Kāla is a word used in Sanskrit to mean "time". It is also the name of a deity, in which sense it is not always distinguishable from , meaning "black". It is often used as one of the various names or forms of Yama.
Etymology
's widely used Sanskrit-English dictionary lists two distinct words with the form '.
' 1 means "black, of a dark colour, dark-blue..." and has a feminine form ending in ' – ' – as mentioned in 4–1, 42.
' 2 means "a fixed or right point of time, a space of time, time... destiny, fate... death" and has a feminine form ending in ', as mentioned in the ' '. As a traditional Hindu unit of time, one kālá corresponds to 144 seconds.
According to Monier-Williams, ' 2 is from the verbal root ' "to calculate", while the root of 1 is uncertain, though possibly the same.
As a deity
As applied to gods and goddesses in works such as the ' ' and the Skanda', ' 1 and ' 2 are not readily distinguishable. Thus Wendy Doniger, translating a conversation between and from the Skanda', says ' may mean " 'the Great Death'... or 'the Great Black One' ". And , a Hindu translator of the ' ', renders the feminine compound ' as "dark night of periodic dissolution". As Time personified, destroying all things, Kala is a god of death sometimes identified with Yama.
In the epics and the Puranas
Kala appears as an impersonal deity within the Mahabharata, the Ramayana, and the Bhagavata Purana. In the Mahabharata, Krishna, one of the main characters, reveals his identity as Time personified. He states to Arjuna that both sides on the battlefield of the Kurukshetra War have already been annihilated. At the end of the epic, the entire Yadu dynasty is similarly annihilated. The story ends with Yudhishthira, the last of the Pandava brothers, entering Heaven in his human form, thereby closing the link. In Heaven, Yudi sees everyone within the story, both people whom he hated, and people whom he loved, and is happy to see them all. He then sees their transcendent cosmic forms, Krishna as Vishnu, Draupadi as uma, and realizes that the participants in the play were merely gods in human form, engaging in pastimes and working out their karma. Yudi then abandons his bitterness and spends the rest of eternity in Heaven, it is a happy ending. Kala appears in the Uttara Kanda of the Ramayana, as the messenger of Death. At the end of the story, Time, in the form of inevitability or necessity, informs Rama that his reign on Earth is now over. By a trick or dilemma, he forces the death of Lakshmana, and informs Rama that he must return to the realm of the gods. Lakshmana willingly passes away with Rama's blessing and Rama returns to Heaven. Time appears in the Bhagavata Purana as the force that is responsible for the imperceptible and inevitable change in the entire creation. According to the Purana, all created things are illusory, and thereby subject to creation and annihilation, this imperceptible and inconceivable impermanence is said to be due to the march of Time. Similarly, Time is considered to be the unmanifest aspect of God that remains after the destruction of the entire world at the end of a lifespan of Brahma. In the Chaitanya Bhagavata, a Gaudiya Vaishnavist text and biography of Chaitanya Mahaprabhu, it is said that the fire that emerges from the mouth of Sankarshana at the End of Time is the Kālānala, or "fire of Time". One of the names of Sankarshana is kālāgni, also "fire of Time". The Vishnu Purana also states that Time is one of the four primary forms of Vishnu, the others being matter, visible substance, and Spirit.
At Bhagavad Gita 11.32, Krishna takes on the form of kāla, the destroyer, announcing to Arjuna that all the warriors on both sides will be killed, apart from the Pandavas:
कालो ऽस्मि लोकक्षयकृत् प्रवृद्धो लोकान् समाहर्तुम् इह प्रवृत्तः ।
This verse means: "Time I am, the great destroyer of the worlds, and I have come here to destroy all people." This phrase is famous for being quoted by J. Robert Oppenheimer as he reflected on the Manhattan Project's explosion of the first nuclear bomb in 1945.
In other cultures
In Javanese mythology, Batara Kala is the god of destruction. It is a very huge mighty and powerful god depicted as giant, born of the sperm of Shiva, the kings of gods. In Borobudur, the gate to the stairs is adorned with a giant head, making the gate look like the open mouth of the giant. Many other gates in Javanese traditional buildings have this kind of ornament. Perhaps the most detailed Kala Face in Java is on the south side of Candi Kalasan.
As a Substance
Main article: Ajiva In Jainism, Kāla is infinite and is explained in two different ways:
The measure of duration, known in the form of hours, days, like that.
The cause of the continuity of function of things.
However Jainism recognizes a very small measurement of time known as samaya which is an infinitely small part of a second. There are cycles in it. Each cycle having two eras of equal duration described as the avasarpini and the utsarpini.
