George Melly
Alan George Heywood Melly was an English jazz and blues singer, critic, writer and lecturer. From 1965 to 1973 he was a film and television critic for The Observer and lectured on art history, with an emphasis on surrealism.
Early life and career
He was born in Liverpool, Lancashire, and was educated at Stowe School, where he discovered his interest in modern art, jazz and blues, and started coming to terms with his sexuality. He was the cousin of Emma Holt who lived in Sudley House, Liverpool.Melly was an atheist.
Interest in surrealist art
Melly once stated that he may have been drawn to surrealism by a particular experience he had during his teenage years. A frequent visitor to Liverpool's Sefton Park near his home, he often entered its tropical Palm House and there chatted to wounded soldiers from a nearby military hospital. It was the incongruity of this sight, men smoking among the exotic plants, dressed in their hospital uniforms and usually missing a limb, that he felt he later recognised in the work of the Surrealists.He joined the Royal Navy at the end of the Second World War because, as he quipped to the recruiting officer, the uniforms were "so much nicer". As he related in his autobiography Rum, Bum and Concertina, he was crestfallen to discover that he would not be sent to a ship and was thus denied the "bell-bottom" uniform he desired. Instead he received desk duty and wore the other Navy uniform, described as "the dreaded fore-and-aft". Later, however, he did see ship duty. He never saw combat, but was almost court-martialled for distributing anarchist literature.
Post-war life and career
After the war, Melly found work in a London Surrealist gallery, working with E. L. T. Mesens and eventually drifted into the world of jazz, finding work with Mick Mulligan's Magnolia Jazz Band. This was a time when New Orleans and "New Orleans Revival" style jazz were very popular in Britain. In January 1963, the British music magazine NME reported that the biggest trad jazz event to be staged in Britain had taken place at Alexandra Palace. The event included Alex Welsh, Diz Disley, Acker Bilk, Chris Barber, Kenny Ball, Ken Colyer, Monty Sunshine, Bob Wallis, Bruce Turner, Mick Mulligan and Melly.He retired from jazz in the early 1960s when he became a film critic for The Observer and a writer on the Daily Mail's satirical newspaper strip Flook, illustrated by Trog. He was also scriptwriter on the 1967 satirical film Smashing Time. This period of his life is described in Owning Up.
He returned to jazz in the early 1970s with John Chilton's Feetwarmers, a partnership that ended in 2003. He later sang with Digby Fairweather's band. He released six albums in the 1970s including Nuts in 1972 and Son of Nuts the next year. He wrote a light column, Mellymobile, in Punch magazine describing their tours.
He was an Honorary Associate of the National Secular Society and a Distinguished Supporter of the British Humanist Association. George Melly was President of the BHA 1972–4, and was also an Honorary Associate of the Rationalist Association. He was also a member of the Max Miller Appreciation Society and on 1 May 2005 joined Roy Hudd, Norman Wisdom and others in unveiling a statue of Miller in Brighton.
His singing style, particularly for the blues, was strongly influenced by his idol, Bessie Smith. While many British musicians of the time treated jazz and blues with almost religious solemnity, Melly rejoiced in their more bawdy side, and this was reflected in his choice of songs and exuberant stage performances. He recorded a track called "Old Codger" with The Stranglers in 1978, which was especially written for him by the band.
Melly, who was bisexual, moved from strictly homosexual relationships in his teens and twenties to largely heterosexual relationships from his thirties onwards. He married twice and had a child from each marriage, though his first child Pandora was not known to be his until she was much older. He married his second wife, Diana Moynihan, in 1963 and they lived on Gloucester Crescent in Camden Town. She brought with her two children from two previous marriages, though Patrick later died from a heroin overdose in his twenties. Their own son, Tom, was born two days after the wedding. Diana published an autobiography in 2005 of their life and marriage together. The two participated in a televised celebrity couples quiz in the 1970s. Asked separately what made them decide to marry, Diana announced "I was pregnant!" and George, in his turn, merely said, "The less said about that, the better."
Brecon
George and Diana Melly had a country retreat, the Tower, at Scethrog in the Brecon Beacons, between 1971 and 1999. This was somewhere Melly could escape the jazz world and indulge his love of fishing on the River Usk. However, jazz followed him to Wales and this led to a series of celebrated performances in the area and in the South Wales valleys.In 1984 the Brecon Jazz Festival was conceived by a group of jazz enthusiasts who gained widespread support from the local community. George Melly was the first musician to be contracted for the opening festival and remained a supporter until his death. He was a factor in the festival's success and served as its President in 1991.
As well as being the President of the Contemporary Arts Society for Wales, Melly was a contemporary art collector. His passion for surrealist art continued throughout his life and he lectured and wrote extensively on the subject.
His passion for fly-fishing never dwindled and in later life he sold several important paintings to enable him to buy a mile of the River Usk. In 2000 he published Hooked!, a book on fly-fishing.
Later years
Melly was still active in music, journalism and lecturing on surrealism and other aspects of modern art until his death, despite worsening health problems such as vascular dementia, incipient emphysema and lung cancer. His encouragement and support to gallery owner Michael Budd led to a posthumous exhibition for the modern abstract artist François Lanzi.In addition to age-related health problems, Melly suffered from environmental hearing loss because of long-term exposure to on-stage sound systems, and his hearing in both ears became increasingly poor. Despite these problems, however, Melly would often joke that he found some parts of his ailing health to be enjoyable. He often equated his dementia to a quite amusing LSD trip, and took a lot of pleasure from his deafness, which he said made many boring conversations more interesting.
On Sunday 10 June 2007, Melly made an appearance, announced as his last ever performance, at the 100 Club in London. This was on the occasion of a fund-raising event to benefit the charity supporting his carers.
He died at his London home of lung cancer and emphysema aged 80 on 5 July 2007. His Humanist funeral was held at the West London Crematorium, in Kensal Green. The hearse was led by a jazz band, including Kenny Ball on trumpet, playing a New Orleans funeral march. His cardboard coffin was covered with old snapshots and cartoons of Melly by his friends, as well as hand-drawn decorations.
On 17 February 2008 BBC Two broadcast George Melly's Last Stand, an intimate portrayal of Melly's last months.
His sister Andrée Melly was an actress, who lived in Ibiza with her husband, Oscar Quitak.
In 2018, writer, musician and filmmaker Chris Wade made a documentary about Melly entitled The Certainty of Hazard, featuring his wife Diana, son Tom and various friends and associates.
Books partly about Melly
- Take A Girl Like Me
- Hot Jazz, Warm Feet
- The Life and Work of George Melly
Selected discography
Singles
George Melly Trio- Rock Island Line b/w Send Me to the 'Lectric Chair
- Frankie and Johnny b/w I’m Down in the Dumps
- Kitchen Man b/w Jazzbo Brown from Memphis Town
- Kingdom Coming b/w I'm a Ding Dong Daddy
- Jenny’s Ball b/w Muddy Water
- Waiting For a Train b/w Railroadin' Man
- Heebie Jeebies b/w My Canary Has Circles Under His Eyes
- Black Bottom b/w Magnolia
- Abdul Abulbul Amir b/w Get Away, Old Man, Get Away
- Ise a Muggin’ b/w Run Come See Jerusalem
- Monkey and the Baboon b/w Funny Feathers
- Nuts b/w Sam Jones Blues
- Good Time George b/w My Canary Has Circles Under His Eyes
- Billy Fisher b/w Punchdrunk Mama
- Ain’t Misbehavin' b/w My Canary Has Circles Under His Eyes
- I Long To Get It On Down b/w Inflation Blues
- Pennies from Heaven b/w Punch and Judy
- Makin’ Whoopee b/w Everybody Loves My Baby
- Masculine Women, Feminine Men b/w It's The Bluest Kind of Blues
- Hometown b/w I Won't Grow Old
- Anything Goes b/w September Song
Extended Players
- George Melly : Jenny's Ball / Organ Grinder / Muddy Water / You've Got The Right Key But The Wrong Keyhole
- George Melly Sings Doom : Send Me To The 'Lectric Chair / Cemetery Blues / Blue Spirit Blues / Death Letter
- Nothing Personal. George Melly Sings The Blues : Michigan Water Blues / Ma Rainey's Black Bottom / St. Louis Blues / Spider Crawl
- George Melly Sings Songs Of Frank Crumit : Abdul Abulbul Amir / Get Away Old Man, Get Away / Granny's Old Armchair / Donald The Dub
- The Psychological Significance Of Animal Symbolism In American Negro Folk Music And All That Jazz : Monkey And The Baboon / Put It Right Here / Black Mare Blues / Funny Feathers
LPs
- Nothing Personal
- Meet Mick Mulligan . Rereleased on LP Pye NSPL 18424 and possibly on CD Hallmark.
- Nuts
- Son of Nuts
- It’s George
- Melly Is At It Again
- Melly Sings Hoagy
- George Melly Sings Fats Waller
- Let's Do It
- Like Sherry Wine
- Makin' Whoopie
- The Many Moods of Melly
- Running Wild
- Anything Goes
- Puttin' On the Ritz
LP compilations
- The World of George Melly
- Unforgettable 16 Golden Classics
Original CDs
- The Many Moods of Melly
- Running Wild
- Anything Goes
- Puttin' On the Ritz
- Frankie and Johnny
- Best of Live
- Anything Goes . Compilation CD with 11 of the 12 tracks from the original LP and 11 additional tracks from the LP Puttin’ On the Ritz.
- Singing and Swinging the Blues . George Melly and Digby Fairweather's Half Dozen.
- The Ultimate Melly . George Melly and Digby Fairweather's Half Dozen.
- Farewell Blues'' . George Melly and Digby Fairweather's Half Dozen.
CD compilations and reissues
- Golden Hour of George Melly . Compilation of Pye/PRT Recordings.
- The Best of George Melly . Compilation of Pye recordings, with both John Chilton and Mick Mulligan.
- The Best of George Melly . Compilation CD with tracks from Anything Goes and Puttin' On the Ritz.
- Meet Mick Mulligan and George Melly . Reissue of Meet Mick Mulligan, with four additional tracks by Mick Mulligan.
- Ravers . Mick Mulligan and His Jazz Band, featuring George Melly. Includes Melly's singles from 1956.
- Goodtime George . Retitled reissue of The World of George Melly with additional tracks.
- The Pye Jazz Anthology
- Live. Mick Mulligan and His Jazz Band with George Melly. Reissue of the band's cuts on the Tempo LPs Third British Festival of Jazz and Jazz at The Railway Arms .
- Nuts / Son of Nuts
- First and Last Career spanning anthology produced posthumously.
- Nothing Personal . Reissue of Nothing Personal, with lots more.
- Sporting Life . Retitled reissue of The World of George Melly.
- George Melly Sings Doom . Compilation of Decca recordings.