | 2020 | Dutch | |||
Mesías Maiguashca | 1938 | Ecuadorian | F-Melodies; Ayayayayay | electronic music; spectralism | |
1938 | American | Rainforest Images | postmodernist, ambient, drone, minimalist, musique concrète, computer music | ||
Dexter Morrill | 1938 | 2019 | American | Crosswalk, Getz Variations, Hudson River Dreams, Iron Horse Concerto, Fantasy Quintet, Ponzo, Roxbury Preludes, Three Lyric Pieces, Stelladagio, Walden Nocturnes | computer music, jazz-influenced, electronic music, improvisation |
Michael Parsons | 1938 | English | |||
1938 | Italian | ||||
1938 | English | ||||
1938 | American | ||||
1938 | French | ||||
1938 | American | The People United Will Never Be Defeated! | |||
1938 | Swiss | ||||
José Serebrier | 1938 | Uruguayan | |||
Mieko Shiomi | 1938 | Japanese | |||
1938 | 1999 | American | |||
1938 | 1991 | British | |||
1938 | 2019 | Icelandic | |||
1938 | Japanese | ||||
1938 | 2019 | Romanian | |||
1938 | Greek | ||||
1938 | American | Petroushskates; Concerto for Orchestra; Sequoia; Fanfare for the Uncommon Woman | |||
1938 | Dutch | ||||
1938 | 2020 | American | Time's Encomium; 8 symphonies; chamber music | twelve-tone technique, serialism | |
José Antonio Abreu | 1939 | 2018 | Venezuelan | ||
Alojz Ajdič | 1939 | Slovenian | |||
1939 | Dutch | minimalism | |||
1939 | American | ||||
1939 | American | ||||
Charles Boone | 1939 | American | |||
1939 | Cuban | ||||
1939 | American | Switched-On Bach | Electronic music | ||
1939 | Italian | ||||
1939 | Latvian | ||||
1939 | 1998 | Azerbaijani | |||
Jonathan Harvey | 1939 | 2012 | English | Mortuos Plango Vivos Voco; Advaya; Bhakti; Wheel of Emptiness | spectralism |
1939 | Swiss | Schneewittchen | |||
Nicolaus A. Huber | 1939 | German | |||
Tom Johnson | 1939 | American | An Hour for Piano | minimalism | |
1939 | 2019 | Georgian | |||
1939 | American | ||||
Jaroslav Krček | 1939 | Czech | |||
1939 | French | ||||
1939 | Moldovan | ||||
Ma Shui-Long | 1939 | 2015 | Taiwanese | ||
1939 | Armenian | ||||
1939 | Canadian | ||||
John McCabe | 1939 | 2015 | English | Chagall Windows; symphonies; ballets; string quartets | |
María Luisa Ozaita | 1939 | 2017 | Spanish | ||
1939 | 1968 | Bolivian | electroacoustic music | ||
Patric Standford | 1939 | 2014 | English | Symphony No.1 "The Seasons"; A Christmas Carol Symphony; Cello Concerto; Christus Requiem | |
Tomáš Svoboda | 1939 | Czech-American | Overture of the Season; Marimba Concerto; "Children's Treasure Box" piano series | ||
Zsigmond Szathmáry | 1939 | Hungarian | |||
1939 | 2020 | American | |||
1939 | 2010 | Russian | polystylism | ||
Inger Wikström | 1939 | Swedish | |||
1939 | American | ||||
1939 | American | neoromanticism | |||
1940 | 2006 | German | |||
Juraj Beneš | 1940 | 2004 | Slovak | ||
1940 | American | ||||
1940 | Argentine | electroacoustic | |||
1940 | 1990 | American | |||
1940 | American | '; Eventide | eclectic | ||
1940 | American | ||||
1940 | 2009 | American | |||
1940 | American | ||||
1940 | 1981 | American | minimalist | ||
1940 | American | ||||
1940 | Japanese | ||||
1940 | Argentine | ||||
1940 | American | ||||
1940 | American | ||||
Nguyen-Thien Dao | 1940 | 2015 | Vietnamese-French | ||
1940 | 1995 | Portuguese | electronic music | ||
1940 | 2007 | German | |||
1940 | 2009 | Romanian | |||
1940 | 2016 | Bulgarian | |||
1940 | 1993 | American | '; The Yellow Shark | ||
1941 | American | ||||
1941 | 1992 | American | Symphony No. 1: Riverrun | ||
1941 | English | ||||
Anđelka Bego-Šimunić | 1941 | Bosnian | neoclassicism | ||
1941 | 2014 | Dutch | |||
1941 | 2017 | English | |||
1941 | 2010 | British | Magnificat and Nunc Dimittis; Monty Python's Life of Brian | ||
1941 | American | ||||
1941 | American | ||||
1941 | 2010 | German | |||
Kay Gardner | 1941 | 2002 | American | ||
1941 | Italian | ||||
1941 | American | ||||
1941 | 2020 | American | |||
1941 | Australian | Lindy | |||
1941 | Ukrainian | ||||
1941 | American | ||||
Antony le Fleming | 1941 | English | |||
1941 | American | ||||
1941 | American | ||||
1941 | 1993 | American | |||
John Mitchell | 1941 | American | |||
1941 | 2009 | American | |||
1941 | 2012 | Portuguese | Machina Mundi; Quodlibet | electronic music | |
1941 | Korean | ||||
1941 | Cuban | ||||
1941 | 2002 | Finnish | minimalism | ||
1941 | American | ||||
1941 | American | ||||
1942 | Danish | ||||
Philip Bračanin | 1942 | Australian | |||
1942 | Welsh | ||||
1942 | 1972 | American | Elegie; Variations on a Korean Folk Song | ||
1942 | Canadian | ||||
Charles Dodge | 1942 | American | Earth's Magnetic Field | electronic music, computer music | |
Chinary Ung | 1942 | Cambodian | |||
1942 | 2003 | Egyptian | |||
1942 | 2020 | German | Die Trauung ; Missa Moguntina ; Symphony No. 2 "Mythen" | ||
1942 | 2004 | American | postmodernism | ||
Tomás Marco | 1942 | Spanish | Concierto del agua, for guitar and orchestra; 5 symphonies; String Quartet No. 3 Anatomía fractal de los ángeles; Ojos verdes de luna | avant-garde, neoclassical, folk-influenced, eclectic | |
1942 | American | ||||
David Matthews | 1942 | English | |||
1942 | English | Liverpool Oratorio; Standing Stone; Ecce Cor Meum | member of The Beatles and Wings | ||
John McGuire | 1942 | American | Pulse Music III; A Capella | electronic music, fusion of serialism and minimalism, postminimalism | |
1942 | American | Rainforest Images | postmodernist, ambient, drone, minimalist, musique concrète, computer music | ||
1942 | Japanese | ||||
1942 | American | ||||
Gentil Montaña | 1942 | 2011 | Colombian | ||
David Padrós | 1942 | 2016 | Catalan | ||
Horațiu Rădulescu | 1942 | 2008 | Romanian/French | six string quartets | spectralism |
1942 | Venezuelan | ||||
Daniel Roth | 1942 | French | |||
1942 | Polish | ||||
1942 | Japanese | Piano Concerto | avant-garde | ||
1942 | English | The Tragedy of Man | neoromantic | ||
1942 | Korean | ||||
1942 | 2012 | Russian | |||
José Antônio Rezende de Almeida Prado | 1943 | 2010 | Brazilian | ||
1943 | French | ||||
Daniel Börtz | 1943 | Swedish | |||
1943 | Polish | ||||
1943 | English | Jesus' Blood Never Failed Me Yet, Doctor Ox's Experiment | |||
1943 | American | ||||
1943 | American | ||||
1943 | English | ||||
William Duckworth | 1943 | 2012 | American | ||
1943 | French | ||||
1943 | 2005 | American | |||
Ross Edwards | 1943 | Australian | |||
1943 | Dutch | ||||
1943 | Mexican | ||||
1943 | English | Etudes Transcendantales | New Complexity | ||
1943 | Azerbaijani | ||||
1943 | 2019 | American | Sub rosa; Five German Dances | electronic music, sound installations | |
1943 | Austrian | Frankenstein!!, Charivari, Aerial | |||
1943 | English | ||||
Bill Hopkins | 1943 | 1981 | English | En Attendant; Sensation | |
1943 | 1993 | American | |||
Ilaiyaraaja | 1943 | Indian | How to Name it; Nothing but wind; Thiruvasagam -An Oratorio; The Music Messiah; India 24 hours; | Indian Classical, Western classical, Fusion, Jazz, Indian folk | |
Zoltán Jeney | 1943 | 2019 | Hungarian | ||
Alexander Knaifel | 1943 | Russian | The Canterville Ghost | modernism, polystylism | |
1943 | American | vocal works | |||
Tania León | 1943 | Cuban | |||
1943 | American | Neoconservative postmodernism | |||
1943 | 2012 | American | |||
1943 | American | Remembering Icarus; Walt Whitman's Dream | |||
1943 | Polish | 12 string quartets | |||
1943 | French | ||||
Alejandro Núñez Allauca | 1943 | Peruvian | |||
1943 | Polish | ||||
1943 | American | Aftertones of Infinity; A Sudden Rainbow | |||
1943 | American | ||||
1943 | 2015 | Australian | Pulses; 2 piano concertos | serialism, eclectic | |
1943 | American | electronic music | |||
1943 | 1994 | British | |||
1943 | 1998 | French-American | |||
Vangelis | 1943 | Greek | electronic music | ||
1943 | 2013 | German | Missa Universalis | new-age, Zen-influenced | |
1943 | 2020 | Russian | Word | ||
1943 | German | opera | |||
William Albright | 1944 | 1998 | American | polystylistic | |
1944 | Australian | ||||
1944 | British | ||||
1944 | 2010 | Dutch | |||
1944 | American | postminimalist | |||
1944 | Russian | ||||
1944 | Australian | ||||
1944 | New Zealander | ||||
Péter Eötvös | 1944 | Hungarian | Love and Other Demons | eclectic, extended technique, electronic music, folk-music influence | |
1944 | 2009 | Canadian | |||
1944 | British | ||||
John Hawkins | 1944 | 2007 | Canadian | ||
York Höller | 1944 | German | Schwarze Halbinseln; Der Meister und Margarita | electronic music, serialism, Gestalt composition | |
1944 | Welsh | The Armed Man; Adiemus; Requiem | |||
1944 | 2006 | Danish | avant-garde | ||
1944 | 2015 | Uruguayan | |||
1944 | Azerbaijani | ||||
1944 | 2008 | Finnish | |||
1944 | English | The Man Who Mistook His Wife for a Hat | minimalism | ||
1944 | French | ||||
1944 | 2011 | English | |||
1944 | Welsh | ||||
1944 | Finnish | ||||
1944 | 2013 | English | holy minimalism | ||
László Vidovszky | 1944 | Hungarian | |||
1945 | Tunisian | Concerto for clarinet and orchestra | |||
1945 | 2018 | Mexican | |||
1945 | American | ||||
1945 | Greek | ||||
1945 | Indian-British | ||||
1945 | American | ||||
1945 | Danish | ||||
1945 | Belgian | ||||
1945 | Australian | ||||
1945 | Kosovan | ||||
1945 | English | ||||
1945 | American | ||||
1945 | 2002 | Ukrainian | |||
1945 | American | ||||
1945 | American | ||||
1945 | South Korean | ||||
1945 | Chinese-American | ||||
1945 | French | ||||
1945 | Italian | ||||
1945 | South Korean | ||||
1945 | American | ||||
1945 | 2009 | American | |||
1945 | 2016 | American | |||
1945 | 2006 | American | |||
Štěpán Rak | 1945 | Czech | |||
1945 | 2007 | Canadian | |||
1945 | English | choral music | |||
1945 | American | Beauty and the Beast | |||
İstemihan Taviloğlu | 1945 | 2006 | Turkish | ||
Thomas Wells | 1945 | American | |||
1945 | American | ', Concerto for Cello and Orchestra, An American Cantata | Broadway musicals Nine, Titanic, Grand Hotel | ||
1945 | American | ||||
Zhao Jiping | 1945 | Chinese | |||
1946 | 2019 | German | |||
1946 | Dutch | ||||
1946 | 2008 | Danish | |||
1946 | German | ||||
1946 | American | ||||
1946 | Australian | ||||
1946 | American | ||||
1946 | 1993 | Swiss | |||
1946 | American | electronic music | |||
1946 | Luxembourgian | ||||
1946 | English | ||||
Zsolt Gárdonyi | 1946 | Hungarian German | Magnificat, Mozart Changes | ||
1946 | American | ||||
Gérard Grisey | 1946 | 1998 | French | Vortex temporum | |
1946 | 2012 | Finnish | |||
Ho Wai-On | 1946 | British | |||
1946 | 1996 | Dutch | |||
Ladislav Kubík | 1946 | 2017 | Czech-American | ||
1946 | 2003 | Japanese | |||
1946 | 2011 | American | |||
1946 | 2018 | German | |||
1946 | Russian | minimalism | |||
1946 | 2008 | Italian | |||
1946 | American | ||||
1956 | 2018 | French | |||
1946 | Italian | ||||
1946 | 1989 | British | |||
1946 | American | ||||
1946 | Tajik | ||||
1946 | 2001 | Italian | |||
1946 | New Zealander | electroacoustic music, acousmatic music | |||
1946 | American | The Lamentations of Shinran; Album of Ragtime Pieces for Piano; Love-Canzonettes for Chorus; Piano Sonatas | Neoromanticism | ||
Pēteris Vasks | 1946 | Latvian | |||
1946 | Dutch | ||||
1946 | American | ||||
1946 | 2019 | German | |||
John Adams | 1947 | American | Nixon in China; Harmonielehre; Shaker Loops, Short Ride in a Fast Machine; Violin Concerto | post-minimalism | |
1947 | 1988 | Australian | |||
1947 | 2011 | Romanian | |||
1947 | Azerbaijani | ||||
1947 | American | ||||
1947 | Norwegian | ||||
1947 | French | ||||
1947 | English | ||||
1947 | French | ||||
1947 | 2013 | Swedish | four symphonies | ||
Jack Gallagher | 1947 | American | |||
1947 | American | ||||
1947 | British | ||||
John S. Hilliard | 1947 | American | Baron Cimetiere's Mambo | ||
Ko Fan-long | 1947 | Taiwanese | |||
1947 | Japanese | ||||
1947 | Russian | ||||
1947 | 2001 | Russian and Canadian | |||
1947 | Tajik | ||||
1947 | French | Gondwana | spectral music | ||
Paul Patterson | 1947 | English | |||
1947 | 2010 | Scottish | |||
1947 | Danish | ||||
Václav Riedlbauch | 1947 | 2017 | Czech | ||
1947 | Italian | ||||
1947 | English | ||||
1947 | Bulgarian | ||||
1947 | American | ||||
1947 | American | ||||
1948 | 1996 | Mongolian | |||
1948 | American | ||||
1948 | Georgian | ||||
Gisèle Barreau | 1948 | French | |||
1948 | English | ||||
1948 | American | ||||
1948 | 2018 | American | avant-garde | ||
Stephen Brown | 1948 | Canadian | |||
1948 | English | ||||
1948 | British | ||||
1948 | English | ambient music, minimalism | |||
1948 | American | ||||
1948 | Slovenian | ||||
Mikko Heiniö | 1948 | Finnish | |||
1948 | 2016 | American | Aria da capo | ||
1948 | Danish | ||||
1948 | French | ||||
1948 | Swedish | ||||
Theo Jörgensmann | 1948 | German | |||
1948 | Canadian | ||||
1948 | German | ||||
1948 | American | ||||
Dmitri Smirnov | 1948 | 2020 | Russian / British | Tiriel , Thel | serialism, collage, electroacoustic music, polystylism, musical cryptography |
1948 | Finnish | ||||
1948 | 2010 | Bulgarian | Sinfonia con piano concertante; Endless Circle for string quintet; Musica Solitudinis; Four songs, to poems by Emily Dickinson | ||
1948 | 1983 | Canadian | Kopernikus: Rituel de la Mort | spectral music, Asian-music influence | |
Fu Tong Wong | 1948 | Chinese-American | Symphony: The Hero with Great Eagle | ||
1949 | Jamaican | ||||
1949 | Finnish | ||||
1949 | 2012 | Portuguese | |||
1949 | American | ||||
1949 | Russian | Symphony, Concerto for viola and string orchestra | |||
1949 | 2008 | English | |||
1949 | English | ||||
Daniel Catán | 1949 | 2011 | Mexican | Florencia en el Amazonas; Rappaccini's Daughter | neo-impressionism |
Chan Ka Nin | 1949 | Canadian | |||
1949 | American | ||||
1949 | Italian | ||||
1949 | 2013 | American | |||
1949 | English | ||||
1949 | Belgian | ||||
Michaël Lévinas | 1949 | French | |||
1949 | American | ||||
1949 | 1997 | Italian | |||
1949 | 1970 | Cypriot | |||
1949 | 2014 | American | Pilgrim's Hymn; The Road Home; | ||
1949 | English | ||||
Christopher Rouse | 1949 | 2019 | American | Karolju; Phantasmata; Trombone Concerto; Symphony No. 1; Symphony No. 2 | |
1949 | Danish | ||||
1949 | 2013 | German | |||
Dave Smith | 1949 | English | |||
1949 | 2016 | American | Son et Lumière; Concerto for Orchestra No. 2; Rhapsodies; August 4, 1964 | ||
Vladimir Tošić | 1949 | Serbian | |||
1949 | South African | Hunting Gathering | |||
1949 | English | brass-band music | |||
1950 | Brazilian | ||||
Beth Anderson | 1950 | American | |||
Robert Black | 1950 | 1993 | American | ||
1950 | American | ||||
1950 | Canadian | ||||
1950 | American | ||||
1950 | Russian / British | The Nightingale and the Rose | |||
1950 | 2000 | French | |||
Åse Hedstrøm | 1950 | Norwegian | |||
Alistair Hinton | 1950 | Scottish | |||
1950 | English | ||||
Otomar Kvěch | 1950 | 2018 | Czech | ||
1950 | Ghanaian | ||||
Lam Manyee | 1950 | Chinese | |||
1950 | American | Marimba Concerto | |||
1950 | 2014 | American | |||
Arturo Márquez | 1950 | Mexican | Danzón no. 2 | ||
1950 | 2020 | American | |||
Stephen Oliver | 1950 | 1992 | English | ||
1950 | American | ||||
Joe Hisaishi | 1950 | Japanese | also notable as a film composer | ||
1950 | 2000 | Estonian | electro-acoustic music | ||
William Sweeney | 1950 | Scottish | folk-influenced | ||
1950 | Belgian | ||||
Rafał Augustyn | 1951 | Polish | |||
1951 | Canadian | ||||
Michael Blake | 1951 | South African | French Suite | ||
John Burke | 1951 | 2020 | Canadian | ||
1951 | American | Modern Times | |||
Chen Qigang | 1951 | Chinese-French | |||
Anthony Davis | 1951 | American | |||
1951 | American | ||||
1951 | Dutch | ||||
1951 | British | ||||
1951 | British | ||||
1951 | Italian | Salvatore Giuliano, La Conquista, Risorgimento! | postmodern | ||
1951 | American | ||||
1951 | American | postmodern/postminimalist | |||
Francisco Guerrero Marín | 1951 | 1997 | Spanish | ||
1951 | Belarusian | ||||
1951 | American | avant-garde | |||
1951 | 1986 | American | |||
Viera Janárceková | 1951 | Slovakian | |||
Patricia Jünger | 1951 | Swiss-Austrian | |||
Aivars Kalējs | 1951 | Latvian | Neoromanticism | ||
1951 | British | ||||
1951 | American | ||||
Michael Rosenzweig | 1951 | South African | Symphony in One Movement; String Quartet No. 2 | ||
1951 | Romanian | Concerto for clarinet and orchestra; Florilegium, concerto for flute and flutes orchestra; Wings of Light for 24 flutists | |||
Craig Russell | 1951 | American | |||
1951 | 1993 | American | "An Eye-Sky Symphony" | ||
1951 | American | ||||
1952 | Danish | ||||
1952 | Brazilian | ||||
1952 | British | ||||
Gerald Barry | 1952 | Irish | |||
Max Beckschäfer | 1952 | German | Michelangelo-Fragmente, vocal music | also academic for music theory | |
1952 | British | ||||
1952 | American | ||||
1952 | American | ||||
Mark Carlson | 1952 | American | |||
1952 | American | avant-garde, minimalism | |||
1952 | Romanian | ||||
1952 | American | ||||
1952 | American | Voices of Light ; The Origin | |||
1952 | German | opera Sekunden und Jahre des Caspar Hauser, Wolkenstein, Sinfonie | |||
1952 | German | ||||
1952 | American | ||||
1952 | 2010 | Dutch | |||
Scott Johnson | 1952 | American | |||
1952 | 2018 | British | Where the Wild Things Are | ||
1952 | Russian | ||||
Gerd Kühr | 1952 | German | operas Stallerhof, Tod und Teufel | ||
1952 | Tunisian born French | The Lose Forest for ensemble of 12 saxophones, Neuf études pour saxophone | |||
Irfan Ljubijankić | 1952 | 1995 | Bosnian | ||
1952 | French | 60th Parallel, Pluton for piano and live electronics | punctualism, computer-assisted composition | ||
1952 | Japanese | ||||
1952 | English | ||||
1952 | Russian | ||||
Qu Xiao-Song | 1952 | Chinese | |||
1952 | Belgian | ||||
1952 | German | 12 string quartets; Die Eroberung von Mexico | New Simplicity, expressionism, neoromanticism | ||
1952 | Finnish | L’amour de loin; Adriana Mater; La Passion de Simone | |||
1952 | Russian | ||||
1952 | Japanese | ||||
1952 | Japanese | ||||
1952 | Dutch | ||||
1952 | Israeli | ||||
1953 | American | Various pieces inspired by Alaskan landscapes | |||
1953 | American | ||||
1953 | English | ||||
1953 | 2014 | French | Divertissement | Electroacoustic and Acousmatic music | |
1953 | American | ||||
1953 | French | ||||
1953 | American | ||||
1953 | American | ||||
1953 | Dutch | ||||
1953 | German | Piano music | |||
1953 | American | ||||
Chen Yi | 1953 | Chinese | |||
Andrew Culver | 1953 | American | |||
Stéphane Delplace | 1953 | French | |||
1953 | American | ||||
1953 | Romanian | Der 35. Mai | |||
1953 | American | ||||
1953 | French | Cycle Plis de perversion, Bocalises, Messe à l'usage des vieillards, Hérisson Cathédrale | instrumental perceptive morphology, acousmatic music, mixed music, electronic music | ||
1953 | 1993 | Cypriot | |||
René Eespere | 1953 | Estonian | |||
1953 | Irish | ||||
1953 | American | ||||
1953 | American | ||||
1953 | Austrian | Double Concerto for accordion, viola and chamber ensemble, Concerto for violin and orchestra | spectral music | ||
He Xuntian | 1953 | Chinese | |||
Adriana Hölszky | 1953 | Romanian-German | |||
1953 | Finnish | ||||
1953 | American | ||||
1953 | American | ||||
1953 | American | ||||
1953 | Belgian | The Belly of an Architect, Maximizing the Audience | minimalism | ||
1953 | Japanese | ||||
1953 | British | ||||
1953 | Russian | ||||
1953 | Puerto Rican | Missa Latina | |||
1953 | 1997 | Belarusian | |||
1953 | American | "Inscription of Hope", "The Pasture", "Homeland" | |||
James Wood | 1953 | English | Stoicheia, Ho shang Yao | microtonality, percussion, voice | |
1953 | Japanese | Symphony No. 2 | |||
Zhou Long | 1953 | Chinese | |||
Lidia Zielińska | 1953 | Polish | |||
1953 | American | Avant-garde | |||
1954 | English | ||||
Sylvie Bodorová | 1954 | Czech | |||
1954 | Italian | ||||
1954 | American | ||||
Chan Wing-wah | 1954 | Chinese | |||
1954 | American | electronic music | |||
1954 | American | UFO | |||
1954 | American | Message laisse à Pondichéry le 18 novembre 1973 | eclectic | ||
Joël-François Durand | 1954 | French | Piano Concerto | ||
María Escribano | 1954 | 2002 | Spanish | ||
1954 | American | ||||
1954 | New Zealander | electroacoustic | |||
Ge Gan-ru | 1954 | Chinese | - | ||
1954 | American | ||||
Irina Hasnaș | 1954 | Romanian | |||
1954 | German | ||||
1954 | Swedish | ||||
1954 | Czech | avant-garde | |||
1954 | American | ||||
1954 | American | ||||
1954 | Irish | ||||
Eric Moe | 1954 | American | |||
1954 | American | ||||
Șerban Nichifor | 1954 | Romanian | |||
1954 | Israeli | ||||
1954 | Norwegian | ||||
1954 | American | ||||
1954 | Franco-Ecuadorian | Arcaica, a concerto for percussion & orchestra; 24.5 Preludes for piano; El Árbol de los Pájaros : opera "for the voice of the instruments" | avant-garde, polystylism | ||
Jan Sandström | 1954 | Swedish | Motorbike Concerto, Es ist ein Ros entsprungen, Rekviem | ||
Paweł Szymański | 1954 | Polish | |||
1954 | Australian | ||||
Judith Weir | 1954 | British | |||
René Wohlhauser | 1954 | Swiss | |||
1955 | British | Choral music | |||
1955 | American | ||||
1955 | French | Perelà, uomo di fumo | |||
1955 | 2016 | Tunisian-French | |||
1955 | 2008 | English | |||
1955 | Italian | minimalism | |||
1955 | Slovak | ||||
Diamanda Galás | 1955 | American | |||
1955 | American | Just intonation | |||
1955 | Lebanese-French | ||||
1955 | Japanese | Vision of Lear, Circulating Ocean, Voiceless Voice in Hiroshima | neo-impressionism | ||
1955 | American | "Silicon Valley Breakdown"; "The Seven Wonders of the Ancient World" | computer music, folk-music-influenced | ||
1955 | Finnish | ||||
1955 | Argentinian | Civilización o Barbarie | Electronic music | ||
1955 | Finnish | ||||
Pedro Luís Neves | 1955 | Portuguese | |||
Michael Obst | 1955 | German | Solaris | electronic music | |
Gérard Pape | 1955 | American | electronic music | ||
1955 | Chinese | The Silver River | Folk-influenced | ||
Tibor Szemző | 1955 | Hungarian | |||
1955 | Bulgarian | ||||
1955 | English | Songs of Eternity and Sorrow, Remember This | |||
Ye Xiaogang | 1955 | Chinese | |||
1956 | Argentine | ||||
Javier Álvarez | 1956 | Mexican | Metro Chabacano, Temazcal | ||
1956 | American | ||||
1956 | British | ||||
1956 | Italian | ||||
1956 | Canadian | ||||
Benet Casablancas | 1956 | Spanish | |||
1956 | American | Margaret Garner | |||
1956 | American | ||||
1956 | English | ||||
1956 | Israeli | ||||
1956 | American | ||||
1956 | American | ||||
1956 | American | Falling Man | American Symphonic School | ||
Vladimír Godár | 1956 | Slovak | |||
Michael Gordon | 1956 | American | |||
1956 | English | ||||
Guo Wenjing | 1956 | Chinese | Opera | ||
1956 | Swedish | ||||
1956 | 2015 | Finnish | |||
1956 | Japanese | ||||
1956 | Australian | Inflight Entertainment ; Tivoli Dances | |||
1956 | 2014 | American | TimeTexture for piano and electronics | electroacoustic music | |
1956 | 2018 | Austrian | avant-garde | ||
Paul Phillips | 1956 | American | |||
1956 | German | ||||
1956 | 2008 | Canadian | |||
1956 | 2012 | Italian | |||
1956 | American | ||||
Miguel del Águila | 1957 | Uruguayan-American | Concierto en Tango, Conga,Salon Buenos Aires, Violin Concerto, Wind Quintet No. 2 | ||
1957 | Japanese | ||||
1957 | Bulgarian | minimalism | |||
1957 | American | ||||
1957 | Canadian | ||||
1957 | American | ||||
James Clarke | 1957 | English | |||
1957 | Israeli | ||||
1957 | Russian-born French | ||||
Andrew Ford | 1957 | English-born Australian | |||
1957 | American | ||||
Jiří Gemrot | 1957 | Czech | |||
Guan Xia | 1957 | Chinese | Symphonic Overture No. 1 | ||
1957 | Swiss | ||||
Ivo Josipović | 1957 | Croatian | |||
1957 | Australian | ||||
1957 | Luxembourg | ||||
Kim Jin-hi | 1957 | South Korean | |||
David Lang | 1957 | American | The Little Match Girl Passion | ||
1957 | 2008 | American | |||
1957 | American | Spiritdance; Chamber Symphony; Tempest Fantasy; The Time Gallery | |||
1957 | Georgian | ||||
Pan Shiji | 1957 | Taiwanese | String Quartet no. 4 | ||
Gerhard Präsent | 1957 | Austrian | Himmelslicht; Missa minima; Trio intricato | ||
1957 | 2000 | Austrian | Slow, Cello Concerto | ||
1957 | Armenian-Canadian | ||||
1957 | Chinese | ||||
Tan Dun | 1957 | Chinese | Water Passion after St. Matthew | Extended technique, Folk-influenced; also composer of film music: Crouching Tiger, Hidden Dragon | |
1957 | American | ||||
1957 | German | ||||
1958 | American | ||||
1958 | German | ||||
1958 | Italian | Concerto for Cello and Double Orchestra; Concerto for Piano and Orchestra; Missa Sancti Evasii | |||
1958 | Dutch | ||||
1958 | American | ||||
1958 | French | ||||
1958 | American | ||||
Hanna Havrylets' | 1958 | Ukrainian | |||
1958 | American | Neoclassical | |||
1958 | American | ||||
1958 | Swedish | Arabenne, Mandrake in the Corner | |||
1958 | Finnish | Kraft; Clarinet Concerto | |||
1958 | Bosnian/American | cl? – for prepared clarinet and electronics | experimental music, sound installation, and film music | ||
1958 | Japanese | ||||
1958 | 1993 | Chinese | |||
1958 | Finnish | LA Variations; Insomnia | |||
1958 | Albanian | ||||
Bent Sørensen | 1958 | Danish | |||
Rafał Stradomski | 1958 | Polish | |||
1958 | Australian | ||||
1958 | American | ||||
1958 | Indonesian-Dutch | ||||
1958 | Japanese | ||||
1958 | American | ||||
Andrew York | 1958 | American | |||
Hiroaki Zakōji | 1958 | 1987 | Japanese | ||
1958 | Italian | ||||
1959 | Dutch | ||||
Richard Barrett | 1959 | Welsh | Construction | electroacoustic music, improvisation | |
1959 | American | ||||
1959 | American | ||||
1959 | Australian | computer music, electroacoustic music | |||
1959 | Italian | ||||
Vladimír Franz | 1959 | Czech | |||
1959 | Italian | ||||
1959 | Canadian | ||||
1959 | Venezuelan | ||||
1959 | Georgian | ||||
1959 | Japanese | Play Station Cycles; Simulation Cycles | |||
1959 | Mexican | ||||
James MacMillan | 1959 | Scottish | The Sacrifice; Veni veni Emmanuel ; The Confession of Isobel Gowdie; St. John Passion; 3 symphonies | ||
1959 | 2013 | English | |||
John Palmer | 1959 | British | |||
1959 | Mexican | ||||
Erkki-Sven Tüür | 1959 | Estonian | 6 symphonies; Violin Concerto; Piano Concerto; Searching for Roots | ||
1959 | Japanese | Liberi Fatali | |||
1959 | 2010 | American | |||
1960 | Spanish-German | ||||
Dirk Brossé | 1960 | Belgian | |||
George Benjamin | 1960 | English | Sudden Time; Antara | ||
1960 | English | Samurai; A Richer Dust ; The Miraculous Violin; Mysteries of the Horizon ; Earthrise; Gagarin | |||
1960 | American | ||||
1960 | American | Gaian Variations | |||
Karlheinz Essl, Jr. | 1960 | Austrian | Lexikon-Sonate | ||
1960 | German | operas Leyla und Medjnun, Caligula, Solaris | |||
1960 | Argentine | ||||
1960 | American | ||||
1960 | English | ||||
1960 | German | ||||
1960 | Finnish | Music for orchestra, chamber ensembles, big band, jazz ensembles, wind band and choir | |||
1960 | American | Musica Instrumentalis, Colored Field | |||
1960 | Indian | ||||
1960 | Ukrainian | ||||
1960 | American | Marimba Montuño ; Camille ; Trailing Vortices ; Fate of the Lhapa | postminimalism; also composer of film music: Native New Yorker | ||
1960 | English | Greek; From All Sides; Mambo, Blue and Tarantella ; From the Wreckage ; Fractured Lines ; Five Views of a Mouth ; A Fast Stomp | |||
1961 | 2017 | Romanian | spectral music | ||
1961 | Canadian | ||||
1961 | South Korean | Alice in Wonderland; Violin Concerto; Fantasie mécanique; Cantatrix Sopranica | |||
Marc-André Dalbavie | 1961 | French | |||
1961 | Uzbekistani | ||||
1961 | Italian | ||||
1961 | Spanish | ||||
1961 | American | ||||
1961 | American | Dead Man Walking | |||
1961 | Polish | Ad Unum, Breathe, The Mother of Black Winged-Dreams, Trumpet Concerto, String Quartet No. 4 | |||
1961 | American | ||||
Peter Machajdík | 1961 | Slovak / German | Namah; Double Bayan Concerto; Farewell Fanfares; Lasea; Nell'autunno del suo abbraccio insonne | postminimalism, electronic music | |
1961 | 1996 | Estonian | |||
1961 | American | Consolation | |||
1961 | Brazilian | Works for classical guitar, piano, strings, brass, woodwinds, percussion, chamber music, including mixed choir and children’s choir | |||
1961 | American | "Vanada"; Javelin; Rapture ; Ecstatic Orange | |||
1961 | Ukrainian/American | Tombeau for Omelyan Kovch | historicist–neo-Baroque | ||
1961 | Slovak | ||||
Mohamed Abdelwahab Abdelfattah | 1962 | Egypt | Die Wunderzahl, String Quartet No. 2 "Monamnamat" | electroacoustic, postmodernism | |
1962 | American | Global Warming | |||
1962 | Venezuelan-American | ||||
1962 | Canadian | ||||
1962 | American | ||||
1962 | Italian | ||||
1962 | English | Ave Verum Corpus, Choral works, Serenade for string orchestra, Song cycles, Piano works | |||
1962 | American | ||||
1962 | American | Numerous choral compositions and arrangements | |||
1962 | German | ||||
1962 | Vietnamese | ||||
1962 | 2010 | South African | |||
1962 | German | Heimkunft, chamber symphonies, song cycles | |||
1962 | Japanese | ||||
1962 | English | Piccolo Quintet, Three Pieces for Solo Cello, Gestural Variations | |||
1963 | Indian | opera Ramanujan | |||
1963 | French | ||||
Philip Cashian | 1963 | British | |||
1963 | British | ||||
1963 | British | ||||
1963 | Swedish | ||||
1963 | French | ||||
1963 | Japanese | ||||
1963 | Japanese | ||||
John Pickard | 1963 | British | |||
1963 | 2004 | Italian | |||
1963 | Greek | ||||
Hana Vejvodová | 1963 | 1994 | Czech | Brass Quintet | |
1963 | Brazilian | Lamenti, Recycling Collaging Sampling, Concert for Piano N.1, Modelagem X-a | |||
1964 | Italian | ||||
1964 | Italian | ||||
1964 | American | ||||
Boris Böhmann | 1964 | German | |||
1964 | Danish | ||||
1964 | American | avant-garde | |||
1964 | 2016 | Ukrainian | |||
1964 | Australian | ||||
1964 | Japanese | ||||
1964 | Bolivian | ||||
Cristian Pațurcă | 1964 | 2011 | Romanian | ||
1964 | Dutch | Block Beuys | |||
1965 | Russian | post-minimalist | |||
1965 | Russian | ||||
1965 | Australian | ||||
Carin Bartosch Edström | 1965 | Swedish | |||
1965 | German | ||||
1965 | French | ||||
1965 | Japanese | ||||
1965 | Russian | The Shagreen Bone, The Symphony of Dogs, The Middle Symphony, Agonia Dei, What Zarathustra Said Indeed | polystylism, neoclassicism | ||
1965 | Scottish | ||||
1965 | Scottish | ||||
1965 | German | opera Die Gehetzten, orchestra Fiasko, chamber Migrant | |||
1965 | Greek | Klama, for mixed choir & live electronics | avant-garde | ||
1965 | Canadian | ||||
1965 | Swedish | Eddan – The Invincible Sword of the Elf-Smith | |||
1966 | Italian | Linae | |||
1966 | American | ||||
1966 | Spanish | La complicidad del espectro | |||
Jan Müller-Wieland | 1966 | German | operas Gastspiel, Komödie ohne Titel, Das Märchen der 672. Nacht | ||
1966 | New Zealand | ||||
Juan María Solare | 1966 | Argentine | |||
Donald Reid Womack | 1966 | American | |||
1967 | British | ||||
1967 | American | ||||
1967 | American | ||||
1967 | 2011 | Chinese | |||
1967 | Italian | ||||
1967 | Israeli | ||||
1967 | German | Musik für Flöte, Viola und Kontrabass, chamber music | |||
1967 | Dutch | ||||
1967 | Finnish | ||||
1967 | Spanish | ||||
1967 | 1993 | American | experimental music | ||
Christopher Theofanidis | 1967 | American | - | ||
Xu Yi | 1967 | Chinese | |||
1967 | Japanese | ||||
Hiroyuki Yamamoto | 1967 | Japanese | |||
1968 | Argentine | ||||
1968 | British | ||||
1968 | German | operas Der Brand, Piero &‐ Ende der Nacht, Metanoia. Über das Denken hinaus | |||
1968 | Austrian | ||||
1968 | Spanish | ||||
1968 | Austrian | avant-garde | |||
1968 | English | ||||
1968 | British | ||||
1969 | Italian | ||||
1969 | Italian | Electroacoustic | |||
1969 | Austrian | Opera | |||
Ciarán Farrell | 1969 | Irish | |||
1969 | Belgian | avant-garde | |||
1969 | Cypriot | ||||
1969 | Canadian | ||||
1969 | British | ||||
1969 | American-Israeli | ||||
1970 | Dutch | After Life | |||
Rodolfo Acosta | 1970 | Colombian | |||
David Bruce | 1970 | British-American | |||
1970 | Russian-Dutch | ||||
1970 | Italian | ||||
1970 | Irish | ||||
1970 | American | Insomnia Redux | |||
1970 | American | ||||
1970 | Turkish | 1001 Nights in the Harem, Istanbul Symphony | Piano symphony Turkish music | ||
1970 | American | Cloudburst, Lux Aurumque, Water Night | choral music | ||
Thomas Adès | 1971 | English | Powder Her Face; Asyla; Traced Overhead | ||
1971 | Japanese | ||||
Richard Causton | 1971 | English | |||
1971 | Italian | Requiem | |||
1971 | American | Symphony No. 1; Fracta; Arraché | |||
1971 | Austrian | ||||
1971 | Polish | ||||
1971 | Japanese | String Quartet | |||
1971 | Welsh | ||||
1972 | Japanese | ||||
1972 | British | electroacoustic | |||
1972 | Lebanese | ||||
1972 | Bangladeshi | ||||
1972 | American | ||||
1972 | Canadian | ||||
1973 | Russian | ||||
1973 | Norwegian | ||||
1973 | American | Parabolisms; Resonances | |||
1973 | Bosnian-Dutch | Stork suite; Sevdah Medieval Rhapsody | minimalism; also a composer of film music, and an improviser | ||
1973 | Georgian | ||||
1973 | English | Marine — à travers les arbres | |||
1973 | German | Fantasie for clarinet solo; First String Quartet | |||
1973 | Dutch | ||||
Ehesuma | 1974 | Chinese | |||
1974 | 1994 | Slovak | |||
1974 | Canadian | Past Winters Solstice, for piano trio | |||
1974 | English-born Australian | ||||
1975 | Anglo-French | ||||
1975 | Israeli | ||||
1975 | South African | ||||
1975 | Russian | Concert for oboe | |||
1975 | Serbian-Swedish | ||||
Ali Ahmadifar | 1976 | Iranian | |||
1976 | Bangladeshi | ||||
1976 | Ukrainian Dutch | Diagram for 5 cellos | |||
1976 | Finnish | A Walk Through the Fields of Symmetry | |||
1977 | Danish | Concerto for organ and orchestra | |||
1977 | Chinese | ||||
1978 | German | ||||
1978 | Peruvian | Arco de luz'' | |||
1978 | British-American | ||||
1979 | Iranian | ||||
1981 | 2010 | French |