Jagger–Richards
Jagger–Richards is the songwriting partnership of Mick Jagger and Keith Richards, a musical collaboration whose output has produced the majority of the catalogue of the Rolling Stones. They are one of the most successful songwriting partnerships in history. In addition to Jagger and Richards' songwriting partnership, they have also produced or co-produced numerous Rolling Stones albums under the pseudonym The Glimmer Twins.
History
Jagger and Richards have different recollections about their first songwriting endeavours but both credit manager Andrew Loog Oldham as the catalyst for their collaboration. Richards agrees that it was Oldham who pressed the pair to write songs after the duo had first emphasized other people's material; Oldham noted that there weren't that many obscure great songs out there for the band to cover. Richards recalled:Jagger remembered it differently:
in 2017
According to John Lennon, he and Paul McCartney might have been instrumental in inspiring Jagger and Richards to start writing their own material. In 1963 Lennon and McCartney gave the Stones one of their compositions, "I Wanna Be Your Man." In a Playboy interview in 1980, Lennon recalled:
The first original Jagger/Richards song to be released as the A-side of a Rolling Stones single was "Tell Me ", from their debut album. Released as a single in the US only, peaked at number 24 on the charts there. The earlier "Good Times, Bad Times" had been released as the B-side to their cover of Bobby and Shirley Womack's "It's All Over Now". The band's first UK single featuring an A-side Jagger/Richards original was "The Last Time"; released in February 1965, it went to number one in the UK and number nine in the US.
Although most Jagger/Richards compositions have been collaborations, some of the songs credited to the famous partnership have been solo songwriting from either Jagger, whose examples include "Sympathy for the Devil" and "Brown Sugar", or Richards, whose examples include "Happy", "Ruby Tuesday", and "Little T&A". This is comparable to the Lennon–McCartney partnership, who also adhered to a tradition of joint credits even on numbers that were written by just one of the pair. Mick Jagger stated in his comprehensive 1995 interview with Jann Wenner of Rolling Stone magazine "I think in the end it all balances out."
On 26 June 2013, the duo's songwriting credits were handed over to BMG, marking the first time they would be managed by an outside company in over 40 years.
Co-credits
Jagger and Richards have shared credits with very few others. Among them are:Co-Writer | Song | Notes |
Andrew Loog Oldham | "As Tears Go By" | |
Marianne Faithfull | "Sister Morphine" | |
Mick Taylor | "Ventilator Blues" | Stones guitarist from 1969–1974. Taylor has stated that he left the Rolling Stones partly because he was not given co-writing credits on material he felt he should have received credit, including "Sway" and "Moonlight Mile," which he wrote with Jagger in Richards' absence. |
Ronnie Wood | "Dance ", "If I Was A Dancer ", "Everything Is Turning to Gold", "Black Limousine", "No Use in Crying", "Pretty Beat Up", "One Hit ", "Fight", "Dirty Work", "Had It With You" and "When You're Gone" | Rolling Stones guitarist since 1976. He is credited as "Inspiration by Ronnie Wood" on "It's Only Rock 'n Roll " and "Hey Negrita" |
Billy Preston | "Melody" | Preston is credited as "Inspiration by Billy Preston" |
Chuck Leavell | "Back to Zero" | Leavell has performed as a keyboardist with the Rolling Stones since 1982 |
Steve Jordan | "Almost Hear You Sigh" "One More Shot" | Jordan, a popular drummer and producer has appeared with the Rolling Stones solo projects, perhaps most visible as a member of the John Mayer Trio or that of Keith Richards and the X-pensive Winos. |
k.d. lang and Ben Mink | "Anybody Seen My Baby?" | Lang and Mink were not involved with the composition of "Anybody Seen My Baby?"; they were given co-writing credits when prior to the song's release, one of Keith Richards' daughters pointed out a similarity to "Constant Craving", a hit from Lang's 1992 Ingénue album. |
Pierre de Beauport | "Thief in the Night" | Richards' guitar technician, and also a recording engineer who co-mixed that song. |
Jagger—Richards compositions released only by other artists
Jagger—Richards compositions that have been released only by artists other than The Rolling Stones include:- "That Girl Belongs to Yesterday", a January 1964 single by Gene Pitney
- "Will You Be My Lover Tonight"/"It Should Be You", a January 1964 single by George Bean
- "Each And Every Day", B-side of the February 1964 single "All I Want Is My Baby" by Bobby Jameson. The A-side was co-written by Richards and Andrew Loog Oldham.
- "Shang a Doo Lang", a March 1964 single by Adrienne Posta
- "So Much in Love", an August 1964 single by The Mighty Avengers, also recorded by The Herd in 1966 and The Lonely Boys for their self-titled 1996 album.
- "Act Together", on Ronnie Wood's September 1974 LP I've Got My Own Album to Do and the associated July 1974 ' concert
- "Sure the One You Need", on Wood's I've Got My Own Album to Do and The First Barbarians: Live from Kilburn; and on The New Barbarians' May 1979 concert album '.
- "Lonely at the Top", on Mick Jagger's February 1985 LP She's the Boss.
Production as the Glimmer Twins and origin of the name
Jagger and Richards began to produce the Stones' albums under the pseudonym "The Glimmer Twins" starting with It's Only Rock 'n' Roll. The Glimmer Twins were the sole credited producers for the band's studio and live albums from then, up to and including Still Life. Starting with Undercover, the Glimmer Twins have shared production credit for the Rolling Stones albums with other producers, most frequently Don Was and Chris Kimsey.
Besides their production work for the Rolling Stones, Jagger and Richards also used the Glimmer Twins for their co-production credit on Peter Tosh's album Bush Doctor, released in 1978. A rare exception to Jagger and Richards' use of the Glimmer Twins name for production credits appeared on John Phillips' Pay, Pack and Follow album, recorded 1973–1979 and released in 2001, for which Jagger and Richards were credited as producers under their own names.