Their work has addressed a wide variety of subject matters including scatology, survivalism, and economy. The two artists rarely appear in their own work.
are often life-size photographic representations on canvas of toilet paper rolls arranged on a table top. Depending on the composition the images are called “Arsewipe rocket”, "torche-cul", or “Ass-ana”.
Relationships Do Not Exist
The pair is perhaps best known for their miniature work called "Relationships Do Not Exist". This group of sculptures is one of the largest series of work created by Gregory Maass & Nayoungim. Relationships Do Not Exist is among the more iconic, philosophically astute and visually humorous works that Gregory Maass & Nayoungim have created. The title derives from the famous Jacques Lacan quote “Sexual relationships do not exist”. They proceeded by choosing samples from a wide collection of figurines ranging from the 1950s until today. In an intricate process the bodies are dismembered and reassembled, painted and mounted on empty trophy pedestals. Gregory Maass & Nayoungim call this an adaptation method: "First we cannibalize them and then they get frankensteined back together."
is a public art work installed in Busan, a town where it hardly ever snows. It is a chromed steel snowman placed on a rooftop water tower of a local kindergarten.
Mona Lisa Overdrive
is a public art work, first installed in front of the Seoul Railway Station in 2008. It is made of rubber, toys, foam mattresses and steel frames, and sprayed over with expansion foam. The entire construction is painted with a collection of surplus paints. The face of the sculpture depicts the past, present, and future of the city of Seoul.
Interviews
Video interview with Gregory Maass & Nayoungim in their show "The Early Worm",
"Octavianus", a video interview with Gregory Maass and Yiso Bahc.
"Pièce Unique", an Interview with Gregory Maass about the art of Robert Estermann.
Shows
Tears Of Boredom
Gregory Maass´ first solo-show entitled "Tears of Boredom", was held in 1991 in Hagen, Germany. It consisted of a tautological representation of peanuts. Large scale peanut butter paintings representing peanuts, black and white photographs of peanuts, and an installation of peanuts positioned in tensegrity were on display.
The Early Worm Catches The Bird
duo-show was about different kinds of possible success in art, be it fame and glory, money and power, or the desired result of an attempt. The title derives from Genesis P-Orridge´s first recording with Worm. "In the summer of 1968, Worm recorded their first and only album, entitled Early Worm, in Megson's parents attic in Solihull. It was pressed onto vinyl in November at Deroy Sound Services in Manchester, but only one copy was ever produced. A second album, Catching the Bird, was recorded but never pressed."
The Handsome Tofu
"Tofu incorporates the meaning of mildness, nutritiousness, purity, shaped shapelessness, tasteful tastelessness, crème de la crème, exclusiveness, peacefulness and so on, which were the inspiration to build this show." It took place at the Department for Philosophy and Art in Assen, Netherlands.
Survival of the Shitest
was a show realized with the help of mentally ill patients in the 3bisF Contemporary Art Space in Aix-en-Provence, France, which is located inside the walls of a psychiatric ward. It included works such as "This is punk" and "Hunter S. Thompson´s mirror shades".
Awards and Scholarships
Institut des Hautes Études en Arts Plastiques Paris
Jan Van Eyck Academie the Netherlands.
Atelier Rondo, Kultur Service Gesellschaft Steiermark, Graz, Austria
United Sardine Factory Studio Grant, Bergen, Norway
NKD, Studio Grant, Dale, Norway
Lademoen Kunstnerverksteder Studio Grant, Trondheim, Norway
Cite Internationale des Arts, AFAA Studio Grant, Paris, France,
Boswil Artists’ House Foundation Studio Grant, Boswil, Switzerland
Samsung Unni Atelier, Samsung Culture & Arts Foundation Studio Grant, Seoul, Korea
Parc St.-Leger Centre d'Art Contemporain Studio Grant, Pougues-les-eaux, France
Joseph Ebstein Price For Sculpture, Paris, France
Influences
Gregory Maass claims to be influenced in his thinking by Robert Filliou´s "Principle Of Equivalence", which states that are three equivalent assumptions, and the writings of Philip K. Dick.