Giovanni Niccolò


Giovanni Niccolò was a Jesuit Italian painter who in 1583 was sent to found a seminary of painting, named the Seminary of Painters, in Japan.
Alessandro Valignano, one of the first Jesuit missionaries sent to Japan with Francis Xavier, who later became the first canonised Jesuit saint, appreciated that art communicated where languages often couldn't. In a desire to both educate and provide Christian art to new converts, Valignano wrote to Rome requesting an accomplished Christian artist who could both produce art for his mission as well as teach students. Giovanni Niccolò arrived in Japan in 1583 "and began to train students, including Watano Mâncio, Mâncio João and Pedro João. The Seminario dei Pittori, or Painting School, was officially established in Kumamoto around 1590". The Painting School's students included not only Japanese, but also Europeans and Chinese who were taught a variety of techniques ranging from oil to watercolours. Examples of its students' works were shipped to Rome as proof of its success.
The school would become the largest school of Western painting in Asia. While there, Niccolò also created devotional objects for use by Japanese Catholic churches and converts. His preferred images were primarily the Salvator Mundi and Madonna. No known works remain that can be positively attributed to Giovanni Niccolò, although a tentative identification of an oil sketch of the Virgin and Child currently in an Osaka collection has been made.
Although the school had to relocate several times to avoid persecution, it was eventually exiled from Japan less than three decades later when the last missionaries were expelled from Japan in 1614.
Several of the school's students fled to Macau, where they contributed to St. Paul's Cathedral, while some were sent to China to assist Matteo Ricci. These included Emmanuele Pereira and Ni Yagu, who became famous in their own right.