Henri Lehmann was a German-born French historical painter and portraitist.
Life
Born Heinrich Salem Lehmann in Kiel, in the Duchy of Holstein, he received his first art tuition from his father Leo Lehmann and from other painters in Hamburg. In 1831, at the age of 17, he travelled to Paris to study art under Jean Auguste Dominique Ingres, becoming one of his most accomplished pupils and a close associate for many years. His first exhibition was at the Salon in 1835 where he won a second-class medal. Thereafter he exhibited regularly at the Salon, winning first-class medals in 1840, 1848 and 1855. , 1843, by Henri Lehmann Lehmann lived in Rome from 1838–41, where he continued his artistic education with Ingres, and collaborated with him on some works—including Ingres' painting ''. In Rome Lehmann befriended Franz Liszt and his lover, the author Marie d'Agoult, corresponding with them for many years and painting portraits of them. Lehmann settled permanently in Paris in 1842. He was awarded many commissions for large-scale public works, such as at the Hôtel de Ville, the Church of Ste-Clothilde, the Palais du Luxembourg, the Palais de Justice, and the Chapel of the Jeunes Aveugles in the Church of Saint-Merri on Rue Saint-Martin. He went on to paint portraits of many well-known and distinguished people of the day including Charles Gounod, Victor Cousin, Liszt, Chopin, Stendhal, the Princess Christina Belgiojoso and many others. In 1846 Lehmann received the Légion d'honneur and in 1847 became a French citizen, opening his studio in that same year. In 1861 he became a teacher at the famous École des Beaux-Arts and was appointed Professor in 1875. He founded the Lehmann Prize to recognise academic excellence in art. In 1864 he was elected a member of the Institut de France. He died in Paris in 1882. His brother Rudolf Lehmann was also a well-known portrait artist.
Lehmann was a painter of portraits, religious, genre, historical, allegorical and literary works. He drew inspiration from classical mythology, Shakespeare and contemporary writers. Sometimes considered dry and academic, the best of his work can be both pure in line and graceful in form. Among the best of his canvases are:
