Eileen Chang


Eileen Chang, also known as Zhang Ailing or Chang Ai-ling, was a Chinese-born American essayist, novelist, and screenwriter.
Chang was born with an aristocratic lineage and educated bilingually in Shanghai. She gained literary prominence in Japanese-occupied Shanghai between 1943 and 1945. However, after the Communist takeover of China, she fled the country. In the late 1960s and early 1970s, she was rediscovered by scholars such as C. T. Hsia and Shui Jing. Together with the re-examination of literary histories in the post-Mao era during the late 1970s and early 1980s, her work became popular once again among Taiwan, Hong Kong, Mainland China, and the Chinese diaspora communities.
Chang’s most important contribution was her construction of an alternative wartime narrative, one that deviated from the grand accounts of national salvation and revolution. In her most important works, her impressionistic view of modern history displays colors, lines, shapes, textures, and moods, which are often crystallized in the changing styles of women’s clothes.

Life

Childhood and youth

Chang was born Zhang Ying in Shanghai, China. She was the first child of Zhang Zhiyi and Huang Suqiong. Chang's maternal great-grandfather, Huang Yisheng, was a prominent naval commander. Chang's paternal grandfather, Zhang Peilun married Li Ju'ou and was son-in-law to Li Hongzhang. She also spent her childhood with paternal aunt Zhang Maoyuan.
In 1922, when Chang was two years old, the family relocated to Tianjin. When she was three, her father began to introduce her to Tang poetry. In 1924, her father often brought back prostitutes or concubines and was also addicted to opium. This resulted in fights between Chang's parents. During this time, her mother decided to travel with her aunt to France to study. She returned in 1927, as her husband had promised to end the turmoil with his drug usage and his extramarital affairs, and so the family settled back in Shanghai in 1928. However, her parents eventually divorced in 1930. Chang and her younger brother Zhang Zijing were raised by their father.
Upon graduation from high school, Chang had a fight with her stepmother and father. Eventually, she contracted dysentery. Instead of obtaining treatment for her, her father beat her and forced her to stay in her bedroom for six months. Chang ran away to live with her mother shortly after her 18th birthday; they remained in a new apartment for nearly two years, until she began to attend university and briefly lived in Hong Kong.

Education

Chang started school at age 4. Chang had obtained excellent English skills besides her native Chinese. In 1937, she graduated from an all-female Christian high school, St. Mary's Hall, Shanghai, but said her family was not religious.
Under her mother's influence, at an early age, Chang began training in painting, piano and English.
In 1939, Chang was accepted to the University of London on a full scholarship, but because of the war in Europe, she was not able to attend. Instead, she studied English Literature at the University of Hong Kong, where she met her lifelong friend, Fatima Mohideen. When Chang was one semester short of earning her degree in December 1941, Hong Kong fell to the Empire of Japan.

Marriages

In 1943, Chang met her first husband Hu Lancheng when she was 23 and he was 37. They married the following year in a private ceremony. Fatima Mohideen was the sole attendee. In the few months that he courted Chang, Hu was still married to his third wife. Although Hu was labelled a traitor for collaborating with the Japanese during World War II, Chang continued to remain loyal to Hu. Shortly thereafter, Hu chose to move to Wuhan to work for a newspaper. While staying at a local hospital, he seduced a 17-year-old nurse, Zhou Xunde, who soon moved in with him. When Japan was defeated in 1945, Hu used another identity and hid in the nearby city of Wenzhou, where he married Fan Xiumei. Chang and Hu divorced in 1947.
While in MacDowell Colony, New Hampshire, Chang met and became involved with the American screenwriter Ferdinand Reyher, a native of Philadelphia, Pennsylvania. During the time they were briefly apart in New York, Chang wrote to Reyher that she was pregnant with his child. Reyher wrote back to propose. Although Chang did not receive the letter, she telephoned the following morning to inform Reyher she was arriving in Saratoga. Reyher had a chance to propose to her in person, but insisted that he did not want the child. Chang had an abortion shortly afterward. On August 14, 1956, the couple married in New York City. After the wedding, the couple moved back to New Hampshire. After suffering a series of strokes, Reyher eventually became paralyzed, before his death on October 8, 1967.

Death

On September 8, 1995, Chang was found dead in her apartment on Rochester Avenue in Westwood, Los Angeles, by her landlord. According to her friends, Chang had died of natural causes several days before her building manager discovered her body after becoming alarmed that she had not answered her telephone. Her death certificate states that she died from cardiovascular disease. According to Chang's will, she was cremated without any memorial service, and her ashes scattered in the Pacific Ocean.

Career

Shanghai

At the age of 10, Chang's mother renamed her Ailing, a transliteration of Eileen, in preparation for her entrance into an English school. While in high school, Chang read Dream of the Red Chamber, one of the Four Great Classical Novels of Chinese literature, which would influence her work throughout her career. Chang already displayed great literary talent and her writings were published in the school magazine. The following year, she wrote her debut short novel at the age of 12.
In 1943, Chang was introduced to the prominent editor Zhou Shoujuan, and gave him a few pieces of her writing. With Zhou's backing, Chang soon became the most popular new writer in Shanghai. Within the next two years, she wrote some of her most acclaimed works, including Love in a Fallen City and The Golden Cangue. Several short stories and novellas were collected in Romances . It had instantly become a bestseller in Shanghai. As a result, Chang immediately received attention from Chinese readers and also the literary circle.
A collection of her essays appeared as Written on Water in 1945. Her literary maturity was said to be far beyond her age. "The essay form became a means for Eileen Chang constantly to redefine the boundaries between life and work, the domestic and the historic, and meticulously to weave a rich private life together with the concerns of a public intellectual." In 20th century China, Chang was experimented with new literary language. In her essay entitled "writing of one's own," Chang retrospectively remarks on her use of a new fictional language in her novella Lianhuantao Chained Links
In the early days of her career, Chang was famously associated with this comment:

Hong Kong

In 1945, Chang’s reputation waned due to postwar cultural and political turmoil. The situation worsened after the Communist takeover in 1949. Eventually, Chang left mainland China and went to Hong Kong in 1952, realizing her writing career in Shanghai was over. In Hong Kong, she worked as a translator for the United States Information Service for three years. While there, she wrote The Rice Sprout Song, her first novel written entirely in English. During her sojourn in Hong Kong, she translated a variety of English books into Chinese. Most notably include books by Ernest Hemingway and The Legend of Sleepy Hollow. She then left for the United States in 1955, never to return to mainland China again.

USA

Chang became a U.S. citizen in 1960 and briefly headed to Taiwan for more opportunities, returning to the U.S. in 1962.
In 1963, Chang finished her English semi-biographical novels, The Fall of the Pagoda and The Book of Change. Both were believed to be her attempts to offer an alternative writing style to mainstream America; she did not succeed. The full-length novels were not published until 2010, 15 years after her death. In 1967, Chang held a short-term job at Radcliffe College.
In 1969, upon the invitation of Shih-Hsiang Chen, a professor of Oriental Languages at the University of California, Berkeley, Chang became a senior researcher at the Center for Chinese Studies of Berkeley. She did research on the special terms used by the Chinese Communists as well as on Dream of the Red Chamber. In 1971, Professor Chen died, and Chang subsequently left her position at Berkeley.
In 1972, Chang relocated to Los Angeles. In 1975, she completed the English translation of Shanghai Flowers, a celebrated Qing novel written in Wu Chinese by Han Bangqing. Among her papers retrieved from the University of Southern California, the manuscript for the translated English version was found after her death and published. In 1978, Crown Magazine published "Lust, Caution", “Xiang Jian Huan” and “Fu Hua Lang Rui”, all written by Eileen Chang.
She has been listed as one of China's four women geniuses, together with Lü Bicheng, Xiao Hong and Shi Pingmei.

Influence

During the 1970s, many creative writers in Taiwan have been influenced by her. Several generations of “Chang School writers" are said to have emerged. Notable Taiwanese authors include Chu T’ien-wen, Chu T’ien-hsin, Lin Yao-de, Yuan Chiung-chiung.
Like Taiwan in the 1970s, in Mainland China in the 1980s and 1990s, a group of young women authors emerged were clearly inspired by Chang. The name Eileen Chang became synonymous with the glories of a bygone era. Notable Mainland China authors who are influenced by Chang include Wang Anyi, Su Tong, and Ye Zhaoyan.
Dominic Cheung, a poet and professor of East Asian languages at the University of Southern California, said that had it not been for the Chinese Civil War, Chang would have been a recipient of the Nobel Prize in Literature.

Works in English translation

The following scripts were penned by Chang:
The following are films adapted from Eileen Chang's novels:
A 20-episode TV series, The Legend of Eileen Chang, written by Wang Hui-ling and starring Rene Liu, was aired in Taiwan in 2004.
Malaysian singer Victor Wong wrote a song titled "Eileen Chang" in 2005.
"Science Fiction," a chapter from the book Daughter by Taiwanese writer Lo Yi-chin in 駱以軍 and translated by Thomas Moran and Jingling Chen, features quotations and themes from Eileen Chang's writings and life, in the collection , ed. Mingwei Song and Theodore Huters.

Portrait