Jewish American literature holds an essential place in the literary history of the United States. It encompasses traditions of writing in English, primarily, as well as in other languages, the most important of which has been Yiddish. While critics and authors generally acknowledge the notion of a distinctive corpus and practice of writing about Jewishness in America, many writers resist being pigeonholed as "Jewish voices." Also, many nominally Jewish writers cannot be considered representative of Jewish American literature, one example being Isaac Asimov.
Beginnings
Beginning with the memoirs and petitions composed by the Sephardic immigrants who arrived in America during the mid 17th century, Jewish American writing grew over the subsequent centuries to flourish in other genres as well, including fiction, poetry, and drama. The first notable voice in Jewish- American literature was Emma Lazarus whose poem "The New Colossus" on the Statue of Liberty became the great hymnal of American immigration. Gertrude Stein became one of the most influential prose-stylists of the early 20th century. The early twentieth century saw the appearance of two pioneering American Jewish novels: Abraham Cahan's "The Rise of David Levinsky" and Henry Roth's "Call it Sleep." It reached some of its most mature expression in the 20th century "Jewish American novels" by Saul Bellow, J. D. Salinger, Norman Mailer, Bernard Malamud, Chaim Potok, and Philip Roth. Their work explored the conflicting pulls between secular society and Jewish tradition which were acutely felt by the immigrants who passed through Ellis Island and by their children and grandchildren.
Although Jewish stereotypesfirst appeared in works by non-Jewish writers, after World War II, it was often Jewish American writers themselves who evoked such fixed images. The prevalence of antisemitic stereotypes in the works of such authors has sometimes been interpreted an expression of self-hatred; however, Jewish American authors have also used these negative stereotypes in order to refute them. However, American-Jewish literature has also strongly celebrated American life. It has been primarily more an American than a Jewish literature. Perhaps the preeminent example of this is the great breakthrough novel of Saul Bellow The Adventures of Augie March. According to Sanford V. Sternlicht, the first generation of Jewish-American authors presented "realistic portrayals - warts and all" of Jewish immigrants. In contrast, some second or third-generation Jewish-American authors deliberately "reinforced negative stereotypes with satire and a selective realism".