Francesco Cancellieri


Francesco Girolamo Cancellieri was an Italian writer, librarian, and erudite bibliophile.

Biography

wrote a summary of his biography, which had been extracted were published by a Giuseppe Beraldi in a series called Memorie di religione, di morale, e di letteratura. Francesco's paternal family was from Pistoia originally; his father had been a secretary to Cardinal Paolucci. Francesco was dispatched to be educated by the Jesuits at the Collegio Romano, though he never took vows as a priest. He was employed as secretary for various diplomats in Rome. However, in 1773, he lost important backers when the Suppression of the Jesuits was declared by Pope Clement XIV.
In 1775, Cancellieri was appointed librarian for Cardinal Antonelli, whose library was located in the Palazzo Pamphili in Piazza Navona; this post Cancellieri held till the latter's death in 1811. He lived on No. 63, Via del Mascherone, in a small house adjacent to the church of San Petronio dei Bolognesi. In addition to librarian position, Cancellieri was also Superintendent of the Propaganda printing press, and for a time, Prosigillatore for the Vatican,. But the income from these positions was paltry, and for years he was close to insolvency, specially after his protector, Antonelli, died. His publications rarely brought in income, and were often sponsored by those to whom they were dedicated.
In his position as secretary, Cancellieri proved prolific, writing nearly three hundred treatises or books. He was equally a prodigious epistolarian, he sent over 300 letters alone to the historian Tiraboschi. He was amiable and neat in person and language, but never terse; and his style in manners and writing were bountifully steeped with gushingly effusive, but also often grating, cordialities. The poet Leopardi complained that:
Cancellieri is insufferable from the outrageous laudations with which he overwhelms everybody who goes to see him,... which renders his conversation utterly uninteresting, since one cannot believe a word of it.... Cancellieri—an old fool, a river of chatter, the most tiresome and insupportable bore on earth. He speaks of absolutely trivial matters with the utmost interest, and of things of high import with the coldest indifference. He smothers you with compliments, and utters them with such a cold indifference that to hear him one would think that it must be the most ordinary thing in the world to be an extraordinary man.

Leopardi in part shows impatience with the overcourteous past, dense with etiquette and flowery witticism, but also his attachment to minutiae unnerved the poet. Trollope states:
The old 18th century bookworm, whose mind, filled to overflowing with odds and ends of archaeological learning...could never conceive, that his stores could be otherwise than profoundly interesting to all mankind, must necessarily have seemed an unprofitable cumberer of the earth to the young poet, whose brain was busy with meditations on the eternal destinies of man. The gentle old-world courtesies in 'issimo,'... nauseated the younger man, whose provincial breeding had not taught him to understand that there was no more real insincerity in his aged host's compliments than in the obeisances of a minuet.... But it may be affirmed, with the most perfect assurance, that Cancellieri's intention and object at the interview was to please and gratify his visitor, whereas the morbid, melancholy, discontented mind of the poet was wholly occupied by his own sensations.

Legacy

His books reflect his style; and, speak generally on the traditions of papal Rome, but also he took time to comment on Tarantism and claims surrounding the origins and actions of Christopher Columbus, about the Catholic liturgy, the sacred and ancient topography of Rome and its surroundings. He wrote about ancient Roman pignora Imperii as well as about the events of Holy week at given chapels. His titles meander as much as his focus inside the books. His essays begin with short islands of statements, but rapidly these are surrounded by an ocean of footnotes, an erudite diluvium of quotations and citations, resembling the style of the modern novel The Mezzanine by Nicholson Baker. The arabesque embroidering of his Rococo eloquence was soon to clash with the terse artillery of the post-Napoleonic speech. Cancillieri was like Boucher in grammar, but the world had turned direct and crisp like Ingres. Cancillieri was educated and focused on the courtly atmosphere and world of the Roman Curia, replete with genuflection, cult, and ritual; and all this was nearly dissipated by the uncompromising grapeshot of post-Revolutionary Napoleonic France.
His memoirs includes the events of 1804, Napoleon forced Pope Pius VII to witness his crowning as emperor, a ceremony meant to recall, although differing in details, the crowning of Charlemagne as Holy Roman Emperor in the year 800. Cancellieri and Cardinal Antonelli, accompanied the papal entourage of carriages which took 22 days in November to reach Fontainbleau. Known as the Bel'Abate, it would not be surprising if he is one of the two courtiers behind the pope, one holding the infamous Napoleon tiara, in the painting on the Coronation of Napoleon by David. Cancellieri describes with great minuteness all the gorgeous ceremony. He accompanied the Pope on his visit to the Louvre, by then replete with looted works.

Works

The manuscripts of Francesco Cancellieri, includes many volumes unpublished and conserved since 1840 in the Biblioteca Apostolica Vaticana. Other manuscripts are in the Biblioteca Nazionale Centrale di Roma.