Kimberly Reed


Kimberly Reed is an American film director and producer who is best known for her documentaries Prodigal Sons and Dark Money which premiered at the 2018 Sundance Film Festival. In 2007, Filmmaker magazine named her one of the "25 New Faces of Independent Film."

Early life

Kimberly Reed was born in Montana and attended Helena High School.

Education

Reed earned a Bachelor of Arts from University of California at Berkeley where she graduated magna cum laude. Reed earned a Master of Arts in film production from San Francisco State University.

Career

Throughout her career, Reed has pursued projects across artistic venues. As a filmmaker, Reed's work has been featured at festivals and across platforms. Her most recent project is the film Dark Money which, "examines one of the greatest present threats to American democracy: the influence of untraceable corporate money on our elections and elected officials." Earlier work has explored LGBT issues, families, and the transgender community in New York City. Reed also wrote an opera and her written work has been featured in a number of print publications and other forums.

Film

''Dark Money''

Dark Money premiered at the Sundance Film Festival in 2018. Variety describes the film as a "potent investigative piece." In early 2018 the film traveled to several festivals and the rights to the film were purchased by PBS and will be broadcast in fall 2018 as part of the POV series of documentaries. Dark Money is Kimberly Reed's sophomore documentary and explores the influence on dark money in Montana politics and beyond post-Citizens United.

''Prodigal Sons''

Prodigal Sons is an autobiographical account of Kimberly Reed's return home to Montana for her 20th high school reunion as a trans woman. The film evolves into an exploration of family, sibling rivalry, coming out, and reconciling with the past. It debuted at the Telluride Film Festival in 2008.
The Los Angeles Times describes Prodigal Sons as follows:
"At the heart of 'Prodigal Sons,' a family drama in the form of a succinct, eloquent personal journal, is a sibling rivalry whose reverberations touch upon the very essence of human identity: what we inherit, what we learn, how we move forward and to what degree we look back. Reed receives a warm reception at her 20-year reunion, but she's on eggshells with one of her classmates, her adopted brother. Since he was left back in preschool, Marc has been the struggler to her high achiever, his behavior problems exacerbated by a brain injury. He's on multiple meds and given to hair-trigger explosions that he says aren't the real him -- even as Kim looks at pictures of herself as a boy and says with certainty, 'That wasn't me."'"
Reed's work on this project earned her much acclaim including a place on Filmmaker Magazine's list of "25 New Faces of Independent Film," several award nominations including a GLAAD Media Award and . The film was met with both popular and critical acclaim. It was released in theaters and was among IndieWire's top 10 films of 2008.

Other projects

Together with Mark Campbell, Reed wrote the libretto for As One, a chamber opera/song cycle composed by Laura Kaminsky. As One is a coming-of-age story about a transgender woman. As One premiered in September 2014 in partnership with American Opera Projects at the Brooklyn Academy of Music.

Publications

Reed was a contributing author to the edited volume Here Come the Brides!, a look at how marriage has changed and includes the stories of women who are challenged the collective cultural interpretations of its meaning. Previously, Kimberly Reed was editor-in-chief of, Digital Video Magazine, the largest magazine covering the digital revolution in film making.

Public appearances and activism

Reed has been recognized for her work in a number of ways. Awards and honors include: