I Am Twenty is a 1965 drama film directed by Marlen Khutsiev. It is Khutsiev's most famous film and considered a landmark of 1960s Soviet cinema. The film was originally entitledZastava Iliycha, but it was heavily censored upon completion, trimmed to half its original length, retitled and withheld from release until 1965. A restored 3-hour version was released in 1989, and is sometimes referred to by the original title.
Synopsis
The film follows the recently demobilized Sergei, a young man who returns to his Moscow neighborhood after two years of military service. We see the aspirations and realities of his tightly-knit group of friends, as well as the everyday lives of other Soviet citizens.
I Am Twenty is notable for its often dramatic camera movements, handheld camerawork and heavy use of location shooting, often incorporating non-actors and centering scenes around non-staged events. Filmmakers Andrei Tarkovsky and Andrei Konchalovsky both play small roles in the film, as do Rodion Nakhapetov and Lev Prygunov. The dialogue often overlaps and there are stylized flourishes that echo the early French New Wave, especially François Truffaut's black and white films. The screenplay, co-written by Gennady Shpalikov, originally called for a film running only 90 minutes, but the full version of the film runs for three hours.
Production and censorship
I Am Twenty began production in 1959, during the de-Stalinization period of the Khrushchev thaw, when Soviet society experienced several years of unprecedented freedom of speech. By the time the film was finished, the thaw was waning and the film's openly critical view of Stalinism was deemed unacceptable, as was its portrayal of the lives of everyday Soviet youth worrying about money and jobs and listening to Western music. At a speech in March 1963, Khrushchev personally attacked the film and denounced Khutsiev and his collaborators for " that young peopleought to decide for themselves how to live, without asking their elders for counsel and help."
