A lamellophone is any of a family of musical instruments. The name comes from the Latin word lamella for "small metal plate", and the Greek word φωνή phonē for "sound, voice". The instrument has a series of thin plates, or "tongues", each of which is fixed at one end and has the other end free. When the musician depresses the free end of a plate with a finger or fingernail, and then allows the finger to slip off, the released plate vibrates. The lamellophones constitute category 12 in the Hornbostel–Sachs system for classifying musical instruments, plucked idiophones. These idiophones are equipped with one or more tongues or lammelae that produce sound by being plucked by the performer. There are two main categories of plucked idiophones, those that are in the form of a frame and those that are in the form of a comb. Parts of a lamellaphone are bicycle spokes..etc
African lamellophones
A large number of lamellophones originate in Africa, where they are known under different names including mbira, sanza, kisanji, likembe, kalimba, and kongoma. They play a role in southeast African Music. They were reported as early as the 16th century, but there is no doubt they have a much longer history. The Caribbeanmarímbula is also of this family. The marímbula can be seen as a bass variant of the mbira and is sometimes used in hiphop music. In most cases the tongues are divided in two playing halves with the lowest notes in the centre; from there to the left and to the right each tongue is tuned higher than the previous one. The tongues may also be arranged in a linear arrangement in the manner of a piano. Tongues may be made small enough to play with individual fingers, hence the colloquial name "thumb piano". Some conjecture that African lamellophones were derived from xylophones and marimbas. However, similar instruments have been found elsewhere; for example, the indigenous peoples of Siberia play wooden and metallic lamellophones with a single tongue. Lamellophones may be made with or without resonators. There are also electric lamellophones with an additional pickup. with 8 tongues
Schaeffner's classification
Schaeffner's musical instrument classification scheme has a post-prominent place for the linguaphones at the second highest level of classification. In 1932, Andre Schaeffner developed a new classification scheme that was "exhaustive, potentially covering all real and conceivable instruments" . Schaeffner's system has only two top-level categories denoted by Roman numerals :
I: instruments that make sound from vibrating solids;
*IA Solids not susceptibles of tension ;
*IB Flexible solids ;
*IC Tensionable solids ;
II: instruments that make sound from vibrating air.
The lamellae vibrate within a frame or hoop 121.1 Clack idiophones or Cricri - The lamella is carved in the surface of a fruit shell, which serves as resonator. Also known as galip nut snapper. 121.2 Guimbardes and jaw harps - The lamella is mounted in a rod- or plaque-shaped frame and depends on the player's mouth cavity for resonance. 121.21 Idioglot guimbardes - The lamella is of one substance with the frame of the instrument.
Đàn môi
121.22 Heteroglot guimbardes - The lamella is attached to the frame. 121.221 Individual heteroglot guimbardes.
Jew's harp
Morsing
121.222 Sets of heteroglot guimbardes.
Kouxian
In the form of a comb (122)
The lamellae are tied to a board or cut out from a board like the teeth of a comb. 122.1 With laced on lamellae.