Indra Swara


Indra Swara is a group promoting Indonesian art and culture in Mexico. It was created in December 2002 and it is mostly made up of young Mexicans, enthusiasts of Asian arts and particularly those of Indonesia. Some of its members have had the opportunity to study directly in the islands of Java and Bali through the Darmasiswa Scholarship program offered by the Indonesian government.

Origins

Its foundation dates back to the Spring of 2002, when its founder, Fitra Ismu Kusumo had just arrived in Mexico. Seeing that the gamelan of the Indonesian Embassy was not used as such, but was merely a decorative object on display, along with former Darmasiswas Miguel Piñeda and Carolina Malgarego decided to seize the opportunity and use the Javanese slendro owned by the Embassy.
During the Summer of that year, other Darmasiswa grantees returned from Indonesia: Ilse Peralta and Shawn Callahan. Shawn, Fitra, Miguel, Carolina and Ilse had known each other since 2000 while in Indonesia. Ilse Peralta returns to Mexico with the idea of forming an Indonesian art and culture group which she calls "Majapahit", based on her Balinese dance studies; while Fitra Ismu keeps the concept of gamelan and making use of the gamelan at the Embassy, he invites the music schools in Mexico City, extending this invitation to their students to learn how to play the gamelan together as a group. At that time, Emilio Esteban, Zianya Nandayapa, Iván Flores Morán,Jorge Vazquez, Olinka Flores, Yarandari and other young people joined to learn how to play the gamelan.
In that same Summer of 2002, the gamelan group Indra Swara was founded at the Indonesian Embassy in Mexico

Trajectory

The main objective of the group is to provide a space to publicize and promote, in Mexico and its surroundings, the ancient art and culture of Indonesia through a musical group of gamelan orchestra. It isn’t until 2005 that the group manages to get its own gamelan. Since March 2003 Fitra Ismu manages to raise enough money for the purchase of a gamelan and its freight from Java Indonesia to Mexico City. This is achieved, of course, with the administrative support of the Indonesian Embassy in Mexico, making use of the facilities available to its diplomatic corps.
group Indra Swara in Mexico 2003
In February 2007 under the direction of Emilio Esteban, the group managed to release its first album, which was considered a great achievement for the group. Likewise, performances including both music and sendra tari were staged with the unconditional support of Camilo García and Katherine Ziggler, both former Darmasiswas for the period 2004-2008.
Between the winter of 2009 and the spring of 2011, under the coordination of Fitra Ismu, the Javanese gamelan instruments were taught in a music school; this was done at the Centro Cultural Ollin Yoliztli, and the opportunity was provided by one of the Center's directors, Mr. Francisco Becerra Maza. Those who taught the gamelan classes were Esteban Gonzales, Huitzilin Sanchez and Fitra Ismu, borrowing the Surakartan style pelog slendro Javanese gamelan from the Indonesian embassy in Mexico. The gamelan teaching program at this school had to be stopped due to lack of sponsor.
Indra Swara has benefited from the advice of two dance and music teachers: Balinese dancer and ethnomusicologist Bapak I Nyoman Wenten and Javanese ethnomusicologist Bapak Joko Walujo, both masters of Indonesian art at the California Institute of the Arts in Los Angeles, California. In 2003, 2005 and 2014 they visited Mexico to teach short courses and give presentations. Likewise, Jody Diamond, composer and artist in residence at Harvard University has visited Mexico to give gamelan courses. As regards traditional dance, the group has had the advice of teacher Irawati Durban Ardjo, specialist in the Sundanese style, who visited Mexico in 2005.
Indra Swara in Spanish language
In 2014 the Indra Swara Group forms a new division that includes its gamelan degung set which it calls Gamelan Barudak, since a team member, Daniel Milán, returns to Mexico in 2014 after almost 5 years of learning the art of gamelan degung in West Java, Indonesia. In that same year, the first Indonesian shadow puppet play was also presented and the special division for presenting puppet plays was created. Since then, Indra Swara has been expanding, and in addition to promoting the gamelan / music and dance, also begins to promote the art of Indonesian puppets.
In 2015 the Mexican percussionist group Tambuco, with 4 Grammy Award nominations, borrowed the gamelan from Indra Swara to present the work of Lou Harrison "Threnody for Carlos Chávez" within the framework of the Historic Center Festival in Mexico City during the Spring of 2015, for the same reason that at that time it was the only set of gamelan degung in Latin America.
Likewise, a very famous jazz group from Indonesia, Krakatau, during its visit to participate in the 2008 Festival Internacional Cervantino in Guanajuato, through its director, Dwiki Dharmawan, gave Indra Swara several traditional Indonesian instruments. In 2012 the group of musicians from the Mangkunegaran Palace court also visited Mexico for their participation in the 2012 Cervantino Festival and the musicians presented Indra Swara with various shadow puppets, fabrics and equipment for shadow puppet presentations
In 2003, Fitra Ismu began working at the Indonesian Embassy in Mexico as an assistant to the cultural attaché of that diplomatic corps, which greatly facilitated the movement of the group especially to seek and hold events with the support of the Embassy as part of the country's cultural promotion strategy in Mexico. In 2004 Emilio Esteban returned from Indonesia and in 2005 the gamelan pelog instruments belonging to the group arrived from Indonesia. A regeneration of the group took place, in which Emilio Esteban became director of the group and Fitra Ismu remained as founder and, using his position in the Embassy he also serves as promoter for the group.
NumberDirectorFromTo
1Fitra Ismu KusumoAugust 2002August 2005
2Emilio Esteban Gonzáles AlfonzoAugust 2005July 2013
3Luis Alberto León SantillanJuly 2013July 2014
4Tomasz Matlingiewicz Oct. 2013April 2014
5Lourdes Noemí Nava JiménezJuly 2014March 27, 2015
6Fitra Ismu KusumoMarch 27, 2015to date
7Brandon Hubert Yu August 17, 2017to date

Divisions and group conformation

Indra swara originated with a Javanese slendro Javanese gamelan set from Indonesia, and since 2002 and over time it has been acquiring more materials from Indonesia with the main idea of promoting Indonesia in Mexico and amongst Spanish speakers. Since its foundation, Indra Swara has acquired several traditional Indonesian instruments such as Hasapi, gendang melayu/Kendang, various types of flutes/suling, Rebab, Kacapi and some Sasando. Currently, the divisions of the group are:
Indra Swara in Spanish language, Feria Internacional del Libro Infantil y Juvenil 2017.
Indra Swara started to acquire puppets since 2007, and by 2010 it was possible for them to buy a box of Javanese shadow puppets containing 180 characters; although this box is still in Indonesia due to lack of funds to bring it to Mexico. Since 2014, the gamelan and dance music presentations have been expanded to incorporate Indonesian puppet art, both shadow puppets and wooden puppets. This strategy has been effective because since 2014 Mexicans have had the opportunity to learn more about Indonesia through these puppet shows, and in addition, this has given the group more opportunities to present themselves in front of the public. Indra Swara intends to create more divisions and concepts of art presentation, since more and more innovation and creativity is required to promote the art and culture of Indonesia in the Spanish-speaking world. One of the efforts of the Indra Swara group to promote the Indonesian art of puppetry has been through the donation of several puppets to the puppet museums of Mexico, such as the Puppet History Museum in Estado de Mexico and the Casa del Títere Museum in Puebla. In addition, Fitra Ismu, during the period 2005-2007, had already served as facilitator for donations made by the Indonesian Embassy in Mexico to several institutions in Mexico, including the National Museum of Cultures in Mexico City.

Books

The following books are used as material that serves as the basis for the group’s puppet shows or storytelling performances:
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