The European Film Academy is an initiative of a group of European filmmakers who came together in Berlin on the occasion of the first presentation of the European Film Awards in November 1988. The Academy—under the name of European Cinema Society—was officially founded by its first President, the Swedish director Ingmar Bergman, as well as 40 filmmakers from all over Europe. The European Film Awards takes place every second year in Berlin, while they are presented every other year in another European city.
European Film Academy
In 1988, the Academy—under the name of European Cinema Society—was officially founded by its first President, the Swedish director Ingmar Bergman, as well as 40 filmmakers from all over Europe in order to promote European film culture worldwide and to protect and to support the interests of the European film industry. Wim Wenders was elected Chairman. Two years later, the European Cinema Society was renamed European Film Academy and was registered as a non-profit association. In 1996, Wim Wenders took over the presidency from Ingmar Bergman, and the British producer Nik Powell was elected new Chairman. The decisions about political targets and contents are made by the 15 Board members of the Academy which has its seat in Berlin. Due to a decision of the General Assembly, the number of members—originally limited to 99—has been continuously increasing and has now reached 3,300. The Academy is thus working in close contact with the European film industry.
Board Members: Roberto Cicutto, Tilde Corsi, Helena Danielsson, Ira von Gienanth, Ilann Girard, Angeles Gonzáles-Sinde, Vanessa Henneman, Dagmar Jacobsen, Agnès Jaoui, Nadine Luque, David MacKenzie, Rebecca O'Brien, Ewa Puszczynska, Marek Rozenbaum, Ada Solomon, Krzysztof Zanussi
The Secretariat: Marion Döring, Director / Rainer Pyls, Finances & Administration / Maria von Hörsten, Co-ordination awarding procedures European Film Awards / Pascal Edelmann, Head of Press&PR / Bettina Schwarz, Co-ordination Short Film Initiative & Training Projects / Yvonne Apt, Accounting & Membership Administration / Viviane Gajewski, Assistance
Members per country
listed are all countries with more than 20 EFA members
Funding
The European Film Academy is mainly funded by the Stiftung Deutsche Klassenlotterie Berlin, the German State Minister for Culture and the Media, and Filmboard Berlin-Brandenburg GmbH. The presentation of the European Film Awards are financed independently from the Academy. Founded in 2006 to produce the European Film Awards Ceremony for television, EFA Productions gGmbH is the in-house production company of the European Film Academy e.V. For a number of years, the European Film Awards have been supported by patrons from the international film industry. Their commitment demonstrates the importance that the international film industry attaches to the European Film Awards.
Annual EFA programme
Throughout the year, the European Film Academy initiates and participates in a series of activities dealing with film politics as well as economic, artistic, and training aspects. The programme includes conferences, seminars and workshops, and a common goal is to build a bridge between creativity and the industry. Some of EFA's events have already become an institution for encounters within the European film community: ;The Short Film Initiative: Is an initiative by the European Film Academy in co-operation with fifteen festivals throughout Europe. At each of these festivals, an independent jury presents one of the European short films in competition with a nomination in the short film category of the European Film Awards. ;A Sunday in the Country: Is a special weekend encounter between appr. ten young European filmmakers and some established EFA members. The private atmosphere of these gatherings guarantees an exchange of ideas and experience which goes far beyond the results of usual workshops. ;Conferences and Seminars Every year: A series of conferences initiated and/or supported by the European Film Academy enhance a European debate on film, create platforms for a vivid exchange among film professionals and ensure that the discussion of what European film is, how it is changing and where it is going never expires. ;Master Classes: Offer valuable training opportunities for young talent, combining theoretical and practical training. The high-profile list of former masters includes renowned film professionals such as Jean-Jacques Annaud, Jan De Bont, Henning Carlsen, André Delvaux, Bernd Eichinger, Krzysztof Kieslowski, Jiří Menzel, Tilda Swinton, István Szabó, Marc Weigert, Mike Newell, Tsui Hark, Allan Starski and Anthony Dod Mantle.
European Film Awards
The annual European Film Awards ceremony is the most visible activity of the European Film Academy. With the awards the Academy pursues the following aims: attracting the interest of the audience in European cinema, promoting its cultural and artistic qualities, and regaining the public's confidence in its entertainment value. To put these ideas into practice, the People's Choice Awards were added as a new category in 1997. They are accompanied by big advertising campaigns in European film magazines. In addition, screenings of the nominated films were in the past years organised for the public in several European cities. The members of the European Film Academy actively participate in the selection, nomination and awarding procedure. The European Film Awards are the first in the annual international awards calendar. Most of the nominees and winners of the European Film Awards are found in the following months among the nominees and winners of the Golden Globes or the Oscars. In the past years, European producers and distributors repeatedly stressed that a nomination or receipt of the European Film Award had a positive impact on the destiny of their films with regard to the Golden Globe or the Oscar.
Sidebar events
Every year, the academy organises a sidebar programme on the occasion of the European Film Awards week-end with panel discussions and conferences. Thus, innovative production methods for the new millennium were discussed at the conference which took place in Berlin in 1999, whereas in 2000, nine European filmmakers of international reputation as well as the EU commissioner Viviane Reding made very personal and visionary speeches on the artistic, cultural, and social role of cinema in front of 800 guests at Theâtre de l'Odéon in Paris, where the conference E LA NAVE VA - For a New Energy in European Cinema was held.