Girdle
A belt is called a girdle if it is worn as part of Christian liturgical vestments, or in certain historical, literary or sports contexts.
Girdles are used to close a cassock of Catholic priests or in many other Christian denominations, including the Anglican Communion, Methodist Church and Lutheran Church. The girdle, in the 8th or 9th century, was said to resemble an ancient Levitical Jewish vestment, and in that era, was not visible. In 800 AD, the girdle began to be worn by Christian deacons in the Eastern Church.
The girdle, for men, symbolizes preparation and readiness to serve, and for women, represents chastity and protection; it was also worn by laypersons in the Middle Ages, as attested in literature. For example, the hagiographical account of Saint George and the Dragon mentions the evildoer being tamed with the sign of the cross and a girdle handed to Saint George by a virgin.
History
The men among the Greeks and Romans wore the girdle upon the loins, and it served them to confine the tunic, and hold the purse, instead of pockets, which were unknown; girls and women wore it under the bosom. The Strophium, Taenia, or Mitra occurs in many figures. In the small bronze Pallas of the Villa Albani, and in figures on the Hamilton Vases, are three cordons with a knot, detached from two ends of the girdle, which is fixed under the bosom. This girdle forms under the breast a knot of ribbon, sometimes in the form of a rose, as occur on the two handsomest daughters of Niobe. Upon the youngest the ends of the girdle pass over the shoulders, and upon the back, as they do upon four Caryatides found at Monte Portio. This part of the dress the ancients called, at least in the time of Isidore, ' or '. The girdle was omitted by both sexes in mourning. Often when the tunic was very long, and would otherwise be entangled by the feet, it was drawn over the girdle in such a way as to conceal the latter entirely underneath its folds. It is not uncommon to see two girdles of different widths worn together, one very high up, the other very low down, so as to form between the two in the tunic, a puckered interval; but this fashion was mostly applied to short tunics. The tunic of the Greek males was almost always confined by a girdle.Girdles of iron, to prevent obesity, were worn by some of the Britons. From the Druidical eras the cure of diseases, especially those of difficult parturition, were ascribed to wearing certain girdles. Among the Anglo-Saxons, it was used by both sexes; by the men to confine their tunic, and support the sword. We find it richly embroidered, and of white leather. The leather strap was chiefly worn by monks.
Vestment and iconography
Christian usage
As a Christian liturgical vestment, the girdle is a long, rope-like cord tied around the waist over the alb or cassock. The Parson's Handbook describes the girdle as being made "generally of white linen rope, and may have a tassel at each end. About 12 ft. 6 in. long is a very convenient size if it is used double, one end being then turned into a noose and the tasselled ends slipped through. The girdle, however, may be coloured." Christian monastics would often hang religious texts, such as the Bible or Breviary, from their girdles and these became known as girdle books. In addition, they would often knot the ends of the girdle thrice, in order to represent the "vows of poverty, chastity, and obedience." As such, within the Christian Church, the girdle, in some contexts, represents chastity and within the Hebrew Bible, "Proverbs 31 provides biblical reference to the ancient practice of girdle making by virtuous chaste women". In the New Testament, "Christ referred to the girdle as a symbol of preparation and readiness for service ":Saint Paul, in also references the term, stating "Stand therefore, first fastening round you the girdle of truth and putting on the breastplate of uprightness", further buttressing the concept of the girdle as a symbol of readiness. Many Christian clergy, such as Anglican priests and Methodist ministers, use the following prayer when wearing the girdle:
By the 8th century AD, the girdle became established as a liturgical vestment "in the strict sense of the word." Although the general word "cincture" is sometimes used as a synonym for the girdle, liturgical manuals distinguish between the two, as the "girdle is a long cord or rope while the cincture is a wide sash. Generally an alb is closed with a girdle, an Anglican-style double-breasted cassock is closed with a cincture, and a Roman cassock is closed with either one."
Dharmic religions
In the Vajrayana iconography of the Hevajra Tantra, the 'girdle', one of the 'Five Bone Ornaments' symbolizes Amoghasiddhi and the 'accomplishing pristine awareness', one of the 'Five Wisdoms'. The iconography of the girdle in Vajrayana iconography developed from one of the items of vestment adorning the Mahasiddha of the charnel grounds.Beer describes the bone girdle as the 'netted bone apron and belt' as vesture of the Dakinis and Heruka of the Cham Dance and Gar Dance of Tibetan Buddhism sacred ritual dance performances:
Girdle in literature
In literature, girdles are often portrayed as magical, giving power and strength if worn by men, and protection if worn by women. Several scriptures in the Bible make use of the girdle as a symbol for readiness and preparation. Ishtar, a Babylonian goddess, wore a fertility girdle, which, when it was removed, rendered the universe barren. Hercules wrestled with the Amazon queen for her girdle in his Greek myth. Aphrodite, or Venus in Roman mythology, also wore girdles associated with lechery in later poetry.For men a girdle was often used to hold weapons. It also gave them freedom to move in a fight, unlike other types of clothing. Both of these are thought to carry the connection of power to the man's girdle in literature. For example, Odysseus wears a girdle which allows him to swim for three days straight, and a girdle worn by Thor doubles his strength.
Later, for women, the girdle became a sign of virginity, and was often considered to have magical properties. Monsters and all types of evil are recorded as being subdued by girdles in literature, a famous one being the dragon slain by Saint George. Marriage ceremonies continued this tradition of girdles symbolizing virginity by having the husband take the wife's girdle, and prostitutes were forbidden to wear them by law in historic France. Often in literature, women are portrayed as safe from sexual or other attack when wearing a girdle, but suddenly vulnerable if it is missing or stolen.
Non-clothing uses in literature include Tolkien's "Girdle of Melian", a magical, protective "wall" surrounding an elven kingdom.
The 20th century women's girdle attracts various references in literature, often in a disparaging way. For example, Marilyn French in her classic book, The Women's Room, is very critical not only of the girdle itself, but also of the virtual compulsion to wear one, a compulsion which existed until the late 1960s. In John Masters's Bhowani Junction, once the mixed-race Victoria Jones decides to opt for an Indian rather than British persona, she rejects her girdle as a "western garment".
For information on the girdle as a modern undergarment, see Girdle