Grigore Vasiliu Birlic was a Romanian actor who appeared on stage, television and in films. He was best known for comedic roles.
Early life
Grigore Vasiliu was born on 24 January 1905 into the family of a small businessman on the "Pârâul Târgului" street in Fălticeni. As a child he wanted to become a circus clown; however, his parents did not consider acting a serious job, and when he finished the "Nicu Gane" high school in Fălticeni in 1924, he was sent to study law in Cernăuţi.
Early career
He started in the local theater where he was noticed by Dragos Protopopescu, the theater director. He received his first role as a mute character in the comedic play"Musca spaniolă" by Arnold and Bach. He was hired at the National Theater in Cernăuţi, and his next appearance was in Victor Ion Popa's "Amanetul" by Holberg. Birlic, who struggled with a lisp, failed to get into the Dramatic Art Conservatory of Cernăuţi seven times before succeeding the eighth. There, he was a student of Petre Sturdza and met Julles Cazaban as a colleague.
Top of the Career
In 1933, director Aurel Maican brought him to Bucharest where he performed in plays such as "Vârcolacul", "Micul Weber" and "Prostul din baie". Grigore Vasiliu was nicknamed Breloc after playing in Iancovescu's Corabia lui Noe. His big breakthrough was with Iancovescu's play Împăratul by Luigi Bonelli. Alongside him were Mania Antonova and N.N. Matei. Following this success, he played the main character in Tudor Musatescu's adaptation of the playBirlic by Arnold and Bach. The play was another success for the actor who became known as Grigore Vasiliu-Birlic due to the character he interpreted for a long time with great success. Although he was appointed director of the theater group Colorado, communist laws banned private theater groups and he was fired. He returned to the National Theatre of Bucharest where the repertory was set by the Propaganda Department of the Romanian Communist Party. His comeback was in 1953's Sică Alexandrescu's O scrisoare pierdută, in which he initially portrayed Dandanache and then Brânzovenescu. Radu Beligan praised the play and described Birlic as " genius of comedy, of the Romanian humor". In 1956, Sică Alexandrescu, Birlic, Alexandru Giugaru and George Calboreanu performed the play Bădăranii by Carlo Goldoni at the Goldoni Festival in Venice. A storm erupted while the actors were on stage, yet the guests remained in the garden of Palazzo Grassi, entranced by Birlic's interpretation of Caciani.
End of Career
After his return from Italy, Birlic continued acting inD-ale carnavalului, Conu Leonida față cu reacțiunea, Avarul și Burghezul gentilom by Molière, Egor Bulicov by Maxim Gorki, Revizorul by Nikolai Gogol, Oameni care tac by Alexandru Voitin, Nunta lui Krecinski by Suhovo-Kobalina and Mielul turbat by Aurel Baranga. In his entire career, Birlic portrayed 13 of I.L.Caragiale's characters. For the Romanians, the face of Grigore Vasiliu-Birlic merges with the notion of a Caragiale character. Birlic himself said "As one of the actors who have played the most characters - 13 - from the work of our great dramatist, I recall Caragiale with affectionate gratitude for the theatrical successes that he occasioned me with. These roles represented to me in over 35 years of theater, a great school of acting knowledge, characters of our drama masters. " Sensing that his end was near, Birlic asked his manager, Gaby Michăilescu, to help him direct his last theatrical appearance. He chose to reenact the play that gave him his name, "Birlic". Actors who also played in Birlic's last appearance were Silvia Dumitrescu-Timică, Alexandru Giugaru, Petre Ștefănescu-Goangă, N. Gărdescu, Vasilica Tastaman and Antonescu-Cărăbuș. On 14 February 1970, Grigore Vasiliu-Birlic died at the age of 65 in Bucharest. He is buried at the Bellu cemetery in Bucharest.
Film
In 1934, Birlic began in his film career with the movie Bing-Bang alongside Stroe and Vasilache, followed by Doamna de la etajul II starring Birlic, Maud Mary, Mihai Popescu and Mihai Fotino. During the Second World War, artistic activities in Romania were limited, but Birlic returned in 1951 in Jean Georgescu's Vizita, an adaptation of Caragiale's sketch. Following this success, he was featured in O scrisoare pierdută, in Gheorghe Naghi and Aurel Micheles's Doua lozuri, and in Iancovescu's D-ale carnavalului. The three adaptations of Caragiale's work formed the highlight of Birlic's career.
