Seitz was born in the Neckarau quarter of Mannheim, the son of a plasterer. He attended school locally till 1921 and then embarked on a traineeship in his father's trade. In 1922 he visited the Kunsthalle in Mannheim, and was moved to embark on two-year apprenticeship as a stonemason and sculptor across the river in Ludwigshafen with the sculptor August Dursy. He also attended drawing classes at the Mannheim Vocational College. After this, between 1924 and 1925 Gustav Seitz studied with the sculptor Georg Schreyögg at the State Arts College in Karlsruhe. From 1925 till 1929 he was studying under Ludwig Gies at the Berlin University of the Arts. He went on to become a "Master scholar" with Gerstel and, between 1933 and 1938, with Hugo Lederer at the Prussian Arts Academy in Berlin. His sculptures were beginning to attract attention during this period. An early work, "Liebespaar" in terracotta, had been exhibited back in 1926 at the Flechtheim Gallery in Berlin. Works from the 1930s highlighted in sources include "Weiblicher Akt", "Musik" and "Pommersches Bauernmädchen". He was also able to travel, first, in 1926, to Italy where he was much influenced by Etruscan terracotta antiquities, and later in much of Europe, notably in Paris where he had been able to visit Charles Despiau during a study trip in 1929. After 1933 his artistic career was hampered by political developments in Nazi Germany and interrupted by war: between 1940 and 1945 he served in the army. His apartment in Berlin and the adjoining studio were destroyed by bombs, along with a large number of his works, in 1943. Having become a prisoner of war, he was released by the Americans in August 1945, and returned to a politically divided Berlin, setting up home in an apartment in the Zähringer Street, with his studio in the nearby Kant Street.
Gustav Seitz output
Works
Seitz's sculptural legacy includes a number of female nudes with a particular focus on a range of differently posed squatting figures. On occasion he peppered his trademark realism with elements of humour. There were also a number of celebrity portrait busts. He himself produced several printed publications featuring images of his sculptures. A particularly well known work is his large :de:Käthe Kollwitz |sculpture of Käthe Kollwitz. Kollwitz had died in 1945 and Seitz started work on a gypsum original image of her in 1956. It was completed in 1958 and a bronze casting of it was placed in :de:Kollwitzplatz|Kollwitz Square in Berlin-Pankow in the Autumn of 1960. Another bronze casting of the original was taken more recently and placed in the :de:Skulpturenpark Magdeburg|Sculptures Park in Magdeburg.
