Mission: Impossible – Ghost Protocol
Mission: Impossible – Ghost Protocol is a 2011 American action spy film directed by Brad Bird and written by Josh Appelbaum and André Nemec. It is the fourth installment in the, and also Bird's first live-action film. It stars Tom Cruise, who reprises his role of IMF agent Ethan Hunt, alongside Jeremy Renner, Simon Pegg, Paula Patton, Michael Nyqvist, Anil Kapoor and Léa Seydoux. Ghost Protocol was produced by Cruise, J. J. Abrams and Bryan Burk. It saw the return of editor Paul Hirsch and visual effects supervisor John Knoll from the, and is also the first Mission: Impossible film to be partially filmed using IMAX cameras.
Released in the United States by Paramount Pictures on December 16, 2011, the film went on to become the highest-grossing film in the series, with $694 million, until it was surpassed by '. It is the fifth-highest-grossing film of 2011 as well as the second-highest-grossing film starring Cruise. It was followed by ', which was released in July 2015.
Plot
agent Trevor Hanaway is killed in Budapest by assassin Sabine Moreau, who takes his file containing Russian nuclear launch codes so she can give them to a man known only as "Cobalt".IMF agent Ethan Hunt has purposely become incarcerated in a Moscow prison to acquire Bogdan, a source of information on Cobalt. With help of Jane Carter, Hanaway's handler, and newly promoted field agent Benji Dunn, Hunt and Bogdan make their escape. IMF tasks Hunt to infiltrate the Kremlin to gain more information on Cobalt. During the mission, an insider broadcasts the IMF team about a supposed detonation, thereby alerting the Kremlin Police. Hunt's team aborts the mission just as a bomb destroys much of the Kremlin. Carter and Dunn escape, but Hunt is captured by SVR agent Anatoly Sidorov and charged with destroying the Kremlin.
Hunt escapes and meets with the IMF Secretary in Moscow on other business. The Secretary tells Hunt they had to initiate "Ghost Protocol", disavowing IMF, but secretly orders Hunt to continue to pursue Cobalt. Sidorov's forces catch up to Hunt, and the Secretary is killed. Hunt escapes along with the Secretary's aide and intelligence analyst William Brandt. Regrouping with Carter and Dunn, Brandt is able to identify Cobalt as Kurt Hendricks, a Swedish-born Russian nuclear strategist, who seeks to start a nuclear war between the U.S. and Russia. Hendricks used the Kremlin bombing to cover up his theft of a Russian launch-control device, and now is planning a trade with Moreau at the Burj Khalifa in Dubai to gain the required launch codes.
The team travels to Dubai. On the 119th floor of the hotel, they create deceptions using their various gadgetry and disguises to make Moreau believe she is meeting with Hendricks, and vice versa, when in fact they are interacting with the IMF team. Moreau discovers the deception, and in the ensuing chaos, Hendricks manages to escape with the launch codes, evading Hunt's pursuit in the midst of a dust storm. As Moreau tries to escape, she is knocked out of a window by Carter and falls to her death. Brandt accuses Carter doing this as retribution for Moreau's murder of Hanaway, thus compromising the mission, but Hunt recognizes that Brandt has also been keeping secrets from them, having shown combat skills atypical of a mere analyst. Hunt leaves to meet with Bogdan to get more information on Hendricks, while Brandt tells the others that he had been assigned to secretly protect Ethan and his wife Julia in Croatia. Julia had been killed by a hit squad and Brandt feels responsible for Ethan's loss, which is why he stopped being a field agent.
Bogdan directs Ethan towards Mumbai, where Hendricks is set to negotiate with Indian billionaire entrepreneur Brij Nath to gain control of an obsolete Soviet military satellite. The IMF team splits up to stop Hendricks; Carter sexually seduces Nath to get the satellite override code, while Hunt, Brandt and Dunn try to stop Hendricks from using Nath's broadcast station. They are too late as Hendricks has sent the launch codes to a Russian Delta III-class nuclear submarine to fire a single missile at San Francisco and disabled the station's computer systems. Brandt and Dunn race to get the systems back online to send the override code, while Hunt pursues Hendricks, eventually having a brutal brawl with him face to face in an automated car park. Hendricks, with the launch device, jumps to his death moments before the missile is set to land. Hunt then uses one of the cars and takes a dangerous fall to use the device; he barely disables the missile before it strikes. Sidorov, who has followed IMF from Dubai to Mumbai, arrives and realizes that the IMF is innocent of the Kremlin bombing.
The team meets in Seattle after Ethan accepts a new mission from Luther Stickell. Brandt confesses to Ethan about his failure to protect Julia. Ethan, however, reveals that her "death" and the murder of the Serbians were part of a plot to give her a new identity and enable Ethan to infiltrate the prison. A relieved Brandt happily accepts his mission, and becomes an agent once again. Meanwhile, Julia arrives at the harbor. Ethan and Julia gaze at each other from afar before Ethan departs for his.
Cast
- Tom Cruise as Ethan Hunt
- Jeremy Renner as William Brandt
- Simon Pegg as Benji Dunn
- Paula Patton as Jane Carter
- Michael Nyqvist as Kurt Hendricks
- Vladimir Mashkov as Anatoly Sidorov
- Josh Holloway as Trevor Hanaway
- Anil Kapoor as Brij Nath, an Indian media tycoon
- Léa Seydoux as Sabine Moreau
- Samuli Edelmann as Marius Wistrom
- Ivan Shvedoff as Leonid Lisenker, a nuclear code expert forced by Hendricks to authenticate the codes
- Pavel Kříž as Marek Stefanski
- Miraj Grbić as Bogdan
- Ilia Volok as The Fog, an arms dealer and Bogdan's cousin
- Andrej Bestcastnyj as Major Egorov
- Andreas Wisniewski as The Fog's contact
- Tom Wilkinson as IMF Secretary.
- Ving Rhames as Luther Stickell
- Michelle Monaghan as Julia Meade-Hunt, Ethan's wife
Production
The film was originally announced with a working name of Mission: Impossible 4 and code-named "Aries" during early production. By August 2010, title considerations did not include the Mission: Impossible 4 name, and thought was given to omitting the specific term "Mission: Impossible", which Variety compared to Christopher Nolan's Batman sequel film The Dark Knight. In late October 2010, however, the title was confirmed as Mission: Impossible – Ghost Protocol.
Christopher McQuarrie did an uncredited rewrite of the screenplay, explaining that:
Filming
The film was partially shot with IMAX cameras, which made up approximately 30 minutes of the film's run time. Bird insisted that certain scenes of the film be shot in IMAX, as opposed to 3D, as he felt that the IMAX format offered the viewer more immersion due to its brighter, higher quality image, which is projected on a larger screen, without the need for specialised glasses. Bird also believed that the IMAX format would bring back "a level of showmanship" to the presentation of Hollywood films, which he believes the industry has lost due to its emphasis on screening films in multiplexes as opposed to grand theaters, and vetoing "first runs" in favor of wider initial releases."When we were first looking at the image of Tom climbing the Burj, in the long shots we could not only see the traffic in the reflections when he presses down on the glass... But you actually saw the glass warp slightly because of the pressure of his hand. You would never see that in 35mm. The fact that the screen fills your vision and is super sharp seems more life-like." |
—Brad Bird describing the advantages of filming in the IMAX format. |
Principal photography took place from October 2010 to March 19, 2011. Filming took place in Budapest, Mumbai, Prague, Moscow, Vancouver, Bangalore, Chennai, and Dubai. Although Cruise appears to be free solo climbing in the film with the help of special gloves, in reality, he was securely attached to the Burj Khalifa at all times by multiple cables. Industrial Light & Magic digitally erased the cables in post-production. Following Cruise's example, Patton and Seydoux also chose to forgo the use of stunt doubles for their fight scene at the Burj Khalifa where Carter exacts her revenge upon Moreau for Hanaway's death.
Many of the film's interior scenes were shot at Vancouver's Canadian Motion Picture Park Studios, including a key transition scene in a specially equipped IMF train car and the fight between Hunt and Hendricks in a Mumbai automated multi-level parking garage. The Vancouver Convention Centre was modified to double as downtown Bangalore. The film's opening Moscow prison escape scenes were shot on location in a real former prison near Prague.
Bird, having directed several Disney and Pixar films and short films, incorporated the trademark "A113" into the film on two separate occasions. The first is the design print on Hanaway's ring during the flashback sequence, and the second being when Hunt calls in for support and uses the drop callsign, Alpha 1–1–3.
Soundtrack
The musical score for Ghost Protocol was composed by Michael Giacchino, who also composed the music for the third film and collaborated with Bird on The Incredibles and Ratatouille. As in previous installments, the score incorporates Lalo Schifrin's themes from the original television series. "Lalo is an amazing jazz writer. You know you can't write a straight-up jazz score for a film like this but you can certainly hint at it here and there," said Giacchino, explaining the stylistic influence generated by Schifrin's history with the franchise. A soundtrack album was released by Varèse Sarabande on January 10, 2012.Distribution
Marketing
In July 2011, a teaser trailer for Ghost Protocol was released illustrating new shots from the film, one of which being Tom Cruise scaling the world's tallest building, the Burj Khalifa in Dubai. Moreover, prior to its release, the studio presented IMAX footage of the film to an invitation-only crowd of opinion makers and journalists at central London's BFI IMAX theater. One of the many scenes that were included was a chase scene in a Dubai desert sandstorm.During November 2011, the Paramount released a Facebook game of the film in order to promote it. The new game allowed players to choose the roles of IMF agents and assemble teams to embark on a multiplayer journey. Players were also able to garner tickets to the film's U.S. premiere and a hometown screening of the film for 30 friends.
Theatrical release
Following the world premiere in Dubai on December 7, 2011, the film was released in IMAX and other large-format theaters in the U.S. on December 16, 2011, with general release on December 21, 2011.Home media
Mission: Impossible – Ghost Protocol was released on DVD, Blu-ray, and digital download on April 17, 2012. The home media releases, however, do not preserve the original IMAX imagery, and its aspect ratio is consistently cropped to 2.40:1 rather than switching to a 1.78:1 aspect ratio during the IMAX scenes. Blu-ray Disc releases such as The Dark Knight, ', and ' will switch between 2.40:1 for regular scenes and 1.78:1 for IMAX scenes. The film was released on 4K UHD Blu-ray on June 26, 2018.Reception
Critical response
On Rotten Tomatoes, the film has an approval rating of 94% based on 239 reviews and an average rating of 7.7/10, The critical consensus on Rotten Tomatoes calls it "big-budget popcorn entertainment that really works". Metacritic assigned the film a score of 73 out of 100 based on 47 critics, indicating "generally favorable reviews." Audiences polled by CinemaScore gave the film an average grade of "A-" on an A+ to F scale.Roger Ebert of the Chicago Sun-Times gave the film 3.5 out of four stars, saying the film "is a terrific thriller with action sequences that function as a kind of action poetry." Stephen Whitty of The Star-Ledger wrote "The eye-candy—from high-tech gadgets to gorgeous people—has only been ratcheted up. And so has the excitement." He also gave the film 3.5 out of four stars. Giving the film three out of four stars, Wesley Morris of The Boston Globe said "In its way, the movie has old-Hollywood elegance. The scope and sets are vast, tall, and cavernous, but Bird scales down for spatial intimacy."
Philippa Hawker of The Sydney Morning Herald gave the film three stars out of five and said it is "ludicrously improbable, but also quite fun." Owen Gleiberman of Entertainment Weekly opined that the movie "brims with scenes that are exciting and amazing at the same time; they're brought off with such casual aplomb that they're funny, too.... Ghost Protocol is fast and explosive, but it's also a supremely clever sleight-of-hand thriller. Brad Bird, the animation wizard,... showing an animator's miraculously precise use of visual space, has a playful, screw-tightening ingenuity all his own." Roger Moore of The Charlotte Observer gave the film three out of four stars; said "Brad Bird passes his audition for a career as a live-action director. And Ghost Protocol more than makes its bones as an argument for why Tom Cruise should continue in this role as long as his knees, and his nerves, hold up."
Box office
Ghost Protocol grossed $209.4 million in North America and $485.3 million in other countries for a worldwide total of $694.7 million. It is the second-highest-grossing film worldwide in the Mission: Impossible series, and the fifth-highest-grossing film of 2011. It is also the second-highest-grossing film worldwide starring Cruise, surpassing War of the Worlds from the top spot. It was the franchise's highest-grossing film and Cruise's biggest film at the time of release, before being surpassed by ' seven years later.In limited release at 425 locations in North America, it earned $12.8 million over its opening weekend. After five days of limited release, it expanded to 3,448 theaters on its sixth day and reached #1 at the box office with $8.92 million. The film reached the top stop at the box office in its second and third weekends with $29.6 million and $29.4 million, respectively. Though only 9% of the film's screenings were in IMAX theaters, they accounted for 23% of the film's box office.
Outside North America, it debuted to a $69.5 million in 42 markets representing approximately 70% of the marketplace. In the United Arab Emirates, it set an opening-weekend record of $2.4 million. In two countries outside the U.S. in which filming took place, its opening weekend gross increased by multiples over the previous installment: in Russia, more than doubling, to $6.08 million and in India, more than quadrupling, to $4.0 million. It is the second-highest-grossing ' film outside North America. It topped the box office outside North America for three consecutive weekends and five weekends in total. Its highest-grossing markets after North America are China, Japan, and South Korea.