Helter Skelter (scenario)
The Helter Skelter scenario is a theory put forth by Vincent Bugliosi, lead prosecutor in the Tate–LaBianca murder trial, to explain the series of murders committed by the Manson Family. Bugliosi described his theory at trial and in his book Helter Skelter: The True Story of the Manson Murders. According only to Bugliosi’s theory, Charles Manson often spoke to the members of his "family" about "Helter Skelter" in the months leading up to the murders of Sharon Tate and Leno and Rosemary LaBianca in August 1969, an apocalyptic war arising from racial tensions between blacks and whites. This " vision involved reference to music of the Beatles, particularly songs from their 1968 double album The Beatles, and to the New Testament's Book of Revelation. Manson and his followers were convicted of the murders based on the prosecution's theory that they were part of a plan to trigger the Helter Skelter scenario.
Background
had been predicting racial war for some time before he used the term Helter Skelter. His first use of the term was at a gathering of the Family on New Year's Eve 1968 at Myers Ranch near California's Death Valley. The scenario had Manson as the war's ultimate beneficiary and its musical cause. He and the Family would create an album with songs whose messages would be as subtle as those he had heard in songs of the Beatles. This would not merely foretell the conflict but would trigger it by instructing "the young love", meaning white American youth, to join the Family, and it would draw the young, white female hippies out of San Francisco's Haight-Ashbury.Black men would thus be deprived of the white women whom the political changes of the 1960s had made sexually available to them and would lash out in violent crimes against whites. Frightened whites would retaliate with a murderous rampage, and militant blacks would exploit it to provoke a war of near-extermination between racist whites and non-racist whites over the treatment of blacks. Then the militant blacks would arise to finish off the few whites who survived; in fact, they would kill off all non-blacks.
In this holocaust, the members of the enlarged Family would have little to fear; they would wait out the war in a secret city that was underneath Death Valley which they would reach through a hole in the ground. They would be the only remaining whites upon the race war's conclusion, and they would emerge from underground to rule the blacks who, as the vision went, would be incapable of running the world. At that point, Manson "would scratch fuzzy head and kick him in the butt and tell him to go pick the cotton and go be a good nigger".
The term "Helter Skelter" was from the Beatles song of the same name, which referred to the British amusement park ride "Helter Skelter", but Manson interpreted it as concerned with the war. The song was on the Beatles' White Album which Manson heard within a month or so of its November 1968 release. Former Manson follower Catherine Share claimed:
When the Beatles' White Album came out, Charlie listened to it over and over and over and over again. He was quite certain that the Beatles had tapped in to his spirit, the truth—that everything was gonna come down and the black man was going to rise. It wasn't that Charlie listened to the White Album and started following what he thought the Beatles were saying. It was the other way around. He thought that the Beatles were talking about what he had been expounding for years. Every single song on the White Album, he felt that they were singing about us. The song 'Helter Skelter'—he was interpreting that to mean the blacks were gonna go up and the whites were gonna go down.
Fulfillment
Manson and his followers began preparing for Helter Skelter in the months before they committed the murders. They worked on songs for the hoped-for album which they anticipated would set off everything, and they prepared vehicles and other items for their escape from the Los Angeles area to Death Valley when the days of violence arrived. They pored over maps to plot a route that would bypass highways and get them to the desert safely. Manson was convinced that the song "Helter Skelter" contained a coded statement of the route that they should follow.Manson had said that the war would start in the summer of 1969. He told a male Family member in late June of that year, months after he had been frustrated in his efforts to get the album made, that Helter Skelter was "ready to happen". "Blackie never did anything without whitey showin' him how," he said. "It looks like we're gonna have to show blackie how to do it." Manson instructed his followers to carry out the first set of murders on August 8, 1969: "Now is the time for Helter Skelter." They committed the second set of murders the following night, and one of the killers wrote "Healter Skelter" on the refrigerator in blood, along with other references to Beatles songs, particularly "Piggies".
Beatles lyrics, as interpreted by Manson
- "I Will"
- :Lyric: And when at last I find you/ Your song will fill the air/ Sing it loud so I can hear you/ Make it easy to be near you
- ::Meaning: The Beatles are looking for Jesus Christ.
- "Honey Pie"
- :Lyric: Oh, honey pie, my position is tragic/ Come and show me the magic/ Of your Hollywood song
- ::Meaning: The Beatles know Jesus Christ has returned to Earth and is in Los Angeles. They want Manson to create his "song", that is, his album that will set off Helter Skelter.
- :Lyric: Oh, honey pie, you are driving me frantic/ Sail across the Atlantic/ To be where you belong
- ::Meaning: The Beatles want Jesus Christ to come to England.
- ::Consequence: In early 1969, Manson and his female followers attempt to contact the Beatles by letter, telegram, and telephone; they are struggling to make clear to the Beatles that it is they, the Beatles, who are to come across the Atlantic, to join the family in Death Valley.
- :Lyric: I'm in love, but I'm lazy
- ::Meaning: The Beatles love Jesus Christ but are too lazy to go looking for him. They've worn themselves out in a trip to India to visit the Maharishi Mahesh Yogi, whom they now regard as a false prophet.
- "Don't Pass Me By"
- :Lyric: I Listen for your footsteps coming up the drive/ Listen for your footsteps, but they don't arrive/ Waiting for your knock dear on my old front door/ I don't hear it; does it mean you don't love me any more?/ I hear the clock a-ticking on the mantel shelf/ See the hands a-moving, but I'm by myself/ I wonder where you are tonight and why I'm by myself/ I don't see you; does it mean you don't love me any more?
- ::Meaning: The Beatles are calling for Jesus Christ.
- "Yer Blues"
- :Lyric: Yes, I'm lonely; wanna die/ Yes, I'm lonely; wanna die/ If I ain't dead already/ Girl, you know the reason why
- ::Meaning: The Beatles are calling for Jesus Christ.
- "Blue Jay Way"
- :Lyric: There's a fog upon L.A./ And my friends have lost their way/ They'll be over soon they said/ Now they've lost themselves instead/ Please don't be long/ Please don't you be very long/ Or I may be asleep.
- ::Meaning: The Beatles are calling for Jesus Christ.
- :This connects the Helter Skelter prophecy with a song from outside The Beatles. "Blue Jay Way" appeared on Magical Mystery Tour, the 1967 album that preceded The Beatles and that had, itself, influenced Manson. The Family had come to call its roundabout journey from its place of origin, San Francisco, to its place of settlement, the Los Angeles area, the "Magical Mystery Tour".
- :The primary sources of information on Helter Skelter do not detail Manson's interpretation of the lyrics of this song. If the "friends" are imagined to be the Beatles, looking for Manson in Los Angeles, the lyrics retain their ordinary sense, in which someone is trying to get to a place in L.A., not out of it. If, on the other hand, the "friends" are the Family, who, because of the "fog upon L.A.", have "lost their way" to the Beatles in England, the interpretation would seem to be consistent with Manson's view that the lyrics are a call to him and that the Beatles want him to "sail across the Atlantic".
- :"Blue Jay Way" is the name of an actual Los Angeles street; the primary sources of information about Helter Skelter do not indicate whether Manson knew that. George Harrison was staying at a house on that street when he wrote the song.
- "Sexy Sadie"
- :Significance: Manson had renamed Family member Susan Atkins "Sadie Mae Glutz" long before the release of The Beatles. This served to reinforce the mental connection Manson felt he had with the Beatles.
- :In San Francisco, where she met Manson, Atkins had been a topless dancer. Paul Watkins wrote that Atkins "thrived on sex", and he even seemed to suggest she had the nickname Sexy Sadie before the Family heard the song. Similarly, Tex Watson wrote that the words of "Sexy Sadie" fit Atkins so well "that it made us all sure had to be singing directly to us." Watson specifically noted that the song's title character "came along to turn on everyone", "broke the rules", and "laid it down for all to see". Atkins, he said, "had broken all the rules, sexually, and liked to talk about her experience and lack of inhibitions".
- "Rocky Raccoon"
- :Significance: Rocky Raccoon means "coon", a vulgar term for a black man.
- :Of all the Beatles songs known to have been connected with Helter Skelter, this is the only one that mentions the Bible. A play on the Gideons International practice of leaving Bibles in hotel rooms, the references are to a Bible left in the room of the title character by a "Gideon":
- ::So one day walked into town/ Booked himself a room in the local saloon/ Rocky Raccoon/ Checked into his room/ Only to find Gideon's Bible... Now Rocky Raccoon/ He fell back in his room/ Only to find Gideon's Bible/ Gideon checked out/ And he left it no doubt/ To help with good Rocky's revival.
- :Manson made the connection. In the period before his trial, he was visited at the Los Angeles County Jail by David Dalton and David Felton, who were preparing a Rolling Stone story, about him, that appeared in the magazine in June 1970. In an article in the October 1998 issue of the periodical Gadfly, Dalton, recounting the visit to Manson, relayed the remarks Manson made to Felton and him about "Rocky Raccoon":
- ::"Coon," said Charlie. "You know that's a word they use for black people. You know the line, 'Gideon checked out / And left no doubt / To help good Rocky's revival.' Rocky's revival—re-vival. It means coming back to life. The black man is going to come into power again. 'Gideon checks out' means that it's all written out there in the New Testament, in the Book of Revelations."
- "Happiness Is a Warm Gun"
- :Significance: The Beatles are telling blacks to get guns and fight whites.
- :Sample lyric: When I hold you in my arms/ And I feel my finger on your trigger/ I know no one can do me no harm/ Because happiness is a warm gun/
- "Blackbird"
- :Lyric: Blackbird singing in the dead of night/ Take these broken wings and learn to fly/ All your life/ You were only waiting for this moment to arise.
- ::Meaning: The black man is going to arise and overthrow the white man. The Beatles are programming blacks to rise.
- :In detailing Helter Skelter in his autobiography, Tex Watson invoked this lyric obliquely:
- :: would slaughter thousands of blacks, but actually only manage to eliminate all the Uncle Toms, since the "true black race" would have hidden, waiting for their moment.
- "Helter Skelter"
- :Lyric: When I get to the bottom I go back to the top of the slide/ Where I stop and I turn and I go for a ride
- ::Significance: A reference to the Family's emergence from "the Bottomless Pit", the underground Death Valley hideaway where the group will escape the violence of Helter Skelter.
- ::In British English, although has the meaning of "confused" or "confusedly", it is more commonly the name of an amusement park slide, which this portion of the lyrics suggests is one of the term's surface denotations in the song. There is nothing to indicate Manson was aware of this meaning.
- :Lyric: Look out... Helter Skelter... She's coming down fast... Yes she is.
- ::Meaning: The upcoming explosion of race-based violence is imminent. These are the "last few months, weeks, perhaps days, of the old order".
- ::Even to someone unaware that helter-skelter is the name of a slide, the song's mention of a slide might have indicated that the "she" in this part of the lyrics is someone who, literally or otherwise, is riding on a slide and "coming down fast". In My Life with Charles Manson, Paul Watkins makes clear that Manson construed "she" as a reference to the words "helter skelter" themselves. It is Helter Skelter—which, in America, at least, can be the noun "confusion"—that is coming down fast, i.e., is imminent.
- ::In trial testimony, Gregg Jakobson, who first met Manson at the home of Beach Boy Dennis Wilson in May or early summer of 1968, described a mural he had eventually seen at the Spahn Ranch, where Manson and most of the Family were residing at the time of the murders:
- :::Jakobson: There was a room called—it was an old saloon in one of the old sets.
- :::Prosecutor Vincent Bugliosi: Among the front buildings at the ranch?
- :::Jakobson: Right.
- :::Bugliosi: Right off Santa Susana Road there?
- :::Jakobson: Yes. And there was a big mural in day-glo colors. It glowed with blue light. It depicted Helter Skelter, and it was written.
- :::Bugliosi: The words were written?
- :::Jakobson. Yes. And there was a picture of the mountains and the desert and Goler Wash, and so on, and Helter Skelter coming down out of the sky.
- :::Bugliosi: Something like a map?
- :::Jakobson: It was more like a mural that covered the whole wall. It was rather impressive.
- :Manson also hears the Beatles whispering to him to call them in London.
- "Piggies"
- :Lyric: What they need's a damn good whacking
- ::Significance: Blacks are going to give "the piggies"—i.e., the establishment—a damned good whacking. This phrase Manson particularly liked.
- :Lyric: Everywhere there's lots of piggies/ Living piggy lives/ You can see them out for dinner/ With their piggy wives/ Clutching forks and knives/ To eat their bacon.
- ::In Helter Skelter: The True Story of the Manson Murders, which he wrote with Curt Gentry, Vincent Bugliosi, who prosecuted Manson and the others accused of the Tate-LaBianca murders, draws attention to this. He notes that Leno LaBianca was left with a knife in his throat and a fork in his stomach.
- "Revolution 1"
- :Lyric: You say you want a revolution/ Well you know/ We all want to change the world.../ But when you talk about destruction/ Don't you know that you can count me out
- ::Significance: The singing of "in" after the word "out", even though "in" does not appear in the lyrics as they were presented on the printed sheet enclosed with the album, indicates that the Beatles had been undecided but now favor revolution. Though they are no longer on a "peace-and-love trip", they cannot admit as much to the establishment.
- :Lyric: You say you got a real solution/ Well you know/ We'd all love to see the plan
- ::Meaning: The Beatles want Manson to tell them how to escape the horrors of Helter Skelter. They are ready for the violence; they want Manson to create his album that will tell them what to do. Its songs will be "the plan" whose subtle messages will be aimed at the various parts of society that will be involved in Helter Skelter.
- "Revolution 9"
- :This is the White Album piece Manson spoke about the most, the one he deemed most significant. An audio collage more than eight minutes long, it has no lyrics.
- :Significance: Manson hears machine-gun fire, the oinking of pigs, and the word "Rise". The piece is audio representation of the coming conflict; the repeated utterance "Number 9" is reference to Chapter 9 of the Book of Revelation. Revolution 9 is prophecy, paralleling Revelation 9. "Revolution 9" = Revelation 9.
- :"Rise" is "one of big words"; the black man is going to "rise" up against the white man. While playing "Revolution 9", Manson screams "Rise! Rise! Rise!"
- :Manson also hears the Beatles whispering: "Charlie, Charlie, send us a telegram." At approximately 3:45 of the recording, a voice that could be that of George Harrison does, in fact, seem to be saying something about a telegram.
Manson himself invoked "Yellow Submarine", a Beatles song that was released in 1966 and that inspired an animated movie of the same title. The movie was released in the United States in November 1968, within a week or so of the White Album. In the first months of 1969, after he had delivered the Helter Skelter prophecy around the New Year's Eve campfire near Death Valley, Manson applied the name "Yellow Submarine" to a canary-yellow, Canoga Park house to which the Family repaired at his instruction. There, as they would prepare for Helter Skelter, they would be "submerged beneath the awareness of the outside world".
Book of Revelation, as interpreted by Manson
CHAPTER 7CHAPTER 9:
CHAPTER 10:
CHAPTER 16:
CHAPTER 21:
CHAPTER 22:
Synthesis
To Manson, the synthesis of Beatles and Bible was hardly to be questioned:Look at songs: songs sung all over the world by the young love; it ain't nothin' new.... It's written in... Revelation, all about the four angels programming the holocaust...the four angels looking for the fifth angel to lead the people into the pit of fire...right out to Death Valley.... It's all in black and white, in The White Album—white, so there ain't no mistakin' the color....
''Abbey Road'' epilogue
Abbey Road was released in the United Kingdom in late September 1969 after the murders. By that time, most of the Family was at the group's camp in the Death Valley area searching for the Bottomless Pit. Three Family members arrived at the camp around October 1 with an advance copy of the album, which the group played on a battery-operated machine.Law officers raided the desert redoubts in the second week of October and found the Family with stolen vehicles, and they arrested Manson and several others. By mid-November, Manson had become a suspect in the Tate-LaBianca murders, but Family members made their way back to Spahn Ranch after being released from jail. The LAPD confiscated a door on November 25, 1969 on which someone had written "Helter Scelter is coming down fast." A photograph shows that the confiscated door was also inscribed with "1, 2, 3, 4, 5, 6, 7 — ALL GOOD CHILDREN ". This children's rhyme is heard in "You Never Give Me Your Money" on Abbey Road. In October 1970, the prosecution offered testimony about the door during Manson's trial for the Tate-LaBianca murders, but only the "Helter Skelter" inscription seems to have been noted.
Tex Watson had left the desert camp and gone on to separate himself from the Family, but he bought a cassette recording of Abbey Road and played it continuously while walking for miles across the desert to rejoin the Family; he was hoping to see what The Beatles might have to tell him. He turned back at the last moment, and an old prospector informed him that the arrests had taken place. Watson returned to Texas where he was arrested for the Tate-LaBianca murders a month later.
Three people were attacked on the beach near Santa Barbara, California in late July 1970 while Manson was on trial, two of them fatally. One of the Manson girls spoke of this incident as "Maxwell's Silver Hammer", an Abbey Road song that plainly is about homicidal madness.
Timeline
1967
- March 21: Charles Manson, aged 32, is released from Terminal Island, San Pedro, California, after seven years' imprisonment for attempting to cash a forged government check. He is granted permission to move to San Francisco.
- Summer: Manson and the first members of what will come to be known as his Family leave the San Francisco area in an old school bus they modified in hippie style. In an alternate account, some months of Manson travels and acquisition of Family members precede the group's departure from San Francisco in the school bus, around November 10.
- November 27: The Beatles' album Magical Mystery Tour is released in the United States. The Family will come to call its geographical and psychological movement in the school bus "the Magical Mystery Tour".
1968
- April 4: Martin Luther King, Jr., is assassinated in Memphis, Tennessee.
- Late spring: Having ended up in the Los Angeles area after months of roaming through the West Coast and the Southwest, Manson and the Family become associated with The Beach Boys' Dennis Wilson after Wilson picks up two female Family members hitchhiking in Malibu. Several Family members begin living in Wilson's Pacific Palisades home while, by midsummer, others will be living at the Spahn Ranch in Chatsworth. During the spring/summer of 1968, Dennis Wilson also introduces Manson to his friend Terry Melcher, a record producer who has worked not only with the Beach Boys, but also with The Byrds, Paul Revere & the Raiders, The Mamas & the Papas, and many other L.A.-based musical acts.
- August 9: Gregg Jakobson, another music industry friend of Dennis Wilson, pays for studio time to record songs written and performed by Manson.
- August: Three weeks before the lease on his house is to run out, Dennis Wilson has his manager evict the Family members from it.
- October 31: Having been consolidated at the Spahn Ranch since the eviction from Dennis Wilson's house, the Family members set out in a new school bus toward Death Valley to set up an alternate base.
- November 1: The Family members arrive at the Death Valley area's Golar Wash, maybe north of Los Angeles and west of Las Vegas. They load themselves into the unused Myers Ranch, which is owned by the grandmother of a new Family member.
- November 3: When Manson and Family member Paul Watkins take a short trip from Golar Wash to visit "Ma Barker", owner of another unused ranch, not far from Myers, Manson presents himself and Watkins to her as musicians in need of a residence congenial to their work. When she agrees to let them stay at the ranch if they'll fix what needs fixing, Manson honors her with one of The Beach Boys' gold records, several of which he'd been given by Dennis Wilson. On the way back to Golar Wash, Watkins, who has seen a newspaper while they've been on their trek, mentions a police shooting of a young black in San Francisco; Manson replies that a black revolt has been building up for years. He says the killing of Martin Luther King, Jr., is a "heavy number."
- November 13: Animated movie Yellow Submarine, based on the song of the same name by The Beatles, is released in the United States.
- November 25: Release of the Beatles' self-titled album in the United States.
- Mid-December: Family member Paul Watkins and two female Family members go to Los Angeles for a few days. While they're there, they see Yellow Submarine.
- Before the end of December: While back at Spahn Ranch, Manson and Charles "Tex" Watson visit an acquaintance in nearby Topanga Canyon. When, in response to a question from the acquaintance, they tell him they haven't heard the new Beatles album, he plays it for them.
- New Year's Eve: Around a campfire on a bitter cold night at the Myers Ranch, the Family members listen as Manson lays out the prophecy of Helter Skelter.
1969
- ~January 10: Word comes from Manson, who is in Los Angeles, that the Family is to move from the desert to a house he's found in Canoga Park. Because the canary-yellow house is a place where the Family, preparing for Helter Skelter, will be "submerged beneath the awareness of the outside world," Manson dubs it the Yellow Submarine.
- Mid-February: While riding in a car with Paul Watkins, Manson sees a white woman and a black man holding hands on the street. He explains to Watkins that that's why black men have not yet risen up in rebellion against whites: they're pacified by access to white women.
- Before mid-March: In preparation for a visit they are for some reason expecting from Dennis Wilson's friend Terry Melcher, owner of a record company, Family members clean the Canoga Park house, set up their instruments, and prepare vegetables, lasagna, salad, French bread, freshly baked cookies, and marijuana. They are hoping Melcher will agree to record the music they've been preparing to trigger Helter Skelter; Melcher doesn't arrive.
- March 23: Entering uninvited upon 10050 Cielo Drive, which he has known as the residence of Terry Melcher, Manson gets a cool reception from a male friend of Sharon Tate, who, with her husband, Roman Polanski, is the new lessee; Tate looks on. Manson, who possibly knows Melcher no longer lives at the place, has come calling for someone and is told to check the guest house; after briefly going back to the guest house, he leaves. In the evening, when he enters the property again, Manson is received with an equal lack of enthusiasm, at the guest house, by landlord Rudi Altobelli, an entertainment-industry figure who had met him the previous summer through Dennis Wilson. Though Manson asks for Melcher, he prolongs the conversation with Altobelli and attempts to establish a connection with him. Altobelli, who will be going to Europe the next day, lies that he will be out of the United States for a year; he gives Manson incomplete information about Melcher's new location. In learning that Manson had been directed to the guest house by persons at the main house, Altobelli expresses his wish that Manson not disturb his tenants. Manson leaves; Tate later asks Altobelli whether "that creepy-looking guy" showed up at the guest house.
- ~April 1: The Family starts settling back into the Spahn Ranch, which they had quit after owner George Spahn, under pressure from police, had shut down an unlicensed nightclub they'd set up at the ranch to raise money for their preparations for Helter Skelter. They will not concern themselves with Spahn's objections; during Helter Skelter, they must be at Spahn, from which they'll have a "clear escape route to the desert."
- Mid-June: While Manson and Family member Paul Watkins are discussing Helter Skelter, Manson tells Watkins "it looks like we're gonna have to show blackie how to do it."
- July 27: In a dispute over money, Family member Bobby Beausoleil acts on Manson's instruction to murder Family acquaintance Gary Hinman. After stabbing Hinman to death, Beausoleil writes "Political piggy" on a wall in Hinman's blood.
- August 6: Beausoleil is arrested after he is caught driving Hinman's car; the knife he used to stab Hinman is found in the car's tire well.
- August 8: In the afternoon, Manson tells the Family members, "Now is the time for Helter Skelter."
- August 9: After midnight, acting on Manson's instruction, three Family members including Tex Watson murder Sharon Tate and four other persons on the premises of 10050 Cielo Drive. Susan Atkins, one of the killers, writes "Pig" on the house's front door, in Sharon Tate's blood. When the killers and a fourth Family member, who accompanied them, return to Spahn Ranch, Watson assures Manson it was Helter Skelter.
- August 10: After midnight, three Family members acting on Manson's instruction murder Leno and Rosemary LaBianca at their Los Feliz home, next door to a house at which Manson and Family members had attended a party the previous year. Using LaBianca blood, one of the killers writes "Rise" and "Death to Pigs" on the living room walls. She writes "Healter Skelter" on the refrigerator.
Impact
Watson was with Manson when he first heard the White Album, and he took part in the Tate murders and the LaBianca murders. He is the only killer to participate directly in every one of the seven homicides, and he was the sole killer of at least three of the victims. He told other Family members, "It seemed like I had to do everything." He separated himself from the Family when he and Manson first heard the White Album, and he did not rejoin until the following March 1969. By that time, Manson's prophecy had captured the group's imagination, but Watson took a while to grasp its details.
Although I got it in bits and pieces, some from the women and some from Manson himself, it turned out to be a remarkably complicated yet consistent thing that he had discovered and developed in the three months we'd been apart. … It was exciting, amazing stuff Charlie was teaching, and we'd sit around him for hours as he told us about the land of milk and honey we'd find underneath the desert and enjoy while the world above us was soaked in blood.
Manson's testimony
Manson was permitted to testify at his 1970 trial for the Tate-LaBianca murders, after the defendants' attorneys had attempted to rest their cases, without calling a single witness. The jury was removed from the courtroom lest he violate the California Supreme Court's decision in People v. Aranda by implicating his co-defendants. He spoke for over an hour. As for Helter Skelter, he said the following:It means confusion, literally. It doesn't mean any war with anyone. It doesn't mean that some people are going to kill other people…. Helter Skelter is confusion. Confusion is coming down around you fast. If you can't see the confusion coming down around you fast, you can call it what you wish.
Manson has dismissed the Helter Skelter conspiracy as an invention by the trial prosecutor to tie him to the murders.
Is it a conspiracy that the music is telling the youth to rise up against the establishment because the establishment is rapidly destroying things? Is that a conspiracy? The music speaks to you every day, but you are too deaf, dumb, and blind to even listen to the music.… It is not my conspiracy. It is not my music. I hear what it relates. It says "Rise," it says "Kill." Why blame it on me? I didn't write the music. … As far as lining up someone for some kind of helter skelter trip, you know, that's the District Attorney's motive. That's the only thing he could find for a motive to throw up on top of all that confusion he had. There was no such thing in my mind as helter skelter.
Primary sources
More detail about Helter Skelter is found in the following:.
- Helter Skelter: The True Story of the Manson Murders by Vincent Bugliosi with Curt Gentry
- Will You Die for Me? by Charles Watson as told to Ray Hoekstra
- My Life with Charles Manson by Paul Watkins and Guillermo Soledad
See also the trial testimony of Gregg Jakobson, who met Manson at the home of Beach Boy Dennis Wilson in May or early summer of 1968 and who arranged a recording session for Manson in August of that year. Jakobson indicated that Manson and he had talked about Manson's "philosophy on life" in various settings "innumerable times" – "Maybe 100."