Rodgers had an early background in classical music. He played with the Australian Youth Orchestra in 1980 -1982 and in 1983-1984 was leader. During this time they performed in Adelaide, Melbourne, Sydney, Perth and in 1984 undertook a tour of European Festivals. He played with the Queensland Theatre Orchestra, and the Hunter Orchestra. With these and other orchestras, he toured Europe and Asia, often appearing as a soloist on violin. Rodgers chose not to follow the path that led to a career in classical music, instead forming controversial sex-and-death cult rock bandMadam Bones Brothel with Pearly Black and together they released a CD Family of Abjects in 1994. He later played improvised music in ensembles such as The John Rodgers Trio and Artisan's Workshop early 1990s. Rodgers has been a contributor to the Australian Art Orchestra and was its Associate Artistic Director in 2005. He has worked with the New York performance artist Penny Arcade, the Robyn Archer band and many of Australia's leading musicians and artists. He has performed solo concerts in the Adelaide Festival and the Melbourne Summer Music Festival. Rodgers has produced many works in fields including music theatre and new media. He has performed and recorded with the Antripodean Collective over a number of years. In 2011 John Shand in the Sydney Morning Herald said of the collective, " stands in the forefront of the world's improvisers... shared harmonic and rhythmic conceptions and vocabularies... For the listener, the upshot is moments of stunning confluence materialising from nowhere and an intriguing dichotomy between the intellectual and the aesthetic, the conceptual and the visceral." In 2012 he performed at the Powerhouse in Dangling my Tootsies a show featuring the "songs and sites of cabaret legend Agnes Bernelle", He has performed with number of artists both on recordings and live including William Barton on Birdsong at Dusk CD), Kate Miller-Heidke at the Powerhouse and Resonance Festival where he composed and performed Hear me, and Remember. From 2012-2014 he was with Metro ArtsWork in Residence Programme where he composed, Madame Carandini’s Travelling Musical Curiosity Show, described as "a gothic new music theatre work".
Reviews
In a series of three concerts, Life and Music at the University of Queensland, Rodger was described as, " prolific and eclectic composer, arranger and improviser... is an award winning musician, composer and creator of shows. His work has spanned classical, jazz, pop, world, experimental and improvisational music" Rodgers was the Musical Director for QTC production Elizabeth, almost by chance a woman where Flloyd Kennedy's review said, "John Rodgers provides a witty, eclectic mixture of musical motifs from Renaissance tunes to modern pop."
Little Birung stage performance with Megan Sarmardin
CD Releases
Cd's released by Rodgers alone /with others Family of Abjects with Pearly Black The Dream Catchers A Rose is a Rose All tracks bar 3,5,7 composed by John Rodgers. Funding by the Australia Council. Funcall by the Antripodean Collective The Massacre of the Egos by the Antripodean Collective NTRPDN by the Antripodean Collective The Uncaring Wind Past on my Sleeve''