Holy Roller


Holy Roller is a term originating in the 19th century and used to refer to some Protestant Christian churchgoers in the holiness movement, such as Free Methodists and Wesleyan Methodists. The term describes dancing, shaking or other boisterous movements by church attendees who perceive themselves as being under the influence of the Holy Spirit. Holy Rolling is sometimes used derisively by those outside these denominations, as if to describe people literally rolling on the floor in an uncontrolled manner. Those within related Wesleyan traditions have reclaimed the term as a badge of honor.

Description

Holy Roller refers to Protestant Christian churchgoers in the holiness movement, such as Free Methodists and Wesleyan Methodists. Holy Rolling is sometimes used derisively by those outside these denominations, as if to describe people literally rolling on the floor in an uncontrolled manner.
Many individuals in the wider Methodist tradition are also referred to by others as Shouting Methodists due to the ejaculatory prayers congregants often utter during the service of worship, such as "Praise the Lord!", "Hallelujah!", and "Amen!
Similar disparaging terms directed at outspoken Christians but later embraced by them include Jesus freaks or, from former centuries, Methodists, Quakers, and Shakers.

History

traces the word to 1841. The Oxford English Dictionary cites an 1893 memoir by Charles Godfrey Leland, in which he says "When the Holy Spirit seized them... the Holy Rollers... rolled over and over on the floor." The term describes dancing, shaking or other boisterous movements by church attendees who perceive themselves as being under the influence of the Holy Spirit.
Those within related Wesleyan traditions have reclaimed the term as a badge of honor; for example William Branham wrote: "And what the world calls today holy-roller, that's the way I worship Jesus Christ." Gospel singer Andraé Crouch stated, "They call us holy rollers, and what they say is true. But if they knew what we were rollin' about, they'd be rollin' too." Decades earlier, in the notes for his 1960 album Blues & Roots, jazz musician Charles Mingus used the term, seemingly neutrally and as a simple description, to indicate his own religious upbringing.

Usage