Feliks Sypniewski was a Polish painter and artist who painted mostly historic battle scenes drawn from the borderlands of Poland and Germany, and his most favourite animal - horses.
Early life
It is unclear under what circumstances the estate of Feliks Sypniewski's parents was lost in the aftermath of 1830 November Uprising, but he was already born on or after Christmas on the extended family's Sypniewski estate at Skoraszewice near Pempowo.
The enormous family estate is where, at early childhood, he developed riding skills and his lifelong fascination with horses. He was home schooled by private teachers, and his early painting teacher was Adolf Piwarski, at that time young student himself under Sypniewski family patronage.
Mostly self-taught, by the age of 20, Feliks Sypniewski was already established as excellent pencil, ink wash and watercolor portraitist and painter, as well as splendid equestrian.
Adulthood
He lived and worked mostly in Poznań and Warsaw, and by the age of 30 he was considered one of the most renowned Polish painters in his times. Very sociable and greatly popular not only in high society circles, also regarded as very handsome, Feliks was known for not letting go of any chance of romance. As a result of his impulsive love affairs, his first son Kazimierz was born to a lady in Warsaw, while Feliks was marrying another pregnant lady in Poznań. It is unknown when they had divorce, but around 1875-1880 Feliks appears to be a bachelor again. By the time he moved to Paris in 1890 he had several children, albeit only one legitimate son. Ironically, he died in his Paris house alone, and was buried at the famous Père Lachaise Cemetery under a false name.
When January Uprising exploded over Congress Poland in 1863, Feliks Sypniewski together with cousin Heinrich Sypniewski rushed to join Polish troops. However, having no military training whatsoever, Feliks was almost killed in a Russian ambush near the village of Klecz. He barely survived and escaped alone thanks to his great horse riding skills. Following this near-death experience, and possibly realizing his lack of any military usefulness, he made no further attempts of joining the uprising while it lasted. It is unknown was he involved in other ways for the restitution of Poland during uprising, but there are no known documents of his political activity in that time.
Paintings
His oil on canvasKnights From a Religious Order, also called Teutonic Knights after the Battle of Grunwald, was taken by German Wehrmacht from the Lublin Museum in Poland during World War IIGerman occupation. It was inventoried by the Germans at the beginning of occupation, numbered III BR/7, and possibly taken to Germany. It is now considered lost. This painting records the Teutonic Knights' retreat after the Battle of Grunwald. On the morning of 15 July 1410, the armies of King Wladyslaw Jagiello met them there. It is worth to mention that even though most of Sypniewski clan and their estates were located within State of the Teutonic Order at that time, they have supported Polish-Lithuanian King Jagiello and took active part in this battle against Teutonic Order. In the painting Prince Jozef Sypniewski we can see to the left a Polish Lancer of the French Imperial Garde, and to the right the uniform of the Grenadier a'cheval. This event took place between 1804 and 1814, during the Napoleonic Occupation of Poland. The painting itself hasn't been seen since 1918 when it was stolen by retreating German soldiers, but copy of Sypniewski's original was bought by Mathias Bersolm of the "Society For the Encouragement of the Fine Arts". The Society was founded to popularise and promote Polish Art in 1860 during non-existence of Polish state and operated until yet another German occupation of Poland in 1939. Its aim was also to organise educational activities in the arts world, to support artists and organise exhibitions. It built up a collection of Polish art and gave stipends to aspiring Polish artists. Thanks to the TPSP at least the black-and-white photograph of painting's reproduction survived to this day.
