Grave of the Fireflies


Grave of the Fireflies is a 1988 Japanese animated war tragedy film based on the 1967 semi-autobiographical short story of the same name by Akiyuki Nosaka. It was written and directed by Isao Takahata, and animated by Studio Ghibli for the story's publisher Shinchosha Publishing. The film stars,, and. Set in the city of Kobe, Japan, the film tells the story of two siblings, Seita and Setsuko, and their desperate struggle to survive during the final months of the Second World War.

Plot

On 21 September 1945, shortly after the end of World War II, a teenage boy, Seita, dies of starvation in a Kobe train station. A janitor sorts through his possessions and finds a candy tin, which he throws into a field. The spirit of Seita's younger sister, Setsuko, springs from the tin and is joined by Seita's spirit and a cloud of fireflies. They board a train.
Months earlier, Seita and Setsuko's house is destroyed in a firebombing along with most of Kobe. They escape unharmed, but their mother dies from severe burns. Seita and Setsuko move in with a distant aunt, who convinces Seita to sell his mother's silk kimonos for rice. Seita retrieves supplies he buried before the bombing and gives everything to his aunt, save for a tin of Sakuma drops. As rations shrink and the number of refugees in the house grows, the aunt becomes resentful of the children, saying they do nothing to earn the food she prepares.
Seita and Setsuko leave the aunt's home and move into an abandoned bomb shelter. They release fireflies into the shelter for light. The next day, Setsuko is horrified to find that the insects have died. She buries them in a grave, asking why they and her mother had to die. As they run out of rice, Seita steals from farmers and loots homes during air raids, for which he is beaten. When Setsuko falls ill, Seita takes her to a doctor, who explains that she is suffering from malnutrition.
Desperate, Seita withdraws all the money in their mother's bank account. As he leaves the bank, he becomes distraught when he learns that Japan has surrendered. He also learns that his father, a captain in the Imperial Japanese Navy, is most likely dead, as most of Japan's navy has been sunk.
Seita returns to the shelter with food, but finds Setsuko hallucinating. Seita hurries to feed her, but she dies as he finishes preparing the food. Seita cremates Setsuko's body and her stuffed doll in a straw casket. He carries her ashes in the candy tin along with his father's photograph.
Seita and Setsuko's deceased spirits arrive at their destination, healthy and happy. Surrounded by fireflies, they rest on a hilltop bench overlooking present-day Kobe.

Cast

Production

Development

Grave of the Fireflies author Akiyuki Nosaka said that many offers had been made to make a live action film version of Grave of the Fireflies. Nosaka argued that "it was impossible to create the barren, scorched earth that's to be the backdrop of the story." He also argued that contemporary children would not be able to convincingly play the characters. Nosaka expressed surprise when an animated version was offered. After seeing the storyboards, Nosaka concluded that it was not possible for such a story to have been made in any method other than animation and expressed surprise in how accurately the rice paddies and townscape were depicted.
Isao Takahata said that he was compelled to film the short story after seeing how the main character, Seita, "was a unique wartime ninth grader." Takahata explained that any wartime story, whether animated or not animated, "tends to be moving and tear-jerking," and that young people develop an "inferiority complex" where they perceive people in wartime eras as being more noble and more able than they are, and therefore the audience believes that the story has nothing to do with them. Takahata argued that he wanted to dispel this mindset. When Nosaka asked if the film characters were "having fun," Takahata answered that he clearly depicted Seita and Setsuko had "substantial" days and that they were "enjoying their days." Takahata said that Setsuko was even more difficult to animate than Seita, and that he had never before depicted a girl younger than five. Takahata said that "n that respect, when you make the book into a movie, Setsuko becomes a tangible person," and said that four-year-olds often become more assertive, self-centered, and try to get their own ways during that age. He explained that while one could "have a scene where Seita can't stand that anymore," it is "difficult to incorporate into a story." Takahata explained that the film is from Seita's point of view, "and even objective passages are filtered through his feelings".
Takahata said that he had considered using non-traditional animation methods, but because "the schedule was planned and the movie's release date set, and the staff assembled, it was apparent there was no room for such a trial-and-error approach." He further remarked that he had difficulty animating the scenery since, in Japanese animation, one is "not allowed" to depict Japan in a realistic manner. Animators often traveled to foreign countries to do research on how to depict them, but such research had not been done before for a Japanese setting.
Most of the illustration outlines in the film are in brown, instead of the customary black. Whenever black was used, it was only used when it was absolutely necessary. Color coordinator Michiyo Yasuda said this was done to give the film a softer feel. Yasuda said that this technique had never been used in an anime before Grave of the Fireflies, "and it was done on a challenge." Yasuda explained that brown is more difficult to use than black because it does not contrast as well as black.

Music

The film score was composed by Michio Mamiya. Mamiya is also a music specialist in baroque and classical music. The song Home Sweet Home was performed by coloratura soprano Amelita Galli-Curci.

Themes and analysis

Some critics in the West have viewed Grave of the Fireflies as an anti-war film due to the graphic and emotional depiction of the pernicious repercussions of war on a society, and the individuals therein. The film focuses its attention almost entirely on the personal tragedies that war gives rise to, rather than seeking to glamorize it as a heroic struggle between competing nations. It emphasizes that war is society's failure to perform its most important duty: to protect its own people.
However, director Takahata repeatedly denied that the film was an anti-war film. In his own words, it "is not at all an anti-war anime and contains absolutely no such message." Instead, Takahata had intended to convey an image of the brother and sister living a failed life due to isolation from society and invoke sympathy particularly in people in their teens and twenties.
Since the film gives little context to the war, Takahata feared a politician could just as easily claim fighting is needed to avoid such tragedies. In general, he was skeptical that depictions of suffering in similar works, such as Barefoot Gen, actually prevent aggression. The director was nevertheless an anti-war advocate, a staunch supporter of Article 9 of the Japanese Constitution, and has openly criticized Japan's penchant for conformity, allowing them to be rallied against other nations. He expressed despair and anxiety whenever the youth are told to fall in line, a reminder that the country at its core has not changed.

Release

Theatrical

The film was released on 16 April 1988, over 20 years from the publication of the short story.
The initial Japanese theatrical release was accompanied by Hayao Miyazaki's lighthearted My Neighbor Totoro as a double feature. While the two films were marketed toward children and their parents, the starkly tragic nature of Grave of the Fireflies turned away many audiences. However, Totoro merchandise, particularly the stuffed animals of Totoro and Catbus, sold extremely well after the film and made overall profits for the company to the extent that it stabilized subsequent productions of Studio Ghibli.
Grave of the Fireflies is the only theatrical Studio Ghibli feature film prior to From Up on Poppy Hill to which Disney never had North American distribution rights, since it was not produced by Ghibli for parent company Tokuma Shoten but for Shinchosha, the publisher of the original short story. It was one of the last Studio Ghibli films to get an English-language premiere by GKIDS.

Home media

Grave of the Fireflies was released in Japan on VHS by Buena Vista Home Entertainment under the Ghibli ga Ippai Collection on 7 August 1998. On 29 July 2005, a DVD release was distributed through Warner Home Video. Walt Disney Studios Japan released the complete collector's edition DVD on 6 August 2008. WDSJ released the film on Blu-ray twice on 18 July 2012: one as a single release, and one in a two-film set with My Neighbor Totoro.
It was released on VHS in North America by Central Park Media in a subtitled form on 2 June 1993. They later released the film with an English dub on VHS on September 1, 1998 and an all-Regions DVD on October 7 the same year. It was later released on a two-disc DVD set on October 8, 2002. It was released by Central Park Media one last time on December 7, 2004. Following the May 2009 bankruptcy and liquidation of Central Park Media, ADV Films acquired the rights and re-released it on DVD on 7 July 2009. Following the 1 September 2009 shutdown and re-branding of ADV, their successor, Sentai Filmworks, rescued the film and released a remastered DVD on 6 March 2012, and plans on releasing the film on digital outlets. A Blu-ray edition was released on 20 November 2012, featuring an all-new English dub produced by Seraphim Digital.
StudioCanal released a Blu-ray in the United Kingdom on 1 July 2013, followed by Kiki's Delivery Service on the same format. Madman Entertainment released the film in Australia and New Zealand.

Reception

The film was modestly successful at the Japanese box office, where it grossed. As part of the Studio Ghibli Fest 2018, the film had a limited theatrical release in the United States, grossing $516,962.
The Ghibli ga Ippai Collection home video release of Grave of the Fireflies sold 400,000 copies in Japan. At a price of at least, this is equivalent to at least in sales revenue.
The film received universal critical acclaim. Roger Ebert of the Chicago Sun-Times considered it to be one of the best and most powerful war films and, in 2000, included it on his list of great films. The film review aggregator website Rotten Tomatoes reported a 98% approval rating based on 40 reviews with an average rating of 9.1/10. The website's critical consensus reads: "An achingly sad anti-war film, Grave of the Fireflies is one of Studio Ghibli's most profoundly beautiful, haunting works".
The film ranked #12 on Total Films 50 greatest animated films. It was also ranked at #10 in Time Outs "The 50 greatest World War II movies" list. Empire magazine ranked the film at #6 in its list of "The Top 10 Depressing Movies". The film ranked #19 on Wizard's Anime Magazine on their "Top 50 Anime released in North America". Theron Martin of Anime News Network said that, in terms of the original U.S. Manga Corps dub, while the other voices were "perfectly acceptable," "Setsuko just doesn't sound quite convincing as a four-year-old in English. That, unfortunately, is a big negative, since a good chunk of the pathos the movie delivers is at least partly dependent on that performance."
On 25 December 2016, Toei Company made a Twitter post that read "Why did Kiriya have to die so soon?" in order to promote an episode of Kamen Rider Ex-Aid. The hashtag became popular but Toei deleted the tweet after receiving complaints that referencing the Grave of the Fireflies line "Why do fireflies die so soon?" was in poor taste.

Public reactions

After the international release, it has been noted that different audiences have interpreted the film differently due to differences in culture. For instance, when the film was watched by a Japanese audience, Seita's decision to not come back to his aunt was seen as an understandable decision, as they were able to understand how Seita had been raised to value pride in himself and his country. But, American and Australian audiences were more likely to perceive the decision as unwise, due to the cultural differences in order to try to save his sister and his self.

Accolades

Remakes

2005 live-action version

in Japan produced a live-action TV drama of Grave of the Fireflies, in commemoration of the 60th anniversary of the end of World War II. The drama aired on 1 November 2005. Like the anime, the live-action version of Grave of the Fireflies focuses on two siblings struggling to survive the final months of the war in Kobe, Japan. Unlike the animated version, it tells the story from the point of view of their cousin and deals with the issue of how the war-time environment could change a kind lady into a hard-hearted woman. It stars Nanako Matsushima as the aunt, as well as Mao Inoue as their cousin.

2008 live-action version

A different live-action version was released in Japan on 5 July 2008. The film stars Reo Yoshitake as Seita, Rina Hatakeyama as Setsuko, Keiko Matsuzaka as the aunt, and Seiko Matsuda as the children's mother.