Ephemerality is the concept of things being transitory, existing only briefly. Typically the term ephemeral is used to describe objects found in nature, although it can describe a wide range of things, including human artifacts intentionally made to last for only a temporary period, in order to increase their perceived aesthetic value. With respect to unique performances, for example, it has been noted that "phemerality is a quality caused by the ebb and flow of the crowd's concentration on the performance and a reflection of the nostalgic character of specific performances". Because different people may value the passage of time differently, "the concept of ephemerality is a relative one".
Many plants are adapted to an ephemeral lifestyle, in which they spend most of the year or longer as seeds before conditions are right for a brief period of growth and reproduction. The spring ephemeral plant mouse-ear cress is a well-known example. Animals can be ephemeral, with brine shrimp and the mayfly being examples. The placenta is considered an ephemeral organ present during gestation and pregnancy.
Ephemeral artifacts
Ephemeral can also be used as an adjective to refer to a fast-deteriorating importance or temporary nature of an object to a person. Brands are notoriously ephemeral assets, and magazine publishing was once much more ephemeral than it is today, as was television programming. A film made by a particular sponsor for a specific purpose other than as a work of art may be called an ephemeral film, because the film itself can continue to exist after the social or commercial context for its creation has disappeared. A number of art forms can be considered ephemeral because of their temporary nature. Early land art and all sand sculptures, ice sculptures and chalk drawings on footpaths are examples of ephemeral art. G. Augustine Lynas and Duthain Dealbh create ephemeral sculptures. In addition, temporary wall drawing artists such as Linn Meyers create ephemeral art within museums and galleries. During the Baroque period, wealthy patrons would commission ephemeral creations from well-known artists of the time. These creations, often very expensive and time-consuming, were typically only used during one event before being dismantled or destroyed. One such work was the temporary volcano, created by Gianlorenzo Bernini for the Barberini family. The volcano, placed on the predecessor to the Spanish Steps, took three months to create and was destroyed in a firework display over the course of an hour.