Esther (1986 film)


Esther is a 97-minute 1986 Austrian-British-Dutch-Israeli Hebrew-language independent underground dramatic historical experimental art film directed by Amos Gitai, his directorial debut. The film tells the story of Esther from the Hebrew Bible's Book of Esther and stars Simone Benyamini, Zare Vartanian, Mohammad Bakri and Juliano Mer-Khamis.

Synopsis

When King Ahasuerus of Persia drives out of his court Queen Vashti for refusing to show up before him, a frantic search for young virgins is unleashed throughout the kingdom, extending from India to Ethiopia. Esther, an orphan who was raised by her Jewish uncle, Mordecai, has entered the King's harem, having chosen her as his wife without knowing she was Jewish. At court, she has thwarted an attack against the King thanks to information provided by her uncle. For the service rendered, Esther and Mordecai have become the only free court characters not to prostrate themselves in front of anyone. However, when Mordecai refuses to bow to Minister Haman, the latter commands the death of all of the Jews of the kingdom under the seal of the King. This is discovered by Esther and Mordecai, who devise a plan to save their people. Mordecai acts in advance against Haman ordering the vengeful extermination of all of those who want the death of the Jews.

Cast

Production

The film marked the directorial debut of Amos Gitai, who also wrote the screenplay. It was shot by Henri Alekan and Nurith Aviv, and cast by.
Developed at and financed by Interkerkelijke Omroep Nederland and Film4 Productions, the film was distributed by Facets Multi-Media.

Release

The film was screened at the May 1986 Cannes Film Festival during the International Critics's Week, at the October 1986 Torino Film Festival where it also won several awards, and at the 36th Berlin International Film Festival on 21 February 1992. The film was released in Israel, where it premiered at the Tel Aviv Museum of Art, together with Berlin-Jerusalem as part of a DVD boxset in 2005.

Critical response

of The New York Times opined that "hough not especially entertaining, it is quite handsome and bristling with ideas." In Israel, however, some reviewers were more negative. Daniel Warth of Ha'ir, while noticing similarities to the works of Pier Paolo Pasolini, Bertolt Brecht, and Miklós Jancsó, stated that the film "is an artistic pretension which remains nothing but an aesthical drill with unsophisticated political declarations."