As a performance artist, gallery as well as theatre based, Byrne began addressing identity and issues around the conflict in Northern Ireland. After moving to Dublin in 1996, he performed A Border Worrier as part of the 1997 Theatre Festival. In 2000 he produced Border Interpretative Centre, a visitor centre and souvenir shopon the border which attracted media attention on its opening. It was a neon decorated simple breezeblock structure located on the border, on the main Belfast-Dublin road. Although it was forced to close after less than a week, it was documented in a series of Gallery shows in Dublin, in Belfast and in Berlin. In 2003 Byrne produced a 12-minute video, Would you die for Ireland?, recording his tour around Ireland asking people on the street whether they were prepared to make ‘the ultimate sacrifice’. Most participants were members of the public, but also included the TaoiseachBertie Ahern and members of the Orange Order. The piece was made in response to a commissioned group show for Kilmainham Gaol, Dublin, marking the bi-centenary of Robert Emmet's rebellion and execution in 1803. The work examines ideas around patriotism and nationalism. In 2004 Byrne produced a large public artworkDublin's Last Supper which was commissioned by building developerMick Wallace in central Dublin. It is a 9 metre by 2 metre photo screen-print on steel panels featuring 13 people encountered on the streets of Dublin in the form of an interpretation of Leonardo da Vinci's masterpiece. The work was meant to be reflective of a changing society and the growing cultural mix in Dublin. In June 2005 his video Believers premiered at the Crawford Municipal Art Gallery, Cork. In this work Byrne is the central protagonist, confessing his art beliefs to a classical female nude who in turn responds, thus playing on the traditional notion of an artist and his muse. Misneach was a major permanent sculptural work commissioned as part of Breaking Ground's Public Art programme. This monumental bronze sculpture of horse and rider is rendered in a style typical of the European tradition of portraying generals or heads of state. The horse is a copy of the Gough Memorial originally sited in the Phoenix Park which was blown up in 1957. The rider is modeled on a teenage girl native of Ballymun. The completed monument was mounted on a plinth and unveiled in September 2010. In August 2010 he presented Casting Light a video projection mapped onto the façade of a bank in Cavan which was showcased during the Fleadh Cheoil. This included a segment where the bank appeared as a giant fruit machine. An updated version featured in 2012. Byrne is working on a number of commissions including a per cent for art work for the Loreto School in Balbriggan and a new collaborative work with The Palestrina Choir entitled Good Works commissioned through Create.
Awards
He has been the recipient of several Arts Council Awards and his work is in many private and public collections.
