Horses in art
Horses have appeared in works of art throughout history, frequently as depictions of the horse in battle. The horse appears less frequently in modern art partly because the horse is no longer significant either as a mode of transportation or as an implement of war. Most modern representations are of famous contemporary horses, artwork associated with horse racing, or artwork associated with the historic cowboy or Native American tradition of the American west. In the United Kingdom depictions of fox hunting and nostalgic rural scenes involving horses continue to be made.
Horses often appear in artworks singly, as a mount for an important person, or in teams, hitched to a variety of horse-drawn vehicles.
History
Prehistory
The horse appeared in prehistoric cave paintings such as those in Lascaux, estimated to be about 17,000 years old.Prehistoric hill figures have been carved in the shape of the horse, specifically the Uffington White Horse, an example of the tradition of horse carvings upon hill-sides, which having existed for thousands of years continues into the current age.
The Upper Palaeolithic Vogelherd figurines discovered in Germany, miniature sculptures made of mammoth ivory attributed to paleo-humans of the Aurignacian culture that are among the world’s oldest-known works of figurative art, include a figure of a horse.
Ancient World
The equine image was common in ancient Egyptian and Grecian art, more refined images displaying greater knowledge of equine anatomy appeared in Classical Greece and in later Roman work.Horse-drawn chariots were commonly depicted in ancient works, for example on the Standard of Ur circa 2500BC.
The Greeks and Romans invented the equestrian statue; the best surviving example being the Equestrian statue of Marcus Aurelius in Rome. The Horses of Saint Mark are the sole surviving example from Classical Antiquity of a monumental statue of the Quadriga.
The horse was less prevalent in early Christian and Byzantine art, overwhelmed by the dominance of religious themes.
Renaissance and after
The Renaissance period starting in the 14th century brought a resurgence of the horse in art. Painters of this period who portrayed the horse included Paolo Uccello, Benozzo Gozzoli, Leonardo da Vinci, Albrecht Dürer, Raphael, Andrea Mantegna and Titian. In 1482 the Duke of Milan Ludovico il Moro, commissioned Leonardo da Vinci to create the largest equestrian statue in the world, a monument to the duke's father Francesco, however Leonardo's horse was never completed,.In the Baroque era the tradition of equine portraiture was established, with artists such as Peter Paul Rubens, Anthony van Dyck and Diego Velázquez portraying regal subjects atop their mounts. Equine sporting art also became established in this era as the tradition of horse racing emerged under Tudor patronage.
18th and 19th centuries
born in 1724 became so associated with his equestrian subjects that he was known as "the horse painter". A childhood interest in anatomy was applied to the horse he spent eighteen months dissecting equine carcasses and had an engraver produce book plates of his studies. These anatomical drawings aided later artists.The mid 18th century saw the emergence of Romanticism, French artists Théodore Géricault and Eugène Delacroix were proponents of this movement and both portrayed the horse in many of their works.
Equine sporting art was popular in the 19th century, notable artists of the period being Benjamin Marshall, James Ward, Henry Thomas Alken, James Pollard, John Frederick Herring Sr. and Heywood Hardy. Horse racing gradually became more established in France and Impressionist painter Edgar Degas painted many early racing scenes. Degas was one of the first horse painters to use photographic references. Eadweard Muybridge's photographic studies of animal motion had a huge influence on equine art as they allowed artists greater understanding of the horses gaits.
Rosa Bonheur became famous primarily for two chief works: Ploughing in the Nivernais, and, The Horse Fair and is now in the Metropolitan Museum of Art, in New York City. Bonheur is widely considered to have been the most famous female painter of the nineteenth century.
Isidore Bonheur, the younger brother of Rosa Bonheur, is known as one of the 19th century's most distinguished French animalier sculptors. He modeled his sculptures to catch movement or posture characteristic of the particular species. Isidore Bonheur achieved this most successfully with his sculptures of horses, usually depicted as relaxed rather than spirited, and which are among his most renowned works.
20th century
was an acclaimed painter working in England during the 20th century, he was elected president of the Royal Academy in 1944. He specialised in equine subjects, including horse racing, portraiture and studies of gypsies and rural life.Subject genres
Military and war
often depicts the horse in battle and provides some of the earliest examples of the horse in art, with cavalry, horse-drawn chariots and horse archers all appearing on ancient artifacts.In the medieval period cavalry battles and knights on horseback were portrayed by artists including Paolo Uccello and Albrecht Dürer. Uccello's tryptic The Battle of San Romano shows various stages of a battle. Dürer's engraving of "Knight, Death and the Devil", 1513 shows a military subject combined with allegorical theme.
Sir Alfred Munnings was appointed as a war artist during World War I, he painted both the Canadian Cavalry Brigade and the Canadian Forestry Corps stationed in France. He considered his experiences with the Canadian units to have been among the most rewarding events of his life.
Elizabeth Thompson, known as Lady Butler, was famed for her military art, especially Scotland Forever featuring a dramatic charge by the Royal Scots Greys.
Horse racing
Thoroughbred racing was an inspiration for Romantic and Impressionist artists of the 19th century. Théodore Géricault painted The Derby in 1821 during his stay in England. The Impressionist era coincided with the development of racing in France, Manet, Degas and Toulouse-Lautrec all acquired a lasting fascination with racing. Manet showing the excitement and action of the race and Degas concentrating more on the moments before the start. Degas was intensely interested in Muybridge's photographs of the horse in motion, he copied them in chalk and pencil and used them for reference in his later work.Generations of artists before Muybridge had portrayed the horse in a 'rocking horse' gallop with the horse portrayed with both front legs extended forward and both hind legs extended rearwards. Much more realistic representations were possible after the event of photography and Muybridge's work but that did not necessarily lead to the impression of movement in the artwork. Luard writing in 1921 compares the running action of an animal with the run and rhythm of an air in music, but the instantaneous moment recorded by a photograph as a detached chord with little meaning or context.
George Stubbs and Alfred Munnings have both left a vast body of work involving the racehorse.
In the 20th century, much of the artwork by John Skeaping involved the racing scene, including life-size bronzes of Hyperion and Brigadier Gerard and watercolours of race course action.
The American West
Artwork associated with the historic cowboy or Native American tradition of the American west naturally includes many equine subjects. :Category:Artists of the American West|Artists of the American West include Frederic Remington and C.M. Russell who are known for their paintings of equine subjects. Remington was one of the first American artists to illustrate the true gait of the horse in motion, as validated by the famous sequential photographs of Eadweard Muybridge.Remington also captured equine drama in his bronze sculptures, his first, Bronco Buster, was a critical and commercial success.