Gerry Smyth


Gerry Smyth is an academic, musician, actor and playwright from Dublin, Ireland. He works in the Department of English at Liverpool John Moores University., where he is Professor of Irish Cultural History. His early publications were mainly in the field of Irish literature, although since 2002 he has also written widely on the subject of Irish music. Smyth was an early advocate of postcolonial criticism in Irish Studies, although more recently he has been keen to emphasise the autobiographical dimension of critical discourse. Decolonisation and Criticism won the American Conference for Irish Studies' Michael J. Durkan Prize for best book published in literary criticism, arts criticism or cultural studies in 1999. Beautiful Day: Forty Years of Irish Rock was launched in the Clarence Hotel in Dublin in September 2005. Our House: The Representation of Domestic Space in Contemporary Culture was launched at the Tate Liverpool in September 2006. His collection of critical essays Music in Irish Cultural History also won the Michael J. Durkan Prize. Smyth has lectured throughout Europe and the United States on various aspects of Irish culture; most recently he was a keynote speaker at IASIL 2017, held in Singapore. In September / October 2006 he was Academic-in-Residence at the Princess Grace Irish Library in Monaco. He was appointed Visiting Professor of Irish Studies at the University of Vienna between October 2010 and February 2011.
Smyth's latest book is Celtic Tiger Blues: Music and Modern Irish Identity, and includes analyses of work by James Joyce, the Pogues, Bernard MacLaverty, The Waterboys, Tim Robinson, and Augusta Holmes.

Major publications

Theatre
Smyth is a founder member of the Liverpool-Irish Literary Theatre, specialising in the writing and production of plays on Irish literary themes. In 2011 Smyth wrote a two-man show entitled The Brother which he adapted from the work of Flann O'Brien. He performed the play at an international Flann O'Brien conference in Vienna in July 2011, and at another international conference in Trieste in May 2012. The Brother had a six-night run at the Edinburgh Free Fringe Festival in August 2012, and has subsequently been performed at the Eleanor Rathbone Theatre, as part of the 2012 May Festival at the University of Aberdeen, and at the IASIL Conference in Lille in June 2014. Smyth wrote a companion piece entitled Will the Real Flann O'Brien...? A Life in Five Scenes which he performed at the 2013 Liverpool Irish Festival, and at the Third Flann O'Brien Conference in Prague in July 2015. The Liverpool Irish Literary Theatre travelled to the O'Brien conference Salzburg in July 2017 to perform a trio of short plays, including two by Flann O'Brien - Thirst and The Dead Spit of Kelly - as well as The Golden Gate by Lord Dunsany. The company also performed at the Flann O'Brien Conference in Dublin in July 2019.
LILT is currently developing a piece entitled A Drink with Brendan Behan, based on the life of that famous Irish writer.
In August 2017 Smyth's play Nora & Jim - based on an episode in the lives of James Joyce and Nora Barnacle - ran for six nights at the Edinburgh Festival Fringe.
Murder Ballads
In October 2018 Smyth’s cabaret adaptation of the album ‘’Murder Ballads’’ by Nick Cave and the Bad Seeds premiered at the Liverpool Royal Court. The show played to excellent reviews over three nights. It returned to the Royal Court in May 2019, before shows in London, Manchester and Sheffield, plus a twelve-night run at the Edinburgh Festival Fringe in August.
Music
Under the name Gerry McGowan, Smyth has released a number of albums of progressive folk music: The Colour Tree, riverrun, and The Usual Story. He has also recorded and released three albums of Liverpool-related shanties: Roll & Go: Songs of Liverpool and the Sea ; Across the Western Ocean - this being a compilation of songs by various musicians from Merseyside performing shanties and ballads associated with Liverpool in aid of the Royal National Lifeboat Institute station in Hoylake, Merseyside; and Sailor Song of the thirty-six lyric suite published by James Joyce in 1907. The album was launched at a concert in the Bluecoat Arts Centre in Liverpool in October 2012 as part of the Liverpool Irish Festival. In 2013 and 2014 Smyth performed concerts of selected material from this album at concerts in Nijmegen, Brussels, Kortrijk, Paris, Rennes, Reykjavik, Trieste, Kristiansand, Gothenburg, Sassari, and Florence. A website based on the album was launched at an event in the Everyman Theatre in Liverpool on 22 January 2015. Material from the album has been performed at Joyce events in Istanbul and San Francisco.
In July 2019 Smyth released Words for Music, Perhaps: Fifteen Songs Adapted from the Poetry of W.B. Yeats. Once again featuring Esther Smyth on vocals, the album included settings of Yeats' poems such as 'Brown Penny', 'September 1913' and 'Come Gather Round Me, Parnellites' as well as new versions of 'The Fiddler of Dooney' and 'Down by the Salley Gardens'. The album will be launched at an event in the Liverpool Arts Bar in December 2019.