In 1980 he founded, with others under the guidance of Ingo Petzke, the Experimental Film Workshop Osnabrück, an annual festival for experimental film art, which in 1988 became the European Media Art Festival. Daxl was till 1992 considerably involved in the shaping of this worldwide important forum for media art. From 1987 he has participated in Goethe-Institut cultural exchange programmes, visiting more than 50 countries in Europe, America, Asia and Australia. Together with Evgenija Dimitrieva and Keiko Sei, in 1990 to 1991 he edited the tenth and last edition of the international video art magazineINFERMENTAL in Skopje and Osnabrück. He met his wife and partner Ingeborg Fülepp through a Goethe-Institut cultural exchange programme. In 1991 they established the exhibition series Media Scape of international media art, initially at the Mimara Museum and later at the Museum for Contemporary Art in Zagreb and the Galerija Rigo and Muzej Lapidarium in Novigrad, Istria, Istria, Croatia. In 2006 this exhibition series was extended in co-operation with Noam Braslavsky under the title "Strictly Berlin" at the Galerie der Künste, Berlin. Daxl and Fülepp have worked together since 1990 under the name "mediainmotion" and "dafü®" within film, video art, visual music, CD-ROM, DVD, digital art, graphics, photo, installation and Mixed Media. Through their teaching and involvement with the electroacoustic music department of the Akademie der Künste in Berlin they have worked with contemporary composers such as Georg Katzer, Wolfgang Rihm, Milko Kelemen, Mona Mur, Jorge Reyes, Steve Roach, Amnon Wolman, Dror Feiler, Masami Akita, Zbigniew Karkowski, Elliott Sharp, Igor Kuljerić, Ivo Josipović and Ensemble Modern. Heiko Daxl and Ingeborg Fülepp are renowned video and media artists who are at home in Berlin and in Zagreb and who are recognized in both cities. Since 1991 they work together as an artistic couple. The numerous works they have created bear witness to their joy of experimenting, always moving on the borderline to the unknown. Employing new technologies, they investigate different, so far unknown optic and acoustic phenomena. The observer's senses, his hearing, his sight and his touch, are always consciously engaged, irritating his perception. Daxl and Fülepp show new ways in the artistic exploration of the technical possibilities of creating sounds and abstract images which force the observer to an integrated reception. They seek to make the recipient think about the reality which is imparted to him in an artificial and technical way. Dr. Barbara Barsch, Director, ifa-Galerie Berlin, Institute for International Relations , May 2005
