Frans Ykens commenced his artistic study at age 14 with his uncle Osias Beert, one of the earliest painters to specialize in still lifes. According to his own statement of 1641, he had traveled 12 years earlier to the Provence where he stayed, amongst others, in Aix-en-Provence and Marseille. Ykens became in 1631 as a master of the Antwerp Guild of Saint Luke. In 1635 he married the flower painter Catarina Ykens-Floquet, who was the daughter of history painter Lucas Floquet I and the sister of three painters. Ykens was successful and his works were very popular with collectors of his time. He painted for Archduke Leopold in Brussels. His works were collected by Eleanor of Austria, Queen of Poland who purchased his work through Antwerp art dealersForchondt. He was also very appreciated by his colleagues as is demonstrated by the fact that Rubens owned six of his still lifes. His success allowed him to acquire a sumptuous dwelling in central Antwerp. In 1665 he moved to Brussels, where he worked until his death. He must have fallen on hard times in his later years as he had to mortgage his property and his possessions were sold off after he died to pay his debts. Ykens was the teacher of his niece Catherine Ykens, Osias Beert and Gilliam Dandoy, who painted in his decorative style.
Work
General
Frans Ykens' oeuvre is fairly well established as he signed most of his work. All his dated paintings date to his Antwerp years. He painted mainly flower pieces, garland paintings and fruit still lifes. In addition, he also created a number of breakfast pieces, pronkstillevens and larger pieces with game and dead fish. Throughout his long career he worked in a number of styles and formats. He was influenced by the work of other still-life painters, including the "breakfast" pieces of Willem Claesz Heda and the pronkstillevens or large sumptuous still lifes of Frans Snyders. His bouquets of flowers in glass vases are in the manner of Daniel Seghers and Jan Philip van Thielen while his compositions with porcelain bowls of fruit are indebted to the pioneers of this genre, Osias Beert and Jacob van Hulsdonck.
Garland paintings
Frans Ykens painted multiple devotional garland paintings. Garland paintings are a special type of still life developed in Antwerp by Jan Brueghel the Elder in collaboration with the Italian cardinalFederico Borromeoat the beginning of the 17th century. Other artists involved in the early development of the genre included Hendrick van Balen, Andries Danielsz., Peter Paul Rubens and Daniel Seghers. The genre was initially connected to the visual imagery of the Counter-Reformation movement. It was further inspired by the cult of veneration and devotion to Mary prevalent at the Habsburg court and in Antwerp generally. Garland paintings typically show a flower garland around a devotional image, portrait or other religious symbol. By the second half of the 17th century secular themes such as portraits and mythological subjects also decorated the central part of the many paintings made in this fashion. An example of such later development in garland paintings is the :File:Cornelis Schut, Frans Ykens - Birth of the red rose.jpg|Birth of the red rose, a collaboration between Ykens and Cornelis Schut. Other figure painters with whom Ykens is known to have collaborated on garland paintings include Jacob Jordaens, Erasmus Quellinus the Younger, Jan van den Hoecke, Pieter de Grebber, Thomas Willeboirts Bosschaert and Pieter van Avont. He probably also collaborated with Peter Paul Rubens. Ykens would paint the flowers and garlands while the other artists painted the remainder of the painting. Unlike other flower painters Frans Ykens would regularly paint the central theme in the garland painting himself.
