Jovan Despotović
Jovan Despotović is a Serbian art historian and art critic who lives in Belgrade.
Biography
Jovan Despotović was educated in The University of Belgrade,, SFR Yugoslavia, today Republic of Serbia.From 2001–2004, Despotović was the Deputy Minister of Culture for the Republic of Serbia. He was also director for the protection of cultural heritage at the Coordination Center for Kosovo and Metohija. 2004-2014, he has been editor of the Cultural and Information Desk at Third Programme of Radio Belgrade and Radio-Television Serbia. 2014-2015 Despotović was Director of The Museum of Contemporary Art in Belgrade. Since 2015 he is Editor in Chef of Documentary program on Serbian Broadcasting Corporation. Since 2017. he is in pension.
Despotović is a well-known presence in Belgrade's art and culture scene, which includes the Open Society Institute, Center for Cultural Decontamination and the Auction House Madl’Art. Prepared by 300 authors show in Serbia, former Yugoslavia and abroad. He was the Yugoslav Commissioner at the 7th International Small Sculpture Exhibition in Budapest, 1987, and the 22nd Biennale in São Paulo in 1994.
Area of interest
Despotović is an art historian with wide-ranging interests in contemporary and recent arts. He has published over 2,000 articles, critical reviews, and essays and is the founder and editor of numerous journals: Sveske, Vreme umetnosti, Treći program, Moment. His work has been translated into French, English, German, Finnish, Norwegian, Swedish, Greek, Italian, Spanish, Portuguese, Slovenian, Macedonian and Albanian.New Now – New Wave
Published art criticism and articles since 1978. At the beginning of the 1980s, together with a group of young Serbian artists in Belgrade: Milovan Destil Marković, Vlasta Vulcano Mikic, Tahir Lusic, Nada Alavanja, Tafil Musović, Mrdjan Bajic, Slobodan Trajkovic etc., as an art critic, Despotović participated in the creation and development of New Wave in art and culture which opposed to traditional creativity in all areas – from visual arts to rock music, from theater to fashion and others. With numerous writings and art exhibitions Despotović contributed to this movement known as a New Image Painting to become very known in Serbia, former Yugoslavia and abroad.Cultural policy
Since the turn of the nineteenth to twentieth century, Despotović has been extremely interested in cultural policy, an active movement for political change and changes in arts and culture. The effort to establish a new, democratic order in the 1990s brought together many intellectuals, artists, NGOs, etc. For his contributions, Despotović was named Deputy Minister in the Ministry of Culture during Zoran Đinđić's term as Prime Minister. He made a lasting contribution to the renewal of institutions, ministerial staffing, legislation of cultural activities and increased international cooperation. A special area of interest for him was the advancement of contemporary artistic production and the institutions engaged in it. He has made a significant contribution to the protection of Serbia's cultural heritage, especially in Kosovo following the arrival of the United Nations Interim Administration Mission in Kosovo.Books and monographs (selection)
General Sources- New Now,
- Umetnost osamdesetih, Art of the Eighties
- Vera Božičković Popović
- Svetomir Arsić-Basara
- Sava Šumanović
- Darija Kačić, Dubravka Duba Sambolec, Aneta Svetieva
- Slika i informacija 1945–1989, Srpska fotografija 1839–1989
- Mića Popović – Drawings, 1941–1988
- Zdravko Joksimovic
- Rezime, Summary
- Dragoslav Djordjević
- A Saudade de Anica Vučetić
- Sreten Stojanović
- Umetnost i angažovanost devedesetih, Art and the involvement of the nineties
- Restoration of art, reconstruction criticism: criticism of art of the eighties
- Vida Jocić – Apel za mir, Vida Jocic – Appeal for Peace
- Aktiver Widerstand, Zentrum für Kulturelle Dekontamination, Čedomir Vasiċ
- En fin
- Aktiver Widerstand, Zentrum für Kulturelle Dekontamination, Čedomir Vasiċ
- Regionalno univerzalno, Regional univerzal
- Da Fattori a Morandi e La vie mediterranee dell'icona cristiana
- Živko Grozdanić Gera,
- Svetomir Arsić Basara, Or a foreword inevitably intended as an epilogue
- Old Now
- Čedomir Vasić, Red data Book
- Led art 1993–2003 – Documents
- Nagrada za umetnost 'Mića Popović, Award for art Mića Popović
- Nova slika, New Image Painting
- Za bolji put Srbije, For a better way of Serbia
- Madlena,
- Slobodan Trajković, Metamorfoze, Slobodan Trajkovic, Metamorphosis
- Evgenija Demnievska, Discours sur les utopies du modernisme
- Nebojša Mitrić
- Vojin Stojić, život i delo, Vojin Stojić, life and work
- Nežno i čvrsto, Gently and firmly
- Milovan Destil Marković, DeStil Marković and the 'New Image' of the Eighties
- Živko Grozdanić Gera, 'Meteorska kiša, Meteor Rain
- Od 'džakova oraja' do održivosti javne umetnosti, From 'sacks of walnuts' to sustainability of public art
- Živojin Turinski – Works 1958–1967
- Umesto pogovora, Dosije Srbija – aktivizam devedesetih, Instead of the afterword, Dossier Serbia – activism of the nineties,
- Pažnja kritika, 50 godina Oktobarskog salona, Attention to criticism, 50 years of October Salon
- Ljubomir Erić, Kolekcija crteža, Art Collection
- Milena Jeftić Ničeva Kostić
- Pohvala stilu, Madlena, Decenije, Praise style, Madlena, Decades
- Džafo,
- Above and Below,
- Josif,
- Nune and Magnet,
- Slobodanka Stupar,,
- Odložba nije izložena, Kritičari su izabrali – Mrđan Bajić, Tahir Lušić, De Stil Marković, str.162-164; Kritičari na delu, str. 215-219; Kulturni centar Beograda, Beograd, The postponement was not presented, Critics chose - Mrđan Bajić, Tahir Lušić, De Stil Marković, pp.162-164; Critics in Action, pp. 215-219; Belgrade Cultural Center, Belgrade, 2019 )
Art
- Sintetički pejsaži, Synthetic Landscapes
- Otvorena umetnost, Open art
- Žestoki potezi bojom, Furious paint strokes
- Beogradsko novo slikarstvo, Belgrade new painting
- O dva posebna aspekta Postmodernizma, On two aspects of Postmodernism
- Od tradicionalnog do Postmodernog, From Traditional to Postmodernism
- Aux maniere fin de siècle
- Umetnost osamdesetih: postmoderna u znaku osporavanja i/ili afirmacije, Art in eighties: postmodern challenges to the sign and/or affirmation
- Slobodan Trajković, Širenje saznanja o jugoslovenskoj kulturi, Slobodan Trajkovic, Spreading knowledge of Yugoslav culture
- Izmedju umetnosti i kiča, Between art and kitsch
- Beograd osamdesetih – Pigmalionova maska ili Edipovo karakter, Belgrade eighties – Pygmalion mask or character of Oedipus
- Policentrične mutecije – novosti i ponavljanja, Polycentric mutations – News and repetition
- Bez nazova: geometrija, No name: Geometry
- Vladimir Veličković
- Fotografija i savremena umetnost, , Photography and contemporary art,
- Verbumprogram AG,
- Skulptura identiteta: Jedan primer – Mrdjan Bajić, Sculpture of identity: An example – Mrdjan Bajic
- Mladi beogradski skulptori, Young Belgrade sculptors
- Materialità – Geometry field
- Forma occidit
- Istočna paradigma u Beogradu, Eastern paradigm in Belgrade
- Nacionalna tema u savremenom srpskom slikarstvu – Uvod, National issue in contemporary Serbian painting – Introduction
- Na iskustvima memorije, Experiences of Memory
- Pametni mediji, Smart Media
- Od mekog pisam do stroge misli, From soft letters to rigid thinking
- Postmoderni dijalog, Postmodern dialogue
- Pozni modernizam, Late modernism
- Marina Abramović, „Fin de siecle“ – Balkan variant
- Quadrifolium criticus
- Prostorni narativi, Spatial Narratives
- Jezik novo stvaralaštva, Language of New Creativity
- Art Advertising
- Virtual crossover,
- Glasovi novog veka, Voices of the New Century
- Sedam teza o novoj srpskoj skulpturi, Seven theses of recent Serbian sculpture
- Strastvena pažnja kritičara, Passionate critical attention
- Mirko Ilić
- Neomodernističke utopije, Neo-modernist utopia
- O normalnosti – umetnost u Srbiji 1989–2001, On Normality – Art in Serbia 1989–2001
- Bernar Deloš: ’Virtuelni muzej’, Bernard Deloche, Le musée virtuel
- Vreme imaginarnih muzeja, Time of Imaginary Museum
- Rasap umetnosti, rasap kritike: Kritika umetnosti devedesetih, Teze za tekst,, Dissolution of Art, Dissolution of Criticism: Art Criticism in the Nineties, Guidelines for a text
- Umetnost dezorijentacije, Arts of disorientation
- Slikarstvo surovosti, Painting of brutality
- Ideja projekta i posmoderna paradigma, The idea of the project and Postmodern paradigm
- Dimenzioni radovi, Dimensional Works
- De Stil Marković i Novo slikarstvo osamdesetih I-III, De Stil Marković and New Image Painting of Eighties I-III
- Tumačenje enformela, Branko Protić, dela 1956–1966, Interpretation of informel, Branko Protić, works 1956–1966
- Andre Gob and Noemi Druge, Museology
- Originalno kao neostvareni cilj umetnosti, Originally as an unfulfilled goal of art
- Muzejska institucija, Museum institution
- Četiri muzejska predmeta, Four museum objects
Cultural policy
- Umetnost – politika – ideologija, Art – politics – ideology
- Evropski govoriti, European speaking
- Muzej Savremene umetnosti u raljam levog i desnog totalitarizma, Kultura vlasti, Index smena i zabrana I, Museum of Contemporary Art in the arms of left and right totalitarianism, The culture of government, and prohibition of dismissal, Index I
- Ratna muzeologija, War museology
- Kultura jeste pobuna, Culture is a rebellion
- Beograd: barikade za bodočnost
- Rasulo u Muzeju savremene umetnosti, Chaos at the Museum of Contemporary Art
- Opozorila novi mestni oblasti
- Umetnost i angažovanost, Art and commitment
- Arti i rezistenës
- Gjurmë
- Umetnost Druge Srbije, Art of the Second Serbia
- Kelneri i sobarice Njihovog režima, Waiters and chambermaids of Their regime
- Kulturno strančarenje, Cultural factions
- Off-artistic scene
- Individualna kultura protesta, Individual culture of protest
- Proti državi kiča
- Sistematski organizovana nebriga, Systematically organized neglect
- Sudjenje umetničkim slobodama, The trial of artistic freedom
- Umetnost u raljama dnevne politike, Art in the jaws of daily politics
- Kulturna Yu alternativa – represija i izazovi, Cultural YU alternative – Repression and Challenges
- Dosije Srbija, Dossie Serbia
- Kulturna politika i kulturna strategija, Cultural Policy and Cultural Strategy
- Merenje realnosti devedesetih, Measuring the reality of the nineties
- Baština kao obaveza nacionalne politike, Heritage as a national policy commitments
- Neka pitanja kulturne politike, Some questions of cultural policy
- Odbrana napadnute umetnosti, The defense of attacked Arts
- Predvodnik revolucionarnih obrata, Leader of the revolutionary reversal
- Zaštita kulturne baštine na Kosovu i Metohiji, Protection of cultural heritage on Kosovo and Metoh
- Kulturna politika i tranzicija I-VIII, Cultural policy and the transition I-VIII
- Očuvanje kulturne baštine, Preservation of cultural heritage
- Zaštita nezaštićenog, Privacy unprotected
- Evropski govoriti, European speaking
- Slika politike – kulturno-politička hronika devedesetih, Image of politics – a cultural-political chronicle of the nineties''
International art
- Tatljinov spomenik Trećoj internacionali, Tatlin's The Monument to the Third International
- Ideja i praksa ruskog konstruktivizma, The idea and practice of Russian Constructivism
- Étienne-Jules Marey Fotografija pokreta, Pictures of Movement
- Giulio Carlo Argan: Studije o modernoj umetnosti, Studies on modern art
- Bill Brandt, Fotografije, Photos
- Majstori svetskog slikarstva iz kolekcije dr Armana Hamera, Masters of world painting from the collection of Dr. Armand Hammer
- William Klein
- Emilio Vedova
- Hans Hartung
- Max Beckmann
- Renato Guttuso
- Ivan Meštrović, sculptures 1898–1918
- Man Ray
- Jan Dibbets
- Georges Braque
- August Sander
- Max Beckmann, graphics 1911–1946
- Renato Guttuso, graphics
- Man Ray – Fotografije nove vizije vremena, Photos of a new vision of time
- Julio González
- Georg Baselitz
- Danski umetnici grupe COBRA, Danish artists from group COBRA
- Max Bill
- Himna finskom graditeljstvu, Anthem Finnish architecture
- Robert Mapplethorpe
- Hans Hartung
- Vizuelni poziv Barija Flanagana, Visual call of Barry Flanagan
- Dan Reisinger: Spisi o vatri, Writings on fire
- Tatljinov Spomenik i nova umetnost, Tatlin's Tower and the new art
- Christian Attersee
- Le Corbusier
- Urbane predstave Kita Heringa, Urban mages of Keith Haring
- Nemačka propagandna fotografija 1925–1988, Germany advertising photogrfaphy 1925–1988
- Otvoreno delo Marsela Dišana, Open Work of Marcel Duchamp
- Manifesta I
- Advertising
- Novi Muzej savremene umetnosti u Njujorku, The new Museum of Modern Art in New York City
- Stedelijk Museum
- Dan Reisinger
- Christian Attersee
- Giulio Carlo Argan, Achille Bonito Oliva: 'Moderna umetnost 1770-1970-2000', Modern art 1770-1970-2000
- Dezorijetacija – mladi britanski umetnici I-III, Disorientation – Young British Artists I-III
Curatorial exhibitions (selection)
- New Now
- Umetnost osamdesetih, The art of the eighties
- Jugoslavian Nykytaidetta
- Jugoslavisk Nutidskonst
- 7 th International Small Sculpture Exhibition of Budapest
- Slika i informacija 1945–1989, Picture and information 1945–1989
- 22nd Sao Paulo Biennale
- Rezime, Summary
- Sava Šumanović
- Pėrtej
- Sreten Stojanović
- Umetnost i angažovanost devedesetih, Art and the involvement of the nineties
- Vida Jocić, Apel za mir, Appeal for Peace
- Glasovi novog veka, Voices of the New Century
- Dossier Serbien
- En fin
- Dossier Serbien
- Old Now
- Živojin Turinski – Works 1958–1967,
Awards
- 1992 Belgrade, Award Lazar Trifunović
- 1997 Belgrade, Award Mića Popović
- 2000 Belgrade, Award Lazar Trifunović for fundamental work in art criticism and the text in the catalog, 'En fin', held at the Gallery of UNESCO, Paris, 1999
Membership
Links (English only)
- references and articles
- Hungary reference and article
Articles