A lament or lamentation is a passionate expression of grief, often in music, poetry, or song form. The grief is most often born of regret, or mourning. Laments can also be expressed in a verbal manner, where the participant would lament about something they regret or someone they've lost, usually accompanied by wailing, moaning and/or crying. Laments constitute some of the oldest forms of writing and examples are present across human cultures.
History
Many of the oldest and most lasting poems in human history have been laments. The Lament for Sumer and Ur dates back at least 4000 years to ancient Sumer, the world's first urban civilization. Laments are present in both the Iliad and the Odyssey, and laments continued to be sung in elegiacs accompanied by the aulos in classical and Hellenistic Greece. Elements of laments appear in Beowulf, in the Hindu Vedas, and in ancient Near Easternreligious texts. They are included in the Mesopotamian city laments such as the Lament for Ur and the Jewish Tanakh,. In many oral traditions, both early and modern, the lament has been a genre usually performed by women: Batya Weinbaum made a case for the spontaneous lament of women chanters in the creation of the oral tradition that resulted in the IliadThe material of lament, the "sound of trauma" is as much an element in the Book of Job as in the genre of pastoral elegy, such as Shelley's "Adonais" or Matthew Arnold's "Thyrsis". The Book of Lamentations or Lamentations of Jeremiah figures in the Old Testament. The Lamentation of Christ is a common subject from the Life of Christ in art, showing his dead body being mourned after the Crucifixion. A Lament in The Book of Lamentations or in the Psalms, "Lascia ch'io pianga", "Caro mio ben". The lament continued to represent a musico-dramatic high point. In the context of opera buffa, the Countess's lament, "Dove sono" comes as a surprise to the audience of Wolfgang Amadeus Mozart's Marriage of Figaro, and in Gioachino Rossini's Barber of Seville, Rosina's plaintive words at her apparent abandonment are followed, not by the expected lament aria, but by a vivid orchestral interlude of storm music. The heroine's lament remained a fixture in romantic opera, and the Marschallin's monologue in Act I of Der Rosenkavalier can be understood as a penetrating psychological lament.
Scottish laments
The purely instrumental lament is a common form in piobaireachd music for the Scottish bagpipes. "MacCrimmon's Lament" dates to the Jacobite uprising of 1745. The tune is held to have been written by Donald Ban MacCrimmon, piper to the MacLeods of Dunvegan, who supported the Hanoverians. It is said that Donald Ban, who was killed at Moy in 1746, had an intimation that he would not return. A well-known Gaelic lullaby is "Griogal Cridhe". It was composed in 1570 after the execution of Gregor MacGregor by the Campbells. The grief-stricken widow, Marion Campbell, describes what happened as she sings to her child. "Cumhadh na Cloinne" was composed by Padruig Mór MacCrimmon in the early 1650s. It is generally held to be based on the loss of seven of MacCrimmon's eight sons to an unknown illness, possibly brought to Skye by a trading vessel. Author Bridget MacKenzie, in Piping Traditions of Argyll, suggests that it refers to the slaughter of the MacLeod's fighting Cromwell's forces at the Battle of Worcester. It may have been inspired by both. Other Scottish laments from outside of the piobaireachd tradition include "Lowlands Away", "MacPherson's Rant", and "Hector the Hero".
Musical form
There is a short, free musical form appearing in the Baroque and then again in the Romantic periods, called a lament. It is typically a set of harmonic variations in homophonic texture, wherein the bass descends through a tetrachord, usually one suggesting a minor mode.
