Julian Tuwim
Julian Tuwim, known also under the pseudonym "Oldlen" as a lyricist, was a Polish poet, born in Łódź,. He was educated in Łódź and in Warsaw where he studied law and philosophy at Warsaw University. After Poland's return to independence in 1918, Tuwim co-founded the Skamander group of experimental poets with Antoni Słonimski and Jarosław Iwaszkiewicz. He was a major figure in Polish literature, admired also for his contribution to children's literature. He was a recipient of the prestigious Golden Laurel of the Polish Academy of Literature in 1935.
Life and work
Tuwim was born into a family of assimilated Jews. The surname comes from the Hebrew tovim meaning "good ones". His parents, Izydor and Adela, provided Julian with a comfortable middle class upbringing. He was not a particularly diligent student and had to repeat the sixth grade. In 1905 the family had to flee from Łódź to Wrocław in order to escape possible repercussions following Izydor's involvement in the Revolution of 1905.Initially Tuwim's poetry, even more than that of the other "Skamandrites", represented a decisive break with turn-of-the-20th-century mannerism. It was characterized by an expression of vitality, optimism, in praise of urban life. His poems celebrated everyday life in the city, with its triviality and vulgarity. Tuwim often used vernacular language in his work, along with slang as well as poetic dialogue.
His collections "Czyhanie na Boga", "Sokrates tańczący", "Siódma jesień", and "Wierszy tom czwarty" are typical of his early work. In his later collections — "Słowa we krwi", "Rzecz Czarnoleska" , "Biblia cygańska" and "Treść gorejąca" Tuwim became restless and bitter, and wrote with fervour and vehemence about the emptiness of urban existence. He also drew more heavily from the romantic and classicist traditions, while perfecting his form and style, and becoming a virtuoso wordsmith.
From the very beginning and throughout his artistic career, Tuwim was satirically inclined. He supplied sketches and monologues to numerous cabarets. In his poetry and articles, he derided obscurantism and bureaucracy as well as militaristic and nationalistic trends in politics. His burlesque, "Bal w Operze" is regarded as his best satirical poem.
In 1918 Tuwim co-founded the cabaret, "Picador", and worked as a writer or artistic director with many other cabarets such as "Czarny kot", "Quid pro Quo", "Banda" The Gang and "Stara Banda" The Old Gang and finally "Cyrulik Warszawski". Since 1924 Tuwim was a staff writer at "Wiadomości Literackie" where he wrote a weekly column, "Camera Obscura". He also wrote for the satirical magazine, "Szpilki".
Tuwim displayed his caustic sense of humour and unyielding individuality in works such as "Poem in which the author politely but firmly implores the vast hosts of his brethren to kiss his arse." Here, Tuwim systematically enumerates and caricatures various personalities of the European social scene of the mid-1930s -- 'perfumed café intellectuals', 'drab socialists', 'fascist jocks', 'Zionist doctors', 'repressed Catholics' and so on, and ends every stanza by asking each to perform the action indicated in the title. The poem ends with a note to the would-be censor who would surely be tempted to expunge all mention of this piece for its breach of 'public standards.'
His poem "Do prostego człowieka", first published on October 7, 1929 in "Robotnik", provoked a storm of personal attacks on Tuwim, mostly from anti-Semitic right wing circles criticizing Tuwim's pacifist views.
Julian's aunt was married to Adam Czerniaków, and his uncle from his mother's side was Arthur Rubinstein.
World War II and after
In 1939, at the beginning of World War II and the Nazi occupation of Poland, Tuwim emigrated through Romania first to France, and after France's capitulation, to Brazil, by way of Portugal, and finally to the US, where he settled in 1942. In 1939-41 he collaborated with the émigré weekly "Wiadomosci Polskie", but broke off the collaboration due to differences in views on the attitude towards the Soviet Union. In 1942-46 he worked with the monthly "Nowa Polska" published in London, and with leftist Polish-American newspapers. He was affiliated with the Polish section of the International Workers Organization from 1942. He was also a member of the Association of Writers From Poland.'s Powązki Cemetery.
During this time he wrote "Kwiaty Polskie", an epic poem in which he remembers with nostalgia his early childhood in Łódź. In April 1944 he published a manifesto, entitled "My, Żydzi Polscy".
Tuwim returned to Poland after the war in 1946, but did not produce much in Stalinist Poland. He died in 1953 at the age of 59 in Zakopane. Although Tuwim was well known for serious poetry he also wrote satirical works and poetry for children, for example "Lokomotywa" translated into many languages. He also wrote well-regarded translations of Pushkin and other Russian poets.
Russian Soviet poet Yelizaveta Tarakhovskaya translated most of Tuwim's children's poetry into Russian.
Notable poems
- Czyhanie na Boga
- Sokrates tańczący
- Siódma jesień
- Wierszy tom czwarty
- Murzynek Bambo
- Czary i czarty polskie
- Wypisy czarnoksięskie
- A to pan zna?
- Czarna msza
- Tysiąc dziwów prawdziwych
- Słowa we krwi
- Tajemnice amuletów i talizmanów
- Strofy o późnym lecie
- Rzecz czarnoleska
- Jeździec miedziany
- Biblia cygańska i inne wiersze
- Jarmark rymów
- Polski słownik pijacki i antologia bachiczna
- Treść gorejąca
- Bal w Operze
- Kwiaty polskie
- Pegaz dęba, czyli panoptikum poetyckie
- Piórem i piórkiem
Tuwim's poems set to music
- Karol Szymanowski - Słopiewnie for voice and piano, op. 46bis
- Witold Lutosławski - Piosenki dziecinne ; Spóźniony słowik, O Panu Tralalińskim, for voice and piano
- Several of his poems were set to music by Zygmunt Konieczny and sung by Ewa Demarczyk, including "Tomaszów" and "Grande Valse Brillante"
- Mieczysław Weinberg - Symphony No. 8 Polish Flowers, Op. 83
- Krzysztof Meyer - Quartettino for voice, flute, cello and piano ; Symphony No. 2 ; Spiewy polskie for voice and orchestra
- David Bruce - Piosenki for soprano, baritone and ensemble - setting of 11 songs.
- Akurat - Do Prostego Człowieka
- Czesław Niemen - Wspomnienie
- Marek Grechuta - Mandarynki i pomarańcze