Libri Carolini


The Libri Carolini, Opus Caroli regis contra synodum, also called Charlemagne's Books or simply the Carolines, are the work in four books composed on the command of Charlemagne, around 790, to refute the supposed conclusions of the Byzantine Second Council of Nicaea, particularly as regards its acts and decrees in the matter of sacred images. They are "much the fullest statement of the Western attitude to representational art that has been left to us by the Middle Ages". The work appears to have been very largely a polemic based on a misunderstanding of the actual position taken by the Byzantine church, which was quietly archived when this was realized, probably in Rome.
The Libri Carolini were never promulgated at the time apart from being sent to Pope Adrian I who responded with a grandis et verbosa epistola, and remained all but unknown until they were first printed in 1549, by Jean du Tillet, Bishop of Meaux, under the name of Eriphele. They contain 120 objections against the Second Council of Nicaea, and are couched in harsh, reproachful terms, including the following: dementiam, priscae Gentilitatis obsoletum errorem, argumenta insanissima et absurdissima, derisione dignas naenias, etc. The modern edition of this text, by Ann Freeman and Paul Meyvaert, is called Opus Caroli regis contra synodum, and is based on the manuscript in the Vatican Library, which is now generally accepted as a Carolingian working manuscript "hastily finished up", when it became clear that the work was now redundant.
When the work resurfaced during the Protestant Reformation, it caused a good deal of excitement and confusion. Despite its support of images, John Calvin refers to it approvingly in later editions of his Institutes of the Christian Religion, and uses it in his argument against the veneration of images.

Authorship

The work begins, "In the name of our Lord and Savior Jesus Christ beginneth the work of the most illustrious and glorious man Charles, by the will of God, king of the Franks, Gauls, Germany, Italy, neighboring provinces, with the assistance of the king, against the Synod which in Greek parts firmly and proudly decreed in favour of adoring images recklessly and arrogantly," followed immediately by what is called "Charlemagne's Preface". However, it is unlikely that Charlemagne wrote any of the books himself, although the views expressed were influenced by him. He apparently did not accept that art had any advantages over books, a view not held by many of his advisers.
The preferred candidate as author of most modern scholars, following Anne Freeman, is Bishop Theodulf of Orleans, a Spanish Visigoth in origin, of which traces can be detected in the Latin and the liturgical references in the work. The Vatican manuscript has an author, considered to be Theodulf, and a corrector. It is very likely that several clerics at the court contributed to discussions formulating a work to be issued in the Emperor's name, but it seems likely that Theodulf composed the text we have.
In the past, some have attributed the writings to Angilram, Bishop of Metz or others of the bishops of France, alleging that Pope Adrian having sent Charlemagne the Acts of the Council in 790, he gave them to the French bishops for examination, and that the Libri Carolini was the answer they returned. There is also evidence that the author was Alcuin; besides the English tradition that he had written such a book, there is also the remarkable similarity of his commentary on St. John to a passage in Liber IV., cap. vi., of the Libri Carolini.

Contents

According to the Libri Carolini, images may be used as ecclesiastical ornaments, for purposes of instruction, and in memory of past events. It is foolish, however, to burn incense before them and to use lights, though it is quite wrong to cast them out of the churches and destroy them. Strong opposition is voiced to "adoration" of images, wrongly believing that the Second Council of Nicaea used this word, taken to mean the absolute adoration reserved for God alone, while only appropriate veneration is to be given to the saints and reverential honour to the Cross of Christ, Scripture, sacred vessels, and relics of the saints. The Greek word προσκύνησις that the Council in fact used means no more than reverence in a prostrate attitude.
The Libri Carolini also blame the excessive reverence shown by the Greeks to their emperors, criticize unfavourably the elevation of Tarasius to the Patriarchate of Constantinople, and find fault with the Scriptural and patristic exegesis of the Greeks. They confuse statements of the Second Council of Nicaea with those of the Iconoclastic conciliabulum of 754, frequently misrepresent the facts, and in general exhibit a strong anti-Greek bias.
Various iconodule arguments for the use of images are dismissed. The reverence shown to the Ark of the Covenant in the Hebrew Bible is not accepted as an analogy for the attitude due to art, as the Ark was made on the direct instructions and to the designs of God himself. That Theodulf's oratory has a mosaic on this very subject, otherwise unknown at this scale, is itself taken as an argument for his authorship of the work.
The contents were interpreted by Calvin and other iconoclast writers during the Protestant Reformation as support for their attitude. They were also put on the Index Librorum Prohibitorum, where they remained until 1900, either because of their iconoclastic arguments or because seen as interference by a civil authority in matters of Church doctrine.

Authority

According to the Catholic Encyclopedia the editions of the Libri Carolini that have been in print are not those that were sent to Pope Adrian by Charlemagne, to which the Pope designed to write a refutation. This has been shown by Hefele, who notes that those sent to the Pope treated the matter in an entirely different order; and that they contained only 85 chapters, while the printed books have 120, or 121 if the authenticity of the last chapter is granted. Moreover, the quotations made in Adrian's reply do not occur verbatim in the Libri Carolini, but are in some cases lengthened, in others abbreviated.
Petavius thinks that what Adrian received were extracts from the Libri Carolini, made by the Council of Frankfort. Hefele arrives at a directly opposite conclusion, viz., that the Libri Carolini are an expansion of the Capitula sent to the Pope, and that this expansion was made at the bidding of Charlemagne. Baronius, Bellarmine, Binius, and Surius all questioned the authenticity of the Libri Carolini altogether. However, this extreme position seems to be refuted by the fact that certain quotations made by Hincmar are found in the modern printed books, and may have been influenced by their use by Protestant writers during the Reformation. It is now generally accepted that the books are authentic, and the original Carolingian manuscript, as published by Freeman, was rediscovered in the 20th century.

All a misunderstanding

The work was refuting a bad copy of a very incompetent translation of the Byzantine decrees. In particular it seems clear that at least one negative was omitted, reversing the sense of the Greek, and that the Greek word proskynesis was mistranslated as "adoration", for which the Greek word is latria, which the Council had stated, in the invariable position shared by Catholics and Orthodox, was due only to the persons of the Trinity.
It seems that the authors of these books had never read the acts nor decrees of the Second Council of Nicaea, or only in a very poor translation. Further, they seemed ignorant of what took place at the Second Council of Constantinople in 754. As an example, in Book IV., Chapter xiv., and also in Chapter xx.,, the charge is made that the Second Council of Nicaea, specifically Gregory, the bishop of Neocaesarea, unduly flattered the Empress. However, these remarks were made at the Conciliabulum of 754, and not at the Second Council of Nicaea; also, they were not made by Gregory of Neocaesarea at all, and the reason they are attributed to him is because he read them in the proceedings of that pseudo-council to the true council of 787.
The most famous example of incongruity in these books occurs in Book III., Chapter xvii., in which it is attributed to Constantius, the bishop of Cyprus, the statement that the sacred images were to be given supreme adoration due to the Holy Trinity. Sir William Palmer, and most modern scholars, attribute all of these mistakes to the books' authors using a mistranslated version of the acts and decrees of the Second Council of Nicaea. Of this translation, Anastasius Bibliothetius says, "The translator both misunderstood the genius of the Greek language as well as that of the Latin, and has merely translated word for word; and in such a fashion that it is scarcely ever possible to know what it means; moreover nobody ever reads this translation and no copies of it are made."
Following are select false statements made in the text:
Freeman, Ann, with Paul Meyvaert. Opus Caroli regis contra synodum , Hannover 1998.

In English Translation

Partial English translation: Caecilia Davis-Weyer, ed. Early Medieval Art 300-1150: Sources and Documents, pp. 100–103.