Francesco Casetti


Francesco Casetti is an Italian naturalized US citizen film and television theorist. He is Thomas E. Donnelley Professor of Humanities and Film and Media Studies at Yale University. He has been described as "the best analyst of cinematographic enunciation."

Biography

In 1970 he earned an MA at the Catholic University of Milan, where in 1974 he also received an “advanced degree” in Film and Communication Studies. His positions include Assistant Professor at the University of Genova, Associate Professor at Catholic University of Milan, Full Professor at the University of Trieste and then at Catholic University of Milan, where he served also as the Chair of the Department in Communication and Performing Arts.
He taught as “professeur associé” at and as visiting professor at the University of Iowa. In 2000 he was awarded with the Chair of Italian Culture for a distinguished scholar at the University of California – Berkeley. He was William P. Evans Fellow at the University of Otago in 2012, and Fellow at the IKKM, Bauhaus University at Weimar in 2013.
He has largely written on semiotics of film and television, about genres, intertextuality, and enunciation. After an expansive study on the implied spectator in film and in television, he combined in an original way close analyses of media texts and ethnographic researches of actual audiences, defining the notion of “communicative negotiations”. He has also written extensively on film theories. More recently he explored the role of cinema in the context of modernity, and the reconfiguration of cinema in a post-medium epoch, comparing this shift with the rise of cinema at the beginning of the 20th century. His next project is a wide-ranging analysis of the anxieties that cinema raised in the first decades of the 20th Century, compared with the iconophobic tradition in the western culture and with the fears triggered by the contemporary media.
With Jane Gaines, Casetti is the co-founder of the , an international network of film scholars aimed at a systematic exploration of the field of film and media theories.