Ewoks: The Battle for Endor


Ewoks: The Battle for Endor is a 1985 television film set in the Star Wars universe co-written and directed by Jim and Ken Wheat from a story by George Lucas. A sequel to ', it focuses on Cindel Towani, the human girl from the first film, who, after being orphaned, joins the Ewoks in protecting their village and defeating the marauders who have taken control of the Endor moon.
Along with Caravan of Courage, the film is set between the events of ' and Episode VI – Return of the Jedi.

Plot

Nearly six months have passed since the events of the first film; the Towani family's star cruiser is almost completely fixed and Jeremitt is putting the final touches on the craft. While the family is preparing to leave the forest moon of Endor, the Ewok village is attacked by a Marauder group led by Terak and his witch-like sorceress Charal. Many Ewoks are killed. Cindel escapes, but is forced to leave her family to their doom at the hand of the Marauders.
While running away from the carnage, Cindel and Wicket meet Teek, a small, fast native of Endor. Teek takes them to the home of Noa Briqualon, a human male who is angered by their uninvited presence and throws them out. Eventually he proves himself to be kindhearted, letting Teek steal food for Cindel and Wicket, and inviting the two in as they attempt to build a fire for warmth.
At the Marauders' castle, Terak orders Charal to find Cindel, assuming she knows how to use "the power" in the energy cell stolen from Jeremitt's star cruiser. Meanwhile, Noa, Cindel, and Wicket are becoming friends. It is revealed that Noa is rebuilding his own wrecked star cruiser, only missing the energy cell. Cindel is awakened one morning by a song her mother used to sing. She follows the voice to find a woman singing, who transforms into Charal and takes her to Terak. He orders Cindel to activate "the power", but she cannot, and is imprisoned with the Ewoks. Outside, Noa, Wicket, and Teek sneak into the castle, free Cindel and the Ewoks, and escape with the energy cell.
Terak, Charal, and the Marauders pursue them back to the ship, where Wicket leads the Ewoks in defense of the cruiser as Noa installs the energy cell. The Ewoks put up a valiant effort, and are nearly beaten by the time Noa powers up the ship and uses its laser cannons to fend off the Marauders. Cindel goes to save Wicket and is captured by Terak, as the other Marauders retreat. Terak and Noa face off, with Wicket finally coming to the rescue, killing Terak and simultaneously leaving Charal trapped in bird form. Shortly thereafter, goodbyes are said, and Cindel leaves Endor with Noa on his starship.

Cast

Creation and crew

The film, shot in the middle of 1985 in Marin County, California, was directed by Jim and Ken Wheat, executive produced by Lucas, and written by the Wheat brothers, based on a story written by Lucas. Co-director Ken Wheat explained the production and inspiration of the film:
Lucas’ involvement during production was primarily in the design and editing stages, according to Wheat. The film's working title was Ewoks II.

Effects

Both Ewok films were some of the last intensive stop-motion animation work Industrial Light & Magic produced, as in the early 1980s, the technique was being replaced by go motion animation, a more advanced form with motorized articulated puppets that moved while the camera shutter was open, capturing motion blur in the otherwise static puppet, eliminating the harsh staccato movement often associated with stop motion. However, the budgets of the Ewok films were such that go motion was simply too expensive for the projects, so stop motion was used to realize creatures such as the condor dragon, the blurrgs, and the boar-wolves.
The Ewok movies proved an opportunity for Industrial Light & Magic to hone a new technique in photographing matte paintings, called latent image matte painting. In this technique, during live action photography a section of the camera's lens is blocked off, remaining unexposed, and a painting is crafted to occupy that space. The film would then be rewound, the blocked areas reversed, and the painting photographed. Since the painting now existed on the original film, there would be no generational quality loss.

Music

The musical score for Ewoks: The Battle for Endor was composed by Peter Bernstein. Selections from the score were released on LP by Varèse Sarabande in 1986. The release was known simply as Ewoks, and also contained cues from Bernstein's previous score to The Ewok Adventure.

Alternate versions

In 1986, Random House published a children's book adaptation of The Battle for Endor called The Ring, the Witch, and the Crystal: An Ewok Adventure. The book was written by Cathy East Dubowski, and utilized the film's story and images from the film.

Release

Ewoks: The Battle for Endor initially premiered as an ABC TV special on November 24, 1985. It was released theatrically in the UK as a limited run in the Spring of 1986. After the run had disappeared due to low box office receipts, it appeared on home video in late 1987 on MGM/UA and re-issued for retail in 1988 and 1990. The US later released on VHS and Laserdisc in 1990 through MGM/UA Home Video.
The film was released on DVD with its predecessor as a double feature collection entitled Star Wars: Ewok Adventures on November 23, 2004 via 20th Century Fox Home Entertainment. One film was on each side of a single double-sided disc, with no bonus material.
In January 2019, Disney and Lucasfilm released The Battle for Endor on Amazon's Prime Video service, where it was available to rent or buy in standard definition. As of December 2019, the film was no longer available through that service.
As of September 2019, the streaming service Disney+ had announced no plans to host the Ewok films, prompting Eric Walker to start a petition for Disney to add them.

Reception

At the 38th Primetime Emmy Awards, Ewoks: The Battle for Endor and the CBS documentary Dinosaur! were both juried-awarded Emmys for Outstanding Special Visual Effects. The film additionally received two nominations for Outstanding Children's Program and Outstanding Sound Mixing for a Miniseries or a Special.
In his review for The New York Times John Corry faulted the production's source of inspiration, saying "The problem with Ewoks: The Battle for Endor isn't that it's badly done; on the contrary, it's wonderfully well done. But when it's over it's over, and there is no residue. Mr. Lucas and his colleagues find their inspiration in their own technology, and there should be other places to look."
Pointing to the main characters and plot elements, one pair of writers concluded that both Battle of Endor and its predecessor are fairy tales despite occurring in a science fiction setting. They point to magical phenomena in both films, which is a fantasy element. They argue that in a science fiction story, the hero wants to disrupt or challenge the hierarchy of a supposed "utopian" society; whereas in both Ewok films, society is not challenged or disputed. Additionally, they argue, that while the Star Wars saga also has fairy tale tropes, it adhered more towards science fiction. Another author agreed that the films are fairy tales, whereas "Science explains all magic."

Legacy

Several elements from the film have gone on to appear in other works of the Star Wars Expanded Universe, which was declared non-canon and rebranded as Legends in 2014.
Canon appearances of elements introduced in the film include:
Gwendoline Christie, in an interview with Collider in December 2017, stated her support of the fan theory that her character from and The Last Jedi, Captain Phasma, is an older version of Cindel.