Imogen Stuart is a German-Irish sculptor. She is one of Ireland's best known sculptors with work in public and private collections throughout Europe and the U.S.. She was awarded the by President Mary McAleese who paid tribute to her "genius", crafting "a canon of work that synthesises our complex past, present images and possible futures...as an intrinsic part of the narrative of modern Irish art, of Ireland."
Life
Born Imogen Werner in Berlin, she the daughter of the renowned art critic and author. She grew up in wartime Berlin, where she took up drawing and sculpting at a young age, encouraged by her father who played an important role in providing a forum for Bauhaus artists through his cultural magazine , and after the war as Cultural Attache for the Federal Republic of Germany in Washington DC. Imogen knew very little about her Jewish origins until after the war. In 1945 Stuart began studying under Otto Hitzberger, who taught her modelling, carving, and relief work using different materials. She met her future husband, the Irishman Ian Stuart grandson of Maud Gonne- who was also studying under Hitzberger- in 1948, and in 1949 the two moved to Ireland. They married in 1951 and took up residence in Laragh Castle near Glendalough. She was elected Saoi by the Aosdána in 2015.
Works
Stuart works in wood, bronze, stone, steel, clay and terracotta. As the most prolific sculptor for both Roman Catholic and Church of Ireland churches her works are found across the country. Her best-known sculptures include the monumental sculpture of Pope John Paul II in St. Patrick's College, Maynooth and the carved altar in the Honan Chapel in Cork. Nevertheless, her work extends well beyond the Church, including a commissioned bust of ex-President Mary Robinson which sits in Áras an Uachtaráin, the at the Centre Culturel Irelandais, Paris; collections of silver, gold and bronze jewellery, drawings, monumental works in wood, stone, concrete, bronze and other media. , c. 1986 "Within the sharply defined limits of material, subject, space, size and money given, I learned to develop within myself a great freedom of expression. My life is full of gifts or minor miracles. I never intellectualize – the eyes and senses dictate my hands directly. Once the work has been completed a symbolism becomes so obviously and profoundly evident that I have to regard it as supernatural.” - Imogen Stuart 92–94. A book on her work and life was published in 2002, with an introduction by Brian Fallon and a personal tribute by Peter Harbison.
Mary Immaculate College
The Sisters of Mercy commissioned three major pieces from Stuart in 1958. Since then further pieces have been added to the College collection where 15 pieces of Imogen's artwork are on display.
