Kathleen Dean Moore


Kathleen Dean Moore is a philosopher, writer, and environmental activist from Oregon State University. Her early creative nonfiction writing focused on the cultural and spiritual values of the natural world, especially shorelines and islands. Her more recent work is about the moral issues of climate change.

Life

Moore was raised in Berea, Ohio, a suburb of Cleveland. In 1969, she graduated with a B.A. in philosophy and French from Wooster College in Wooster, Ohio. From the University of Colorado in Boulder, she earned her M.A. and Ph.D. in philosophy and studied in the Fleming School of Law. In 1992, she joined the faculty of the Department of Philosophy at Oregon State University, where she taught philosophy of law, critical thinking, and environmental philosophy. There, she served as department chair, Master Teacher, and Distinguished Professor, developing field courses such as the Philosophy of Nature, which she taught in the lake country of the Pacific Cascades. During that time, Moore co-founded, with poet and philanthropist Franz Dolp, the Spring Creek Project for Ideas, Nature, and the Written Word, which she directed for 10 years. As director, she co-founded an ancillary program, the Long-Term Ecological Reflections Project at the H.J. Andrews Forest, in the Oregon Cascades. Long interested in interdisciplinary environmental education, Moore designed Oregon State's Master of Arts in Environmental Arts and Humanities. But her growing concern for the perils of global warming led her to leave the university in 2013 to devote all her time to writing and speaking about the moral urgency of climate action.
Moore's first books were academic. Pardons: Justice, Mercy, and the Public Interest began with her dissertation work and continued through a sabbatical leave spent in the Harvard Law Library. From a framework of retributive justice, she asks what justifies the pardoning power, what determines who should be pardoned, and what constitutes an unforgivable crime. She wrote two textbooks, Reasoning and Writing and Patterns of Inductive Reasoning, based on her experience as a teacher of critical thinking. Thereafter, her love of nature writing and the natural world soon led her to the nature essay, and her next four books were collections of essays about the cultural and spiritual meaning of wild places at the edge of water: Riverwalking, Holdfast, Pine Island Paradox, and Wild Comfort. She co-edited the papers of her late friend and colleague, Viola Cordova, a Jicarilla-Apache philosopher and co-edited a number of other anthologies, including one about Rachel Carson.
In 2011, Moore and her colleague Michael P. Nelson published Moral Ground: Ethical Action for a Planet in Peril, which gathered the testimony of dozens of the world's moral leaders about our obligation to future generations. This was the first of many of Moore's articles, blogs, op-eds, and public talks in which she speaks out against those who would "wreck the world" through fossil fuel extraction and other acts that lead to global extinction. Her most recent climate ethics book is Great Tide Rising: Toward Clarity and Moral Courage in a Time of Planetary Change. Moore now travels and speaks widely about the moral urgency of climate action. Her forthcoming book, Piano Tide, is her first novel, telling the story of an Alaskan tidewater town's defense of their freshwater. Her most recent work is a collaboration with the concert pianist, Rachelle McCabe, to bring music to her messages about global extinction. Moore has served on the Board of Directors of the Orion Society and the Island Institute in Sitka, Alaska.
Moore is best known in environmental literature for her seamless integration of philosophical reflection and personal experience. To writers, she describes this metaphorically as the "art of the osprey," a fish-hawk that repeatedly dives from the world of sunshine and color into the murkier shadows below the surface of experience. To philosophers, she describes her work as narrative philosophy or environmental phenomenology, where the reader does not just understand the issues, but experiences them through sight, smell, and taste.
Moore lives in Corvallis, Oregon and, in the summers, writes from "a small cabin where two creeks and a bear trail meet a tidal cove" in the southeast Alaska islands. Her husband, Frank, is a biologist, and their children are environmentalists and professors – Erin E. Moore, School of Arts and Architecture, University of Oregon, and Jonathan W. Moore, Liber Eros Chair of Coastal Studies, Simon Frasier University in British Columbia.

Awards