Flange focal distance
For an interchangeable lens camera, the flange focal distance , flange focal length of a lens mount system is the distance from the mounting flange to the film or image sensor plane. This value is different for different camera systems. The range of this distance, which will render an image clearly in focus within all focal lengths, is usually measured to a precision of hundredths of millimetres, and is known as the depth of focus.
Lenses can be adapted from one mount to another. FFD determines whether infinity focus can be accomplished with a simple non-optical adapter. Optics to correct for distance introduce more cost and can lower image quality, so non-optical lens adapters are preferred. A simple non-optical adapter holds the higher FFD lens the appropriate additional distance away from the sensor or film on the lower FFD camera. A camera body with a lower FFD can accept a larger number of lenses by using a simple adapter. A lens with a higher FFD can be more readily adapted to a larger number of camera bodies. If the difference is small, other factors such as the sizes and positions of the mounting flanges will influence whether a lens can be adapted without optics.
Standard mounts
Typically, camera bodies with shorter flange focal distance can be adapted more readily to lenses with longer flange focal distance.Mount | Flange focal distance | Type | Format | Production | Prime lenses | Zoom lenses | Wide/tele converters | Mount converters | Comments |
Samsung NX mini | 6.95 mm | Mirrorless | 1" | 2014-2015 | 2 | 1 | |||
Pentax Q-mount | 9.2 mm | Mirrorless | 1/2.3" / 1/1.7" | 2011– | 5 | 3 | 0 | 1 | |
D-mount | 12.29 mm | cine | 8 mm | ||||||
CS-mount | 12.526 mm | TV | 1/4", 1/3", 1/2" | ||||||
Nikon Z-mount | 16 mm | Mirrorless | 24×36 mm | 2018– | 5 | 3 | 1 | ||
Nikon Z-mount | 16 mm | Mirrorless | APS-C | 2019- | 2 | Can use any of the 24x36 mm lenses and the FTZ mount adaptor. | |||
DJI DL-mount | 16.84 | Mirrorless | Super 35 | 2017– | 4 | 0 | |||
Nikon 1-mount | 17 mm | Mirrorless | CX | 2011– | 1 | ||||
C-mount | 17.526 mm | cine / TV | 8 mm, 16 mm, 1/3", 1/2", 2/3", 1", 4/3" | ~1926– | |||||
Fujifilm X-mount | 17.7 mm | Mirrorless | APS-C | 2012– | 12 | 11 | 2 | 1 | |
Canon EF-M-mount | 18 mm | Mirrorless | APS-C | 2012– | 3 | 5 | 0 | 1 | |
Sony E-mount | 18 mm | Mirrorless | APS-C | 2010– | 6 | 11 | 4 | 2 | |
Sony E-mount | 18 mm | Mirrorless | 24×36 mm | 2013– | 11 | 13 | 4 | 2 | |
Sony FZ-mount | 19 mm | cine | Super 35 | 2011– | 0 | 2 | 0 | 3 | |
Sony FZ-mount | 19 mm | cine | 24×36 mm | 2015– | 1 | 2 | |||
Micro Four Thirds System | 19.25 mm | Mirrorless | 4/3" | 2008– | 37 | 28 | 1 | 1 | |
Hasselblad XCD mount | 18.14 mm | Mirrorless | Medium Format 43.8×32.9 mm | 2017– | 8 | 1 | for Hasselblad#XCD-System | ||
Canon RF mount | 20 mm | Mirrorless | 24×36 mm | 2018– | 2 | 2 | 3 | ||
Leica L-Mount | 20 mm | Mirrorless | 24×36 mm, APS-C | 2014– | 3 | 3 | |||
JVC 1/3" bayonet mount | 25 mm | TV | 1/3" 3-CCD | ||||||
Samsung NX-mount | 25.50 mm | Mirrorless | APS-C | 2010–2015 | 8 | 8 | |||
Fujifilm G mount | 26.7 mm | Mirrorless | Medium Format 43.8×32.9 mm | 2017– | 7 | 2 | 1 | for Fujifilm GFX | |
Pentax Auto 110 | 27 mm | SLR | 13×17 mm | 1978–1985 | 5 | 1 | 0 | 0 | |
RED ONE interchangeable mount | 27.30 mm | cine | |||||||
Leica M-mount | 27.80 mm | Mirrorless | 24×36 mm | 1954– | aka Voigtländer VM-mount, Epson EM-mount, Zeiss ZM-mount as well as Konica KM-mount and Minolta M-mount | ||||
Nikonos | 28 mm | underwater | 24x36 mm | 1963-2001 | 6 | 0 | 0 | 0 | this is the underwater scale focusing camera |
M39×26tpi mount | 28.80 mm | Mirrorless | 24×36 mm | Leica M39×26tpi aka L39 | |||||
Contax G-mount | 29.00 mm | Mirrorless | 24×36 mm | 1994–2005 | 6 | 1 | 0 | 1 | |
Olympus PEN F | 28.95 mm | SLR | 18×24 mm | 1963–1972 | 16 | 2 | |||
Contax RF-mount | 34.85 mm | Mirrorless | 24×36 mm | ||||||
Nikon S-mount | 34.85 mm | Mirrorless | 24×36 mm | 1947–2005 | |||||
1/2" TV bayonet mount | 35.74 mm | TV | 1/2" 3-CCD | JVC, Hitachi, Panasonic, others, but not Sony | |||||
Minolta V-mount | 36.00 mm | SLR | APS-H | 1996–1999 | 3 | 5 | 0 | 1 | Vectis S-1, Vectis S-100, Dimâge RD 3000 |
Sony 1/2" TV bayonet mount | 38 mm | TV | 1/2" 3-CCD | ||||||
Olympus Four Thirds System | 38.67 mm | SLR | 4/3" | 2003–2017 | 12 | 30 | 2 | ||
Aaton mount | 40 mm | cine | 16mm/S16 | ||||||
Konica F-mount | 40.50 mm | SLR | 24×36 mm | 1960–1965 | 17 | 0 | 0 | 0 | |
Konica AR-mount | 40.50 mm | SLR | 24×36 mm | 1965–1988 | 36 | 16 | 1 | 0 | |
Canon FL-mount | 42.00 mm | SLR | 24×36 mm | 1964–1971 | |||||
Canon FD-mount | 42.00 mm | SLR | 24×36 mm | 1971–1990 | 107 | 34 | |||
Start | 42.00 mm | SLR | 1958–1964 | ||||||
Minolta SR-mount | 43.50 mm | SLR | 24×36 mm | 1958–2001 | 6 | ||||
Fujica X-mount | 43.50 mm | SLR | 24×36 mm | ||||||
Pentaflex | 44 mm | cine | |||||||
Canon EF-mount | 44.00 mm | SLR | 24×36 mm / APS-H / APS-C | 1987– | 47 | 64 | |||
Canon EF-S-mount | 44.00 mm | SLR | APS-C | 2003– | 2 | 9 | 0 | 0 | |
Praktica B-mount | 44.40 mm | SLR | 24×36 mm | ||||||
Sigma SA-mount | 44.00 mm | SLR | 24×36 mm / APS-C | 1992– | 0 | ||||
Arri LPL | 44.00 mm | cine | 25.54x36.70 mm | 2018- | for Arri Alexa LF | ||||
Minolta/Konica Minolta/Sony A-mount | 44.50 mm | SLR | 24×36 mm | 1985– | 42+0+17 | 50+2+13 | 6+0+2 | 2+0+0 | |
Minolta/Konica Minolta/Sony A-mount | 44.50 mm | SLR | APS-C | 2004– | 0+0+3 | 0+3+13 | 0+0+0 | 0+0+0 | |
QBM | 44.5 mm | SLR | 24×36 mm | Rollei, Voigtländer | |||||
Exakta | 44.7 mm | SLR | 24×36 mm | 1936–1969 | |||||
M39x1 | 45.2 mm | SLR | 24×36 mm | 1952–1968 | Early Russian SLRs | ||||
M42×1 | 45.46 mm | SLR | 24×36 mm | 1949– | Pentacon, Pentax, Contax S, Praktica, Zeiss ZS, Zenit | ||||
Pentax K-mount | 45.46 mm | SLR / Mirrorless | 24×36 mm | 1975– | 141 | 105 | 8 | 3 | lens count only for Pentax-branded lenses |
Contax C/Y-mount | 45.50 mm | SLR | 24×36 mm | 1974–2005 | 24 | 5 | 3 | ||
Petri Bayonet | 45.50 mm | SLR | 24×36 mm | ||||||
Mamiya Z | 45.50 mm | SLR | 24×36 mm | 1980– | |||||
Kodak Retina DKL-mount | 45.7 mm | SLR / Mirrorless | 24×36 mm / 28×28 mm | 1958–1977 | 12+6 | 0 | 0 | 0 | DKL variants used by Retina Reflex S, Retina Reflex III, Retina Reflex IV, Instamatic Reflex, Retina IIIS |
Voigtländer Bessamatic DKL-mount | 45.7 mm | SLR | 24×36 mm | 1958–1967 | 11+2 | 1 | 0 | 0 | DKL variants used by Bessamatic, Bessamatic deLuxe, Bessamatic m, Bessamatic CS, Ultramatic, Ultramatic CS |
Braun Paxette Reflex DKL-mount | 45.7 mm | SLR / Mirrorless | 24×36 mm | DKL variant used by Paxette Reflex Automatic, Paxette Reflex Automatic II, Tower 33 Reflex, Tower 34 Reflex; Balda Baldamatic III; Witt Iloca Electric / Graflex Graphic 35 Electric; Wirgin Edixa Electronica / Revue Edixa Electronica | |||||
Voigtländer Vitessa T DKL-mount | 45.7 mm | Mirrorless | 24×36 mm | 4+? | 0 | 0 | 0 | DKL variant used by Voigtländer Vitessa T; Braun Colorette II, Colorette IIB, Colorette IIL, Colorette IIBL; Wittnauer Continental, Wittnauer Professional | |
Yashica MA-mount | 45.8 mm | SLR | 24×36 mm | 1 | ; 230AF etc. | ||||
Olympus OM-mount | 46.00 mm | SLR | 24×36 mm | 1972–2002 | 38 | 14 | |||
Nikon F-mount | 46.50 mm | SLR | 24×36 mm / APS-C | 1959– | 213 | 117 | Only Nikon manufactured lenses counted. Nikon claims that there is over 400 Nikkor lens models manufactured. | ||
Leica R-mount | 47.00 mm | SLR | 24×36 mm | 1964–2009 | |||||
KMZ Zenit DKL-mount | 47.58 mm | SLR | 24×36 mm | 1964–1968 | 5 | 1 | 0 | 0 | Zenit/Зенит 4/5/6 "Байонет Ц", an unofficial DKL-mount variant |
B4-mount | 48.00 mm | TV | 2/3" 3-CCD | ||||||
Contax N-mount | 48.00 mm | SLR | 24×36 mm | 2000–2005 | 4 | 5 | 0 | 1 | |
Arri STD | 52.00 mm | cine | |||||||
Arri B | 52.00 mm | cine | |||||||
Arri PL | 52.00 mm | cine | |||||||
Leica S-mount | 53.00 mm | SLR | 45×30 mm | ||||||
Mini T-mount | 55.00 mm | SLR | 24×36 mm | 1957–1962 | Taisei, M37×0.75 | ||||
T-mount | 55.00 mm | SLR | 24×36 mm | 1962– | Tamron T-400, M42×0.75 | ||||
YS mount | 55.00 mm | SLR | 24×36 mm | –1969 | Sigma, Upsilon, Accura, Polaris, Sun, Aetna, Beroflex, Petri, Raynox, N.P.S., Formula, Dionar, Universal, Soligor, Yashica, Spiratone. M42×0.75 Same as T-mount but with aperture coupling | ||||
Panavision PV-mount | 57.15 mm | cine | 1972– | 35 mm & 16mm | |||||
OCT-19 | 61.00 mm | cine | |||||||
Mamiya 645 | 63.30 mm | SLR | 6×4.5 cm | ||||||
A-mount | 63.3 mm | SLR | "A"-type adapters for follow-focus system | ||||||
Contax 645 | 64.00 mm | SLR | 6×4.5 cm | ||||||
Pentax 645 | 70.87 mm | SLR | 6×4.5 cm | 1984– | |||||
Rollei SLX | 74.00 mm | SLR | 6×6 cm | –2005 | |||||
Pentacon Six | 74.1 mm | SLR | 6×6 cm | 1956–1992 | |||||
Hasselblad 2000 & 500 | 74.90 mm | SLR | Hasselblad V mount | ||||||
Hasselblad 1000F & 1600F | 82.10 mm | SLR | |||||||
Pentax 6×7 | 84.95 mm or 85.00 mm | SLR | 6×7 cm | 1969–1999 | |||||
Rollei SL66 | 102.80 mm | SLR | 6×6 cm | ||||||
Mamiya RZ67 | 105 mm | SLR | 6×7 cm | ||||||
Mamiya RB67 | 111 mm | SLR | 6×7 cm |
Flange focal distance is one of the most important variables in a system camera, as lens seating errors of as little as 0.01 mm will manifest themselves critically on the imaging plane and focus will not match the lens marks. Professional movie cameras are rigorously tested by rental houses regularly to ensure the distance is properly calibrated. Any discrepancies between eye focus and measured focus that manifest themselves across a range of distances within a single lens may be collimation error with the lens, but if such discrepancies occur across several lenses, it is more likely to be the flange focal distance or the groundglass that are misset.
Due to research on optimal flange focal distance settings, it is currently considered better for flange focal distance to be set to somewhere within the film's emulsion layer, rather than on the surface of it. Therefore, the nominal flange focal depth will be equivalent to the distance to the groundglass, whereas the actual flange focal depth to the aperture plate will in fact be ~0.02 mm less.