El Chavo del Ocho


El Chavo is a Mexican television sitcom created by Roberto Gómez Bolaños, produced by Televisa. It aired as an independent series on February 26, 1973 and finalized January 7, 1980. The series gained enormous popularity in Hispanic America, Brazil, Spain and other countries. The series theme song is "The Elephant Never Forgets" by Jean-Jacques Perrey, based on Ludwig van Beethoven's Turkish March Op. 113.
The show follows the adventures and tribulations of the title character—a poor orphan nicknamed "El Chavo", played by the show's creator, Roberto Gómez Bolaños "Chespirito"—and his friends, which often times cause conflict, of a comedic nature, between the other inhabitants of a fictional low-income housing complex, or, as called in Mexico, vecindad. The idea for the show emerged from a sketch created by Gómez Bolaños where an 8-year-old boy argued with a balloon vendor in a park, said sketch aired for the first time on June 20, 1971. The show centered great importance into the development of the characters, which were each assigned a distinctive personality. Since the beginning, Gómez Bolaños decided that El Chavo would be directed toward an adult audience, even though the show itself was about adults interpreting kids. The main cast consisted of Gómez Bolaños, Ramón Valdés, Carlos Villagrán, María Antonieta de las Nieves, Florinda Meza, Rubén Aguirre, Angelines Fernández and Édgar Vivar, who interpreted El Chavo, Don Ramón, Quico, Chilindrina, Doña Florinda, Profesor Jirafales, Doña Clotilde and Señor Barriga. Direction and production of the series fell on Enrique Segoviano and Carmen Ochoa.
El Chavo first appeared in 1971 as a sketch in the Chespirito show which was produced by Televisión Independiente de México. In 1973, following the merger of TIM and Telesistema Mexicano, it was transmitted by Televisa and became a weekly half-hour series, which ran until 1980. After that year, shorts continued to be shown in Chespirito until 1992. At its peak of popularity during the mid-1970s, it had a Latin American audience of over 350 million viewers per episode. Given the popularity of the show, the cast went on a global tour to countries in which the show already aired and, in a series of presentations, the cast would dance and act in front of the public.
The Brazilian Portuguese dub, Chaves, has been inferred by Brazilian TV Network SBT since 1984, was also seen on the Brazilian versions of Cartoon Network and Boomerang, and currently is also seen on Multishow. Since 2 May 2011, it has aired in the United States on the UniMás network. It previously aired on sister network Univision and its predecessor, the Spanish International Network. It spawned an animated series titled El Chavo Animado.
El Chavo continues to be popular with syndicated episodes averaging 91 million daily viewers in all of the markets where it is distributed in the Americas. Since it ceased production in 1992, it has earned an estimated US$1.7 billion in syndication fees alone for Televisa.
El Chavo was also available on Netflix in the United States, but was removed.

Genre and setting

El Chavo del Ocho is a comedy sitcom set in a vecindad, a typical Mexican townhouse neighborhood that is owned by Señor Barriga and houses most of the main characters, where they interact with one another on a daily basis. Señor Barriga is almost always seen in the neighborhood and is usually there to collect the monthly rent from his residents. His best tenants are Doña Florinda and Doña Clotilde, who pay every month on time. His worst tenant is Don Ramón, who never pays his rent and either hides from Señor Barriga until he leaves or uses trickery to waive the payment for later. Not inhabitants of the vecindad are: Señor Barriga and his son Ñoño, Profesor Jirafales, Godínez, and Popis. The main character, El Chavo, is an orphan 8-year-old boy whom gets into disagreements, usually with Don Ramón, Doña Clotilde, and Doña Florinda, due to misunderstandings, distractions or general mischief. He is usually accompanied by his friends: Quico and Chilindrina. Usually, you will find him in a wooden barrel, located in the 'patio de la vecindad', where he likes to hide, especially after getting into a disagreement where he ends up getting scolded.
Each episode uses comedic strategies, such as slapstick, irony, recurring jokes, and funny situations in which the neighbors are usually getting into. It includes the use of pre-recorded laughter tracks to emphasize comic scenes.
The sitcom explores, in a comical manner, the problems that many homeless children face on a daily basis, such as hunger, sadness, loneliness, and a lack of adult supervision and attention. On one episode, for example, Chavo was sitting on the stair steps of the vecindad at night, dreaming of all the toys he wished that he could have and how he'd play with them. It ended with him returning to the present, sighing wistfully, then pulling out a balero made of a stick, a tin can, and a piece of string. He begins to play with it as the camera slowly fades out. Some episodes also have educational endings, teaching, for example, that it's good to take a shower and to not judge a book by its cover.
El Patio, the central courtyard, is the setting for most of the episodes. Surrounding the patio, are the homes of Jaimito "El Cartero" who lives up the stairs in #23, Doña Florinda and her son Quico in #14, Doña Clotilde in #71, and Don Ramón and his daughter Chilindrina in #72. The hallway on the right between #71 and #72 leads to "el otro patio", the other courtyard, which at times has a fountain in the middle. On the street facade at the left, la tienda de la esquina and a barber shop are shown adjacent to the neighborhood's entry.
El Chavo was filmed in a fictitious neighborhood set at studios 2, 5 and 8 of Televisa San Angel in Mexico City.
In the later seasons, sometimes an unnamed park was shown. Several episodes are set in Professor Jirafales's classroom, where he teaches; all the child characters in the sitcom attend the same classroom, sometimes with their parents. Others are set inside Doña Florinda's restaurant, a barber shop, and the sidewalk located at the entrance of the vecindad. Three episodes were filmed in Acapulco, which also served as a vacation for the entire cast. In 1992, the last El Chavo sketches were filmed in Professor Jirafales' classroom. The last sketch for El Chavo was a 1992 remake of Clases de Inglés.

Characters and cast

Origins

By 1971, Roberto Gómez Bolaños was already well known in Mexico for his self-titled sketch comedy show, Chespirito, which was produced by Televisión Independiente de México and aired on XHTIM-TV, channel 8. He had already introduced El Chapulín Colorado and other characters.
Roberto Gómez Bolaños was the show's main creator and star. He called Florinda Meza to act in the show first; Chespirito and Meza later married. Édgar Vivar was the second actor chosen for the show. A mutual friend recommended Vivar to Gómez Bolaños when he started casting. Gómez Bolaños cited Vivar at Forum 8 at Telesistema Mexicano - where shooting was taking place. Vivar showed up as a scene was shooting; he laughed and the scene had to 'cut'. Gómez Bolaños approached him, asked him if he was Vivar, and told him that they would not be using an earpiece, to which Vivar responded that he didn't know what he was talking about. He hired him on the spot. Roberto Gómez Bolaños recruited Ramón Valdés because he had known Valdés for years and had seen multiple movies Valdés had made. Then, Rubén Aguirre was cast in the show as the character of "Profesor Jirafales". Aguirre and Roberto Gómez Bolaños had been working on scripts together for years, and Aguirre had already been playing the character of Professor Jirafales on another Chespirito show, Supergenios de la Mesa Cuadrada, which spoofed current events panel discussion. Carlos Villagrán just happened to be a friend of Aguirre who was a newspaper reporter, and he went to a party hosted by Aguirre. Villagrán did a comedy step where he blew his cheeks out of proportion, and Aguirre told Roberto Gómez Bolaños about his friend's hidden talent. Villagrán was promptly hired for the show. María Antonieta de las Nieves was a voice-over only actress who used to go to Televisa to make announcements. Upon hearing her voice, Roberto Gómez Bolaños thought she was perfect for the show. At first, she refused by telling him she was not a comedy actress, but Roberto Gómez Bolaños's retort challenged her: "Then you're not a good actress: there are no dramatic or comic actors—there are only actors." The last additions to the show were Angelines Fernández, a former film actress and Horacio Gómez Bolaños, Roberto's younger brother who had never considered acting before; he was originally to oversee the show's marketing.
The first El Chavo sketch was broadcast on June 20, 1971 and featured El Chavo, Chilindrina and Don Ramón during the first half, and included Quico in the second half. Several "Chavo" sketches produced before the start of the half-hour series were grouped into half-hour segments and are shown before the "official" half-hour episodes in syndication. Many of these were also re-written and re-shot as half-hour-long shows later in the show's life.

Broadcast history

On January 8, 1973, Telesistema Mexicano and Televisión Independiente de México merged to become Televisa. After the merger, on February 26, 1973, El Chavo del Ocho premiered as a half-hour weekly television series.
The early shows were composed of a sketch at the beginning, featuring Dr. Chapatín, El Chómpiras, or one of Roberto Gómez Bolaños' other characters, and two short episodes of the main character. Those episodes were actually sketches filmed in 1972–73 which probably were supposed to be shown on "Chespirito," which was cancelled. After some of those episodes which introduced the first years of the show, the show began to consist of an almost half-hour episode preceded by one sketch starring Roberto Gómez Bolaños himself and his characters, as in the first show structure.
At the end of the first season, María Antonieta de las Nieves left the show because of her pregnancy. During the episodes of the 1973 season, including those filmed in 1972–73, it was noted De Las Nieves generally played the female leads and was the first actor credited after Chespirito. In her absence, Florinda Meza took over the female roles for the non-Chavo del 8 sketches, and El Chavo and Quico became a great comic couple. During the period when de las Nieves was out of the series, the argument was made that Chilindrina was living with her aunts in Celaya, Guanajuato. In March 1975, the character made a comeback in an episode dedicated to her: El Regreso de la Chilindrina. During this absence, Bolaños introduced new characters: Ñoño, la Pópis, Malicha, and Godínez.
The 1974 season began with El Chavo and Quico as the comic child characters, including Don Ramón as the charismatic adult character. During that season, the classroom scenes began to appear, alongside other child characters like Ñoño, Popis, and the relaxed Godínez.
De las Nieves was given "distinctive" last billing when she returned in 1975. After Valdés and Villagrán left in 1979, she was moved to top billing after Chespirito again. On the hour-long "Chespirito", De las Nieves was often given third billing behind Chespirito and Florinda Meza if playing another character besides Chilindrina, otherwise she always got the special final credit.
When Carlos Villagrán left the show, it was explained that Quico had gone to live with his rich grandmother. "He couldn't stand the riffraff anymore", Doña Florinda explained. Not long after, Ramón Valdés also left the series. Chilindrina explained that Don Ramón left the city to look for a job and that he wouldn't return until he was a millionaire. With the loss of two of its major supporting characters, the ratings for the show slid and Televisa cancelled El Chavo on January 7, 1980.

''Chespirito''

Later in 1980, Gomez Bolaños returned with a revived version of Chespirito featuring El Chavo, El Chapulín Colorado and other characters. The debut of El Chavo in this program was auspicious, with a wealth of new episodes being produced. Moreover, in 1981, Valdés joined Chespirito after starring in some unsuccessful shows alongside Villagrán. However, he left again at the end of the year. The number of new episodes started to decline in the late 1980s and early 1990s, so once again, many early episodes were remade.
Eventually, Chespirito's age began to catch up with him and it became harder for him to adequately portray some of his characters, especially El Chavo and El Chapulin Colorado. In 1992, at the age of 63, Chespirito retired the El Chavo character from his show.

Animated series

First series (2006-14)
After several years of successful reruns, Televisa launched an animated spin-off of the program in October 2006. El Chavo Animado was produced by Ánima Estudios using 2D and 3D computer graphics. They animated the characters with Adobe Flash. Televisa distributed the cartoon throughout Latin America.
The cartoon also allowed depicting the children to the right scale. Previously, since the children were played by adults in the show, the feel was given to the character through their way of dressing, speaking, and mainly through giving them oversized toys. However, this was not the first attempt to animate it. Previous credits sequences featured a claymation animation.
In this animated series, Chilindrina doesn't appear due to on-going disputes between María Antonieta de las Nieves and Roberto Gómez Bolaños on the rights of "La Chilindrina". De las Nieves feels that she should be entitled to monetary compensation if "La Chilindrina", the character she brought to life in the television series, appears in the animated series. Roberto Gómez Bolaños claims that since he created the character, only he owns the rights to such character. This dispute still hasn't been resolved and so, the character Popis has since taken over the role that once belonged to La Chilindrina in the first session where the chapters were basically animated adaptations of classic Chavo episodes.
The show was dubbed into English by the Dubbing House, a Mexican post-production company. The English soundtrack was recorded at Henckahontas Studio in Burbank, California.
The animated series achieved enough fame to have its own videogames, such as a self-titled board/party game for the Nintendo Wii, the racing game El Chavo Kart for Xbox 360 and PlayStation 3, and a social game that could be played through Facebook called La Vecindad del Chavo.
Second series (TBA)
A second El Chavo animated series, which will take place in the Chespirito Media Universe, is in development.

Conflict with Villagrán and death of Valdés

In 1978, Villagrán left the show to start his own with Quico, with the permission of Gómez Bolaños. Within some time, he felt that the character's rights were his and demanded Gómez Bolaños. The results of the lawsuit were favorable to the show's creator. Later on, Villagrán admitted that his exit was due to jealousy and envy between his character's and El Chavo. According to Vivar, Chespirito accustomed to write all the best jokes in the show for Quico, whom he knew was very popular with the audience. Regardless of his conflict with Chespirito, Villagrán recorded his last episodes with his cast mates in 1978 with what seemed typical normalcy. Once he abandoned El Chavo del Ocho, Villagrán wanted to use the character in another Televisa show, which to Gómez Bolaños denied his consent due to Villagrán denying his authorship to create Quico. Due to this, Azcárraga Milmo opted to cancel the independent project for Quico. Regardless, Villagrán continued to use Quico's character in Venezuela in 1981.
In that time, producers Valentín Pimstein and Fabián Arnaud asked Gómez Bolaños to write a script for an adapted film of El Chapulin Colorado or El Chavo del Ocho. Gómez Bolaños denied this request due to his belief that El Chavo was uniquely developed in the vecindad and therefore would find it difficult to provide a new storyline that would be relevant with what has already been shown in the series. In its place, they coincided in producing El Chanfle, which counted with the same cast as El Chavo del Ocho. In this movie, Villagrán also debuted, even though he was distanced from his fellow cast mates.
Later, in 1979, Valdés abandoned El Chavo due to personal reasons. Because of this, Chespirito hired Raúl Chato Padilla to integrate into the vecindad in 1980, but Chespirito did not want to replace Don Ramón. In his place, Raúl Chato Padilla would become a new character, Jaimito el Cartero, which in one way or another, became the replacement for Don Ramón. In 1981, Valdés reincorporated with the cast, but in 1982 he debuted alongside Villagrán in the series Federrico. Six years later, in 1988, he worked with him once more in ¡Ah, qué Kiko!. Valdés's health was delicate during this time due to being diagnosed with stomach cancer. On August 9 of that same year, he passed away.

Conflict with De las Nieves

In 2002, Gómez Bolaños sued De las Nieves due to disagreements over rights to La Chilindrina. In 1995, De las Nieves recorded herself as the owner of the author's rights, which to Gómez Bolaños responded that he was the owner of the character being the creator. De las Nieves was not involved in the recording of the animated series El Chavo del Ocho, and was replaced by Popis.
In 2013, De las Nieves won the lawsuit and kept author rights over La Chilindrina.
Who owns a character the most, the one who created it physically, how to talk, how to laugh, how to dress, because the dresses were made to me by my mom, or the person who named it? - Maria Antonieta De Las Nieves
Due to this dispute, Gómez Bolaños and De las Nieves's friendship took a toll and they stopped communicating.

Seasons

Humor style

El Chavo is a farcical sitcom: it relied heavily upon physical comedy, running gags, literal interpretations, double entendres, misinterpretation in order to amuse the audience, and the characters and situations were mostly persistent.
Some of the best-known examples of recurring humor are:
In the series many objects are used as symbols of either the characters of the neighborhood itself. The most iconic of these was the wooden barrel near the entrance of the neighborhood. This was El Chavo "secret hiding place", and most of the characters were unaware that he had an apartment where he lived. A running gag about this is that they believed this was El Chavo's actual residence, which El Chavo was quick to clarify. Other symbols in the series include Quico's ball and other toys, lollipops and balloons which represented the children, Don Ramón's cap, Doña Florinda's curls, Profesor Jirafales's cigar, the flowers of the budding romance of the latter two, Doña Clotilde's broom, etc.

Production

Direction and production fell into the hands of Carmen Ochoa and Enrique Segoviano, whom had previously worked with Gómez Bolaños on the series Chespirito. In some episodes, Gómez Bolaños appears listed in the credits as the scene director, alongside Segoviano. Mary Cabañas, Tere de la Cueva, Ersilia Anderlini y Norma Gutiérrez were Ochoa's and the production team's assistants. Luis Felipe Macías was in charge of production, Saltiel Peláez was responsible for the forum where episodes were filmed, and Gabriel Vázquez was the camera director. At once, there were up to three cameramen to record a single episode; among them, were Andrés H. Salinas, José M. Carrillo, Jaime Sánchez y Armando Soto. The scenography was the responsibility of Julio Lattuf, of Gabriel Bernal and of Alicia Cázares, while Leopoldo Sánchez and Alberto García were in charge. Episodes were recorded in Forum 8 and 5 of Televisa San Ángel, although there were some exceptions where they were filmed outside, such as when the vecindad visits Acapulco. Some sources state that this episode was the only one where the whole cast was filmed together. Costumes were provided by Casa Tostado, located in Mexico City, which specializes in customized designs.
A unique aspect of most of the episodes is the recorded laughter tracks heard when a character does or says something funny or a comedic situation occurs. Villagrán commented «Americans made a study that demonstrated that hearing real recorded laughter caused the viewer to laugh. Since then, we use it people are used to that».
Some episodes are set up in synchronized order; for example, to record Doña Florinda's slaps towards Don Ramón, the camera took an important role in the take, because it made the interaction between the two character seem more realistic. For example, a clap was used for the sound of the slap. These types of audio effects were realized under the supervision of Carlos Inzunza, Javier Torres and José Guzmán in the 1976 episodes. Editing was realized in the center of postproduction of Televisa, by Manuel Hong and Martín Santillana, special effects were produced by Raúl Gutiérrez, Víctor G. Ávila and René Tirado in the first seasons emitted in the 1970's.

Opening and closing sequence

The song used in the opening sequence of El Chavo del Ocho is "The elephant never forgets" composed by Jean-Jacques Perrey in 1970. This melody is based on Ludwig van Beethoven's Turkish March Op. 113. The sequence had different variables when the actors were mentioned with their respective characters. Generally, it comprised of short scenes to present each character and an offscreen voice that would mention the actor and their interpretation in the series. A notable difference is one which appeared in the 1979 emissions; the animation was in stop motion, with the characters modeled in clay.
In the opening sequence, De las Nieves was the first in charge of the presentation during the first two seasons, then Meza was left in charge when De las Nieves left, since the end of 1973 into beginning of 1974. Previously, in 1974, Jorge Gutiérrez Zamora becomes the one in charge of the presentation. His first presentation was in the episode "El billete de lotería" . Gutiérrez was in charge until 1979, who was preceded in that same year by Aguirre until the last episode as an independent series in 1980, including in the first years of the series Chespirito. In 1983, Gabriel Fernández, De las Nieves's husband, acted as the narrator who presents the stelar cast. His first presentation was the episode in which Valdés returns to the show. Regarding the closing sequence, the credits only feature the production team responsible for the respective episode, with the last scene being of them or a related image, along with the musical theme used in the opening.

Music

In its first moment, music in El Chavo del Ocho was conducted by Ángel Álvarez, Luis A. Diazayas, René Tirado, and later, by Alejandro García. In some episodes, melodies were used to emphasize certain scenes. Among these are «The Second Star to the Right», originally composed for the animated movie Peter Pan, «Funeral March», written by Frédéric Chopin, «Miss Lilly Higgins Sings Shimmy In Mississippi's Spring» by Argentinian band Les Luthiers, «Minnie's Yoo Hoo» from Disney, «Gonna Fly Now» from Rocky, among others.
In 1977, Polydor Records, subsidiary of Universal Music, distributed the LP record "Así cantamos y vacilamos en la vecindad del Chavo" , with songs that were incorporated in some episodes of the series. The record has 10 tracks in total, with a duration of little over a half hour. Among them is the song «La vecindad del Chavo» , which went on to be one of the musical themes which the series would be associated with, after the melody was used as the opening sequence. Three years later, in 1980, another 3 records named "Síganme los buenos a la vecindad del Chavo", were distributed, also in LP format, with songs from El Chapulín Colorado and El Chavo. In 1981, the LP record "El Chavo canta Eso, eso, eso...!" came out, with 10 tracks in total, distributed by PolyGram. Over a decade later, in 1992, the first CD with the series music was commercialized in following sequence, such as "Así cantamos y vacilamos en la vecindad del Chavo" and "Así cantamos y vacilamos en la vecindad del Chavo volumen 2", in the same format.
Some of the songs reference a specific theme, according to whichever episode they will be debuted in. For example, the song «Gracias Cri-Cri» is dedicated to Francisco Gabilondo Soler, Mexican singer/songwriter known as 'cri-cri', dubbed as "the most important creator of child music in Mexico", or the song, «Eso, eso, eso» which, apart from being one of the phrases most repeated by El Chavo, is about love and joy. In a similar manner, «Óyelo, escúchalo» has a theme associated to religion in mentioning Jesus Christ.

Reception

The show is the most translated Latin-American show in history - more than 50 languages!, after being shown in several countries. It is the most popular sitcom in the history of Mexican television and lasted for 324 episodes and 316 sketches in the Chespirito show in the 1980s. It has been rerun on several TV stations since the 1970s. El Chavo is also highly popular in Brazil, where it has been dubbed into Portuguese with the name of Chaves, broadcast by SBT; historically, since its premiere, the show has repeatedly recorded the first audience place at all time-slots in which it was broadcast. The main reasons for the immediate success of the program is the similarity between the social realities and the culture of Brazil and Mexico, which added to the ease of adaptation of the dialogue and jokes between Spanish and Brazilian Portuguese. In the United States, the show is still shown on UniMás and Galavisión as of 2012. The show in the United States is consistently the No. 1-rated Spanish-language cable program.
The show was so popular in Latin America and among the Spanish speaking community of the United States that many of the phrases El Chavo and his friends used have become part of the vernacular of countries like Peru, Uruguay, and Argentina. "Chespirito" has established legal battles with former El Chavo del Ocho actors out of a desire to prevent them from using the show's characters in Mexico without his permission. Villagrán moved to Argentina in order to use his character's name on his shows. María Antonieta de las Nieves, however, won a court battle against Gómez Bolaños for the right to appear in Mexico as la Chilindrina. Nonetheless, in 2012, after a long judicial battle, de las Nieves retired her character. She declared that a long judicial battle against Bolaños ruined her career and that her public image was tarnished, which "burned" her name in the market. Currently, the only cast members who did not sue Bolaños were Édgar Vivar, who retired his character after bariatric surgery, and Bolaños' wife, Florinda Meza.

Critics

El Chavo rapidly became the most successful show on Channel 8, being one of the few to best the viewing quota from Channel 2 in its time. In the beginning, the seres was considered "vulgar", even though it counted with a "good dramatic structure". Aguirre mentioned that it was qualified as "trash, stupid content". In Colombia, the government sought to forbid the distribution of the series due to their belief of it being "dehumanizing", while in Brazil some executives from the SBT chain qualified it as "not recommendable" for distribution.
Even though Gómez Bolaños declared that the show was not intended for children as an audience, there are studies that children prefer to view shows that allow "them to relax through laughter", and El Chavo del Ocho was one of those shows that allowed them to do so. For Valerio Fuenzalida Fernández, from Pontificia Universidad Católica de Chile, many adults "have in general enormous difficulty to value humor television programs for children, under the prejudice that humor would be a useless and irrelevant distraction, therefore a waste of time" and would therefore prefer kids to be invested in watching educative shows, which he believed was an incorrect prejudice on their part.
One of the themes that the show has been criticized for is violence. In a survey conducted in Ecuador, in 2008, to more than 1400 parents and kids, it was concluded that the blows that Don Ramón gives the kids of the vecindad, and the slaps that Doña Florinda gives him, represent a bad influence for the young audience. Patricia Ávila Muñoz, in the Spaniard magazine Sphera Pública, determined that it uses blank humor, and it is apart from the familiar aspect by showing "isolated characters, and adults who are frequently made fun of by the kids". She added that the dialogue was "lazy and tasteless". She compared the series to The Simpsons, by "presenting one of the possible reflections of society... but minimizes social issues".The Mexican writer Fernando Buen Abad considered that the content was via for media terrorism, by focusing on the entertainment concept that brings the audience the orphan status of a minor, and the violence he is exposed to in the vecindad. In addition, other authors have included discrimination and the aggressions against physical stereotypes of some of the characters, such as an object of criticism. In this sense, Señor Barriga is always hit by El Chavo. Also, his obesity is cause of him being a constant target of mockery by the other characters. Popis, whose predominant characteristic is her nasally voice, in one moment produced the nonconformity by one parent whom, in one of the tours by the cast, expressed that her form of speaking was a jab at kids who had the same problem.
In spite of the previous critics, there were those who praised the content of the show. For Chilean editor of the diary El Mercurio, Paulo Ramírez: "El Chavo is one of the characters and one of those series that is eternal"; in his analysis, he made emphasis that, in spite of being a Mexican series, it contained "universal situations", and recognized the popularity due to that whichever spectator could identity "with a really impressive harmony" with the characters and their situations, especially those relating to friendship and betrayal. In 2010, Ecuador's President, Rafael Correa expressed that El Chavo is "the best TV show" and praised the script, the characters, and the actor's abilities, especially Villagrán's as Quico. Due to the type of humor, it is considered the preceding show of double meaning in Latin America.
The Brazilian writer, Ruth Rocha highlighted, like Ramírez, the universal theme from a perspective "incredibly childlike". Also, pointed out that one of the reasons for the radical success was in "what we see in the kids, animated, but real children in the manner of their relationships, reactions and expressions we can not only see a Mexican kid, but a kid who could be Brazilian, Argentinian, or Chinese, what we see is a child who reminds us we once were too". In a similar manner, Joaquín Bode noted in his review published on the website Veintemundos.com, that the show became popular with the audience of various countries because it "reflects the way of being and living of the Latinos very well; but also the unforgettable and loved characters, where they live, and their moral and religious aspects were part of a common identity it's a loyal reflection of the social reality of Latin America: people of low social class, unemployed, single parents, that in spite of all the problems, manage to move on with hope, good humor, loyalty, and friendship".
Brendan Koerner, from the American online magazine Slate, compared the series style, practically staged on one set, with the musical You're a Good Man, Charlie Brown. He also commented that the Hispanic population in the United States watches El Chavo del Ocho mainly due to "nostalgia" which entails watching Mexican productions in a country different from their own. He noted in his reporting that the show keeps being successful due to being transmitted generation after generation. Similar to his opinion, Carolina Sanín, from the electronic magazine Revista Arcadia, mentioned that thanks to the "structure and aesthetics of comedy, and it's juxtapositions", the show became one of the most memorable to her. She reflected the possibility that its content constituted a metaphor regarding education and the nonexistent "inner child".

Denied series finale

During a visit to Peru in 2008, Roberto Gómez Bolaños told the media that he originally planned to make a proper finale to El Chavo del Ocho: in this finale, El Chavo would die run over by a car, trying to save another kid. However, one of Bolaños' daughters, who is a psychologist, convinced her father to drop the idea, since according to her, it could depress many children and even lead them to commit suicide.