Fafhrd and the Gray Mouser
Fafhrd and the Gray Mouser are two sword-and-sorcery heroes appearing in stories written by American author Fritz Leiber. They are the protagonists of what are probably Leiber's best-known stories. One of his motives in writing them was to have a couple of fantasy heroes closer to true human nature than the likes of Howard's Conan the Barbarian or Burroughs's Tarzan.
Fafhrd is a very tall and strong northern barbarian, skilled at both swordsmanship and singing; the Mouser is a small mercurial thief, gifted and deadly at swordsmanship, and a former wizard's apprentice who retains some skill at magic. Fafhrd talks like a romantic, but his strength and practicality usually wins through, while the cynical-sounding Mouser is prone to showing strains of sentiment at unexpected times. Both are rogues, living in a decadent world where to be so is a requirement of survival. They spend a lot of time drinking, feasting, wenching, brawling, stealing, and gambling, and are seldom fussy about who hires their swords. But they are humane and—most of all—relish true adventure.
The characters were loosely modeled upon Leiber himself and his friend Harry Otto Fischer. Fischer initially created them in a letter to Leiber in September 1934, naming at the same time their home city of Lankhmar. In 1936, Leiber finished the first Fafhrd and Gray Mouser novella, "Adept's Gambit", and began work on a second, "The Tale of the Grain Ships". At the same time, Fischer was writing the beginning of "The Lords of Quarmall". "Adept's Gambit" would not see publication until 1947, while "The Lords of Quarmall" would be finished by Leiber and published in 1964 and "The Tale of the Grain Ships" would become the prototype for "Scylla's Daughter" and, later, the novel The Swords of Lankhmar.
The stories of the two were only loosely connected until the 1960s, when Leiber organized them chronologically and added additional material in preparation for paperback publication. Starting as young men, the two separately meet their female lovers, meet each other, and lose both their lovers in the same night, which explains both their friendship and the arrested adolescence of their lifestyles. However, in later stories, the two mature, learn leadership, and eventually settle down with new female partners on the Iceland-like Rime Isle. Leiber contemplated continuing the series beyond this point, but died prior to doing so.
Setting
The majority of the stories are set in the fictional world of Nehwon. Many of them take place in and around its greatest city, Lankhmar. It is described as "a world like and unlike our own". Theorists in Nehwon believe that their world may be shaped like a bubble, floating in the waters of eternity.In The Swords of Lankhmar, it's revealed that Nehwon is just one of many worlds in a multiverse when Fafhrd and the Mouser join forces with a German explorer named Karl Treuherz who is looking for his spacecraft, which he uses to cross the boundaries between parallel dimensions in his hunt for new animals to feature at a zoo.
Technology in Nehwon varies between the Iron Age and medieval. Leiber wrote of Lankhmarts: "They may be likened to the Romans or be thought of as, if I may use such a term, southern medievals." On the topic of his Eastern Lands, he wrote: "think of Saracens, Arabs, Parthians, Assyrians even. They ride the camel and elephant, and use the bow extensively."
The series includes many bizarre and outlandish characters. The two who most influence—and, some would say, cause the most trouble—for Fafhrd and the Gray Mouser are their sorcerous advisers, Ningauble of the Seven Eyes and Sheelba of the Eyeless Face. These two lead the heroes into some of their most interesting and dangerous adventures.
Publication history
The first story, "Two Sought Adventure", appeared in Unknown in August 1939; the last in The Knight and Knave of Swords in 1988. Although Leiber credited his friend Harry Otto Fischer with the original concepts for his characters, it was Leiber who wrote nearly all the stories. 10,000 words of "The Lords of Quarmall" were penned by Fischer early in the development of the series; the story was completed by Leiber in 1964. Fischer also wrote "The Childhood and Youth of the Gray Mouser", published in 1978. The stories' style and tone vary considerably, but nearly all contain an often dark sense of humor, which ranges from the subtle and character-based to the Pythonesque.The stories have been collected in the so-called "Swords" series:
- Swords and Deviltry
- # "Induction"
- # "The Snow Women"
- # "The Unholy Grail"
- # "Ill Met in Lankhmar" —telling how Fafhrd and the Mouser met, this story won both a Nebula award and a Hugo award
- Swords Against Death
- # "The Circle Curse"
- # "The Jewels in the Forest"
- # "Thieves' House"
- # "The Bleak Shore"
- # "The Howling Tower"
- # "The Sunken Land"
- # "The Seven Black Priests"
- # "Claws from the Night"
- # "The Price of Pain-Ease"
- # "Bazaar of the Bizarre"
- Swords in the Mist
- # "The Cloud of Hate"
- # "Lean Times in Lankhmar"
- # "Their Mistress, the Sea"
- # "When the Sea-King's Away"
- # "The Wrong Branch"
- # "Adept's Gambit"
- Swords Against Wizardry
- # "In the Witch's Tent"
- # "Stardock"
- # "The Two Best Thieves in Lankhmar"
- # The Lords of Quarmall, with Harry Otto Fischer
- The Swords of Lankhmar
- Swords and Ice Magic
- # "The Sadness of the Executioner"
- # "Beauty and the Beasts"
- # "Trapped in the Shadowland"
- # "The Bait"
- # "Under the Thumbs of the Gods"
- # "Trapped in the Sea of Stars"
- # "The Frost Monstreme"
- # Rime Isle
- The Knight and Knave of Swords
- # "Sea Magic"
- # "The Mer She"
- # "The Curse of the Smalls and the Stars"
- # "The Mouser Goes Below" and "Slack Lankhmar Afternoon Featuring Hisvet" )
- The first six books in the series were reprinted in a uniform, archival series from Gregg Press, and were the first hardback editions of all these books save The Swords of Lankhmar.
- Harry Otto Fischer's short story, "The Childhood and Youth of the Gray Mouser", was published in 1978 in The Dragon #18.
- The series was continued by Robin Wayne Bailey in Swords Against the Shadowland.
- A collection, Bazaar of the Bizarre, illustrated by Stephan Peregrine, comprised Leiber's three favorite Fafhrd and the Gray Mouser stories: "Bazaar of the Bizarre", "The Cloud of Hate", and "Lean Times in Lankhmar".
- A sex scene from The Swords of Lankhmar, cut by editor Don Wollheim was published in Fantasy Newsletter #49.
Omnibus editions
- Science Fiction Book Club: The Three of Swords and Swords' Masters.
- White Wolf: Ill Met In Lankhmar, Lean Times in Lankhmar, Return to Lankhmar, and Farewell to Lankhmar.
- Orion/Millennium's Fantasy Masterworks: The First Book of Lankhmar and The Second Book of Lankhmar.
Comics adaptations
In 1991, Epic Comics published a four-issue comic book adaptation of seven of the stories: "Ill Met in Lankhmar", "The Circle Curse" and "The Howling Tower", "The Price of Pain Ease" and "Bazaar of the Bizarre", and "Lean Times in Lankhmar" and "When the Sea King's Away". The comics were scripted by Howard Chaykin, who had drawn several issues of the earlier DC title, and pencilled by Mike Mignola, whose Hellboy comic book often has a similar feel to Leiber's work. Mignola also did the jacket covers and interior art for the White Wolf collection. This series was collected by Dark Horse Comics in a trade paperback collection published in March 2007.
Marvel Comics created their own version of Fafhrd and the Gray Mouser, when they introduced Fafnir of Vanaheim and his companion Blackrat to the Conan comic series. The pairs of characters were very much alike and Roy Thomas, who wrote the original Conan comics, made no secret that it was his intention to create characters that were a tribute to Fritz Leiber's creations.
Games
In 1937, Leiber and his college friend Harry Otto Fischer created a complex wargame set within the world of Nehwon, which Fischer had helped to create. Later, they created a simplified board game entitled simply Lankhmar which was released by TSR in 1976. This is a rare case of a game adaptation written by the creators of the stories that the game is based on.Nehwon, and some of its more interesting inhabitants, are described in the early Dungeons and Dragons supplement Deities and Demigods, and the stories themselves were a significant influence on the Dungeons and Dragons role playing game.
In 1986 Fafhrd and the Gray Mouser were featured in a 1-on-1 Adventure Gamebook set, Dragonsword of Lankhmar. One player controlled Fafhrd and the Gray Mouser, who were trying to find a magical sword beneath an altar in Lankhmar. The other player controlled assassins from the local thieves' guild, who were trying to kill the famous rogues for operating in the city without permission from the guild.
In Bethesda's Skyrim, when visiting the Ratway in the city of Riften, the first enemies you meet are a sneaky-looking fellow and a barbarian type called Drahff and Hewnon Black-Skeever. Drahff is an anagram of Fafhrd, "Black-Skeever" is a play on "Gray-Mouser" and Hewnon is an anagram of Nehwon, the world in which Fafhrd and the Gray-Mouser live.
Ningauble and Sheelba
Ningauble of the Seven Eyes and Sheelba of the Eyeless Face are two wizards who serve as patrons for Fafhrd and the Mouser. Patron warlock of Fafhrd, Ningauble is so named due to his seven glowing eyes, seen roving within, and sometimes projecting from, the hood of his cloak. Along with the Gray Mouser's patron warlock, Sheelba, Ningauble often sends his servant on ludicrous missions such as recovering the Mask of Death or stealing the very stars from the highest mountain. Ningauble's mysterious cavern has obscure space-time portals, which prevent Fafhrd and the Mouser from being sent into other worlds. Ningauble is referred to as the "gossiper of the gods", because of his fondness for stories of an unusual nature or his sometimes bizarre spies and informants. Ningauble is a mysterious being with a manipulative character, as described in this passage from Adept's Gambit:
Some said that Ningauble had been created by the Elder Gods for men to guess about and to sharpen their imaginations for even tougher riddles. None knew whether he had the gift of foresight, or whether he merely set the stage for future events with such a bewildering cunning that only an efreet or an adept could evade acting the part given him.
The relationship between Fafhrd and Ningauble of the Seven Eyes is captured well in this exchange from The Swords of Lankhmar:
Ningauble shrugged his cloaked, bulbous shoulders. "I thought you were a brave man, addicted to deeds of derring-do."
Fafhrd cursed sardonically, then demanded, "But even if I should go clang those rusty bells, how can Lankhmar hold out until then with her walls breached and the odds fifty to one against her?"
"I'd like to know that myself," Ningauble assured him.
"And how do I get to the temple when the streets are crammed with warfare?"
Ningauble shrugged once again. "You're a hero. You should know."
The Mouser's patron, Sheelba of the Eyeless Face, is named for the featureless darkness within his/her hood. In contrast to Ningauble's love of often pointless storytelling, Sheelba is taciturn, choosing his/her words as if they were valuables to be disbursed parsimoniously. That the stoic Fafhrd is paired with the voluble Ningauble, while the story-loving Mouser with the laconic Sheelba is doubly ironic. Sheelba's sigil is an empty oval.
Sheelba's gender is ambiguous: Harry Fischer, who first conceived of the character, claimed Sheelba was female, while to Fischer's surprise Leiber referred to Sheelba as male beginning in The Swords of Lankhmar. In fact, Leiber refers to Sheelba as "he" throughout the six books of the series, switching to "she" for the first time only in the last book, The Knight and Knave of Swords, without explanation. Leiber's friend, Frederick MacKnight, who introduced Leiber to Fischer and was involved in the earliest days of the characters, called Sheelba "she-he ". Fischer may have created Sheelba as a tribute to his wife Martha.
While Ningauble dwells in caverns, Sheelba's house is a small hut which strides about the swamps not far from Lankhmar on five chicken leg-like posts, which bend and scuttle like the legs of a great crab or spider. Sheelba's hut is similar in description to the Russian legend of Baba Yaga, which is referenced in other Leiber works such as The Wanderer, where Baba Yaga is the name of a lunar lander.