Kip Williams is an Australian theatre director. Williams is the Artistic Director of Sydney Theatre Company. Williams has been a Resident Artist with Sydney Theatre Company since 2012. He was appointed Directing Associate in 2012, Resident Director in 2013, and Artistic Director in November 2016. His appointment at age 30 made him the youngest Artistic Director in the company's history. Williams won the 2015 Helpmann Award for Best Direction of a Play for his production of Suddenly Last Summer for Sydney Theatre Company. He won the 2016 Green Room Award for Best Director for his production of Miss Julie for Melbourne Theatre Company. He won the 2018 Sydney Theatre Award for Best Director for his production of The Harp in the South for Sydney Theatre Company.
Theatre
Williams has directed for many of Australia's leading theatre companies, including Sydney Theatre Company, Melbourne Theatre Company, and Malthouse Theatre, Melbourne. Williams' first production for Sydney Theatre Company came in 2012, where at age 25 he directed Dylan Thomas's Under Milk Wood, at the Sydney Opera House, starring Jack Thompson. In 2013 he adapted and directed a reimagining of Romeo and Juliet, focussing the text on Juliet, again at the Sydney Opera House; as well as an all female production of William Golding's Lord of the Flies at Malthouse Theatre, Melbourne, as part of the Helium Festival. In 2014, for Sydney Theatre Company he directed productions of Macbeth starring Hugo Weaving and Maxim Gorky's Children of the Sun adapted by Andrew Upton. In 2015, Williams directed a radical staging of Tennessee Williams's Suddenly Last Summer, using a blend of live video and stage action. The production earned him a Best Director nomination at the Sydney Theatre Awards, and won him the Helpmann Award for Best Direction of a Play. He also directed the Australian premiere of Caryl Churchill's Love and Information for Malthouse Theatre, Melbourne, and the Sydney Theatre Company. The production garnered Williams a second nomination for the Helpmann Award for Best Direction of a Play, as well as Best Director nominations from the Sydney Theatre Awards, and Melbourne's Green Room Awards. In 2016, for STC Williams directed a revival of the Australian classic The Golden Age by Louis Nowra, Shakespeare's A Midsummer Night's Dream, and Arthur Miller's All My Sons, for which he was nominated for Best Director at the Sydney Theatre Awards. He also adapted and directed a production of Miss Julie for the Melbourne Theatre Company. It was his second time combining live video and stage action. The production was nominated for eight Green Room Awards, winning Best Production, Best Digital Media Design and Integration, and Best Director for Williams. In 2017, Williams directed the Australian premiere of Lucy Kirkwood's Chimerica for Sydney Theatre Company. The production featured an ensemble cast of 32, including a chorus of students from NIDA, with set design by David Fleischer. Hailed "a triumph" by The Australian, Chimerica was nominated for two Helpmann Awards; Jason Chong for Best Actor, and Williams for Best Direction of a Play. This was followed by a staging of Caryl Churchill's Cloud 9, Williams' second professional production of a Churchill play. The production was nominated for nine Sydney Theatre Awards, including Best Production and Best Director for Williams. It was also nominated for two Helpmann Awards, Best Director for Williams, and Best Supporting Actor for Harry Greenwood. Later in 2017 he directed an adaptation by Andrew Upton of Chekhov's Three Sisters for the STC. In 2018, Williams directed Bertolt Brecht's The Resistible Rise of Arturo Ui, starring Hugo Weaving in the titular role. The production was nominated for six Helpmann Awards, including Best Production, Best Director for Williams, and winning Best Supporting Actress and Best Actor for Anita Hegh and Weaving respectively. It was nominated for a further nine Sydney Theatre Awards, again for Best Production and Best Director for Williams, and winning four awards including Best Actor for Weaving, Best Stage Design for Robert Cousins, and Best Supporting Actor for Mitchell Butel. Next Williams directed a 6 hour stage adaptation of The Harp in the South: Part One & Part Two by Kate Mulvany. The highly acclaimed production brought to life Ruth Park's celebrated trilogy of novels, Missus, The Harp in the South, and Poor Man's Orange, using an ensemble of 18 actors to perform the marathon work across two nights of theatre. The production was nominated for 11 Sydney Theatre Awards, winning Best Production, Best New Australian Work for Mulvany, and Best Direction for Williams. It was nominated for a further six Helpmann Awards, including Best Production of a Play, Best New Australian Work, and Best Director for Williams. Williams finished 2018 with an operatic take on Patrick White's classic play A Cheery Soul, featuring his signature use of live video. Staged at the Sydney Opera House, the production starred Sarah Peirse, with an ensemble including Anita Hegh, Shari Sebbens, and Tara Morice.
Opera
Williams has directed extensively for Sydney Chamber Opera since 2011, including productions of Peter Maxwell Davies's The Lighthouse, Fausto Romitelli's An Index of Metals, and stagings of J. S. Bach's cantataIch habe genug and Jack Symmonds' Nunc dimittis. He staged a song cycle for SCO and the 18th Biennale of Sydney titled Through the Gates, consisting of works from Shostakovich to Bach. In 2017 he co-directed with Elizabeth Gatsby a gender bending reinterpretation of Benjamin Britten's chamber operaThe Rape of Lucretia. The production involved singers lip synching and performing multiple characters in a radical reframing of Britten's original piece. The production was a co-production between Victorian Opera, SCO, and Dark Mofo, and premiered in Sydney at Carriageworks. It was revived in June 2018 for Dark Mofo and played at the Theatre Royal, Hobart.
