Kathy Vargas


Kathy Vargas is an American artist who creates collages and photographs. She often devotes several works to a particular theme and creates her art in series.

Biography

Vargas was born in San Antonio, Texas. She was influenced early on by her Catholic faith, her grandmother's ghost stories and her father's retelling of pre-Columbian history.
Vargas has a BFA from the University of Texas at San Antonio in 1981 and in 1984 received her MFA.
Kathy Vargas currently teaches in the art department at in San Antonio, TX. She has lectured throughout the United States and Mexico.

Art

Kathy Vargas became interested in the hand-coloured photography around 1970 when she worked for Bill and Jerry Hayes in her hometown at a small production company. She was placed in the animation department and from there learned how to do special effects. Vargas learned dark room work here before she began learning about photography.
At the Southwest Craft Center, Kathy learned rock-and-roll photography from Tom Wright in 1971, which she practiced professionally from 1973 to 1977.
Kathy Vargas began classes with Mel Casas, a Chicano artist, who asked her to attend a Con Safo art group meeting after seeing some of her photographs. She felt welcome here and loved what the group was doing with art. Kathy gives credit to Casas for opening her eyes and sharing many Chicano and Chicana artists with her. When she began to feel limited, she notified them that it was time for her to create her own art and departed from the Con Safo art group. Vargas wanted to experiment with the medium and create her own photographic style.
A few years later, while working on a documentary project about yard shrines in her home town of San Antonio, Texas, she began researching Mexican and pre-Columbian myths and literature, and to produce works based on a photographic 'magic realism' involving layering by multiple exposure and hand colouring.
In 1993 she produced a portfolio titled, Revelaciones, and a year later was published in Nueva Luz photographic journal, volume 4#2
She is interested in "the anatomy of death and the aftermath of everlasting life." Vargas often uses iconography from Aztec art, along with various other cultural and Christian symbols.

Exhibits

Solo exhibits:
Group exhibits: