"Hearts and Flowers" is a song composed by Theodore Moses-Tobani and published in 1893 by Carl Fischer Music. The famous melody is taken from the introductory 2/4 section of "Wintermärchen" Waltzes Op. 366 by the Hungarian composer Alphons Czibulka. Tobani arranged the piece in a 4/4 song form as Hearts and Flowers, a New Flower Song, Op. 245. The song as a vocal number was soon forgotten but the instrumental version gained popularity in its own right and it is in this form that it remains well known to this day. Tobani also arranged the tune as a waltz, featured in a medley published in 1900 entitledBeauties Charms, although this arrangement is now seldom heard. "Hearts and Flowers" has an association in popular culture as melodramatic photoplay music. The practice of using the selection as a dramatic cue is documented as early as 1911, although complaints that the tune was becoming overplayed crop up as early as 1913 and 1914, and by 1915, the piece was being called "time worn". Soon thereafter, "Hearts and Flowers" became more commonly associated with underscoring an over-the-top parody of melodrama in film. Around 1919, musical accompaniment cue sheets start suggesting the tune "a la burlesque" to mock-dramatic scenes. Even into the late 1920s, "Hearts and Flowers" continued to be suggested as a burlesque dramatic piece. "Hearts and Flowers" was not only heard in theater as accompaniment to films, but played an integral part of on-set music for actors. Viola Dana famously requested the tune to be played in order for her to generate enough emotion for her to cry real tears. This was later parodied in the 1928 filmShow People with Marion Davies. The term 'hearts-and-flowers' has entered the English language with the sense "extreme sentimentality, cloying sweetness". There is a reference to "Hearts and Flowers" in AmazingSpider-Man #45, published February, 1967. It's also the song used during the Scene 'Toast', in Noel Coward's Play, 'Family Album', where his Character calls it "The loveliest song in the world", after Gertrude Lawrence has sung Mary D. Brine's lyrics to it at the dinner table.
